In this first episode of Season 2, documentarian Madeline Gavin joins Past Present Feature to discuss the making of "Beyond Utopia", her gripping BAFTA and Emmy-nominated film about North Korean defectors. She reflects on the emotional intensity of telling stories under high-stakes conditions and the delicate trust required between filmmaker and subject. From the invisible hand of editing to the indivisibility of sound and image, Madeline shares insights into her creative process, drawing inspiration from powerful works like "Collectiv" and exploring how specificity in storytelling can lead to universal resonance. 

This marks the first episode of Season 2, where we’re mixing things up - continuing to speak with filmmakers about their latest work and past inspirations, while also expanding the conversation to include deep dives into older films and voices behind the scenes, like curators and festival programmers who play a crucial role in a film’s success.

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Julia Max, director of “The Surrender”, which premiered at SXSW and is now streaming on AMC+, discusses her journey as a filmmaker, with past inspiration coming from Stanley Kubrick’s “The Shining”.

Julia shares insights into the horror genre, the importance of character development, and the challenges of navigating the filmmaking process. She emphasizes the significance of a supportive team, the role of women in film, and the impact of audience reception on future projects. 

Julia touches on her editing and casting process, and the importance of rehearsals, providing many valuable lessons for aspiring filmmakers.

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Co-Directors David Joseph Craig and Brian Crano share their take on the unique blend of horror and comedy in their latest film, “I Don’t Understand You”, now in theaters following SXSW. Past films discussed include Eugene Levy’s 1992 crime-comedy “Once Upon a Crime”.

They share their personal experiences working with producing partners Joel and Nash Edgerton, what it’s like to film in Rome, Italy, and the importance of collaboration with an Italian crew. The conversation also touches on nostalgia for 90s films and the evolving landscape of cinema, emphasizing the need for originality and risk-taking in storytelling. 

David and Brian also discuss the dynamics of co-directing, the importance of collaboration in editing, and the need for authenticity and joy when creating films.

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Indian filmmaker Natesh Hegde discusses his journey in filmmaking, from his early inspirations to the challenges and triumphs of creating his latest film, “Tiger’s Pond,” which just world-premiered at the Berlin Film Festival. Past inspo includes Iranian filmmaker Abbas Kiarostami's 1990 film “Close Up”.

Natesh shares insights on collaborating with family, including casting his father in the lead, the importance of sound design, and the unique experience of shooting on 16mm film. 

He emphasizes the courage to create without fear of failure and offers advice to aspiring filmmakers to simply keep making films.

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This episode explores the journey of filmmaker Vibeke Løkkeberg, who spent 52 years creating her film, “The Long Road to the Director’s Chair,” which premiered at the Berlin Film Festival. Past cinema discussed includes Italian Neorealism and Andrei Tarkovsky.

Vibeke’s film highlights the struggles and achievements of women in the film industry, delving into the ongoing fight for equality in filmmaking, the challenges faced by female directors, and the impact of commercialism on artistic expression. 

The discussion also explores personal resilience, the significance of authenticity in storytelling, and the lessons learned throughout a lifetime of filmmaking.

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In this conversation, Yiwen Cao discusses her groundbreaking AI-generated film 'What's Next?’, which premiered at the 2025 Berlin Film Festival. Although past films about AI are discussed, including “Her”, “A.I.”, “Ex Machina”, and “The Matrix”, Yiwen’s favorite movie is Billy Wilder’s 1959 comedy/musical “Some Like It Hot”.

She shares insights into the creative process, including making the film over six and a half days on no sleep, the themes of the film, and the role of AI in filmmaking, emphasizing the importance of social commentary in her work.

Yiwen reflects on the audience's reception of AI films, addresses the future of AI in the film industry, and offers advice for aspiring filmmakers.

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Phil Cox discusses the importance and challenges of navigating the film ecosystem and festival landscape, and the innovative storytelling techniques used in his documentary “Khartoum”, which just screened at the Berlin Film Festival following its Sundance premiere. Past filmmakers discussed include the films of Frederick Wiseman and Joshua Oppenheimer.

Phil shares insights on collaboration and community among filmmakers, the challenges of activist filmmaking, which aims to resist traditional narratives, and the significance of self-care in the industry. 

He also addresses cultural sensitivity in storytelling and the intricacies of structuring non-linear narratives, all while reflecting on his journey as a filmmaker and the future of independent filmmaking.

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Nayibe Tavares-Abel shares her journey from a political science background to becoming a documentary filmmaker. She discusses her film “Colossal”, which just premiered at Berlinale. Past films discussed include “Beyond Utopia” by Madeleine Gavin.

Nayibe’s film intertwines her family history with the political landscape of the Dominican Republic, exploring themes of political violence, activism, and the importance of storytelling. She emphasizes the challenges of documentary filmmaking, the significance of family archives, and the universal themes that can emerge from specific stories. 

Nayibe also reflects on the evolution of her film, the importance of building relationships in the filmmaking process, and how her filmmaking journey began with her Grandmother’s camcorder.

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Dylan Southern talks about his film “The Thing with Feathers,” based on Max Porter's book and starring Benedict Cumberbatch, which delves into themes of loss and family relationships after a mother’s passing. The film made its debut at this year’s Sundance Film Festival, followed by Berlinale. He also references previous films that inspired him, including Steven Spielberg’s “E.T.”

Dylan shares his experience of transforming the book into a film, highlighting the need to grasp the emotional heart of the narrative. He discusses the complexities of portraying grief, noting that it is often non-linear and can be both cyclical and unpredictable.

He elaborates on the fusion of horror and dark humor to illustrate grief and reflects on how personal experiences shape storytelling, stressing the importance of emotional authenticity in film.

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Sarah Miro Fischer is the director of “The Good Sister”, which just enjoyed its World premiere in the Panorama section at this year’s Berlin Film Festival. Past films discussed include Thomas Vinterburg’s “The Hunt”.

Sarah discusses her emotional journey of premiering at Berlin, sharing insights into her filmmaking process which includes a fruitful collaboration with co-writer Agnes Maagaard Petersen, and the challenges of addressing sensitive themes, which require trust and open communication. 

She emphasizes the importance of preparation and adaptability when making a film, how audience engagement is crucial to spark discussion and reflection, and that Filmmaking is a journey that often requires a leap of faith.

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Ben Hethcoat opens up about his decade-long journey creating the documentary "Coroner To The Stars," which focuses on Dr. Thomas Noguchi, a well-known coroner famous for his work on high-profile celebrity deaths, including those of Marilyn Monroe and Natalie Wood. Ben draws inspiration from documentary legend Errol Morris.

He tackles the difficulties of addressing sensitive subjects like death, the personal ties that shaped his filmmaking, and the need to handle public perception and media hype carefully. He also discusses how celebrity death investigations have changed over time and the crucial role of archival research in crafting compelling narratives.

The film just took home the Audience Award for Best Documentary at Slamdance, and Ben reflects on the emotional significance of unveiling such a deeply personal project to the audience.

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In this conversation, Nathaniel Lezra discusses his journey as a documentary filmmaker, focusing on his latest project, “Roads of Fire”, which just won Best Documentary at the Santa Barbara International Film Festival. Nathaneil’s past inspirations include Joshua Oppenheimer’s “The Act of Killing” and “The Look of Silence”.

He reflects on the challenges and triumphs of cinematically capturing the humanitarian crisis and the political climate’s impact on filmmaking. He also shares insights into the smuggling industry and the importance of capturing authentic experiences in documentary storytelling. 

Nathaniel discusses the complex, harrowing realities faced by migrants, the need for empathy when addressing these issues, and how filmmakers can play a crucial role in pushing for change.

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Gaby Dellal discusses the journey of creating her latest film “Park Avenue”, which just premiered at the Santa Barbara International Film Festival. Her past inspirations include “Midnight Cowboy” and “Midnight Express”.

She reflects on her transition from acting to directing, the themes of motherhood in her work, and the impact of industry politics on her projects. Gaby also speaks on the intricacies of independent filmmaking, including her experiences working with the now infamous Harvey Weinstein.

The discussion also highlights the importance of collaboration to create emotional depth in storytelling, patience and resilience when facing gaps between projects, and today’s challenges in navigating film festivals.

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Director Daniel Straub and cinematographer (and brother) Austin Straub discuss their film “Out of Plain Sight”, which just won the Audience Award at Santa Barbara, ahead of their LA premiere with Slamdance. Past influences include Alex Garland’s “Annihilation”.

The conversation explores the themes of environmental awareness and the legacy of chemical pollution, the power of documentary filmmaking and the authenticity that comes from capturing real stories, emphasizing the impact a documentary can have on public perception.

Also explored is the evolving landscape of documentary filmmaking, where fiction and non-fiction increasingly blend, and the ongoing need for accessible storytelling that resonates with viewers.

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Montreal-based Directors Brian Cassidy and Melanie Shatzky delve into the making of their Rotterdam documentary “A Man Imagined”, which focuses on the life of Lloyd, a homeless man with schizophrenia surviving amidst urban detritus and decay. Past inspo includes "Dog Days" by Austrian director Ulrich Seidl.

They discuss their unique approach to storytelling, challenges in finding and capturing Lloyd's essence, and their collaborative relationship with him throughout the filming process - emphasizing the importance of portraying homelessness with dignity and complexity, rather than falling into common tropes. 

They also speak on the art of portraiture, and the complexities of navigating trauma and memory in their narratives. 

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Netherlands-based director Aaron Rookus explores themes of self-acceptance, mortality, and the quest for fulfillment through the lens of filmmaking ahead of his Rotterdam Film Festival premiere of “Idyllic”. Past inspirations include Tom Tykwer’s “Run Lola Run” and the films of Charlie Kaufman.

Aaron speaks on the impact of personal experiences, such as illness and loss, on creative expression and the importance of humor in addressing serious topics. The conversation also delves into the dynamics of character development in ensemble storytelling, the role of script editors in shaping narratives, and the evolution of film consumption in the digital age. 

The conversation also reflects on the pervasive issue of loneliness in modern society, exploring themes of urban indifference, the struggle for connection in contemporary life, and the search for meaning amidst life's challenges.

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Colombian filmmaker Gala Del Sol discusses her debut feature film, “Rains Over Babel”, which just screened at this years Sundance and Rotterdam Film Festivals. Careful not to borrow too heavily, her cinema influences include Serbian filmmaker Emir Kusturica, who directed “Black Cat, White Cat”, and her favorite film of all time - “Children of Paradise”, from French director Marcel Carné.

Exploring a unique blend of magical realism, punk aesthetics, eclectic score and vibrant sound design, Gala shares her film's themes of loss, identity, and redemption, shaped by the challenges of creating art during the pandemic. She praises the support of her family during production, the role of dreams in creativity, and the collaborative nature of storytelling. 

Gala speaks on the importance of trusting the creative process, the impact of expectations on artistic expression, and how your film is ultimately a sub-concious reflection of who you were at the moment. Further explored is the concept that dreams, as a form of unconscious expression, can influence our waking lives and potentially manifest into real-world experiences.

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Tad Nakamura, the director of Sundance-bound "Third Act," reflects on his latest documentary, which centers on his father Robert Nakamura, a distinguished filmmaker frequently recognized as a trailblazer in Asian American media. Tad drew inspiration from his father’s 1974 short doc “Wataridori: Birds of Passage”.

Tad shares the unique experience of growing up in a filmmaking family, the pressures of legacy, and the profound emotional connections that arise from documenting family stories. The conversation also touches on the transformative power of cinema as a means of exploring time and relationships. 

Also explored are the challenges of living in the moment, the role of art in coping with life's difficulties, the importance of community and legacy in the creative process, and the significance of elders in providing wisdom and guidance. 

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Co-directors Pasqual Gutierrez & Ben Mullinkosson blur the lines between fiction and non-fiction with their latest film “Serious People”, which just had its World Premiere at the Sundance Film Festival.

Ben discusses his filmmaking journey from Chicago to Shanghai and Pasqual shares the inspiration behind their film, which stemmed from a vivid dream he had, as well as real life - and also from the past works of Roy Andersson (“A Pigeon Sat on a Branch”) and Ruben Östlund (“Triangle of Sadness”). The discussion delves into the challenges of blending fiction and nonfiction, the importance of casting the right talent, and the creative process of improvisation. 

They reflect on the personal relationships that influenced the film and the unique challenges of co-directing with a partner. They also dive into the art of long takes, the concept of auto-fiction, and the ethical considerations in documentary filmmaking. They speak about the collaborative spirit that drove the project forward, culminating in their acceptance into Sundance.

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Italian filmmaker Gianluca Matarrese discusses his documentary project “GEN_”, which is premiering at the 2025 Sundance Film Festival.  Past inspo includes the films of Frederick Wiseman.

Gianluca delves into the complexities of his filmmaking philosophy, exploring the therapeutic nature of his creative process, and the importance of community and validation in the industry. He reflects on his journey as a filmmaker, the influences that shaped his work, and the significance of finding humanity in diverse perspectives. 

Gianluca shares his excitement for the Sundance Film Festival, highlighting the dreams and aspirations that drive filmmakers.

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Delaney Buffett, recipient of the Golden Key Award at the Key West Film Festival and director of “Adult Best Friends” which premiered at the Tribeca Film Festival, stresses that when creating comedy, the story comes first. Past films discussed include Mike Nichols’ “The Birdcage” and Paul Feig’s “Bridesmaids.

She shares insights on developing her film with friends, the significance of real-life experiences in crafting relatable narratives, and the importance of emotional depth in storytelling, including the intricate balance of blending genres. Also discussed are “two-lane directors” such as Billy Wilder and Mike Nichols, who have mastered both comedy, drama, and other genres. 

Delaney speaks on challenges faced during production, and the importance of communication and collaboration, emphasizing the need for patience and resilience along her filmmaking journey.

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Wannes Destoop, director of “Holy Rosita”, which just won the Best Film award at the Torino Film Festival, shares his affinity for misfits and the unique stories they embody. Past films discussed include Sean Baker’s “The Florida Project” and Martin McDonagh’s “In Bruges”.

He reflects on his documentary roots, the importance of authenticity in storytelling, and the challenges of modern filmmaking. Wannes shares insights into his casting process, production choices, and the emotional rollercoaster of post-production. 

Also touched on are the impact of awards and recognition on a film's reach and the complexities of distribution in today's film market.

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“Sonic The Hedgehog 3” director Jeff Fowler shares his filmmaking journey, focusing on his experiences with visual effects, animation, and storytelling, having been influenced at an early age by “Star Wars”, “T2”, and “Jurassic Park”.

Jeff emphasizes the importance of hard work and passion in achieving success, recounting his time at Ringling College of Art and Design and then being hired by Tim Miller at Blur Studios. He discusses the evolution of visual effects and the path that led him to direct the Sonic the Hedgehog franchise. 

Jeff reflects on the challenges and innovations in creating compelling visual narratives, the importance of pre-visualization and storyboarding, and the collaborative process of working with actors and animators. He also shares insights into the production journey of Sonic 3, the impact of fan feedback, and the excitement of expanding the Sonic universe with new characters and stories.

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Pia Marais shares insights from her filmmaking journey, including the making of her atmospheric new film “Transamazonia,” which just screened at the New York Film Festival following a Locarno world premiere. Past inspirations include Werner Herzog’s “Wings of Hope” and Asif Kapadia’s “Amy”.

Pia’s latest film explores themes of faith and family dynamics, and she discusses the complexities of casting, production, the importance of film festivals, and the ongoing challenges of securing distribution for independent films. 

Other topics include the evolving landscape of cinema culture, which has shifted significantly over the years with a need for more curated film experiences, as business decisions heavily influence American cinema these days. Also touched on are the differences between American and international cinema, particularly in funding and audience engagement.

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Ben Russell delves into the concept of observational cinema, sharing insights on his latest co-directing effort “Direct Action” (with Guillaume Cailleau), which portrays a radical activist community in France. It debuted at Berinale and just screened at the New York Film Festival. Past films discussed include Kirsten Johnson’s “Cameraperson” and the observational films of Frederick Wiseman and The Maysles Brothers.

Ben shares his experience transitioning as a filmmaker from America to France, exploring the differences between American and European cinema, and the impact of public funding on film production. The discussion also touches on filmmaking techniques, audience engagement, and the importance of creating context for films. 

Ben emphasizes the power of cinema to inspire action and reflection, advocating for a more immersive and community-oriented approach to filmmaking.

What Movies Are You Watching?

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