E64 • Make The Struggle Worth It • PARSIFAL REPARATO, dir. of 'She' - Best Doc, Adelaide Film Festival following Locarno
Past Present Feature with Marcus Mizelle
Italian documentarian Parsifal Reparato discusses She, his five-year journey inside Vietnam’s electronics manufacturing world, where young migrant women work 12-hour shifts producing devices for the global market. What began as labor-rights research grew into a portrait of fear, capitalism, and survival, earned through slow trust-building with workers afraid to speak openly.
We unpack creative influences like Lars Von Trier’s Dogville, Joshua Oppenheimer’s The Act of Killing, and the observational approach he absorbed from working with Roberto Minervini. Parsifal explains how the film’s black-box reenactment set became a space where workers could rebel, speak freely, or even destroy it. Instead, they rest together, revealing exhaustion itself as resistance.
We talk filmmaking as labor, the emotional toll of activist storytelling, parting with his first editor and later rebuilding the film with Alice Roffinengo, whose perspective shaped its final form. Parsifal reflects on his Locarno premiere, the weight of representing real people on screen, and the responsibility of carrying stories born from hardship.
Advice to filmmakers: trust your voice early, accept risk, and if you’re going to struggle, struggle for something that matters.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E63 • More With Less Through Technique and Resilience • SHIH-CHING TSOU, dir. of ‘Left-Handed Girl‘ - Taiwan’s '25 Oscar Submission, Now on Netflix
Past Present Feature with Marcus Mizelle
Taiwanese filmmaker Shih-Ching Tsou traces her path from a strict upbringing in Taipei to directing Left-Handed Girl, Taiwan’s 2025 Oscar submission for Best International Film, and now streaming on Netflix. After years working alongside Sean Baker, the four-time Academy Award winner known for Anora, Tangerine, and The Florida Project, and her creative partner since they co-directed their first feature Take Out, Shih-Ching steps forward with her solo directorial debut.
Shih-Ching and Baker wrote the script for Left-Handed Girl in 2010, but financing challenges kept the project on hold for more than a decade. Principal photography finally began in July 2022, a delay she now views as part of the film’s natural evolution. The story draws from her experience growing up left-handed in a culture with rigid expectations for girls, and its emotional specificity has already connected with audiences around the world.
Shot on an iPhone 13 with Beastgrip anamorphic lenses, the film captures Taipei’s night markets with stripped-down realism influenced by Dogme 95 and Lee Chang-dong’s Oasis. Shih-Ching worked with a small mobile crew, created the soundscape herself, and shaped the edit with Baker, whose instinct for editing performances she considers unmatched.
After premiering at Cannes Critics’ Week, Left-Handed Girl traveled the global festival circuit before Netflix acquired most territories, followed by theatrical releases in Taiwan, New York, and Los Angeles.
Now representing Taiwan internationally, Shih-Ching reflects on stepping into visibility after decades behind the scenes. Her advice to filmmakers: trust your voice, avoid trends, build community, and keep going. Some films take time, and recognition often arrives later.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Past Present Feature Film Festival (Nov. 19-21) in Hollywood, CA • Tickets @ pastpresentfeature.eventive.org
Past Present Feature with Marcus Mizelle
12 films. 3 nights. 1 Collective.
The Past Present Feature Film Festival is a curated, three-day showcase of cinematic storytelling across time, highlighting overlooked gems, current festival hits, and future feature films in the making. Sponsored by The Past Present Feature Podcast and Leica Camera, all screenings take place November 19 – 21 in Hollywood, CA, at the Eastwood Performing Arts Center (1089 N OXFORD AVE, 90029)
Tickets @ pastpresentfeature.eventive.org
🎟️ ALL ACCESS PASSES Now Available (use code 10OFF for a 10% early discount): go to BUY PASSES to lock yours in now, before they're gone! 🎟️
From exile to reckoning to the edge of reality: stories that reveal who we are, where we’ve been, and what lies ahead. And beyond the screen, a shared home for those who make and love film. Sponsored by Leica Camera.
SCHEDULE
Wednesday, Nov 19
SEARCHING FOR HOME • When survival demands movement, the search for belonging begins.
The Solitude Trilogy (15m) dir. Albert Choi
Take Out (88m) dirs. Sean Baker & Shih-Ching Tsou
Walk Run Cha-Cha (20m) dir. Laura Nix
Roads of Fire (119m) dir. Nathaniel Lezra
Thursday, Nov 20
ROOTS & RECKONINGS • When the past refuses to stay buried, identity and loyalty collide.
The Bad Man (25m) dir. Manny Duran
Our Father, The Devil (108m) dir. Ellie Foumbi
Ree’s Destiny (16m) dir. Steven J. Mosley
Pierce (109m) dir. Nelicia Low
Friday, Nov 21
BEYOND THE EDGE • When the familiar world falls away, what remains is instinct, consequence, and chaos.
Sunday Sauce (14m) dir. Matt Campanella
The Wave (87m) dir. Gille Klabin
Other Side of the Box (15m) dir. Caleb J. Phillips
The Thicket (105m) dir. Elliot Lester
The festival culminates with the AUDIENCE AWARD, honoring the most well-received film across all categories - past, present, or future. Chosen by the audience, whose voices define the spirit of the festival.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E62 • From Lockdown to Locarno • JANICKE ASKEVOLD, dir. of ‘Solomamma‘ at Locarno
Past Present Feature with Marcus Mizelle
Janicke Askevold unpacks her journey from shooting Together Alone with friends during COVID to premiering her new feature Solomamma at the Locarno Film Festival. The Norwegian actor-turned-director traces how a one-page pitch led to full Norwegian Film Institute backing and a 25-day Oslo shoot that balanced long summer daylight, short 8-hour workdays, and a five-year-old co-star.
Solomamma follows Edith, a journalist and single mother who secretly seeks out her sperm donor - an encounter that evolves into love, deceit, and a search for self. Co-produced across Lithuania, Latvia, and Finland, with sound design by a collaborator of Ruben Östlund, the film examines modern solo motherhood in the wake of Norway’s 2020 legalization of single-parent conception.
Janicke’s cinematic influences span Fritz Lang’s expressionism, Billy Wilder’s Sunset Boulevard, and Maren Ade’s Toni Erdmann. On craft, she champions preparation, the power of casting chemistry tests that “made her cry,” and editing as the stage where “you can make a whole new film.”
Her advice to young filmmakers: trust your instincts, start sooner, send the story out—and don’t wait for permission.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E61 • Prioritizing Audience Experience, Enjoying the Process • MERCEDES BRYCE MORGAN, dir. of ‘Bone Lake’ now In Theaters from Bleecker Street, following Fantastic Fest
Past Present Feature with Marcus Mizelle
Mercedes Bryce Morgan unpacks the whirlwind making of Bone Lake, an 18-day Atlanta shoot that battled storms, injuries, and lost gear before completing its night-boat climax on a Los Angeles soundstage. After a Fantastic Fest premiere and Deadline-breaking international sales, the erotic survival thriller heads to U.S. theaters with buzzy audience reactions and a proudly “fun, commercial, popcorn” spirit.
Mercedes traces her path from mini DV Star Wars shorts and USC to festival features, describing her taste as a mix of Oldboy’s devastation and Amélie’s heart. Other past influences include Barbarians, Who’s Afraid of Virginia Woolf?, The House of Yes, Funny Games, and The One I Love. Her TIFF-premiering Fixation (2022) sparked her love for erotic thrillers.
On craft, she argues the best twists are guessable seconds before they land, and test screenings help her fine-tune which parts of the mystery viewers might sense without solving it too soon. Her advice to young filmmakers: embrace constraints as boot camp, stick with collaborators who love the work, design for the audience experience, and make sure you enjoy the day-to-day… because the process is the life.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E60 • From Stroke Survivor to Digital Age Storyteller • AUDUN AMUNDSEN, dir. of ‘Click the Link Below’ at Doc Edge
Past Present Feature with Marcus Mizelle
Norwegian filmmaker Audun Amundsen, director of Click the Link Below, which premiered at Doc Edge in Auckland, follows online gurus like Akbar Sheikh and Tai Lopez to show how engagement algorithms reward extremes and blur value with hype.
Audun traces an unlikely path from renewable energy engineer and backpacker to documentarian, surviving a stroke at 23 before returning to Indonesia that resulted in his previous documentary Newtopia, a 15-year chronicle of a community’s shift from barter to money, with a focus on human nature over gloss.
He also cites his earlier feature Help! I’ve Gone Viral, plus inspirations like Juan Carlos Rulfo’s In the Pit and Tarantino’s Pulp Fiction. Audun champions smart self-distribution, keeping VOD rights and building film funnels, and urges filmmakers to research financial backers, lead with value, and market your film as thoughtfully as you shoot.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E59 • Breaking Taboos and Crafting The Anti-Heroine • NINA KNAG, dir. of ‘Don’t Call Me Mama’ at Karlovy Vary, Crystal Globe Competition
Past Present Feature with Marcus Mizelle
Nina Knag’s debut feature, Don’t Call Me Mama, which marks her arrival as a bold new voice in cinema, just premiered at the Karlovy Vary International Film Festival in the Crystal Globe competition. She tackles the taboo subject of relationships between older women and younger asylum seekers through the lens of complex, unapologetic female anti-heroes. Drawing from personal insight and the influence of trailblazing female filmmakers, Knag crafts a story where the setting becomes an active force in shaping narrative and theme.
She emphasizes the importance of deep collaboration with actors, embracing improvisation and authenticity to capture the complex realities of human relationships. For Knag, filmmaking is as much about the journey as the final cut—each challenge, misstep, and success feeding into a creative process that demands vulnerability, resilience, and a refusal to compromise the heart of the story.
Past films discussed include The Hunt (2012, dir. Thomas Vinterberg), After the Wedding (2006, dir. Susanne Bier), Fish Tank (2009, dir. Andrea Arnold), and the short Wasp (2003, dir. Andrea Arnold).
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E58 • Inside the Mind of a Festival Gatekeeper • THOM POWERS, Lead Documentary Programmer of the Toronto International Film Festival
Past Present Feature with Marcus Mizelle
Thom Powers, a renowned documentary programmer for the Toronto International Film Festival (TIFF), former artistic director of DocNYC, and host of the “Pure Nonfiction” podcast, delves into his journey from filmmaker to influential festival curator. Thom shares behind-the-scenes details about programming films like “The Bibi Files,” directed by Alexis Bloom, and Rebecca Huntt’s “Beba,” highlighting the unique power of documentaries to engage audiences.
Thom emphasizes the importance of community within the filmmaking ecosystem, explores the nuanced selection process at major film festivals, and candidly reflects on the future challenges and opportunities facing documentary distribution today. Thom also reveals his all-time favorite documentary, the 1989 Oscar-winning “Hotel Terminus: The Life and Times of Klaus Barbie,” directed by Marcel Ophuls.
This conversation is a true masterclass for filmmakers eager to understand how documentaries find their audience and why curators like Powers are pivotal in shaping the documentary landscape.
Listen on Spotify, Apple Podcasts, iHeart, and at pastpresentfeature.com
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E57 • From Collab’ing With Coppola to Creating ‘The Purge‘: 30 Years in Hollywood • JAMES DEMONACO, dir. of ‘The Home’ starring Pete Davidson, now in Theaters via Miramax
Past Present Feature with Marcus Mizelle
In this conversation, filmmaker James DeMonaco discusses his journey from writing the comedy “Jack” and working with Francis Ford Coppola and Luc Besson, to creating the successful “Purge” franchise. Up next is his latest, a psychological horror film, “The Home” starring Pete Davidson, which is releasing theatrically July 25th via Roadside Attractions.
DeMonaco shares insights on genre forms in screenwriting - and a 30 year career as a Hollywood screenwriter, the challenges of production, and the importance of audience engagement. He reflects on his experiences with notable actors and directors, and the creative process behind his films, emphasizing the need for authenticity and emotional connection in storytelling.
Many past inspirations are discussed including the 1977 supernatural horror “The Sentinel” directed by Michael Winner, as well as James’ ongoing passion for Fellini films.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E56 • The More Specific, The More Universal • MADELEINE GAVIN, dir. of ‘Beyond Utopia’ now on Hulu following the Sundance Audience Award
Past Present Feature with Marcus Mizelle
In this first episode of Season 2, documentarian Madeleine Gavin joins Past Present Feature to discuss the making of "Beyond Utopia", her gripping BAFTA and Emmy-nominated film about North Korean defectors. She reflects on the emotional intensity of telling stories under high-stakes conditions and the delicate trust required between filmmaker and subject. From the invisible hand of editing to the indivisibility of sound and image, Madeleine shares insights into her creative process, drawing inspiration from powerful works like "Collectiv" and exploring how specificity in storytelling can lead to universal resonance.
This marks the first episode of Season 2, where we’re mixing things up - continuing to speak with filmmakers about their latest work and past inspirations, while also expanding the conversation to include deep dives into older films and voices behind the scenes, like curators and festival programmers who play a crucial role in a film’s success.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E55 • How to Build a Nightmare, and the Art of Letting Go • JULIA MAX, dir. of ‘The Surrender’ Now on AMC+ following SXSW
Past Present Feature with Marcus Mizelle
Julia Max, director of “The Surrender”, which premiered at SXSW and is now streaming on AMC+, discusses her journey as a filmmaker, with past inspiration coming from Stanley Kubrick’s “The Shining”.
Julia shares insights into the horror genre, the importance of character development, and the challenges of navigating the filmmaking process. She emphasizes the significance of a supportive team, the role of women in film, and the impact of audience reception on future projects.
Julia touches on her editing and casting process, and the importance of rehearsals, providing many valuable lessons for aspiring filmmakers.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E54 • Genre Blending: Creating a Hilarious Horror • DAVID JOSEPH CRAIG & BRIAN CRANO, dirs. of ‘I Don’t Understand You’ Now in Theaters following SXSW
Past Present Feature with Marcus Mizelle
Co-Directors David Joseph Craig and Brian Crano share their take on the unique blend of horror and comedy in their latest film, “I Don’t Understand You”, now in theaters following SXSW. Past films discussed include Eugene Levy’s 1992 crime-comedy “Once Upon a Crime”.
They share their personal experiences working with producing partners Joel and Nash Edgerton, what it’s like to film in Rome, Italy, and the importance of collaboration with an Italian crew. The conversation also touches on nostalgia for 90s films and the evolving landscape of cinema, emphasizing the need for originality and risk-taking in storytelling.
David and Brian also discuss the dynamics of co-directing, the importance of collaboration in editing, and the need for authenticity and joy when creating films.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E53 • Making Films Without Fear • NATESH HEGDE, dir. of ‘Tiger’s Pond’ at Berlinale
Past Present Feature with Marcus Mizelle
Indian filmmaker Natesh Hegde discusses his journey in filmmaking, from his early inspirations to the challenges and triumphs of creating his latest film, “Tiger’s Pond,” which just world-premiered at the Berlin Film Festival. Past inspo includes Iranian filmmaker Abbas Kiarostami's 1990 film “Close Up”.
Natesh shares insights on collaborating with family, including casting his father in the lead, the importance of sound design, and the unique experience of shooting on 16mm film.
He emphasizes the courage to create without fear of failure and offers advice to aspiring filmmakers to simply keep making films.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E52 • Making a Feature Film Over 52 Years • VIBEKE LØKKEBERG, dir. of ‘The Long Road to the Director’s Chair’ at Berlinale
Past Present Feature with Marcus Mizelle
This episode explores the journey of filmmaker Vibeke Løkkeberg, who spent 52 years creating her film, “The Long Road to the Director’s Chair,” which premiered at the Berlin Film Festival. Past cinema discussed includes Italian Neorealism and Andrei Tarkovsky.
Vibeke’s film highlights the struggles and achievements of women in the film industry, delving into the ongoing fight for equality in filmmaking, the challenges faced by female directors, and the impact of commercialism on artistic expression.
The discussion also explores personal resilience, the significance of authenticity in storytelling, and the lessons learned throughout a lifetime of filmmaking.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E51 • Making An AI Feature in 6 Days (On No Sleep) • YIWEN CAO, dir. of ‘What’s Next?’ at Berlinale
Past Present Feature with Marcus Mizelle
In this conversation, Yiwen Cao discusses her groundbreaking AI-generated film 'What's Next?’, which premiered at the 2025 Berlin Film Festival. Although past films about AI are discussed, including “Her”, “A.I.”, “Ex Machina”, and “The Matrix”, Yiwen’s favorite movie is Billy Wilder’s 1959 comedy/musical “Some Like It Hot”.
She shares insights into the creative process, including making the film over six and a half days on no sleep, the themes of the film, and the role of AI in filmmaking, emphasizing the importance of social commentary in her work.
Yiwen reflects on the audience's reception of AI films, addresses the future of AI in the film industry, and offers advice for aspiring filmmakers.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E50 • Navigating the Film Ecosystem • PHIL COX, co-dir. of ‘Khartoum’ at Berlinale following Sundance
Past Present Feature with Marcus Mizelle
Phil Cox discusses the importance and challenges of navigating the film ecosystem and festival landscape, and the innovative storytelling techniques used in his documentary “Khartoum”, which just screened at the Berlin Film Festival following its Sundance premiere. Past filmmakers discussed include the films of Frederick Wiseman and Joshua Oppenheimer.
Phil shares insights on collaboration and community among filmmakers, the challenges of activist filmmaking, which aims to resist traditional narratives, and the significance of self-care in the industry.
He also addresses cultural sensitivity in storytelling and the intricacies of structuring non-linear narratives, all while reflecting on his journey as a filmmaker and the future of independent filmmaking.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E49 • The Power of Real-Time Documentary • NAYIBE TAVARES-ABEL, dir. of ‘Colossal’ at Berlinale
Past Present Feature with Marcus Mizelle
Nayibe Tavares-Abel shares her journey from a political science background to becoming a documentary filmmaker. She discusses her film “Colossal”, which just premiered at Berlinale. Past films discussed include “Beyond Utopia” by Madeleine Gavin.
Nayibe’s film intertwines her family history with the political landscape of the Dominican Republic, exploring themes of political violence, activism, and the importance of storytelling. She emphasizes the challenges of documentary filmmaking, the significance of family archives, and the universal themes that can emerge from specific stories.
Nayibe also reflects on the evolution of her film, the importance of building relationships in the filmmaking process, and how her filmmaking journey began with her Grandmother’s camcorder.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E48 • Adapting Literature, and Grief, to Film • DYLAN SOUTHERN, dir. of ‘The Thing With Feathers’ starring Benedict Cumberbatch at Berlinale + Sundance
Past Present Feature with Marcus Mizelle
Dylan Southern talks about his film “The Thing with Feathers,” based on Max Porter's book and starring Benedict Cumberbatch, which delves into themes of loss and family relationships after a mother’s passing. The film made its debut at this year’s Sundance Film Festival, followed by Berlinale. He also references previous films that inspired him, including Steven Spielberg’s “E.T.”
Dylan shares his experience of transforming the book into a film, highlighting the need to grasp the emotional heart of the narrative. He discusses the complexities of portraying grief, noting that it is often non-linear and can be both cyclical and unpredictable.
He elaborates on the fusion of horror and dark humor to illustrate grief and reflects on how personal experiences shape storytelling, stressing the importance of emotional authenticity in film.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E47 • Preparation, Meet Adaptability • SARAH MIRO FISCHER, dir. of ‘The Good Sister’ at Berlinale
Past Present Feature with Marcus Mizelle
Sarah Miro Fischer is the director of “The Good Sister”, which just enjoyed its World premiere in the Panorama section at this year’s Berlin Film Festival. Past films discussed include Thomas Vinterburg’s “The Hunt”.
Sarah discusses her emotional journey of premiering at Berlin, sharing insights into her filmmaking process which includes a fruitful collaboration with co-writer Agnes Maagaard Petersen, and the challenges of addressing sensitive themes, which require trust and open communication.
She emphasizes the importance of preparation and adaptability when making a film, how audience engagement is crucial to spark discussion and reflection, and that Filmmaking is a journey that often requires a leap of faith.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E46 • Navigating Death and Legacy as Themes • BEN HETHCOAT, dir. of ‘Coroner To The Stars’ - AUDIENCE AWARD WINNER at Slamdance
Past Present Feature with Marcus Mizelle
Ben Hethcoat opens up about his decade-long journey creating the documentary "Coroner To The Stars," which focuses on Dr. Thomas Noguchi, a well-known coroner famous for his work on high-profile celebrity deaths, including those of Marilyn Monroe and Natalie Wood. Ben draws inspiration from documentary legend Errol Morris.
He tackles the difficulties of addressing sensitive subjects like death, the personal ties that shaped his filmmaking, and the need to handle public perception and media hype carefully. He also discusses how celebrity death investigations have changed over time and the crucial role of archival research in crafting compelling narratives.
The film just took home the Audience Award for Best Documentary at Slamdance, and Ben reflects on the emotional significance of unveiling such a deeply personal project to the audience.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E45 • The Humanitarian Crisis Through a Filmmaker's Lens • NATHANIEL LEZRA, dir. of ‘Roads of Fire’ - BEST DOC WINNER at the Santa Barbara Int. Film Festival
Past Present Feature with Marcus Mizelle
In this conversation, Nathaniel Lezra discusses his journey as a documentary filmmaker, focusing on his latest project, “Roads of Fire”, which just won Best Documentary at the Santa Barbara International Film Festival. Nathaneil’s past inspirations include Joshua Oppenheimer’s “The Act of Killing” and “The Look of Silence”.
He reflects on the challenges and triumphs of cinematically capturing the humanitarian crisis and the political climate’s impact on filmmaking. He also shares insights into the smuggling industry and the importance of capturing authentic experiences in documentary storytelling.
Nathaniel discusses the complex, harrowing realities faced by migrants, the need for empathy when addressing these issues, and how filmmakers can play a crucial role in pushing for change.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E44 • Make It, Move on, Make Another • GABY DELLAL, dir. of ‘Park Avenue’ at the Santa Barbara Film Festival
Past Present Feature with Marcus Mizelle
Gaby Dellal discusses the journey of creating her latest film “Park Avenue”, which just premiered at the Santa Barbara International Film Festival. Her past inspirations include “Midnight Cowboy” and “Midnight Express”.
She reflects on her transition from acting to directing, the themes of motherhood in her work, and the impact of industry politics on her projects. Gaby also speaks on the intricacies of independent filmmaking, including her experiences working with the now infamous Harvey Weinstein.
The discussion also highlights the importance of collaboration to create emotional depth in storytelling, patience and resilience when facing gaps between projects, and today’s challenges in navigating film festivals.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E43 • Environmental Awareness Through Cinema • DANIEL & AUSTIN STRAUB, dir. of ‘Out of Plain Sight’ - AUDIENCE WINNER at the Santa Barbara Film Festival + Slamdance + DOC NYC
Past Present Feature with Marcus Mizelle
Director Daniel Straub and cinematographer (and brother) Austin Straub discuss their film “Out of Plain Sight”, which just won the Audience Award at Santa Barbara, ahead of their LA premiere with Slamdance. Past influences include Alex Garland’s “Annihilation”.
The conversation explores the themes of environmental awareness and the legacy of chemical pollution, the power of documentary filmmaking and the authenticity that comes from capturing real stories, emphasizing the impact a documentary can have on public perception.
Also explored is the evolving landscape of documentary filmmaking, where fiction and non-fiction increasingly blend, and the ongoing need for accessible storytelling that resonates with viewers.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E42 • The Subtle Art of Portraiture • BRIAN CASSIDY & MELANIE SHATZKY, dirs. of ‘A Man Imagined’ at the Rotterdam Int. Film Festival
Past Present Feature with Marcus Mizelle
Montreal-based Directors Brian Cassidy and Melanie Shatzky delve into the making of their Rotterdam documentary “A Man Imagined”, which focuses on the life of Lloyd, a homeless man with schizophrenia surviving amidst urban detritus and decay. Past inspo includes "Dog Days" by Austrian director Ulrich Seidl.
They discuss their unique approach to storytelling, challenges in finding and capturing Lloyd's essence, and their collaborative relationship with him throughout the filming process - emphasizing the importance of portraying homelessness with dignity and complexity, rather than falling into common tropes.
They also speak on the art of portraiture, and the complexities of navigating trauma and memory in their narratives.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
E41 • Embrace The Unforeseen • AARON ROOKUS, dir. of ‘Idyllic’ at the Rotterdam Int. Film Festival
Past Present Feature with Marcus Mizelle
Netherlands-based director Aaron Rookus explores themes of self-acceptance, mortality, and the quest for fulfillment through the lens of filmmaking ahead of his Rotterdam Film Festival premiere of “Idyllic”. Past inspirations include Tom Tykwer’s “Run Lola Run” and the films of Charlie Kaufman.
Aaron speaks on the impact of personal experiences, such as illness and loss, on creative expression and the importance of humor in addressing serious topics. The conversation also delves into the dynamics of character development in ensemble storytelling, the role of script editors in shaping narratives, and the evolution of film consumption in the digital age.
The conversation also reflects on the pervasive issue of loneliness in modern society, exploring themes of urban indifference, the struggle for connection in contemporary life, and the search for meaning amidst life's challenges.
Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature
The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
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E64 • Make The Struggle Worth It • PARSIFAL REPARATO, dir. of 'She' - Best Doc, Adelaide Film Festival following Locarno
53:38
E63 • More With Less Through Technique and Resilience • SHIH-CHING TSOU, dir. of ‘Left-Handed Girl‘ - Taiwan’s '25 Oscar Submission, Now on Netflix
33:03
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Past Present Feature Film Festival (Nov. 19-21) in Hollywood, CA • Tickets @ pastpresentfeature.eventive.org
1:55
E62 • From Lockdown to Locarno • JANICKE ASKEVOLD, dir. of ‘Solomamma‘ at Locarno
49:04
E61 • Prioritizing Audience Experience, Enjoying the Process • MERCEDES BRYCE MORGAN, dir. of ‘Bone Lake’ now In Theaters from Bleecker Street, following Fantastic Fest
44:14
E60 • From Stroke Survivor to Digital Age Storyteller • AUDUN AMUNDSEN, dir. of ‘Click the Link Below’ at Doc Edge
46:36
E59 • Breaking Taboos and Crafting The Anti-Heroine • NINA KNAG, dir. of ‘Don’t Call Me Mama’ at Karlovy Vary, Crystal Globe Competition
52:15
E58 • Inside the Mind of a Festival Gatekeeper • THOM POWERS, Lead Documentary Programmer of the Toronto International Film Festival
54:09
E57 • From Collab’ing With Coppola to Creating ‘The Purge‘: 30 Years in Hollywood • JAMES DEMONACO, dir. of ‘The Home’ starring Pete Davidson, now in Theaters via Miramax
52:23
E56 • The More Specific, The More Universal • MADELEINE GAVIN, dir. of ‘Beyond Utopia’ now on Hulu following the Sundance Audience Award
1:12:25
E55 • How to Build a Nightmare, and the Art of Letting Go • JULIA MAX, dir. of ‘The Surrender’ Now on AMC+ following SXSW
1:09:46
E54 • Genre Blending: Creating a Hilarious Horror • DAVID JOSEPH CRAIG & BRIAN CRANO, dirs. of ‘I Don’t Understand You’ Now in Theaters following SXSW
1:00:28
E53 • Making Films Without Fear • NATESH HEGDE, dir. of ‘Tiger’s Pond’ at Berlinale
37:16
E52 • Making a Feature Film Over 52 Years • VIBEKE LØKKEBERG, dir. of ‘The Long Road to the Director’s Chair’ at Berlinale
42:44
E51 • Making An AI Feature in 6 Days (On No Sleep) • YIWEN CAO, dir. of ‘What’s Next?’ at Berlinale
40:00
E50 • Navigating the Film Ecosystem • PHIL COX, co-dir. of ‘Khartoum’ at Berlinale following Sundance
46:10
E49 • The Power of Real-Time Documentary • NAYIBE TAVARES-ABEL, dir. of ‘Colossal’ at Berlinale
50:46
E48 • Adapting Literature, and Grief, to Film • DYLAN SOUTHERN, dir. of ‘The Thing With Feathers’ starring Benedict Cumberbatch at Berlinale + Sundance
48:48
E47 • Preparation, Meet Adaptability • SARAH MIRO FISCHER, dir. of ‘The Good Sister’ at Berlinale
40:32
E46 • Navigating Death and Legacy as Themes • BEN HETHCOAT, dir. of ‘Coroner To The Stars’ - AUDIENCE AWARD WINNER at Slamdance
50:33
E45 • The Humanitarian Crisis Through a Filmmaker's Lens • NATHANIEL LEZRA, dir. of ‘Roads of Fire’ - BEST DOC WINNER at the Santa Barbara Int. Film Festival
52:18
E44 • Make It, Move on, Make Another • GABY DELLAL, dir. of ‘Park Avenue’ at the Santa Barbara Film Festival
29:49
E43 • Environmental Awareness Through Cinema • DANIEL & AUSTIN STRAUB, dir. of ‘Out of Plain Sight’ - AUDIENCE WINNER at the Santa Barbara Film Festival + Slamdance + DOC NYC
46:44
E42 • The Subtle Art of Portraiture • BRIAN CASSIDY & MELANIE SHATZKY, dirs. of ‘A Man Imagined’ at the Rotterdam Int. Film Festival
47:02
E41 • Embrace The Unforeseen • AARON ROOKUS, dir. of ‘Idyllic’ at the Rotterdam Int. Film Festival
44:05