E66 • Finding the Soul of Your Film • J.M. HARPER, dir. of ‘Soul Patrol’ at Sundance, U.S. Doc Competition (Best Director Winner)
Past Present Feature with Marcus Mizelle
Documentary filmmaker and editor J.M. Harper discusses Soul Patrol (Best Director Winner at Sundance ‘26), his six-year journey telling the story of the first Black special operations unit in Vietnam. What began with reading Eddie Manuel’s book grew into years of weekly conversations, slow trust-building, and eventual access to never-before-seen Super 8 footage and photographs shot by the soldiers themselves. Harper also reflects on how his work editing Jeen‑Yuhs: A Kanye Trilogy sharpened his instincts around character, structure, and letting footage reveal meaning over time.
We talk about point of view and theme as the engine of a film, not ideas layered on afterward. Harper frames Soul Patrol around a central question: whether speaking openly about acts committed in war, long buried and rarely acknowledged, can offer any form of healing. Drawing on Steven Spielberg’s Saving Private Ryan, he discusses how cinema can confront violence without glamorizing it, and the ethical tension of rendering horrific experiences with clarity, restraint, and intention.
He reflects on editing as discovery, assembling a team of editors with different strengths, and shaping a film that moves between memory, present-day reckoning, and historical record.
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The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
