Rock N Roll Gutter
Welcome to the Rock & Roll Gutter Podcast! Music from the wrong side of the tracks! Your hosts, Andy and Gary, will drag you through the gritty world of sleaze rock, gutter glam, and all forms of dirty Rock and Roll. If you’re a fan of Hanoi Rocks, Dogs D’Amour, D-Generation, Hollywood Brats, or The New York Dolls, this is a podcast for you. Join us twice a month as we celebrate the bands that pushed the boundaries of good taste, and have a few laughs along the way.
Rock N Roll Gutter
S4-Ep9: Shark Island & The Scream - Sharks, Screams, and Broken Dreams
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This week in the gutter, we’re diving headfirst into the gloriously underrated world of late-’80s Sunset Strip rock with Shark Island and The Scream. Two bands. Endless talent. Horrible timing.
During the dying days of the Strip, Shark Island unleashed Richard Black’s legendary, hypnotic stage swagger—the literal DNA a certain Axl Rose may have “borrowed”—alongside the razor-sharp riffs of Spencer Sercombe. From their infamous Gazzarri's residency to the release of their 1989 masterwork, Law of the Order, Shark Island wasn’t just part of the scene—they were the blueprint
The Scream. Born from the ashes of Racer X and powered by the soulful roar of John Corabi. Their debut, Let It Scream, delivered blues-soaked, groove-heavy gutter rock. We’re breaking down the raw punch of tracks like “Man in the Moon,” the brutal bad luck that killed the band’s momentum, and how this band became the stepping stone that launched Corabi straight into the chaos of Mötley Crüe.
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