The Worship Keys Podcast

How to Record a Piano Sample Library: The Equipment & Recording Process

Carson Episode 113

Use Left/Right to seek, Home/End to jump to start or end. Hold shift to jump forward or backward.

0:00 | 19:03

Watch On YouTube 

Hear the full piano sample library on Spotify 

Download the MainStage template here 

Carson Bruce welcomes listeners to the Worship Keys podcast, thanks sponsor Aerospace Audio, and highlights their Atmosphere analog drone pedal (v3) with MIDI capabilities and the Aero Pads iOS app. He announces his newly released piano sample library featuring five sampled pianos and 10 patches, with both regular and felt versions, and begins a series on how to build your own sample library. He covers required equipment including a reliable computer and DAW (he tracks in Pro Tools at 96k, 32-bit float), an audio interface (Focusrite Scarlett 18i20 with eight preamps), microphones (his setups range from four to seven mics), headphones, cables, and stands. He emphasizes planning around instrument quality and room acoustics, then shows his upright piano sampling session at Miller Piano Specialists in Franklin, Tennessee on a Ritmüller upright, recording notes by fifths with multiple velocities, organizing playlists, managing CPU issues, and capturing both standard and felt samples, previewing a future episode on editing and cleanup.

Aerospace Audio

Support the show

Thanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

pro Tools had some CPU issues. We are recording at 96 K and I'm making some new playlists here. The second round will be medium velocity, more meso forte, starting back with the same notes. As you can see, these microphones are about ear level so you're hearing a stereo image of what a performer is hearing when they're playing the instrument from about right here. It's a little wider than my ears and an average persons ears, but it's about that same up here. You're getting a direct demo. Motion to the keys about to record round two Pro Tools is going. Alright, starting back down here. at c