E69 • When the Story Becomes the Evidence • SHARON LIESE, dir. of ‘Seized’ at Sundance
Sharon Liese joins the show after premiering Seized at Sundance to unpack the story behind the Marion, Kansas newspaper raid that ignited a national debate around press freedom, abuse of power, and the fragility of the First Amendment. What begins as an egregious police search of a small-town newsroom expands into a layered portrait of community tension, history, ego, and how something unthinkable can happen in a place that looks quiet on the surface. The film moves beyond headlines into character, contradiction, and the uncomfortable gray areas that fueled the raid.
We dig into craft and access: how Liese drove two hours the moment she heard the news on NPR, earned trust without a formal agreement for months, and built a film out of surveillance footage, body cams, courtroom material, and intimate interviews. She talks about structuring the story around a one-year time jump, using a young reporter as an audience surrogate, shaping tone so viewers can register the absurdity without losing the stakes, and making the call to abandon fourth-wall devices in favor of a cleaner, more immersive approach.
She shares the films that informed her thinking during the edit, including All the President’s Men and the investigative restraint of Laura Poitras’ Citizenfour and Cover Up. Sharon reflects on what it meant to launch the film at Sundance amid both celebration and uncertainty in the documentary market. Advice to filmmakers: there are no shortcuts. Put in the hours, earn trust slowly, and keep showing up until the experience begins to live inside the work.
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