Creativity Jijiji
Creativity Jijiji: "Conversations about creativity"
This podcast amplifies the voices of our true leaders—the artists. Writers, composers, producers, singers, actors, and poets show us new ways to see ourselves and the world around us. They illuminate the invisible threads that connect us, revealing the deep ties of our shared humanity.
At a time when we must come together as citizens of a small and fragile planet, the voices of artists matter more than ever.
Creativity Jijiji goes beyond the spotlight to explore the mysteries of creativity—where it comes from, why it moves us, and how it shapes our world.
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Creativity Jijiji
Why Silence Creates Tension in Storytelling and Sound Design
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What if the most powerful moment in your story is what you remove? In this episode, we explore how silence creates tension in storytelling, film scoring, and audio drama. A well-placed pause sharpens focus, heightens emotion, and turns passive listeners into active participants.
Placing the breath before a confession, trimming music to let a scene breathe, and using space instead of sound to build narrative pressure, pauses change the emotional temperature of a room.
Tension is a question waiting to be answered. Sound informs. Silence invites imagination — and imagination can be more powerful than noise.
Thanks for listening.
Why Silence Builds Tension
ChrisBut how a silence in storytelling can create tension. Because silence isn't empty and it's more like it's it's pressure on the story. That's why uh when I'm editing, I'm looking for that silence. Because it it moves the story forward. Sort of the opposite of what you might think. Um when when when sound disappears, the nervous system doesn't relax. It sits up, it scans, it's like, what happened? What's going on? And in storytelling, that's gold, really, if you think about it.
Personal Lesson In Long Pauses
Crafting Beats That Stick
Horror’s Quietest Moment
Trusting The Cut And The Breath
What Silence Might Reveal
SpeakerUm we're we're conditioned to follow noise, dialogue, music, movement, but when everything drops away, uh the brain, the ear, leans forward. Um why? That's what I was thinking about. You know, why does that happen? Because in editing, that's magic when I get it right. Well, sound tells us what's happening, right? And silence forces us to imagine what that might be. And imagination is is is more dangerous than reality. So putting that space in there, putting that silence in there sort of raises the stakes in a story. And uh they become the most powerful moments in a film score, in film, and music, in audio dramas. Those moments, those powerful moments are the loudest ones. They're the suspended ones. You know, um, that breath before uh the confession. The bead before the explosion, or uh the pause before the answer. My father was like a master of that. I would ask him a question and he would pause like forever before he answered. He'd get this look on his face and he would just pause, and I would lean into it. I'd get to the edge of my seat, like, why is he taking these long pauses? It fascinated me as a kid. It really did. It drove me a little nuts too, but these long pauses, they would draw me in. That's my point. Silence creates a question, and the tension is simply a question waiting to be resolved. Tension is a question waiting to be resolved, yeah. So if you want to increase tension, don't add noise. Remove it, find that silence. Find those beats that you need to the listener really engage. You know, those beats are are the ones that that uh will lodge in the memory that will focus the ear. Think about it, watch it, listen the next time you're you're you're watching a movie, you know. Think about some of the horror scenes you've seen, you know. I mean, there's horror music, but the music gets simpler and the space becomes larger when the killer gets closer. And then there's that moment before the strike. That's where you want to put the silence. If you're audio drama, that's where you want to put the silence. Even in music, that beat, that space, that stop, can be the PowerPoint in a piece of music. You know, so you cut the music early, or you let the room breathe, or when you get into that silence, when you get into that moment, you kind of feel it. You trust it as a as a writer, as a producer, as an editor, as a mixer. You trust it. And you and you feel it, and you know when it's to end, and when it ends, it's it's so much power. Look, the ear isn't afraid of sound. Uh it's afraid of what the silence might reveal. That's the way I think about it.