Brothers of a Feather - Part 1 - Spirit Call Out S03E06

What if a single feather could carry us through lifetimes? In Brothers of a Feather a mysterious native man calls out, and his message unfolds piece by piece through symbols, color, ancestry, land, and a trail of unexpected discoveries. What begins as a message for one person gradually reveals a deeper story of brotherhood, connection, and a bond that may reach far beyond this lifetime.

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Brothers of a Feather

Copyright 2026 Shawn Marie Higgins All Rights Reserved

Link to sketch: https://www.osteopathicwell.com/post/brothers-of-a-feather

Hello, this is Dr. Shawn Marie Higgins with another episode of Spirit call out. This one is called Brothers of a Feather. Now, I'm going to deliver this call out in waves of intelligent pieces that all came together as it proceeded. This is how it came to me and came together for me as I was se- receiving the actual call out.

I would receive a wave of information, and then at a later time in the communication, I'd receive another wave of the same intelligence, only deeper and more specific and detailed versions. So it was like sand being lain one layer over another until a complete, picture was drawn for me, and that's how it will be laid out for you as well.

So expect to revisit topics, repeatedly as waves of depth will layer them over and over for you. I believe that the understanding of this call out is better understood this way as well, which is why it was delivered to me this way from Spirit. So in fact, this is still continuing. I still receive information from spirits, all the ones that I've called out previously in this wave-like fashion.

This is just how I receive information. It's how I write books. It's how I work. So there's really no end to anything I write, or certainly there has never really been an end to the information that I've received from spirits for every single call out. Therefore, it's important for me to let you know that there will be a book written.

I'm doing it alongside the call outs where I will fully interpret or will more fully interpret and describe so much more detail that wasn't able to be put in actual recorded podcast episodes. So Brothers of a Feather, this is part one of two episodes that go together. Part two will be the very next episode.

So if this call out is for you specifically, you will realize it as we go, and you may even realize it immediately. The detail of identifying information is spread throughout the episode, again in waves-

For the purpose of clarity, of understanding, and in order to maintain the episode structure, I wanted to make sure it had some sort of structure and palatability for the listeners and readers. Because when I get a, a concept and I wave it through, the gaps are filled in with the second wave. So I can't explain everything right away, otherwise what filled in those gaps would not have yet pertained to what we were talking about.

So I'm pretty sure you get it, so let's move forward. let's get started. At around 3:00 in the afternoon on August 3rd, 2026, I was resting on the couch from doing chores. I had just laid down maybe one or two minutes when a visual of a Native American man standing behind a tree appeared to me. And I wanna describe this very precisely, because the precision matters.

I saw exactly half of his face. Exactly half. The tree divided him completely in half. The right side of his face and neck and torso was exposed. The left side was obscured behind the tree. So the concept of exactly half was telepathically wired to me as significant. There was symbolism in the exact half.

There was symbolism in part of it being hidden, part of it shown, and that the tree was the, what was dividing him completely in half. He was a very strong-appearing Native American man. He had dark reddish skin. Brown reddish skin. He had a very stoic expression. His lips were closed and serious-looking. His chin was held high.

His neck extended slightly so that I could see a little bit of the underside of his chin, because he was holding his chin high, as in pride or proud or brave, which created a s- an angle where he ha- his eyes were looking directly at me, but in order to do that, he had to angle them down slightly in order to meet mine.

He was looking me directly in the eye. Then suddenly, he stretched his body out further to the right. His whole head, neck, and torso emerged from behind the tree even further to the right for just a moment as he called out one word, "Brother!" Put an exclamation point after that word because he called it out as a word.

Then immediately he retreated again until he was exactly halfway behind the tree just as a still image as what I had seen initially. I heard his voice and the tone of his voice, but only faintly. What was highlighted to me more significantly than the tone of his voice was the movement and shape of his mouth while he was calling it out.

He called out, "Brother," as if it was a call of the wild, as if it was the call of a wild animal to another or one of its brethren. So it was more of a call than a word. It was not a call to brother, it was the call of brother to you, meaning you, the person for whom this message is for. And this is becoming yet another cons- concept of spiritual intelligence that can be expanded upon for further episodes and for me as I continue my journey with spiritual communication This is what I'm understanding now as I record this episode.

So this bit of information is coming to me just as I'm recording right now, and some of that will occur throughout this call-out as well as all other call-outs. So there was another detail that's extremely important in what I saw in his description. He had one feather hanging down from his hair on the right side of his head.

His hair was either very short or in a ponytail because it did not hang freely around him on his shoulders or anything like that, but the feather did hang freely from its quill. It appeared as if it was being tied at some point in his hair or a hair accessory. He did not have a headdress. He did not have many feathers, just the one feather, and I understood that feather was significant to him.

It was one of the aspects of this visual that he highlighted very clearly for me. Sometimes during these communications, I receive what I call telepathic highlights. Something is emphasized because it contains identifying information for the person to whom the spirit is speaking. It also contains intelligence regarding the message itself, the content of the message or communication that the spirit is attempting to convey.

And in this case, the single feather was highlighted very strongly. His hair was very black, very short on the top of his head. I could see that it was actually even cut to a length that was very close to the top of his head, just along the top of his head, but then the upper sides all the way down could have been pulled back in a ponytail And I highlighted that as well, and you'll see it in the drawing that I will refer to in just a moment

There were markings on his face as well. And here I have to make another distinction about how I receive information that you may have heard before in other call-outs. I will tell you that the markings looked about like war paint along the sides of his cheek, which is what I drew. And when I say they were about like that, what I mean is I had a merged sensory, feeling that was a merge of vision and telepathic intelligence that conveyed the meaning of War paint or hunting paint.

Actually, hunting is more, is more accurate of what these markings along the side of the face stood for. They were dark in color, like red and black, maybe a dark orange. And I don't really remember exactly what they look like because it wasn't a focused foveal vision in biological terms. It was more of a peripheral vision.

And the parallel of that in understanding is that the foveal point is that they were markings of hunting, of action, of ritual or war. B- but I don't think it was war though, I think it was more hunting and, a maintenance sort of ritualistic survival, activity of within which he participated, and it was not war.

These were not violent people. He was not of the ancestry of a violent, tribe. But I understood hyphen saw them, so it's a combination of understanding and seeing together. It merges so that I can describe some visual and I can describe some meaning, but it's merged together, and that's the only way I can understand it.

And, that's the only way I can describe it. But that is why I say that it's about like that. Even though I saw it, I understood saw it, and it's a merge of senses So a blend of sensory function occurs in the type of telepathic communication that I experience with spirit and all beings. It's all one field, and the vibrational continuum of that sensory field will blend according to the person who understands it and the entity who's on the other end of the communication.

It's a blend between the two. It's the most balanced and harmonic version and blend and merging of all sensory mechanisms available. And with humans, I'm going to tell you that this is gonna have to be another episode, but there are way more than five senses that we have. We have lost hundreds of other senses that we had originally throughout, our ancestor- ancestries, and genetic lineages, over the thousands of years that we have been on Earth.

Anyway, we'll have to get back to that. But the ones I will mostly describe to you will be the five that we know of now, because that's how you will be able to relate what I'm talking about to this communication, and that is where you would start to broaden those back into the other hundreds of sensory functions that you actually do have.

You have remnant, structures in your body that can be developed back into these sensory functions, and this is one of the ways, by listening to these call-outs and just listening and being there, being present and absorbing. I wouldn't even say you have to cognitively understand these communications.

Just to be able to sit there and allow your sensory field to absorb the information without effort, without trying too much, just knowing that it's opening your Sensory functions again. When you listen to the true words of Spirit through another person who is telepathic and psychic, you then receive the ripple effects, the peripheral wisdom, the peripheral healing, the peripheral benefits of the original communication by the two entities that originally had that communication.

Just trust that concept and know that when you listen to these, even if you can't remember the concepts, and you have to re-listen to them over and over again or that you don't cognitively understand what I'm telling you exactly, it doesn't matter. Your body will understand it for you. Your cells are more intelligent than you.

Your cells are the chemists. You may not understand chemistry, but you were born a chemist because your body was chemically developing, biologically developing, embryologically developing before you even had the cognitive brain function, with which to understand any type of chemistry. And you may not have even gone to chemistry class or been in any profession where chemistry was even needed or biology or genetics or any of that, but your body knows how to do it.

Not only does it know how to do it, it automatically just does it. You don't even have to think about it. That's how smart and wise and sacred and intelligent your body is. So trust your body to know more than your brain because it does. And what matters more than knowing it and being able to write it down and to calculate it out is-- More important than that is the ability to have the effects from it.

Just absorb the results of the wisdom and of the intelligence That's what I call peripheral wisdom, and that's a term that I coined during one of my first episodes of Spirit Call Out as they were talking to me. So that's also a concept in the book, and we will work with that as techniques and practices in, in the book and also in the course that I will eventually develop.

So let's get back to the spirits. so I saw the blend of the see and understand of the w- of the hunting paint

And I will describe a little bit more to you as I describe what I d- as I describe what I drew. But first I just wanna say that was the initial still image and moving scenario of the spirit while I was sitting on the couch resting after doing chores that day. It all came to me as a visual sort of merging into my visual understanding field With the movement of him emerging further from the right si- further from the left and into the right side of my visual field out from behind the tree and calling the word brother, and all of those telepathic ideas that I just explained to you came with that.

He retreated behind the tree, and when he retreated behind the tree, the understanding and communication didn't stop because, again, the peripheral wisdom kept rippling. So let me now reference the drawing, which you will see on my website. You will have to go there to see it because I cannot post visuals on audio podcast platforms.

So you will have to go to osteopathicwell.com. And if you wanted to go onto the podcast site, that web address should be on there somewhere. But you go to www.osteopathicwell.com to see the drawing. Now, you're gonna see more than that drawing, but I'll explain that as we go. So I drew all of these concepts as best I could because I saw two things really.

I saw a s- I saw a still image, and then I saw the moving image. So those were both very important visuals in and of themselves. So I couldn't really draw a cartoon. I'm not that good yet. I'm gonna practice drawing more and be able to draw like a set of cartoon images that can show the movement of spirit.

But for now, what I drew was one image that depicted both, both things, the still image of the Native American and him emerged from out, further out to the right side from behind the tree. I did my best to capture everything that was shown to me and that was highlighted to me about this individual.

He was sharp, he was dark, he was powerful, he was good, he was true. He was so true. His presence was like a lightning bolt in the presence of anyone because you could not lie or hide anything from this individual. He was simply truth. I drew a zigzag along the side of his cheekbones to denote the hunting paint or the ritual paint or sort of pigment that, that was, put there artistically and purposefully, because it was a dark color.

I cannot remember the exact color, but it was sharp, stark, powerful, pointed, and decisive. There was a strict purpose to why this paint or pigment was painted on the faces of everyone in the tribe that was partaking in this activity, not just him. He had a warrior-like essence about him in the fact that he was very brave.

However, he was so good and true. I cannot even think of him ever killing anything, but I know that they had to hunt and gather in order to survive these people because I was told at a later time during this communication So another point. In my drawing I drew, and you'll see this, I drew the tree over half of his face and neck.

So I drew like the still image, and you can see him in my drawing through the tree. But this is not literally how I saw him. When I saw him, I could not see through the tree. The tree was not transparent. I saw a real tree with real bark. This is a real image. This wasn't a cartoon image. It wasn't a silhouette or a figure.

It was a true, detailed, textured, real image of a real man and a real tree. I could not see through the tree. However, I drew the tree transparent because I wanted to show his entire face, because eventually I did see his entire face, so I had to draw it somehow. I only saw the left side of his face when he emerged from the tree and stretched further to the right from the tree in order to call the word "brother."

When he was standing still behind the tree, his mouth was closed, and when he moved out and called, "Brother," his mouth opened. So in the drawing, I tried to capture both versions at once. His facial expression was very stoic and serious, as you can see in this picture. the mouth itself was distinctly highlighted to me.

The shape of his mouth was so highlighted to me, and you'll find out why a little later on in another wave of information that came- When he opened it to call the word "brother," it had a very amorphous kind of shape. There was something about the shape of the mouth that struck me as an identifying physical characteristic of some sort of genetic, a line of ancestry.

It was some s- it was familiar to me in that it was a type of genetic phenotype or physical characteristic or the way someone looked that belonged to a certain type of genetic line that I had seen before. So it had a natural, this mouth had a natural downward positioning at the lateral edges of the lips on both sides of the lips.

It edged down a little bit, and although it appeared as sort of a frown, it did not perceive-- I did not perceive this as unhappiness or anger in any way, and nor do I when I ever see this kind of genetic phenotype or trait of facial, shape.

You know how you can look at someone who's of my ethnicity, which would be like Nordic or something, and we would all have maybe the same wide eyes or, red lips or something like that. This is one of those features, but it's for this type of lineage, genetic lineage, and we're gonna talk about lineage a little bit more as we go.

But as he opened it, it had a very amorphous shape. His lips were very thin. Downward position of the lateral, ends of his lips so that it was frown-shaped, but it was not anger or unhappiness. What it was seriousness. It was the expression of serious truth that he had on his face. And for him, that truth is connected to his heritage and connected to purpose. It was actually very kind feeling despite that naturally serious positioning of the mouth.

There was another significant feature of this communication. If you have listened to previous episodes, you may remember that I have talked about spirit communicating through color. Often I experience the color of a shirt as having meaning related to the spirit's relationship to the person receiving the message to whom the message is for.

However, this man did not show me a shirt color. In fact, he wasn't wearing a shirt at all. What he showed me instead was a hue, a color hue, H-U-E. The color tinted the area of the image to which its meaning pertained, almost like an aura or an outline. I think it was both. There was an aura and a color hue that was like a mist, coming down over all of the other aspects of the image.

I could see all of the natural color of the feather, of his skin, of the coloring of the tree. However, the a- the mist of orange came over that. His feather was highlighted with an orange hue a little bit darker. The feather was hanging from the right side of his head, and everything towards the right side of the outside of his skin and feather on that right side, the further out to his body to the right, the darker the hue of orange became until the right side of his face and the feather were actually outlined in orange and gradually, misted with a deeper orange hue than the midline portions of the right side of his body.

The feather itself appeared outlined in orange. And I also perceived orange along the right side of his face and the part of his body that was exposed from behind the tree. As the communication continued, these pieces of information, I see them as symbolic intelligence, these pieces of symbolic intelligence, they all came together to create one concept, which is how spirit communicates with me, and that's why I say this is in waves.

So I've come to understand orange in my own symbolic language of these communications as associated with brother. Spirit... If spirit's coming forward to speak to his or her brother, they will be wearing an orange shirt. If he or she were coming forward to speak to their sister, they would be wearing a green-blue shirt, and so on with different colors and different shirts or dresses, et cetera.

However, the feather seemed to tell me something more than just brother, and it was given to me as part of this merge between concepts of brother and orange. So like I just said, brother usually denotes orange, or orange denotes brother. But there was more to this. So it wasn't merely orange equals brother.

It was orange, brother, feather. The feather carried as much meaning of the essence of the quality of the relationship that these two had. The quality of brotherhood is what the feather's telling me. So even more than the shirt color, what I'm learning here is that the color hue of an aura or the color of an article of clothing or accessory that specifically has meaning matching the spirit to the person for whom the message is intended can be highlighted.

And in this case, it is the feather. So this could be a brother to him in the sense of a blood brother, a brother through friendship, a brother in arms, a brother through hunting. But the feather itself suggests something, some sort of feather accumulating or feather earning process. Like this feather is a sign of having accomplished something or accumulated something or earned something.

Something about the feather may actually identify the quality of the friendship that these two had together. It may even be something literal that the two found together or exchanged together or part of an actual ritual through which they went together. And in some ancient or native cultures, brother could also refer to the same genetic lineage, of course.

These could be brothers through genetic lineage. It could be a literal brother who has passed away. But whatever this means, it is going to be very identifying for the person who is a still alive and living body for whom this message is intended. Later, this distinction becomes even more specific for me, and I will reveal that to you as we go.

For some reason, the layered understanding is very important, so I will wait and save that information for further along in the communication.

So let's return to the concept of the tree, because even the position of this man behind the tree felt very identifying. He showed me exactly half of himself, the other half exactly behind a tree. Why a tree? Why the left side obscured, the right side exposed? This could represent something these two people actually did together.

Perhaps they hunted and peered from behind trees. Perhaps this was a game. Perhaps it was an exercise or a training technique for hunting, or a word, for a hunting strategy or a warrior strategy or protection strategy. Or perhaps body position itself was a means of communicating. For example, imagine two people separated by distance who need to remain quiet for the purpose of hunting or, being warriors.

A movement to one side of a tree, a posture, a hand motion, the exposure of one side of the body, a sign language of some sort, finger signs, something like that could communicate direction or intention without actually speaking, without making a sound, without spoken language.

I do feel that these native people of the spirit have a special relationship with trees. There is a prayer involving trees and a high respect for trees. There is a sacred ritual for trees. There is some association with human being lineage to trees, and we're gonna talk about this lineage further along in either this episode or the next one I'm told now human beings' skin is akin to tree bark, and for this particular, lineage of human being, it is very much the case, and it is celebrated in a ritual.

I'm told I will receive more information about this at a later date to be put in the book, they say. I feel a tree once saved someone's life. Someone questioned whether a tree actually interfered with something to save a human's life, and the answer is yes. Oddly enough, something happened outdoors, and it appeared that a tree actually reached out or intervened in some way because nothing else could have explained what happened, and the people were asking, "Did that tree just save my life?"

And the answer to you is yes, the tree did. And congratulations, you are now informed you are part of this lineage of ancestry to the spirit, I am talking or have, been communicating with, this spirit

And if you're by chance not of Native American descent genetically, then listen on because I explain another type of lineage, through which you could quite possibly be connected and related to this spirit. So what is the spirit trying to tell the living person? The message is not merely the sentence and the literal words or even symbolic meanings that the spirit speaks.

These symbols and things that I'm showing you, telling you about, that is part of the message, but that's not the entire message, and in fact, it's not even the most important message. The deepest message of the spirit is actually a gift. It's the opening of the connection itself through your psyche and consciousness, proving without a doubt that- Life moves on after bodily death.

The understanding and belief that suddenly breaks open once you are without a doubt confirmed that the spirit life exists and that this individual is for you without a doubt, these identifying details would not otherwise be known by t- by anyone. This breaks belief open and opens so much more possibility in your life because neurological connections are body-wide.

If you change one thing in the body, everything else in the body changes. If you change a belief, everything else in your biology also changes. I describe in the book, in the chapter, this to a great detail biologically and neurologically So I think of it as a portal that is broken open, a portal through and connecting consciousnesses, the consciousness of you and the consciousness of the spirit.

A portal through and connecting our thinking with that of other beings between dimensions. A portal connecting memory with imagination. This is where consciousness merges, function, body functions that reach out into the invisible realms such as thinking, thought, memory, imagination, visualization.

These aspects merge as well, just like the sensory functions do in the energy realms and our energy fields. Our physical senses are no longer divided and segregated and separated by biological processes and body parts and physical materialized proportions that have to be bound by gravity and separated by physical tissue.

In the spiritual world, in the aura, these senses are set free from bodily tissue. They are dematerialized and free in your energy field and function as one, and therefore you experience these as a merge of hearing, vision, smell, taste, et cetera. The functions of the brain which supersede the body, such as thinking, imagination, those things I just mentioned, they are freed as well because the brain tissue is no longer physical either.

The function of your brain then becomes merged. All those functions merge. So then you have connecting memory with imagination, with subconscious, with superconscious, et cetera. All these layers of consciousness through which we experience reality. Some of those are very common and believed in, like full waking reality and sleep.

The very extreme of full waking reality is sleep, and no one denies that there's such thing as dreaming. And even though we can't explain it, it's so drastic from the waking field, we are able to just allow it to exist and then keep it just patted down to the side and forgotten during the day.

It's just too out there to actually accept during waking life. However, realizations that come through you being the recipient of these messages or through the recipient of some sort of- wisdom that's given to everyone that for you rings so true that it's actually a peripheral message just for you, meant for you to hear in this moment.

That opens this portal, that connects the dream world with your waking world, and then all the layers of consciousness in between. When you are fully in your body, e- during everyday life, getting errands done, picking up the kids, making dinner, eating so you don't die, taking showers so you don't smell, all that stuff in the full physical waking world, and the contrast of full freedom where you can do anything, you can be anything or nothing.

Those two extremes of your awareness are connected layered by layered, gradually by gradually, slowly over time, as is the most gentle experience and most pleasant experience for you through these portals that are created, through the realizations found through these call-outs, to connect all these different layers of consciousness so that you are able to use them in your life to expand and enhance your everyday living, which is where you are mostly focused during this physical lifetime of yours that you agreed to be in during this physical, phase of your existence.

And I won't say that this is a physical lifetime, because your lifetime began way before this, and it will never end. So it's not a lifetime. It's really a phase of your life, which is infinite. It's infinite ago, and it will last infinitely from now on forward. There is no beginning or end to your life.

It just is, and you wave through a physical body for these short number of years that seem like an eternity when we're in physical form. So that's what the gift is. That's what the message is. It's the actual doing of the healing. It's the doing within you biologically of the words that it's speaking to you literally.

So ultimately, what we receive are messages such as this: I am here. I exist. I'm still here. I'm with you. I love you. I miss you. I'm okay. I'm free. I'm happy

This seems so simple and general that it's almost boring. But let me tell you, and I wrote about this a little bit more in the chapter when I put this into book form, that these messages, as simple as they are just about as simple as the seven notes of a diatonic musical scale. C, D, E, F, G, A, B, C, D, E, F, G, A, B, C, D, E, F, G, A, B.

It's just on and on, octave over octave. simple note. We just go up and up, whole and half steps in the order that constructs the, proper ratios and proportions of the frequencies of the musical scale. And as boring as that is, you have ... and there are name for it

And there are an infinite number of notes that create just one octave, because you can really continuously slide up all of those notes and not just hit one at a time. If you have any kind of string instrument, you can easily slide up and hit an infinite number of notes that include half notes, flat notes, sharp notes, microtones, anything like that.

But what we highlight are the major tones, because the major tones are what creates the most beautiful divisions of an infinite array of frequency. So what Spirit gives you are the most beautiful words that mark the most beautiful messages of what creates an infinite array of meaning, and that just came through me just now spontaneously.

So you're getting a musical scale, a musical proportion of words that for everybody might be the same. C, D, E, F, G, A, B. Every song you hear on the radio pretty much is that or something, pretty common in between. There's a lot of minors, a lot of sevens, and things like that. But pretty much you're in the musical scale hitting pretty much the same notes that are standardized across, countries and continents, so that everyone can play music together and create the industry of the standardized music industry.

And what I'm giving you are these seed words that are sanctified in their own meaning. When you voice these words, or, and when you understand these words, the meaning of those words acts within you as biological action, and it acts within you as biologically opening consciousness action. So this ... These are the words that will actually create portals from biology to consciousness and consciousness to biology.

This is where the merge happens of all these levels of consciousness. So that's why these messages are so simple. So every time I give these same words, I'm here, I'm okay, I miss you, you did nothing wrong, I'm all right, I'm at peace. If you think about it, here's what you're hearing from them. I am I'm here.

It means I continue. I didn't go away just because my body's dead. I'm continuing with you. I am with you, meaning I'm present. I love you. Love. I'm free. Justice. All is well. Nothing that was done to me on Earth that wasn't right did a dang thing to me now. I'm free. I'm happy. I'm at peace. So we have I am, I continue, I am present for you, I love you, I am justified, I am at peace.

These are seed words that are in almost every ancient musical scale, including the Sanskrit one that I practice with my, Indian, mantra teacher with alankar mantra and musical scale. It's a classical Indian scale. These are seed words that are sanctified in their own meaning. Spirit is doing that for us, and I never knew that till now.

Before I thought, "Geez, my audience is never gonna keep listening to this one. The only messages they're getting are, 'Here I am. I love you. I miss you. I'm not in pain.'" I'm like, "God, can't you tell them where the gold's buried?" Can't you tell them where Midnight ran off to? Tell them where their missing wedding ring is.

tell them who stole their car. give them something here. But they're giving you so much more. They're giving you the breaking open of the biological to the consciousness. They're breaking a portal open in your body. And even if this message isn't for you specifically, it's still happening if you're listening to this and if you're sitting in the understanding of it, whether or not you cognitively understand it.

but another thing is coming through specifically for this person, though, that I will tell you right now. For this person specifically, in addition to the seed words I just mentioned, this spirit says to you, and this will mean something to you, "I see you. I honor you. I celebrate your accomplishments."

These things had to have been told to you. This is what you need to hear for healing. These are very important for your healing. You are seen. You are honored. You are celebrated.

They see what you do. Even if you don't think anyone else does, they do. They, meaning the entire lineage of their tribe, does. Lineage is so important here. So it's not the specific words that matter mostly it's the connection that matters

And now because it has been, oh, over 40 minutes, I will have to create another A third episode Because he showed me more than just his image moving from behind a tree, and he gave me more information than what I've just told you. And the next wave is gonna be coming through in the next episode.

So I guess I lied. This isn't gonna be two episodes, it's gonna be at least three because of the fact that Spirit talks through me as I'm talking to you in the moment, therefore taking more of my physical time. And it's funny because in their realm, they're like, "This doesn't take any time. There is no such thing as time."

However, translated to me and to all of you, it is. So I will see you very shortly again very soon for the next call-out, of, Brothers of a Feather.

So please stay tuned for more message from the Spirit, more explanation and details of the symbolism, and for even more visions that he showed me, the Spirit. There's gonna be more information layering through on what brother actually means and who this Spirit actually is to the person for whom this actual call out is meant specifically.

Thank you so much for listening to Spirit call out. I will see you again soon. Until then, I wish you joy. Namaste. 

Copyright 2026 Shawn Marie Higgins All Rights Reserved