Paranormal Yakker

Bizarre UK UFO Encounters

Stan Mallow

Britain's foremost UFO researcher, Nigel Watson, pulls back the curtain on some of the UK's most compelling alien encounter cases in this riveting conversation on “Paranormal Yakker” about his book "Portraits of Alien Encounters Revisited."

Unlike many researchers who focus on theories and speculation, Watson has spent decades speaking directly with witnesses who've experienced profound encounters with the unknown.

In the interview Watson traces how Steven Spielberg's "Close Encounters of the Third Kind" created a cultural shift that emboldened witnesses to share their most bizarre experiences, not just distant lights in the sky. He explains how legendary researchers Jacques Vallée and John Keel influenced his approach, encouraging him to look beyond isolated incidents to see patterns of lifelong paranormal experiences many witnesses report. The conversations reveal fascinating connections between UFO encounters and other phenomena like prophetic dreams, missing time, and even apparent guardian angel interventions.

What makes these British cases particularly valuable is their raw authenticity - most witnesses weren't subjected to hypnotic regression, allowing their memories to remain unembellished by potential false memories. Watson thoughtfully examines how our cultural context shapes our interpretation of these phenomena across different eras, from phantom airships before WWI to foo fighters during WWII to today's UAPs, while the underlying experiences remain strikingly consistent.

Listen as Watson shares these extraordinary stories and his evolving perspective on one of humanity's most persistent mysteries. Whether you're a dedicated UFO enthusiast or simply curious about unexplained phenomena, these accounts from everyday people will leave you questioning what might truly be visiting our world.

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<b>Hi everyone, I'm</b><b>Stan Mallow .</b><b>Welcome to</b><b>Paranormal Yakker.</b><b>My guest on today's</b><b>show is the UK's</b><b>leading UFOlogist,</b><b>Nigel Watson.</b><b>I'll be talking with him</b><b>about his book,</b><b>Portraits of Alien</b><b>Encounters Revisited</b><b>High Strangeness</b><b>British UFO Cases.</b><b>Nigel Watson,</b><b>welcome to</b><b>Paranormal Yakker.</b><b>Hi, good</b><b>to be here.</b><b>Your interest in</b><b>investigating High</b><b>Strangeness UFO</b><b>cases began when</b><b>you watched the</b><b>Steven Spielberg</b><b>movie Close</b><b>Encounters of the</b><b>Third Kind. What,</b><b>Nigel, was there</b><b>about Close</b><b>Encounters that</b><b>sparked your</b><b>interest?</b><b>Well, it had a lot</b><b>of publicity in</b><b>Britain. All the</b><b>tabloids had</b><b>features on it and</b><b>it also encouraged</b><b>newspapers to</b><b>gather their own</b><b>UFO stories from</b><b>people in Britain,</b><b>just to show it</b><b>wasn't just an</b><b>American</b><b>phenomenon.</b><b>And also the people</b><b>publicizing the</b><b>film. So they 've</b><b>advertised it with</b><b>all the different</b><b>UFO categories</b><b>Allan Hynek</b><b>had promoted,</b><b>Close Encounters of</b><b>the First Kind, the</b><b>Second Kind and the</b><b>Third Kind.</b><b>So in a way, we're</b><b>trying to educate</b><b>the public about</b><b>what the title</b><b>actually meant</b><b>because only us,</b><b>some UFO geeks,</b><b>really knew</b><b>what it meant.</b><b>And I think it also at</b><b>that time,</b><b>cinemas were</b><b>far more important.</b><b>There weren't</b><b>streaming services</b><b>and people seeing</b><b>previews, except on</b><b>a few TV trailers and that.</b><b>I think it also</b><b>came out on the</b><b>back of Jaws, which</b><b>was extremely</b><b>popular in Britain</b><b>and well,</b><b>throughout the</b><b>world, really.</b><b>But, having Jaws as a</b><b>a sign of</b><b>quality from</b><b>Spielberg, people</b><b>were expecting a</b><b>lot from the film.</b><b>And I went to the</b><b>preview screening</b><b>of it in London, in</b><b>Leicester Square,</b><b>in a huge cinema.</b><b>And it was a bit</b><b>clinical, really.</b><b>But obviously the</b><b>film was very</b><b>impressive,</b><b>especially on a big</b><b>screen and very</b><b>loud soundtrack.</b><b>And, the</b><b>ending where the</b><b>musical notes are</b><b>played to the alien</b><b>spaceship are</b><b>fantastic.</b><b>And then,</b><b>the special effects</b><b>were so mind</b><b>blowing for</b><b>that period.</b><b>I think the only</b><b>other science</b><b>fiction film of</b><b>that era was really</b><b>2001, A Space</b><b>Odyssey, that</b><b>really set the</b><b>benchmark for these things.</b><b>And for Spielberg</b><b>to bring UFOs to</b><b>our own planet was</b><b>fantastic.</b><b>And, I</b><b>was really</b><b>impressed by the</b><b>film. And later,</b><b>about a month</b><b>later, I saw it in</b><b>a public cinema,</b><b>with a</b><b>packed audience.</b><b>And that was far</b><b>more enjoyable</b><b>because people</b><b>responded</b><b>to the film.</b><b>And I think at the</b><b>time I wrote that</b><b>you don't have to</b><b>go on a UFO</b><b>skywatch.</b><b>You just have to go</b><b>to the cinema and</b><b>see everything,</b><b>really. And I think</b><b>it was a big boost</b><b>to UFOlogy in general.</b><b>And in Britain, it</b><b>did encourage a lot</b><b>of people to</b><b>contact UFO groups.</b><b>And Jenny Randles</b><b>set up something</b><b>called the UFO</b><b>Investigators</b><b>Network, which my</b><b>own group was a</b><b>member of.</b><b>And what she passed</b><b>on, so high</b><b>strangeness cases</b><b>to people, to,</b><b>would be there to</b><b>investigate them.</b><b>So she was based in</b><b>Manchester and I</b><b>was based</b><b>in Scunthorpe.</b><b>So any cases that</b><b>were sort of over</b><b>to the east of</b><b>England, she passed</b><b>on to me.</b><b>And so a lot of</b><b>cases came from her</b><b>and, due</b><b>to the publicity</b><b>from Close</b><b>Encounters</b><b>because I think</b><b>before then, people</b><b>were reluctant to</b><b>talk about anything</b><b>other than lights</b><b>in the sky, that</b><b>sort of thing.</b><b>And my UFO group, the</b><b>Scunthorpe UFO</b><b>Research Society,</b><b>had investigated</b><b>lights in the sky</b><b>and that</b><b>sort of thing.</b><b>But it was a bit</b><b>frustrating,</b><b>really, because</b><b>we'd saw the</b><b>interview of a</b><b>witness and check</b><b>astronomical data,</b><b>that sort of</b><b>thing. And often</b><b>we'd find out there</b><b>was a credible</b><b>explanation.</b><b>And sometimes</b><b>witnesses,</b><b>see a light</b><b>in the sky which</b><b>impresses them.</b><b>But when you</b><b>investigate it,</b><b>it's not really</b><b>very impressive,</b><b>it has an</b><b>explanation.</b><b>But sometimes</b><b>people don't really</b><b>want to know the</b><b>explanation.</b><b>I think they'd</b><b>rather keep</b><b>a mystery.</b><b>But it was a bit</b><b>frustrating if</b><b>you're trying to</b><b>get evidence,</b><b>because</b><b>that's why</b><b>high-strangeness</b><b>cases were of</b><b>interest.</b><b>Because people</b><b>couldn't be</b><b>mistaken if they</b><b>said they saw a</b><b>spaceship land or</b><b>an alien nearby.</b><b>And also, myself</b><b>and other people at</b><b>that time were</b><b>inspired by the</b><b>writings of</b><b>John Keel.</b><b>Rather than</b><b>extraterrestrials,</b><b>he spoke about</b><b>ultraterrestrials.</b><b>So it seemed to</b><b>make sense that</b><b>people who reported</b><b>UFOs and paranormal</b><b>events were seeing</b><b>something,</b><b>beyond anything</b><b>we'd previously</b><b>expected.</b><b>And that's how this</b><b>book really came</b><b>about in the late</b><b>1970s, really,</b><b>because I'd</b><b>investigated</b><b>some cases.</b><b>And then I</b><b>collected more</b><b>cases and put it</b><b>together in</b><b>book form.</b><b>Because a lot of my</b><b>writing went to a</b><b>magazine called</b><b>Magonia, which</b><b>was published by</b><b>John Rimmer,</b><b>originally from</b><b>Liverpool, and he</b><b>was based</b><b>in London.</b><b>And that covered</b><b>lots of articles about</b><b>John Keel's ideas.</b><b>So that gave me an</b><b>original outlook</b><b>for my writing, and</b><b>then it inspired me</b><b>to put it together</b><b>as Portraits of</b><b>Alien Encounters,</b><b>which came out as a</b><b>book in 1990, in</b><b>the end, a few</b><b>years after</b><b>I wrote it.</b><b>And now Portraits</b><b>of Alien Encounters</b><b>Revisited, just</b><b>gives me the chance</b><b>to go back to those</b><b>cases, take out</b><b>some of the</b><b>chapters I felt</b><b>were a bit</b><b>irrelevant.</b><b>And I've added some</b><b>new cases and new</b><b>findings at the</b><b>end, really.</b><b>Jacques Vallée and</b><b>John Keel who just</b><b>mentioned</b><b>previously are two</b><b>of the world's</b><b>most renowned</b><b>UFOlogists and</b><b>their work also</b><b>influenced you. In</b><b>what ways Nigel did</b><b>their work impact</b><b>your work?</b><b>I think what it did</b><b>was say to look at</b><b>the witness in the</b><b>round rather than</b><b>just</b><b>interview them about</b><b>say a UFO sighting</b><b>or encounter. They</b><b>encourage you to</b><b>speak to the</b><b>witness</b><b>about any other</b><b>incidents that had</b><b>happened in their life</b><b>and so after</b><b>interviewing people</b><b>about UFOs</b><b>they asked</b><b>them about if</b><b>they'd had any</b><b>UFO experiences</b><b>and a lot of times</b><b>people said</b><b>they had had</b><b>weird paranormal</b><b>experiences,</b><b>coincidences,</b><b>dreams, nightmares</b><b>and quite a</b><b>lot of people</b><b>report sightings</b><b>from when they were</b><b>children and that</b><b>seems to happen.</b><b>People have</b><b>a lifetime</b><b>of encounters with</b><b>ghosts and UFOs and</b><b>strange phenomena</b><b>and that was</b><b>something</b><b>the works of</b><b>Vallée and Keel</b><b>brought out. I</b><b>think also they</b><b>emphasise the</b><b>historical context</b><b>of these cases.</b><b>And John Keel wrote</b><b>about mystery</b><b>aircraft of the</b><b>1930s and phantom</b><b>airships of the</b><b>pre-World War I</b><b>period and</b><b>Foo Fighters and</b><b>Vallée looks at</b><b>things like Fatima</b><b>and religious</b><b>visions and kind of</b><b>re-examined them in</b><b>terms of the UFO</b><b>phenomenon and also</b><b>Jacques Vallée</b><b>looked at folklore</b><b>and fairy lore and</b><b>he compared the</b><b>fact that people of</b><b>so entities of the</b><b>past thought they</b><b>were seeing fairies</b><b>and gentlefolk and</b><b>pixies or whatever</b><b>which were</b><b>comparable to UFO</b><b>sightings today</b><b>where people were</b><b>seeing all manner</b><b>of strange</b><b>entities and</b><b>beings. In my book</b><b>Paul Bennett</b><b>reports seeing a</b><b>three-foot</b><b>high little</b><b>creature with his</b><b>friend which he</b><b>caught a mini man</b><b>in black and it's</b><b>strange a lot of</b><b>people do</b><b>report seeing lots</b><b>of different shaped</b><b>entities and not</b><b>just the spindly</b><b>grays</b><b>which in a way</b><b>Spielberg's film</b><b>kind of introduced</b><b>the idea of spindly</b><b>aliens with large</b><b>heads and</b><b>long arms and</b><b>legs and I think</b><b>that influenced a</b><b>lot of later</b><b>encounters where</b><b>people reported</b><b>such things.</b><b>In my book because</b><b>a lot of the people</b><b>I spoke to had</b><b>these experiences</b><b>before the</b><b>film. A lot of</b><b>their aliens and</b><b>things are</b><b>completely</b><b>different from the</b><b>Spielberg image of</b><b>an alien</b><b>and you find</b><b>that again if you</b><b>poke just beneath a</b><b>surface people are</b><b>reporting all sorts</b><b>of different entities</b><b>I've read about a</b><b>couple of cases</b><b>where people said</b><b>they've seen high</b><b>entities</b><b>whereas the</b><b>traditional grays</b><b>and the spindly</b><b>type alien is a</b><b>more mainstream</b><b>construct really</b><b>To follow-up on</b><b>what you were just</b><b>talking about,</b><b>flying saucers,</b><b>unidentified</b><b>flying objects,</b><b>foo fighters,</b><b>ghost rockets,</b><b>phantom airships,</b><b>chariots of the</b><b>gods, whatever you</b><b>call them,</b><b>strange things have</b><b>haunted our skies</b><b>since the dawn of</b><b>time. Instead of</b><b>grappling</b><b>with theories</b><b>of speculation,</b><b>you, Nigel, spoke</b><b>with ordinary</b><b>people in the UK</b><b>who have reported</b><b>seeing UFOs</b><b>having encounters</b><b>with alien</b><b>entities, men in</b><b>black and</b><b>angelic beings, and</b><b>experiencing</b><b>other types of</b><b>paranormal</b><b>phenomena. Is it</b><b>possible for you to</b><b>share one or two of</b><b>their stories?</b><b>One particular</b><b>chapter about</b><b>Paul Bennett is one of</b><b>the first people I</b><b>interviewed</b><b>through a UFO</b><b>investigators</b><b>network, and he was</b><b>a sort of young</b><b>teenager</b><b>when I met him,</b><b>but he'd already</b><b>written lots of</b><b>little booklets</b><b>about his UFO</b><b>experiences, and he</b><b>said when he was</b><b>about eight or nine</b><b>years old he'd seen</b><b>a UFO fly past his</b><b>bedroom window, and</b><b>he'd also</b><b>had a gang</b><b>of friends that had</b><b>quite a few</b><b>different ghostly</b><b>sightings, and like</b><b>I said earlier, he</b><b>and a friend</b><b>saw a little man in</b><b>black who was about</b><b>three foot high</b><b>crossing the road,</b><b>and I think about</b><b>mid-1970s</b><b>he and a friend</b><b>were walking near</b><b>the home, which was</b><b>near some Moorland,</b><b>and they</b><b>saw a sort of</b><b>12-foot high green</b><b>robot scooping up</b><b>soil into its</b><b>pockets on its</b><b>belly, and</b><b>although he only</b><b>briefly saw this,</b><b>he and his friend</b><b>said it kind of</b><b>glided along then</b><b>scooped some</b><b>more soil and</b><b>went again, so that</b><b>was quite an</b><b>unusual sighting,</b><b>and I think some</b><b>people would</b><b>dismiss childhood</b><b>cases as being all</b><b>about imagination</b><b>and fantasy. I felt</b><b>I should interview</b><b>anyone who reported</b><b>anything to me</b><b>really, because I</b><b>felt like you don't</b><b>really want to edit</b><b>out things,</b><b>you want to</b><b>collect it all, and</b><b>then like with a</b><b>book I've put it</b><b>there for people to</b><b>assess</b><b>themselves, because</b><b>the old thing about</b><b>UFOlogy is research</b><b>is always evolving</b><b>and new</b><b>ideas come along,</b><b>so a case you</b><b>might have rejected</b><b>years ago, it would</b><b>be appropriate to</b><b>look at</b><b>today. I didn't</b><b>really try to</b><b>filter out</b><b>anything, because I</b><b>felt it's a</b><b>valuable time to</b><b>collect</b><b>things in the late</b><b>70s onwards, and</b><b>I'm pleased I did</b><b>that, and I think</b><b>Paul Bennett's</b><b>fascinating</b><b>also, because</b><b>he had a prophecy</b><b>once he was cycling</b><b>with his friend,</b><b>and he saw a really</b><b>dark cloud,</b><b>and he had</b><b>a prophecy that</b><b>something really</b><b>strange was going</b><b>to happen related</b><b>to death, and I</b><b>think about a day</b><b>later he was riding</b><b>on his bike, and</b><b>the chain jammed on</b><b>it, and he went</b><b>flying into a tree,</b><b>and he ended up in</b><b>a hospital with a</b><b>fractured skull.</b><b>Remarkably after</b><b>just a few</b><b>days after</b><b>surgery, I think he</b><b>might have had one</b><b>or two lots of</b><b>surgery, he went</b><b>home and he made a</b><b>really good</b><b>recovery, and then</b><b>when he was</b><b>recovering he found</b><b>out that a woman</b><b>had seen a UFO over</b><b>the hospital</b><b>on the very night</b><b>he'd been admitted,</b><b>so he kind of felt</b><b>that the aliens had</b><b>acted as a kind of</b><b>guardian angel for</b><b>him on that night.</b><b>That's quite</b><b>impressive, because</b><b>quite a lot of</b><b>people have said</b><b>UFOs have saved</b><b>them in a similar</b><b>manner, of have</b><b>foretold disasters</b><b>of some kind.</b><b>Included in your book</b><b>is really</b><b>astounding</b><b>experiences of a</b><b>man and woman named</b><b>Paula Green and</b><b>Stefan Labosek.</b><b>What Nigel</b><b>where their</b><b>experiences?</b><b>Stefan's case is</b><b>good because he saw</b><b>aliens that look</b><b>like what he called</b><b>pink panthers and</b><b>that's kind of a</b><b>striking image. I</b><b>think it sort of</b><b>emphasizes more</b><b>like a facial</b><b>structure but his</b><b>experiences are</b><b>more like modern</b><b>day abduction</b><b>experiences where I</b><b>think he found</b><b>himself on an</b><b>operating table</b><b>and was examined by</b><b>aliens and also his</b><b>family have had all</b><b>sorts of different</b><b>paranormal</b><b>experiences</b><b>happened to them</b><b>and the same with</b><b>Paula Green she had</b><b>quite a few</b><b>different events in</b><b>her life from</b><b>childhood. One of</b><b>her first</b><b>encounters was with</b><b>a friend, they went</b><b>walking in some</b><b>woods at</b><b>night time and</b><b>they came across</b><b>this really strange</b><b>thing almost like a</b><b>windmill</b><b>like thing</b><b>with big propellers</b><b>on it that were</b><b>turning and it was</b><b>extremely</b><b>strange to</b><b>her. They had sub</b><b>lights on it and we</b><b>couldn't really</b><b>explain it</b><b>and when she</b><b>got home she</b><b>thought only about</b><b>an hour's time had</b><b>passed but</b><b>when she got</b><b>home she found that</b><b>people were looking</b><b>for her because</b><b>she'd been</b><b>away for like</b><b>more than three</b><b>hours. So there was</b><b>a chunk of missing</b><b>time there that she</b><b>couldn't explain</b><b>and other times</b><b>she's come across</b><b>strange entities</b><b>and had strange</b><b>experiences. I</b><b>think she had one</b><b>or two examples of</b><b>where she</b><b>thought she might</b><b>have been abducted</b><b>but some of these</b><b>memories are</b><b>a bit hazy but</b><b>she's got memories</b><b>of being in a</b><b>control room and</b><b>seeing images of</b><b>beautiful</b><b>landscapes that</b><b>then get trashed</b><b>and tarnished and</b><b>destroyed</b><b>and that's</b><b>another thing from</b><b>a lot of UFO</b><b>abductees. In fact</b><b>they were</b><b>often shown</b><b>things on a screen</b><b>which can be quite</b><b>disturbing and also</b><b>with Paula Green</b><b>she's had</b><b>experiences with</b><b>feeling a crocodile</b><b>entity sort of</b><b>touched her and</b><b>scared her and I</b><b>think though</b><b>because she's not</b><b>been hypnotically</b><b>regressed</b><b>you'd have probably</b><b>got more</b><b>information from</b><b>her about her</b><b>abductions but in</b><b>Britain we cannot</b><b>really do hypnotic</b><b>regressions and I</b><b>think they</b><b>only tend</b><b>to be done if</b><b>somebody really</b><b>needs to have it</b><b>done for a rather</b><b>psychological</b><b>reasons but often</b><b>you know people who</b><b>just see lights in</b><b>the sky might be</b><b>hypnotically</b><b>regressed and then</b><b>recount an</b><b>abduction but you</b><b>don't know whether</b><b>some false memories</b><b>are being created</b><b>through hypnosis so</b><b>I think it's quite</b><b>useful to get all</b><b>this information</b><b>from someone who</b><b>hasn't been</b><b>hypnotized but</b><b>you know Paula</b><b>Green's experiences</b><b>are a bit closer to</b><b>our own</b><b>time period now</b><b>and yet they overlap</b><b>with Paul Bennet's</b><b>really because she</b><b>lives south of</b><b>Bradford and Paul</b><b>Bennet lives north</b><b>of Bradford so</b><b>there seems</b><b>to be a lot of</b><b>things going on in</b><b>that area of</b><b>Northern England</b><b>What theories,</b><b>Nigel, do you have</b><b>that could explain</b><b>the sightings and</b><b>experiences</b><b>that have</b><b>been reported by so</b><b>many people who</b><b>came from diverse</b><b>age groups, social</b><b>backgrounds and</b><b>locations?</b><b>I think what I find</b><b>dangerous is to</b><b>override an</b><b>explanation for</b><b>everything, you</b><b>know, like</b><b>used to explain</b><b>everything as say</b><b>alien spaceships,</b><b>then it was Keel in</b><b>his Ultraterrestrials</b><b>but I</b><b>think it's more</b><b>complex than that.</b><b>I think each case</b><b>in my book you</b><b>could use</b><b>different waves of</b><b>looking at them and</b><b>explaining them. I</b><b>think one or two</b><b>might be what you</b><b>might call purely</b><b>psychological but</b><b>you could say well</b><b>if it is purely</b><b>psychological why</b><b>haven't</b><b>manifested in</b><b>a way that talks</b><b>about,</b><b>aliens and being</b><b>whisked away</b><b>onboard an alien</b><b>spaceship</b><b>and some of the</b><b>more credible ones</b><b>you wonder perhaps</b><b>that these theories</b><b>that balls</b><b>of plasma</b><b>can affect human</b><b>behaviour or memory</b><b>but it's kind of a</b><b>sort of geophysical</b><b>theory where</b><b>if they think that</b><b>something like</b><b>plasma or tension</b><b>in the Earth's</b><b>crust can cause</b><b>plasma balls which</b><b>can have a sort of</b><b>psychological</b><b>effect on you. I'm</b><b>not sure that</b><b>really applies to</b><b>any particular case</b><b>in this but even if</b><b>you just look at</b><b>one person you</b><b>might think</b><b>one or two</b><b>experiences might</b><b>be explained by</b><b>mundane things but</b><b>one or two others</b><b>you think</b><b>you know what is</b><b>really going on and</b><b>why are some people</b><b>reporting things</b><b>that happen</b><b>throughout</b><b>their lifetime</b><b>whereas you know</b><b>most of us are</b><b>lucky to see one</b><b>UFO and even then</b><b>you might be</b><b>skeptical of it and</b><b>just pass it out of</b><b>your mind which</b><b>makes me think of</b><b>what I call</b><b>the trigger</b><b>effect where some</b><b>people see a UFO</b><b>and then it</b><b>triggers a memory</b><b>of earlier</b><b>UFO cases of</b><b>experiences with</b><b>the unknown and</b><b>then they start</b><b>researching the</b><b>subject and then</b><b>they realise</b><b>they've been seeing</b><b>UFOs and had alien</b><b>experiences</b><b>throughout their</b><b>life without really</b><b>taking much</b><b>attention of it and</b><b>some people then</b><b>might change their</b><b>own lifestyle or</b><b>they'll become</b><b>vegetarian or</b><b>become promoters of</b><b>saving the world</b><b>and that sort of</b><b>thing so</b><b>whatever the</b><b>source of a UFO it</b><b>can have quite a</b><b>powerful effect on</b><b>somebody's</b><b>behaviour and have</b><b>a look at life</b><b>and I think it's</b><b>true of just being</b><b>a UFOlogist you</b><b>read about all</b><b>these stories and</b><b>you begin to</b><b>realise</b><b>there's more things</b><b>going on than nuts</b><b>and bolts reality</b><b>and it takes</b><b>you a bit out</b><b>of yourself and to</b><b>look is something</b><b>really going on out</b><b>there or even if</b><b>there isn't</b><b>anything coming</b><b>from outer space</b><b>you know what's</b><b>really going on</b><b>like you said you</b><b>know literally</b><b>millions of people</b><b>are seeing UFOs and</b><b>probably thousands</b><b>of people have seen</b><b>UFOs close up or</b><b>alien entities</b><b>and it seems to</b><b>carry on the talk</b><b>of unidentified</b><b>anomalous phenomena</b><b>the UAPs</b><b>and drones</b><b>has taken the</b><b>spotlight away from</b><b>abductions and</b><b>people having</b><b>encounters in their</b><b>bedroom or</b><b>you never really</b><b>hear much about</b><b>close encounters</b><b>anymore. It's also</b><b>interesting that</b><b>Spielberg's</b><b>actually making a</b><b>film that might be</b><b>called Disclosure</b><b>so it looks like he's</b><b>looking at</b><b>what we now call</b><b>UAPs rather than</b><b>the kind of</b><b>spaceship of the</b><b>past really</b><b>so it'd be</b><b>interesting to see</b><b>what he does with</b><b>the UFO narrative</b><b>Since you have been</b><b>involved in the UFO</b><b>phenomena for</b><b>decades, I was</b><b>wondering,</b><b>Nigel, if your</b><b>ideas about the</b><b>subject changed</b><b>over the years?</b><b>Like I said, the</b><b>extraterrestrial</b><b>hypothesis seemed</b><b>quite</b><b>natural to me.</b><b>You know, I was</b><b>really keen on the</b><b>Apollo 8 space</b><b>missions and then I</b><b>followed the Apollo</b><b>missions to the</b><b>moon landings and I</b><b>was quite excited</b><b>by space</b><b>exploration</b><b>and you know,</b><b>that we'd end up</b><b>going to Mars and</b><b>things like that</b><b>and science fiction</b><b>films in general</b><b>as well.</b><b>So I think it</b><b>seemed quite</b><b>logical that people</b><b>were seeing aliens,</b><b>spacecraft</b><b>from an advanced</b><b>society or</b><b>civilisation.</b><b>Also quite a lot of</b><b>people reported</b><b>seeing landed UFOs</b><b>with aliens in</b><b>spacesuits, but</b><b>you don't seem to</b><b>get much nowadays.</b><b>But back in those</b><b>days, if you look</b><b>at old issues of</b><b>Flying Saucer</b><b>Review,</b><b>there's numerous</b><b>stories of aliens</b><b>with spacesuits,</b><b>helmets and using</b><b>equipment to</b><b>analyse and to pick</b><b>up rocks, a bit</b><b>like Paul</b><b>Bennett's robot.</b><b>It seemed to be on</b><b>a mission to</b><b>collect things.</b><b>So it seemed kind</b><b>of natural that</b><b>these were</b><b>alien craft.</b><b>I think what broke</b><b>my ideas was really</b><b>John Keel and</b><b>Jacques Vallée's</b><b>writings really.</b><b>But a lot of these</b><b>sightings start to</b><b>seem to be a</b><b>substantial craft</b><b>of the</b><b>aliens acting</b><b>really odd ways for</b><b>aliens from</b><b>another planet.</b><b>And I think John</b><b>Keel in particular</b><b>emphasised these</b><b>stories of men in</b><b>black</b><b>acted in a very</b><b>odd way, like they</b><b>were in control of</b><b>their body, they</b><b>were almost like</b><b>robots trapped</b><b>in a human body or</b><b>something</b><b>like that.</b><b>And they didn't</b><b>quite know how to</b><b>operate it.</b><b>And Keel gives</b><b>quite a lot of</b><b>spooky</b><b>stories like that.</b><b>And also because I</b><b>investigated these</b><b>high strangeness</b><b>cases, I was</b><b>thinking well, they</b><b>don't really sound</b><b>like traditional</b><b>aliens really.</b><b>They sound like</b><b>stories that are</b><b>people having</b><b>almost</b><b>psychological</b><b>encounters.</b><b>These things are</b><b>dominating the mind</b><b>through dreams,</b><b>nightmares and</b><b>strange</b><b>experiences.</b><b>So I did become</b><b>interested in the</b><b>psychological</b><b>aspects of the</b><b>subject and also</b><b>looking at</b><b>the history of</b><b>phantom airships.</b><b>Because I think</b><b>some of these</b><b>things are shaped</b><b>by the kind of</b><b>society and culture</b><b>we're living</b><b>in so that we</b><b>interpret a light</b><b>in the sky</b><b>now as a UAP.</b><b>Or in the past second</b><b>World War, pilots</b><b>were seeing foo</b><b>fighters.</b><b>And then before the</b><b>first World War in</b><b>Britain, people saw</b><b>lights in the sky</b><b>and covered them</b><b>in phantom airships</b><b>and they were</b><b>frightened of</b><b>Zeppelin attacks.</b><b>The name Flying</b><b>Saucer gave an</b><b>umbrella term that</b><b>allowed people to</b><b>finally investigate</b><b>the subject.</b><b>Whereas something</b><b>like Phantom</b><b>Airships, it was</b><b>just a passing</b><b>phase really.</b><b>People went on to</b><b>other things but</b><b>with flying saucers.</b><b>I suppose at the</b><b>time people</b><b>thought, oh, it's</b><b>just a passing</b><b>phase, it'll die.</b><b>But it's been</b><b>redirected over</b><b>time by going</b><b>through different</b><b>name changes</b><b>from flying</b><b>saucers to UFOs and</b><b>then people.</b><b>So at the end of</b><b>the last decade saw</b><b>triangular craft</b><b>over Europe.</b><b>And then in the</b><b>early part of this</b><b>century, people</b><b>have seen all sorts</b><b>of things that</b><b>at one time were</b><b>dominated by</b><b>Chinese lanterns.</b><b>There's no wave of</b><b>sightings of orange</b><b>globes in the sky,</b><b>which are just</b><b>party lanterns</b><b>being set off,</b><b>which you don't</b><b>hear about</b><b>much now.</b><b>But at the time</b><b>people wondered</b><b>what was going on.</b><b>And then nowadays</b><b>it's, are we</b><b>seeing drones?</b><b>And what sort of</b><b>drones are they?</b><b>Drones made by</b><b>secret inventors?</b><b>Have they been sent</b><b>by foreign agencies</b><b>or rather non-human</b><b>intelligences</b><b>behind them?</b><b>So in a way the</b><b>names change but</b><b>the thing behind it</b><b>all is still going</b><b>on really.</b><b>And I think with</b><b>the UAP</b><b>thing is that it</b><b>appeals to looking</b><b>at the subject</b><b>in terms of it</b><b>being perhaps these</b><b>really are drones</b><b>that have been</b><b>secretly created.</b><b>So they present a</b><b>national security</b><b>threat,</b><b>particularly to the</b><b>United States.</b><b>So there's that</b><b>argument about it.</b><b>But there's no</b><b>other argument that</b><b>these highly</b><b>advanced craft that</b><b>can go</b><b>underwater and</b><b>they can</b><b>psychologically</b><b>affect witnesses</b><b>and have a kind of</b><b>effect on people</b><b>that flying</b><b>saucers were said</b><b>to have done</b><b>in the past.</b><b>So the name might</b><b>have changed but</b><b>the actual game</b><b>itself</b><b>hasn't changed.</b><b>I would like to now</b><b>follow-up on</b><b>something that you</b><b>just said.</b><b>How, Nigel, do the</b><b>high strangeness</b><b>cases you've</b><b>investigated relate</b><b>to the</b><b>current interest</b><b>in UAPs?</b><b>Well, I think the</b><b>segue quite nicely</b><b>into the new</b><b>subject</b><b>really of UAPs.</b><b>I think bubbling</b><b>underneath it are</b><b>stories like from</b><b>Skinwalker Ranch,</b><b>where people go</b><b>there and then they</b><b>go home and feel</b><b>like they've had</b><b>some sort of</b><b>demonic or alien</b><b>entity follow them</b><b>home, which is</b><b>something else some</b><b>people have</b><b>experienced</b><b>with ghosts</b><b>have gone to a</b><b>haunted house.</b><b>The haunting has</b><b>carried on wherever</b><b>they've moved to.</b><b>And with the people</b><b>I spoke to for the</b><b>book, they did have</b><b>lots of really</b><b>strange experiences</b><b>which would fit in</b><b>with a theory that</b><b>aliens are</b><b>manipulating</b><b>human beings.</b><b>And that's</b><b>something people</b><b>say these</b><b>UAPs are doing.</b><b>I'm not sure what</b><b>it depends on the</b><b>type of people you</b><b>speak to in America</b><b>really, but</b><b>there's quite a few</b><b>promoting ideas of</b><b>Jacques Vallée really</b><b>that the powers</b><b>behind these</b><b>strange encounters</b><b>have lived in the</b><b>shadows since the</b><b>dawn of time and</b><b>that they're</b><b>manipulating us.</b><b>And I think it's</b><b>true there is this</b><b>manipulation, but</b><b>you could argue is</b><b>a manipulation coming</b><b>being beamed at us</b><b>from afar or is it</b><b>our own psychology</b><b>and our place in</b><b>society, where</b><b>in times where</b><b>technology reigns,</b><b>whereas in the past</b><b>people had weird</b><b>experiences</b><b>that were termed</b><b>religious, using</b><b>religious labels</b><b>like the Virgin</b><b>Mary and</b><b>things like</b><b>that.</b><b>Whereas nowadays</b><b>everything's</b><b>couched in a sort</b><b>of secular</b><b>technological</b><b>manner.</b><b>So is it just</b><b>something that if</b><b>we look at the sky,</b><b>we just interpret</b><b>things into what</b><b>we expect to see</b><b>and fit it into</b><b>this sort of</b><b>template of aliens</b><b>from outer space or</b><b>no human</b><b>intelligences to</b><b>give them</b><b>their new name?</b><b>So I think the</b><b>fascinating thing,</b><b>a lot of people</b><b>have come up with</b><b>different</b><b>ideas like</b><b>that sort of people</b><b>I interviewed</b><b>subject to fantasy</b><b>proneness and some</b><b>I give a lot</b><b>of a bedroom</b><b>encounters or sleep</b><b>paralysis cases,</b><b>but I don't think</b><b>you can use them</b><b>all as catch all</b><b>explanations.</b><b>And that's why I</b><b>find it difficult</b><b>to give us some overall</b><b>explanation for all</b><b>the cases in</b><b>my book.</b><b>Really think you</b><b>have to look at</b><b>each case and</b><b>incident and its</b><b>own terms.</b><b>And in a way, I'm</b><b>basically trying to</b><b>collect this</b><b>information for</b><b>other</b><b>people to look</b><b>at and use it as a</b><b>foundation for more</b><b>study because not</b><b>really an expert in</b><b>all the different</b><b>areas you</b><b>could explore.</b><b>So I think it's</b><b>good for other</b><b>people to</b><b>look at that.</b><b>Should viewers of</b><b>Paranormal Yakker</b><b>want to buy</b><b>Portraits of Alien</b><b>Encounters Revisited</b><b>and also learn</b><b>of the other books</b><b>you've authored,</b><b>how, Nigel, can</b><b>they do that?</b><b>You can go on most</b><b>online retailers,</b><b>Amazon's a good</b><b>place to look, and</b><b>also Collective Ink</b><b>is a publisher of</b><b>Portraits of Alien</b><b>Revisited, so</b><b>Collective Ink's</b><b>the publisher's website.</b><b>They also do some</b><b>other good, sort</b><b>of, UFO alien and</b><b>new age books as</b><b>well, and quite</b><b>proud of having</b><b>this book out</b><b>because it's a good</b><b>time to have it out</b><b>and when there's so</b><b>much debate about</b><b>the subject.</b><b>Nigel Watson,</b><b>I thank you for being</b><b>my guest on</b><b>Paranormal Yakker.</b><b>As always, it has</b><b>been a pleasure</b><b>yakking with you.</b>