United Methodist Church Westlake Village

Extremism, Identity, And The Cost Of Conviction

United Methodist Church Westlake Village

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A resistance cell burns bright, a family goes underground, and a nation hardens around them—yet the fiercest battles aren’t fought with fists or fire. We take you inside One Battle After Another to trace how extremism feeds on certainty, how it hollows leaders and bystanders alike, and how a long chase can double as a journey back to conscience. Bob and Porfidia ignite the French 75 with violent tactics while Lockjaw answers with manipulation and might; sixteen years later, Bob—now Paul—and his daughter Willa face the bill coming due. What begins as survival turns into a search for identity, purpose, and a better way to fight.

We unpack why the film refuses easy heroes and villains, and how that ambiguity invites a deeper look at our own habits of outrage. Drawing from Ephesians 6:12, we explore the idea that the real enemy often lives in the unseen realm of influence and temptation—the voices that numb compassion, erode trust, and turn neighbors into targets. From there, we walk through the armor of God as a practical, interior toolkit: truth that steadies us, righteousness that guards our motives, the gospel of peace that shapes our posture, faith that shields against despair, salvation that anchors identity, and the word that cuts through noise. These aren’t weapons for winning news cycles; they are practices that keep our souls intact.

We also lean into the hard stuff: suffering as a teacher, not a sentence. Romans’ arc—suffering to endurance, endurance to character, character to hope—comes alive in Bob and Willa’s transformations, culminating in Willa’s turn toward lawful, principled action. If you’ve ever felt pulled toward extremes or emptied by the fights you choose, this conversation offers a map back to courage without cruelty and conviction without contempt.

If this resonates, follow the show, share it with a friend, and leave a review telling us which “armor” you’re putting on this week. Your reflections help others find the conversation.

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Setting Up The Film And Themes

Pastor Darren

So again, we continue in our series here dealing with uh some of the uh Academy Award nominees for Best Picture. I choose those in particular because I think, well, if they're getting nominated, uh, they're being considered kind of relevant and worth talking about. So I hope that you are having that same feeling as we go through things. Um this one, one battle after another. It's the latest film from Paul Thomas Anderson. Do we have film people in the crowd, Paul Thomas Anderson fans? It's me and Paul. And Paul only likes them because they share a name. That is it. Oh, all right. So nobody's seen Magnolia? There will be blood? Phantom Thread? All right, so those are some of his films. What I find interesting about him is he really digs into some uh uh unique questions about what it means to be a human being, and he finds these situations where that those questions get really played out, and uh they're intense movies generally, very human but very intense movies. Uh some of the uh, well, the title itself in this case of this film, One Battle After Another. I I see two levels going on there. There's the one that phrase, oh, one battle after another, right? We say that when life is challenging, one battle after another. But then there's this other subtext where I think we're being invited to look at uh some of our human tendency towards extremism and some of the problems about that, a life that ends up as one battle after another. So uh this is a film about a group called the French 75. It's a resistance movement focused largely on immigration issues. Uh so uh, you know, somewhat relevant for today. I'll I'll give you uh uh one picture I wanted to show you here, just so you get a uh a sense of who the main characters are. This is Leonardo DiCaprio and Tiana Taylor, Bob and Porfidia Beverly Hills. I'm sure her Christian name given to her by her parents at one point, as he he says sarcastically. Uh, but these are the two characters, kind of the main ones that get things started. They are together in this resistance movement called French 75, and we learn very early on their tactics are very aggressive and very violent. Uh then we've also got on the other side Sean Penn playing a character named Lockjaw, right? And you can see him, uh, and if you're a Sean Penn fan, like I am, uh really good actor, and he really gets lost in a role. In this case, he plays a really bad guy uh as part of the military response to this resistance. We learn that his tactics are also aggressive and violent. Uh, and we learn that uh he's got a willingness to be manipulative in a way that can be problematic. He probably has some mental illness that that plays out, but we won't dig too deep into that. Together with these two factions, they form this extremist tension that drives the whole plot. It drives the whole theme of the movie. And what's interesting is the film really doesn't take sides in this this whole debate. It mostly is talking about the inevitable end of such an extremist confrontation and conflict. So ultimately, story-wise, spoiler alert, perfidia gets manipulated into giving up her movement and allies uh to the other side, and the resistance ends up having to flee and to go further underground in order to avoid being caught and andor killed. Uh so 16 years later, 16 years we find uh Leonardo DiCaprio's character, Bob. Uh he is now Paul in his new identity, and he is also with their daughter Willa, who's now 16. Uh so we're 16 years into the future, and this is Willa, by the way, young actress that's kind of making her her way in things. Chase Infinity. Is that a cool name? Right? That sounds like such a metaphorical name, almost like something from a story, not the actress's real name. Chase Infinity. Uh but at this point, 16 years later, they're living in this kind of listless, purposeless state. Bob is now Paul, as I said, and he's lost any sense of any passion or ambition for what he's going to do in life. He's pretty much drug addled. Uh the daughter, Willa, has become uh kind of disillusioned, disillusioned with life and uh especially with this father from what he's become. Meanwhile, Lockjaw, right, the other, the military response, he's risen in power, risen to become a strong power. And not only that, he has found Bob and Willa. So the back half of the film is this chase, you know, a lot of adventurous chase scenes. Uh, we call it a long-playing final confrontation. Uh, but what happens in the journey of this confrontation is Bob ends up kind of finding himself again, maybe not to that extremist end where he starts the film at, but he starts realizing what he believes in again, finding some courage, finding a willingness to fight for things that he believes in, especially his daughter. And Willa, she uh it's kind of thrown uh her well, her world gets turned on its on end because she only kind of knew who she was and what had happened uh just enough to be able to stay safe. So when they come a calling for her, all of a sudden she realizes she is not who she thought she was. And so her challenge then becomes to ask herself, well, then who am I? And this struggle to kind of fill that blank spot out and become who she really is. Um so without getting too deep into the film, it seems to have this subtext about the dangers of extremism. And what we find in the midst of the battle is that there's a lot of damage that's done, and it's largely done to those who drive the extremism, but tragically also to the middle of those and those who are near to those extremists. Um, but there is a sign of hope at the end. Spoiler alert again. Willis has aligned herself with some more legal forms of protest and resistance, uh, and she may have learned how to navigate her sense of social justice and what she is able to fight for. Uh so there's your kind of quick run-through. It's a very complex movie. So uh again, it's provocative. It won't be for everybody, but for those who enjoy it, there's a lot of layers. But uh we get to the point of thinking, okay, well, what is there for us as Christians? How do we look at this story and find something to uh uh get a hold of and see how it speaks to us? Uh and to me, it came largely from this way of uh this message about claiming ourselves and our beliefs, even in a time of trial. By Bob, Leonardo DiCaprio's character, he abandons what he believes in because they have to go further underground. It all blew up on them. His uh wife had turned them all in. Uh, and so he just becomes this shell of something that no longer is living who he believes he is. Willa, again, who had little idea who she is, she has to uh basically take this journey. She's forced to take this journey of figuring out who she is and claiming her own life and her own story in the midst of all of that. So I wonder um if the message for us, what we can grab onto here, is that in difficult times, we're invited, we're encouraged to do the same. We're invited and encouraged to remind ourselves of who we are and what we believe. Paul, in the first letter we're working with, the letter to the church in Ephesus, right? The Paul's letter to the Ephesians, he star he speaks about this battle that we are waging, and he reminds us that it is a spiritual battle. It's the spiritual part of this battle that is the tough thing. Here I'm focused in on one of the passages, Ephesians 6 12, for our struggle, and I think it's on a slide, for our struggle is not against enemies of blood and flesh, it's against the rulers, against the authorities, against the cosmic powers of this present darkness, against the spiritual forces of evil in the heavenly places. Do you see? Do you see how he's characterized our opponent or or who we're looking to go against? It's not people with guns and uh other physical forms of weaponry. We're talking about spiritual challenges, people who are looking to influence who we are and what we believe. Right? That I think the caution Paul's giving us here is we should have our guard up for those negative and and maybe even dark influences around us, potentially even more than a physical threat. What might a dark influence be? Well, possibly anything that's pulling us away from being who we feel called to be, being who we feel God has called us to be. Maybe it's uh an influence that is telling us we shouldn't trust in God's presence. We shouldn't trust in God's justice, we shouldn't trust in God's peace. Maybe those are the dark influences we need to look for. Maybe the dark influences are the the powers, the in the voices that tell us that we shouldn't be loving a neighbor, that there are reasons not to do that. Bob, Leonardo DiCaprio's character, he shows us what it looks like when we lose ourselves, even in times of trial, when we lose our beliefs, when we lose our, to use Paul's word in Romans, our character, right? We become this empty husk, this husk that uh uh um just is a loss of self. That's a battle. We really can't afford to lose. Paul speaks of it when he talks about this armor of God in his letter to the Romans. Uh did you notice? And we I think I preached this last summer. Anybody better at remembering what I preached than I am? I'm pretty sure I preached this last summer, right? And and he talks about uh uh uh uh some of the the things that we take to go into this battle with the belt of truth, the breastplate of righteousness, choose to proclaim the gospel of peace, the shield of faith, the helmet of salvation, the sword of the spirit, which is the word of God. These are spiritual weapons, these are not physical weapons. These are the things that that build us up from inside so that we can go and live out what are often battles that we live in this life. I think it's clear that Paul's not talking about physical battle, he's talking about the spiritual one. Will you let the world around you pull you from what you've come to know about God? I think that's the cornerstone question of this. While our characters, Bob and Willa, had to be pushed to remember who they are and why they fight, we are invited to proactively assume this spiritual armor. We assume it as a way of reminding ourselves of what we believe about the world and about God. We remind ourselves of these weapons, or or maybe a better word would be tools that we have to work through life's challenges with. Tools like truth, tools like righteousness, tools like the gospel of peace, the word of God, and maybe, maybe, maybe, maybe most importantly of all the tools, the faith that those tools work and the trust that they are what leads us to the life that we're supposed to live. In this light, maybe we shouldn't be working so hard to get through our suffering so fast. We don't like suffering, we try to move through it as fast as we can. But did you notice Paul in the letter to the Romans, he said we we boast of our suffering. Do you ever boast of your suffering? Stephen does, but he's different. Do you ever boast in your suffering? I tell you, if you were uh working out and trying to enhance your athletic ability, you might boast in some of that suffering because it made you stronger. This is what Paul's talking about, that maybe we need to just focus on whatever suffering we are we have differently, knowing that there's a journey to be had through suffering, which is inevitable for human beings. In the case of Bob and Willa, their suffering was the driver for their awakening. It's what forced them to remember and become who they are again. Paul writes about it in his letter to the Romans. He tells us suffering leads to endurance. Endurance leads to character, and character leads to hope. Let us pray that with life's ups and ups and downs, that we too can emerge with endurance, with the character of knowing who we are and with hope. Amen. Amen.