Back To Pop
Back to Pop Podcast: Your All-Access Pass to Pop Culture Icons
Dive headfirst into the vibrant world of pop culture with the “Back to Pop Podcast,” where we celebrate the legends and lore of the entertainment universe. From the visionaries behind the scenes to the iconic faces in front of the camera, we bring you exclusive, heart-to-heart conversations with the diverse talents that have shaped our cultural landscape.
“Back to Pop” is not just a podcast; it’s a vibrant dialogue with the movers and shakers of music, movies, TV, and comics. Each episode is a unique journey, offering you a front-row seat to the untold stories, creative inspirations, and behind-the-scenes insights from your favorite pop culture personalities.
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Back To Pop
Ep: 70 Marc Singer: Before the Loincloth, Beyond the Legend
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Before streaming. Before shared universes. Before fandom went mainstream — there were heroes who meant it.
This week on Back to Pop, we give Marc Singer’s career the full treatment it deserves. He was a classically trained stage actor before any of this happened on a screen — playing Petruchio in A.C.T.’s landmark 1976 Taming of the Shrew for PBS, Christian in Cyrano de Bergerac opposite Peter Donat and Marsha Mason. His film debut was opposite Burt Lancaster in Go Tell the Spartans, one of the sharpest Vietnam War films ever made. His 1982 alone contained two completely different performances: the stoic, compassionate Dar in The Beastmaster and the funny, chaotic Tom Sullivan in If You Could See What I Hear.
Then came V — not just science fiction spectacle, but a documented Nazi allegory adapted from Sinclair Lewis, with Singer’s Mike Donovan as the TV news cameraman who sneaks aboard an alien mothership, films the truth, and refuses to look away.
We trace the full arc: the Singer family musical dynasty that explains everything, the cable TV revolution that turned The Beastmaster into a generational touchstone, the voice of Man-Bat in what many consider the greatest animated series ever made, and Singer’s late-career villain turn in Arrow — a general who unleashes a bioweapon on Hong Kong and calls it patriotism.
Hero. Monster. Villain. Shakespearean. The man brought his full instrument to every room — and because he did, these stories became something people carry for decades.
Start with The Beastmaster. Chase it with the original V. Then find the 1976 Taming of the Shrew on YouTube — and you’ll understand everything.
Theme music composed by Ron Wasserman
Audio composed and edited by
Lauren M. Antoine
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