Between Takes with 1413
The two creatives spearheading 1413 Visuals are talking about all things studio life -- work, music, love etc.
Between Takes with 1413
Ep 5: Strings and Stories, Navigating Covers and Crafting Originals
Join our enthusiastic guest, Morgan Hudson, as she schools us on the touring life, and why a drive to the next town over can be just as legit as a cross-country road trip. It's all about the music, the fans, and the journey, and Morgan's infectious spirit will have you itching to hit the road, playlist at the ready.
When the lights dim and the crowd hushes, there's nothing quite like the raw connection between artist and audience. We explore the balancing act of pleasing fans with covers while also baring our souls with original music. Morgan shares the thrill of her unreleased track, "Sleeping Alone," and we get real about the awkward on-stage fan cameos and the never-ending "Freebird" requests. It's a candid look at the local music grind, where every gig is a mixtape of hits and heartfelt personal anthems.
Finally, what's in a playlist name? Everything, if you ask us. Pre-show hype tracks and unwinding rituals are on full display, as Morgan and I share the tunes that rev us up or help us find our zen. So whether you're a "Back That Ass Up" enthusiast or a "Tom Sawyer" purist, this episode has something to strike every chord and maybe even inspire your next Friday night jam session.
Find Morgan on all her platforms:
Facebook: https://www.facebook.com/morgan.hudson.18?mibextid=LQQJ4d
Instagram: https://www.instagram.com/morganhudsonmusic?igsh=Nml5cTJ0bzJ4bWV5
Moco: https://www.facebook.com/profile.php?id=100092296350422&mibextid=LQQJ4d
Nash Studios: https://www.facebook.com/profile.php?id=61555261941285&mibextid=LQQJ4d
Spotify: https://open.spotify.com/artist/6hzMoQWQrIfoqRcS88DEOO?si=0b8ZkKMoQtK5WkXa28TLYQ
Song of the Week Playlist: https://open.spotify.com/playlist/7lDyWnUnAmvuUkf8wj7ilK?si=df11343db17c4df0
Follow us on social media
- Instagram
Josh: https://www.instagram.com/1413_visuals/
Sam: https://www.instagram.com/samantha.with.a.camera/
- Facebook
Josh: https://www.facebook.com/search/top?q=1413%20visuals
Sam: https://www.facebook.com/profile.php?id=61551623922249
Watch the Episodes: https://www.youtube.com/channel/UCNEbTpI9bZA7POvKaNto2RQ
I'm in Greenville tonight.
Speaker 2:First off of the tour Devin. What have you had?
Speaker 1:going on lately. Oh man, I've just been gigging at night. It's been fun. I've been doing studio stuff during the day, Writing lots of songs which is cool. Yeah, I'm pretty excited about things I've been going we should probably say this is morgan.
Speaker 2:Oh hi, hi, morgan hudson. Yay, uh, she is a singer songwriter here in greenville, uh, in the surrounding areas, she just helped open a studio locally, um, and then does like a gajillion other things yeah, I like burn the candle at both ends, but that's how I like to live my life, wouldn't have it any other way thanks for having me on the podcast you're welcome. What about you, josh? What's been going on?
Speaker 3:well, we have definitely had our work, uh, the past few days covering a big conference at the convention center. It was a lot of work, a lot of fun, really cool. But between that and prep and doing regular commercials that need to get turned out and get on air, but yeah, I mean that's really taken up a lot of our time. You were shooting photo, shooting video, kind of tackled it together.
Speaker 1:Yeah, we opened up for a band from New York called Maddie Walsh and the Blind Spots. They played at Nash and they're just so awesome. They're so awesome. I met her like three years ago. My old band opened up for them at Christie's Euro Pub and then they came and played last year at Nash and then they did their spring tour.
Speaker 2:There's a big thing on social media happening right now about bands calling things a tour. What do you?
Speaker 1:What is a tour? What's a tour to you? Whatever you want, Look well, tonight I'm on tour. I'm in Greenville tonight, first stop of the tour. Tomorrow we're in Wilmington. Hopefully it doesn't rain. Second stop of the tour yeah, so, yeah, whatever you want to call it, but no, they were on like a you know, a pretty big tour because they came all the way from Ithaca, new York, and then all the way, like they're, in Florida right now. So, but MoCo is planning their summer tour for 2025.
Speaker 1:A two week tour and we just started planning our cities and stuff two-week tour and we just started planning our cities and stuff.
Speaker 3:So that's cool. I'm excited about that. Now, are you the one that does all the planning? Are you the one that the calls, makes the phone calls line stuff up?
Speaker 1:I do a lot of the marketing, yes, and the guys you know helping you know whenever they can too, but yeah, I kind of hit everything up yeah, we're gonna. It's gonna be a northeastern tour, so we've got like, if I could new york on our list maybe I should go and order. So my brain couldn't, yeah. So, like the plan is, we'll start um and we'll probably go do like two nights in ocracoke. It's my favorite that's the island.
Speaker 1:Yes, I love that. Yeah, so this is all according to plan, like, like, if this all works out. Subject to change. Subject to change like I'd love to do two nights in ocracoke and then do like washington dc either like pittsburgh or philadelphia up to ithaca and then on the way back down, maybe charlotte and then raleigh, and then finish off the tour in greenville is this the first, your first tour? Yeah, like out, yeah yeah, yeah, I did a show at an art gallery in florida last year.
Speaker 1:It was a solo show very impromptu, and then I played last year in chattanooga solo show, but other than that I haven't really branched out of state much that is the goal I want to travel, I want to play music, I want a tour bus. So any sponsors out there?
Speaker 2:apparently only if you're on bus or plane is it a tour? Well, can someone? Your mode of travel is what designates, or that is, I don't know I just there's been a lot of like weird statements and arguments and riffs on. Oh yes, at least what I'm seeing on social media on the like local scene about what constitutes a tour and what doesn't, and I'm like all of you are touring just like shut up. You're all touring like you're all like who, who the fuck?
Speaker 1:yes, yes, like musicians, if you, if you were driving 30 minutes is this. Musicians if you were driving 30 minutes to a gig four nights a week.
Speaker 2:you were on tour Like who cares you?
Speaker 3:kind of like can't seem like you do the whole thing where you go on stage like where are we at tonight?
Speaker 1:Yeah, yeah, Wow yeah, we just drove 12 minutes.
Speaker 3:Highway 11 was packed up. Yeah like.
Speaker 2:I just don't understand why it like, why it matters. It doesn't, who cares? Like I get why they do it. Like I get why musicians, they'll post a string of shows like all in a run, and especially if it's like all in different whatever, and they call it a blah blah blah tour or whatever. What else like? What else are you? What else are you supposed to call it? Yeah, as far as like, promotion, like, and who cares?
Speaker 2:yeah, just do what you want go go you if you're like one of those musicians that's upset, just like go.
Speaker 1:And yeah, why are you upset?
Speaker 2:post your three shows and yeah here's my promote you here's my uh spring break tour, exactly my spring break greenville north carolina tour. That's right, that is right okay who cares? Yes, yes, and I'm doing the tour in my sebring. Yes, yes, but it's good on gas. I was trying to think the least like least tour bus kind of vehicle.
Speaker 1:Yes, I've got two dream cars can I digress to this?
Speaker 1:yes, okay, I want a 1979 volkswagen camper bus westfalia okay, maybe redone on the outside, I want it to be like mint green, on the inside, I want it like burnt orange plush please white wall tires. And then my second one, 1969 rolls royce black okay, white wall tires. Red, pinstriped Okay, those are my two dream cars. Okay, I get overstimulated in places where things aren't supposed to be loud, like when I'm in Walmart. I was shopping with my sister one time and she just was not having a good time with me because she's like why are you like this? What'd you do? I was just like I was ready to get out of there.
Speaker 2:It could be way too much. I was just ready to get out of there. Walmart's the scariest place on earth. I don't care what anybody says. I love. I dread going to.
Speaker 1:Walmart. I like Walmart, but I just wish it was 24 hour here because I want to grocery shop at 11 o'clock at night.
Speaker 3:Yes, that is when I do my best.
Speaker 2:Your time, yes I really enjoy the pickup option I order and I just pick up and tell them when I'm there, and then they bring it out to me, okay oh man wait.
Speaker 3:What's worse walmart or crowded bar?
Speaker 2:see a crowded bar, just a crowded bar, not the problem. A crowded college downtown bar the problem it's the young people and the like inch layer of slosh all over the floor and the destroyed bathrooms.
Speaker 1:I'm here for it. I love a dirty bar oh.
Speaker 2:God, I'm fine with a dirty bar. It's like if the people are older.
Speaker 3:I want older, dirty people.
Speaker 2:Yes, I just don't want these, like I just I don't know.
Speaker 3:Anyway, but yeah, I know a pet peeve of Sam now no, you're not, you're not a pet peeve. She has a lot.
Speaker 1:Yeah, I have some pet peeves myself, that actually surprises me.
Speaker 3:What is one? Yeah, I want to know. Yeah, let us know. List your pet peeves, because you're like literally the epitome of sunshine.
Speaker 1:Oh my God, that just. Oh, man, that's sweet. That was just a statement.
Speaker 2:I know it was supposed to be really matter of fact, not something to get emotional about.
Speaker 1:You don't like when I get emotional. I'm an emotional bitch Anyway.
Speaker 2:I'm just a bitch.
Speaker 1:Oh pet peeve, oh man man. When people are rude for no reason, that's not a pet.
Speaker 3:That is a pet. That's human decency okay. But people.
Speaker 1:Okay, also this. This is another one. Hold on, this is maybe a better one that's more valid whatever. Okay, you know, like when you're in a stoplight and it changes to green, 0.00002 seconds.
Speaker 2:Someone honks.
Speaker 3:Go and someone honks.
Speaker 1:It's like I want to sit here now.
Speaker 3:Do you do that?
Speaker 1:No I don't.
Speaker 2:I've seen people sit. I'm so too nice and I'm like it just turned.
Speaker 1:I'm going.
Speaker 2:Yeah, I hate that it just turned. I'm going yeah, especially because, like there are times when you're like not paying attention and then you get the honk, and if I do that I'm like I wave like thanks, like my bad, but if I'm like I'm paying attention and I've literally brought and I like my foot is off the brake and I'm moving my foot to the thing and I get a honk. It's like that's just like Raises my blood pressure, Like were you doing the countdown?
Speaker 3:It was cool. I bet that's when your pet peeve is, when people don't appreciate the music.
Speaker 2:I don't think that's a pet peeve Like I mean, it is something that I get frustrated. I think that the live music, local artists seen in general is underappreciated because, again, it's just the audience that we have specifically around here. They go to shows and they want to hear someone karaoke morgan wallen. They don't want to hear local musicians sing or like originals or whatever, yeah, and um. That's a frustration of mine. I don't know if it would be a pet peeve.
Speaker 1:But, um, I love like interweaving some originals into some covers, like we do both. But we have a lot of originals and, um, we were actually at a show one night and we had played a bunch of covers and then we played a song off our last album called fatal flaw, and what I loved is there was this girl out in the front row and she was pretending that she knew this song actually no wait, when they're like into, when they're like they're into the song, but they don't know the words, so then they're just like trying to sing along like they do yeah, actually I take that back.
Speaker 1:It wasn't fatal flaw because that was out. Because I'm like, oh well, maybe she has heard it, but no, it was this song that's not out. It's called sleeping alone, and I'm like there's no way she's heard this because this isn't out anywhere. But we did play fatal fall that night but yeah so that's yeah.
Speaker 2:So that was cool. At least you know that's when. That's when you know like they like it. They like the song yeah, yeah, yeah, trying to like, yeah, yeah, yeah. So I was like that's cool.
Speaker 1:I love that, um, but yeah, yeah, I love playing originals and covers. I mean, you know, people want songs that they can sing along to, and that's fine.
Speaker 2:I like doing a good mix, but it would be, you know, I like I mean I'm not saying nobody should do covers, I just, yeah, I get. I mean, I shoot so many shows I get tired of. We have a very talented mix of musicians in the area and they play in these places and I get tired of a they're afraid to play their originals because people don't listen and don't want to listen, right, right or they're like playing their originals, or they're playing like covers of songs that they enjoy or whatever, and people in the crowd are just drunkenly screaming play Morgan Wallen.
Speaker 1:I got Morgan Wallen Freebird, Freebird and it's like Freebird's a great song but I'm not going to play it.
Speaker 2:Yeah, and like also why I've heard the song Dick Down in Dallas so many times in the last year or two years. And I get why the bands play it because people go nuts. But it's like is this the only song you guys know? Right, this is it. This is your top tier music.
Speaker 1:Are you kidding? Yeah, because, as an artist, like I feel like I pour my heart out onto the page and then it's like like that's the best feeling, like to like go through something in your life and you have this experience and then you put it on the paper, and then you put it, you know, together with the band, and you go out and you play it and people like that like that's just a different music wanting to.
Speaker 2:I want to hear the performers music I want to hear I'm not saying you have to I want to hear the performer's music.
Speaker 1:I want to hear.
Speaker 2:I'm not saying you have to do it in all origin, you know, and everyone sits there quietly or anything you know there are venues for that. I'm not saying I do that, but it just it bums me out that artists are put in a position where, or musicians around here are put in a position where they're afraid to play their own music Because it's so underappreciated and like it almost sometimes will ruin the vibe of the crowd. Like they'll like, leave the dance floor while like bands like, and then wait until they come.
Speaker 2:They'll come back for the next, like you know.
Speaker 1:Billboard top 100 song you play and like yeah, I don't know.
Speaker 2:I I want. I would love to see the community listen and appreciate the talented artists that we have. I go to live music to find new music. I like I don't want to listen to the same five and I always use Morgan Wallen because it's the best example. I don't hate Morgan Wallen or anything, but I want to find more than his top five hits that are on the radio.
Speaker 1:Yeah, plus Dick Down in Dallas. Yeah, I mean, I'm here for all of it because, like, I love singing what's Up by the Four Non-Blondes Zombie Cranberries Like I will build that out right now but I also want to sing songs that we've written and created, and I feel like if you do a good combo, you kind of get the best of both worlds. What I don't like is yeah, I guess I'll talk about one thing I don't like. Like, I do have a lot of patience with other people I do. I don't have a lot with myself, but I do with other people. And you know, when people come and ask, like can I sing a song? And I'm like have the balls to ask that either one they're probably a local musician, they're probably good, or two they're just really drunk, right, and you can usually tell I mean it's pretty rude to do.
Speaker 3:You know, it depends the context if you're at open mic, obviously yeah yeah, yeah, yeah, but even like, if you're there. That's what I'm saying, though, is like this is my this just falls into.
Speaker 2:I feel like the audience that we've grown and filled doesn't have actual appreciation for the local musicians because they don't look at it as actual musicians putting on a performance. They look at it as people around town gathering up on a stage and just playing songs you know for you, yeah, and partying, it's a craft stage and just like playing songs you know for you, yeah, and partying where I'm like these are, yeah, these are like, and that's that's kind of my point when I get across is because it's not just that they request songs that maybe I don't like, but also they.
Speaker 2:If you don't play the songs they want to hear, they decide you're a bad, you're not a good band and we've had that, we've. We've had that too. That's, that's what I don't want. That's that's where I feel like the talent is unappreciated in this area, because the only way you're truly appreciated is if you stand up there and you're a cover band for what they already know and hear. They're not like. People aren't going to live music shows here to listen to the specific band. They just want to see a group of people with musicians and a microphone sing the songs that they want to hear yeah, well, and I definitely think there's truth to that.
Speaker 1:I think that, like it can, it can be kind of discouraging. Yeah, as an artist, it's very frustrating.
Speaker 2:Even as not an artist, I'm like, yeah, you guys have talent and I'm just waiting for a couple of you to like completely blow up, because then, like, maybe, like they'll be like, oh crap, like I. I remember when they were playing at you know, like insert bar name from Greenville here and you know I paid. I saw him for a ten dollar cover and dang.
Speaker 1:I wish I would have paid attention like you know, right, like, but yeah, I mean, and I, I, the way that I combat that and not get all in my feelings about it is, like you know, I, at the end of the day, I'm on stage and I get to do something that I love and that's enough for me and they can, they can like it, or they, you know, or not.
Speaker 2:So, uh, I know we've talked about a little bit in the middle of a bit of a rebrand.
Speaker 1:Yeah, yeah.
Speaker 2:So um, okay yeah little bit in the middle of a bit of a rebrand.
Speaker 1:Yeah, yeah, so, um, okay, yeah, let me talk about this. So out next month I'm gonna have a song with lonnie britain but it'll be under the name morgan hudson. Um, yeah, I've got some previous songs. They're out under morgan hudson, vickers so you can still find those there. But, um, I'm gonna be re-releasing all of those songs under, uh, morgan hudson and that'll be like any solo stuff that I put out or collaborating, like with other artists, like Lonnie will be under the name Morgan Hudson, so you can find that there. And then the band stuff, uh, will be under MoCo, m-o-c-o, and so the band's writing songs we're going to, we're working on our next album, but, yeah, so I'm excited about the rebrand.
Speaker 1:How does that feel like in life rebranding? Has that been hard? You know, from like a business side of it, it hasn't been too difficult. Like, um, you know there's some venues that still advertise me under Morgan Vickers, which is, which is fine, but I want to make the, I want to make the switch to Morgan Hudson, so, um, and that just be. You know, my brand, morgan Hudson of Morgan Hudson of.
Speaker 1:MoCo you know that's yeah, that's what I want it to be, and rebranding life has felt pretty good.
Speaker 2:I was going to say. I feel like I've went through those phases a couple times and it feels like elevating to me almost and like I think any time you get the opportunity to have a fresh start and reinvent any aspect of yourself is exciting. And you should be really excited.
Speaker 1:Yeah, I am excited. It definitely has not been easy that is definitely an understatement but I feel really good. I feel like at the most peace I've ever felt in my life and I feel like I've written a lot of songs about it a lot of stuff, but it's all good I kind of wanted us to dive into, like your process of song songwriting.
Speaker 2:Yes, creatives are cool um that's kind of what our podcast is about it should be on a shirt. Creatives are cool.
Speaker 3:Yeah, those are cool yeah let me write that yeah, write that down.
Speaker 1:Yeah, I'm sure or I want a hat, because this is my only ball cap. Like I said, I'll wear a ball cap for you guys, you know.
Speaker 2:I actually you're the person who asked me that time about if we have 1413 merch Merch. I want some. I think we need to do that. What was the question?
Speaker 1:I don't remember we're getting in a.
Speaker 2:We want to know about your creative process for songwriting. Wow.
Speaker 1:Okay, okay. So for me, if I sit down and try to write a song, unless I'm writing it with someone else, like unless I'm co-writing, if I just, if I like, say, okay, morgan, you're gonna sit down here and try and write, nope, never happens.
Speaker 2:All of my songs.
Speaker 1:I've pretty much spit them out 30 minutes or less, like I've polished them up obviously and, like you know, change them around and things. But like normally if I write a song, I got something to say and I got to get it out. A lot of my songs have so many words and the guys in the band they're like, hey, can we say this in less?
Speaker 2:You know Less words.
Speaker 1:Okay, let's bring it back, Just for like melody's sake you know, Like I can take out some does and some I's and some you know whatever.
Speaker 2:I've heard people say they'll have like a kind of like a zinger line and it'll sit with them forever and they'll finally find a song to fit it into or something that works.
Speaker 1:There's a song that we're working on and we actually Well, we might change the name of it. Okay, I won't say the name. Oh man, how do?
Speaker 2:I Spit it out, Morgan. I make a long story short. So long story short, I broke both my legs when I was 19. All right, this is what we're doing. Let her cook.
Speaker 1:All right and a bunch of other stuff. I broke both my legs, my right foot and my right arm all at the same time, so I have scars on both my legs right.
Speaker 2:Okay, I'm clumsy also, and I fall down a lot, but you aren't related.
Speaker 1:I fell down, I skim skipped my knee. Okay, it was bleeding and you know. Anyway, I walked in the studio and I think ryan was like what happened your knee? And I was like, oh, it's fresh blood on an old wound. And I was like, anyway, so I wrote a, I wrote a song about that, but yeah, so the song is. The star lyric I would say is there's fresh blood on an old wound and it opens right up when you walk through the room. So that's.
Speaker 3:Pretty good yeah.
Speaker 1:So I just took that one little thing and then wrote a whole song about it?
Speaker 3:Do you have lots of cases of you saying, like words that go with each other, or rhyme, rhyme or something you're like, oh, I need to pencil that down because I'll save that for later?
Speaker 1:Yes, exactly, and there's so many voice notes on my phone of me like I'm just like recording and I'm like okay, yeah, cool, and then I go back to it later and then, I write a song about it yeah, I don't have anything else on my sticky note.
Speaker 2:I don't think, Josh. What do you?
Speaker 1:think.
Speaker 2:Unless you want to do a little plug for Nash.
Speaker 1:Studios. Yeah, if you guys need any recording, mixing, mastering, podcast, songs, content creation come see us at Nash Studios off of 5th Street in Greenville. And also our band, moco M-O-C-O. Check us out and solo Morgan Hudson and Lonnie Britton and I have a song coming out next month called Lonely Together and we did the music video.
Speaker 1:Yes, I was about to say these guys did the music video. I'm so super excited. It was produced by Chuck Phillips out of Washington shout out to Chuck. And it's like a cool little short film too, and I'm so excited about it.
Speaker 2:Yeah, it's actually not to plug myself or anything, but it's my first storyline music video that I've ever directed, which is like a weird thing, weird to say. Directed. We both filmed it, but the editing is, unfortunately, on my shoulders. Not really unfortunately, it's just and it's a lot. I put a lot it's. You know it shouldn't be as much as it is, but you care about it. Yeah, putting a lot of pressure on it, but I'm actually really, really excited for that to come to light for everyone to see it.
Speaker 1:And I will say one thing about the music video for that that y'all shot, Like when I was thinking about the different scenes and I was thinking about how I wanted to look and everything, everything just fell into place because it pretty much was exactly what I envisioned and that is just. That is just so cool. Like that it's exactly what I wanted and that just to see that come to life is awesome.
Speaker 2:That's what we like to hear, like to hear.
Speaker 2:so, yeah, uh, even just morphing from, I guess, what we were setting up at the house and then seeing it come to life in a yeah full bit like is just. I mean, it's just insane and and I think I used to think about you know, I hear songs and could see visions of videos in my head and stuff and it always felt so like far-fetched and like weird to me, um, and so I guess to see something come together and it to actually happen and did it and you know, or doing it, it's just working on it, do it. Song of the week. Song of the week. I don't want to go first. You don't want to go first.
Speaker 1:Oh well, hold on, let me hold on. I've got my artists. Let me pick a song by them. This is Big Red Button by Maddie Walsh and the Blind Spots Off of their album called Talk. It's a really cool band name. Oh, it's an awesome band name and they're awesome. They were the band that we opened up for last Thursday at Nash and I did two songs with them. I got up on stage and I did. This is one of the songs I did with them, called Big Red Button, and it's fun, it's super fun.
Speaker 3:It kind of sounds like your vibe yeah it was really, really, really fun.
Speaker 1:So that's my song of the week. I listen to that album all the time. They have several albums, but this album called Talk is my favorite album so far that they put out.
Speaker 2:So yeah, cool, cool, it'll be added onto the playlist.
Speaker 3:My song of the week is the Future Starts Slow by.
Speaker 2:The Kills.
Speaker 3:It's a female singer. Yeah, I love their style of music. I love the guitar riffs in it. I think that almost every song I've picked so far has some kind of riff in it that sticks out to me.
Speaker 2:So I was fawning over Caitlin Butts because she put out a new song recently and I love her. So my song of the week is called A World when we Work Out, and it's by her and Flatland Calvary. It's a Flatland Calvary song and she's featured on it. It's one of my favorite songs by Flatland Calvary. There's not really a song they could put out that I wouldn't like. It is what I would normally listen to because it's not happy, but it's about love, so it's not really.
Speaker 3:They snuck it in there.
Speaker 2:I really like it.
Speaker 3:I their voices are like I can't wait to hear yeah, um, I'm gonna add it to my playlist.
Speaker 2:Compliment each other, nice, yeah, and it's cool. Yeah, you guys should check it out. So, yeah, there's it. Yeah, uh, those songs will be added to the playlist between takes songs. I hope I want people to start telling us like what they think of the songs we're putting on there yeah nobody tells us, nobody interacts okay, I'll interact, yeah, people start engaging with our podcast stuff? I want to know.
Speaker 3:I need to know I feel like songs are a way to really tell something about somebody like your playlist, you could, oh yeah, kind of get an idea of what that person's like yeah, well, shit, I hope they don't use my songs I've picked so far I have.
Speaker 1:So yeah, I have so many playlists like. Do you want to know the names of my playlists?
Speaker 2:oh please, oh, can we? Let's play that game.
Speaker 3:I want to play that game.
Speaker 2:Yeah, this is I love this game because this is where I shine I'm gonna share three.
Speaker 1:One of them is oh dang get.
Speaker 2:I want to know more than that go ahead.
Speaker 1:One is getting my groove on, all right.
Speaker 2:I have one called Just the Happy Ones, and it's all the saddest songs I know.
Speaker 1:Well, my sad song playlist is Help Me Get Through this.
Speaker 3:After Benny cries for help. That's our playlist.
Speaker 1:That's how we get through this. That's what it's called. It's how we get through this. That's how we get through this. There's one called Nostalgia, one called Love.
Speaker 3:What's on Nostalgia?
Speaker 1:The first song is Jesse McCartney.
Speaker 2:I have an old one that I put a bunch of breakup songs breakup songs on and it's called suck it, mr Krabs.
Speaker 1:I love that. I love that. Do you have a song that you like listen to like every Friday? Because I do. I have songs every Friday like, just just like Friday's, just like, hey, go listen to these songs. No, no, I listen to sad music every day, all day so on friday I listen to tom sawyer by rush, I listen to that every, every friday, and now you're painting a picture for me um, and I said before a gig, I always listen to back that ass up by juvenile.
Speaker 1:I do. That's my hype song, you. But yeah, those are. Those are like songs I always listen to and then I always listen to I'm a Flaminga by Mark Ribbit ribbit, I don't know how to say his name.
Speaker 2:Every Friday, ribbit. Do you have a playlist of Friday songs?
Speaker 1:No, but I just put it on every Friday.