Pour en finir avec les discours clivants de l'entrepreneuriat au Féminin | Self Leadership Laetitia Martos

Les étiquettes rassurent, mais elles enferment. Ici, on démonte la polarité “féminin vs masculin” pour parler de ce qui fait vraiment avancer un business: des lois universelles simples, un discernement aiguisé et une chorégraphie personnelle entre structure et intuition. Nous partageons une approche concrète pour cesser de forcer, retrouver du souffle et créer des résultats durables sans sacrifier sa santé mentale et émotionnelle.

On commence par questionner les récits de réussite: qui parle, d’où, et dans quel contexte économique et culturel. Copier les mêmes actions ne garantit pas les mêmes résultats, car les cycles, les publics et les ressources diffèrent. Plutôt que de courir après la mode de la facilité, on propose une hygiène stratégique claire: délimiter le problème, formuler des hypothèses, tester pendant trois mois, puis faire un bilan honnête sur l’énergie, la créativité et la trésorerie. Ce cadre protège de l’illusion et laisse la place à l’intuition.

Nous entrons ensuite dans la danse des cycles. Certains jours appellent la structure, d’autres l’élan créatif; certaines saisons, la visibilité, d’autres le retrait. La technique ne tue pas l’inspiration, elle la porte: systèmes simples, priorités nettes, mesures justes. Quand la méthode rassure assez, on peut lâcher prise et laisser la voix intérieure guider les micro-actions qui comptent. Parfois, la meilleure action est une non-action consciente, pour révéler ce qui manque et alléger ce qui pèse. La croissance devient alors une pratique d’artisan·e: patiente, précise, profonde.

Si tu veux un business qui tient dans la vraie vie, avec ses contraintes, ses rythmes et ses ambitions, cette conversation te donnera des repères solides et des outils simples pour avancer sans te trahir. Abonne-toi, par

Bienvenue dans LES AFFRANCHIS, le podcast des audacieux qui osent bâtir leur propre modèle de réussite.

Je suis Laetitia, entrepreneure, ambitieuse et libre. Depuis 12 ans, je guide les bâtisseurs atypiques, les ambitieux et les esprits libres à transformer leur vie en véritables œuvres d’art.

Si tu veux bâtir une vie où beauté et simplicité se rencontrent pour laisser un héritage puissant – pour toi, tes enfants et le collectif – alors tu es au bon endroit.

Chapters

• 0:00 Poser Le Cadre: Féminin Vs Masculin
• 4:33 Les Lois Universelles Du Business
• 9:13 Discernement Face Aux Récits De Réussite
• 13:23 Culture, Argent Et Relativité Des Objectifs
• 18:38 Cycles, Rythmes Et Saisonnalité
• 24:03 Sortir Des Polarités Marketing
• 29:23 Thérapie Par L’action Et Non-Action
• 34:13 Technique, Art Et Liberté Créative

Transcript

SPEAKER_01: 1:48

Bye and we will talk about a entrepreneur plot feminine, not that it addresses them, but because we have a lot of people of this entrepreneur feminine, particularly after six months. And like three years that I'm entrepreneur, I've seen a cycle, and this entrepreneurship feminine like thematic is a thematic that comes a bit too, to which I'm for the new phase that we are enough to construct. I am Letitia Martos. What I think is that I ask them, I accompany, I don't know. To their self-leadership, that's their capacity to conduct their life and their entrepreneurs at what they seem evident, not of what the norms and the dogs dictate to work at our place, because person are at our place. And in this experience of a decency, I accompanied entrepreneurs, homes and fans, these seven days have much more, particularly to fans and feminine, particularly. I would say I have entrepreneurs in my clients who are homes, others who are firm. And it's not that will definitely whether they have an entrepreneur feminine or masculine. I have a lot of fans with entrepreneurs extremely masculine, and the contrary is also true. What I would say by that is that it suffers to have a pair of eyes to exploit, develop, use an entrepreneur feminine. Have a jelly maquillage, book of eyes and what we want to say. I think for being banned of the reasons on the which I will say this video are not characteristics sufficient to say of entrepreneurship feminine. The two is that there's no work between the feminine and the masculine, one is not more than the other. We can imagine the tango, for example. There's really an harmony between everyone who is who is and this versus. And so we see the family, but if we know, because it is other things that are the masculine. In the entrepreneurial, I wanted to say or something, the entrepreneurial happens to the same law natural than the rest of the life. It's not a domain that happens to other exigences, it's not a domain that happens to make different, it happens to the same law universal. If I have that and I live away, I am certain that it will come from. I don't understand if potentially he can go to the roof, or over the wheel. I say that it will come from the back, because it proves that I sit on one planet where there are a certain number of laws natural like the gravity. And the attraction terrestrial feelings that I am certain that if I live like that, it will come from the back. But the business is the entrepreneur is the career professional, the relationship, the life, it is a very law universal. So the whole done, we have a lot of simplicity that are. And the entrepreneurial feminine would not be, they don't want to do that that they are by them. Alright, what's important for me already to say is that there's no entrepreneurial feminine, there are entrepreneurs masculine, there are entrepreneurs where we respect and other where they force. And there are from this nuance all a lot of types of entrepreneurs different. And what I think is consequently, which are of fans, who, a masculine extremely developed, financially in the feminine and to do the consequence to feminine, that's to lay totally at the intuition, structure sort of, and say it's the energy that will dip. And this discourse, I don't know if it is bad or it is, I would just explain that it's important when you have this discourse that you have to regard the historic person who press these messages. The first thing is that it's even a reality financier. Don't say that there are. And so it's very important. And when we have coaching, it's one of the two things we appreciate. I wonder when I had my certification of coaching in two years, where the coaching was not a thing, it exists not. We said, but when our client has a problem, we will say to know where the problem is, where the problem is, and to make a border, in fact, it's not a great problem. It's a problem that is delimited. And we want to ask our clients to know where they delimit the problem. And so it's a little bit the same. But we have all the life from these filters black, and we have the feeling that the people in the same lunettes with filters black and carrots circular. So in fact, not even. The people with all a lot of different filters of different colors, of different teams, of different forms. And when we see these people, we have the idea that their definition of is the same as the. So it appears to be a little discernment to say, but this is a model of reality, and to say if you have the same type of reussity, and what actions have been made in place for arrive at this reussity. And very often we know that the financials are linked to the culture of, there's a lot of vocabulary that are uniquely in English, all in, no matter what. So I've done a partage on that. It's humiliation and trahison in the coaching on line. I invite to regard. If you don't have to leave on my podcast, on my chain YouTube, on my sit, you can put a message with the link. And the pretty or realize these actions for obtaining the same result.

unknown: 10:03

Why?

SPEAKER_01: 10:03

Because the consequences that have been done by people who have two things and who is here, it's his vision already on those things that are in the past, but that exist not for you, which are the same context, even if it was in one second, maybe it was in two years. Also imagine if it's in two days, three days, eight years, the context social, economic, and the team has strictly. So it's not because you've heard the same actions that you obtained the same results. Okay? And I had a partage in other days on that on saying that it's not because the people say they're that you can do it. It has to work. The people who say they have, it doesn't say they don't have. It doesn't say that you don't know. Okay, there's a lot of. There are two things differently. So you can deliver. And in this entrepreneurial feminine, what I remark is who are a culture extremely masculine, etc. And even if we arrive at a certain level of reaction, which are la, because it depends where these people are. Because in group people who are from a family where to be, getting time per month, it's not terrible. Getting 10 000 per month, it's not a truth. I have a lot of my clients who are extremely diplomatic. Getting 10,000 euros per month, it's not a truth. Because you say that 10 000 euros per month on being entrepreneur, it's not that you have in the pocket. Okay? So it's all relative. If you have a client who is a family where it has already been the galera, 10 000 euros per month is all a family of three or three generations. So there's something that can do. So it wants to read and say, but what that does for the entrepreneurial feminine where the feminine is particularly made in a moment, pose the question at what serves or what serves the discourse. Pose to that question. Because if you serve the entrepreneurial or feminine attention. Because in a dance, not only we put the example of tango, the fact that it works, it's because there are two corps that work in. And there's for me in my sense, there's no entrepreneurial or feminine that are called entrepreneurship or masculine. So evidently, we are in a conversation where we decide to leave a little bit the standards. We are not there to talk about what entrepreneurship, what does an entrepreneurial masculine, we are there to realize, to put conscience. I have a partage to leave the type of discernment that we can have before the flu of information that we have, and to say it's the two that march. And the two will be cyclic, in the sense where I know after one decency. And who are a fine, but at another moment the seasonality will be often, there are people who on the time have the two all the days. There are people who have two days or two. It depends on the rhythm of a person, and it's not a problem or a question of a child or a father. It's the question of their own rhythm, to know the influence of the exterior and of our environment in our cycles. And that's extremely important to read. And it's for that I think that there's no development personality. You have no development, you have no idea it was good if my cycle was like that. No, there's a way to not inflict these things that are our proper nature and which make maladies that are physical, mental, emotional, and which I appear adult, they're not grave that one domain and influence all the domains. Because we are not in the entrepreneurial to pour our life personal, family, conjugal, social, societal. It's not the objective. Okay. Our entrepreneurs in France are the world with the most problematic physical and psychological. So it's really a very sure that we are enough to play. I think when I was part of an education during 10 years, during the 10 years, where I was part of an attitude for knowledge the impact of our life on our physical and emotional. So it's a very queen preoccupied, because after that there were an enormous idea, because it preoccupied. I don't know that there are actions that have been made in place governmental for that, but it's already so much, there's an idea that is made on this idea. So for that, the idea is really to say and to pose the questions with discernment when there's a sauce that makes sense at the extreme, that's the energy, there's not a strategy, there's no structure, it's an abundance, and there are modes, there are tendencies, the mode of the facile, the mode of it does not pose problems, it does too, if you force it okay. It's a degregation, a special bulle. And it's for demand okay, and that dance with what other person, what other bullet. And our idea is really to go with our nuances. And to do with our nuance, we can work at quotient on naturally I am of this genre of person who will have an attract for the action, for example. Fair plus, and to pose the question is that this serves? Is that bad for me? Is there other things that I'm gonna inspire, that I'm gonna picture with those, not to provide my equilibrium, but for that moment it's harmonious, nourished, joyful for me. And the in this moment is already, it will be this time, it will be this. And how do you picture with the dancing with others that make the structure, the action, finds that are new, which we demand not to go from our zone of comfort, you know. It had two days that I did, I am this idea of the zone of comfort. If you have my 12 partages on this, you say anti zone of comfort. I'm the link for it to go to that zone of comfort, and if it's this part where you say that in my dance, I have more structure, or I'm not, what I suppose? I would say to work, not for equilibrium, because I don't think that the mind with a law natural equilibrium, but harmony, and get that dance and prove also your rhythm, that's a lot of three or six months, you know that I have a cycle where I went, I partage during 20 years, 20 years, 20 years, no, I've been doing 50. I went and all the years I went to partage, and after three months, I don't have any. There are artists like that where you know they are a little bit on scene, etc. There are others, I put Adele who has a model that inspired a little bit, or the chanteuse Adele, she fell an opus, we don't want to play 4, 5, 6 years, after she went to the scene, an opus, the promo, the concerts, and after we don't want to play, their cycle. And that necessity to say. In the example of the dance that I do, it's really that when we regard a couple that dance, if we regard more than another, it's because there's another who permit to be visible. And we trompere discourses that are fair because it serves always and what it serves at toi. And the self-leadership who is my sujet unique, t'invite just to create at part of toi ton harmony. And you know how it's a dance. Alright, I've got the question, I'm certain, but we're because we have a discourse extremely polarizing.

SPEAKER_00: 20:33

So it's an entrepreneurial, we bought the cue, it's bad, you have those actions, you have to do that during three hours per year, you get, you contact 125 clients per semaine, and then you have the closing and polarizing in other sense, no, but no, but in fact, we the fans are not fabricated like that, we do see so that this is a part of an entrepreneurial feminine that were not possible for an art.

SPEAKER_01: 21:07

And if I have a lot of clients who have an entrepreneurial feminine than certain fans that I accompany. And it's for that in my life I choose to have a clients who are clients. I adore my clients, it's not the way, but I'm having also a clients. Because the entrepreneurial feminine or masculine is the sex with the whole we are. And you can reveal that information, you say enough to my question. So in fact, when you sit in this show, sure it's polarizing, but at the end of you, you can see the disharmony. And you can pédalize the thousand, but I don't have to have this. It makes a good moon. And in fact, it's like we said that there's a vessel and now you have the wedding. And at times you remove your eyes and say, Oh, we mean there's only the one of the guidance, you don't pull it with a man. But no, in fact, it's not. And to learn the harmony on your vélo, to provide the equilibrium, there's no things. And perhaps you can lush the eyes also. And by my examples and my metaphor, what I'll say is that when it's very polarizing, it permit to have a discoursed that will know that there's a response enough of you that you have. In terms of contention, it's top. But now we are not enjoying the contention. We are in train to leadership, of puissance personnel, and the puissance personnel in the connaissance sufficient of you for that, expérimentated, exploring a bit of all these sphères. And the two years, a bit all the semaines, a bit all the years. And your natural reverend, it will not be. But alright, regardless of the history. No, but I post two or two years after three hours. And I create, I create a little bit two years. At the time, they say I'm left the dang, it's cheaper to live the danger. And in fact, now we love the dents and we are in trying to make other things. We are completely in hypnosis when we have the dents, we don't see nothing when they live the eyes. And for to detach of the technique, it necessitates at a moment to make and to work. And I realized that for experiment, for explorer, for each of an idea sufficiently large and profound of what we say, I realized that if you have that more than three months, happily, it is not a great chance, it has the reason necessary for a bilan. So the more I say, I say only after three months, I have plenty of three months. Okay? So in three months, three months, I put a rendezvous with me, I not say that I enjoy a mail and then I have a billion with me of this sujet. And what I appear. And then I can say, in fact, I was sent from this, I was sent like that, it was durable than what I was saying, more difficult that I have. And then you say, Okay, I've explored that and I could have an idea about what I've decided to do. In 2024, in April 2024, I've decided to work, so I respected during three months all the tasks that I was in my entrepreneurs. I took it. And I was what I had enough to do for three months, two years. But in fact, you don't have sufficient time to make a conclusion. And three or four months, it's not enormous. And so that will help not to your natural, your natural thing is there, but to know when you dance with other things, what amelior, what your natural life. And I adore partage, it's really important. I don't want to transfer, I don't want to learn to be on scene and transmit. After I had a webinar one hour and one hour and a half two years after eight months, and I did all the semi-fit that meant or not. What this structure has natural. If I'm putting the example of an artist, in what the technique has permitted to liberate. And performance, you will have that culture, and I have a lot of clients and clients, to have plus of machine, and at one moment. Why? Because this truth, just now, it has rassured, it has done concept, it has structured. Top, genial. But at this moment, you have enough to be rassuring. But when you arrest this, you say, Putain the merde! But you have what? I let my intuition and my creativity. And that's what I appear the therapy by the action. The action for me is not the way to have a chance than to arrest it. And in the girls that I accompany, there are enormous things where I say it's good if you arrest it for work. And I don't know that example. If you see in the room to make violent, if you interview or if you interview, it's a choice for a lot of. It's ideological in the two cases. So when my mother's actions, I don't want to say the actions but the non actions. When I travel and I decided to work, arrest it was uniquely a non-actions. Okay, you wanna get that? You wanna post because you post two years? But no, you don't know. But you know, what does it? What do you think? And it's like that the masks. And that marks in other sense. Okay, I think you feel a live day, but it's not enough. Well, it's cool, you have the couch of sole, it's to regard the couch of sole. And that's very important because this when we have this experimentation in the life of our masculine and of our feminine, what perfect masks and illusions are our proper discourses. Because the others have their own discourse. And to say, ah, but it's not sure that we have a person who gnawed. And there are things that have no sense. It's not so long that we have a fan who is. And you change the word, it works also, you know, so that depends on what you pronounce. And then I talk about those illusions at the interior of you. You know, if you definitely, I'm here. And the therapy for action, like action or not action, aid to turn your mask and to retrograde what is just for you, and also to have the capacity to remember it in question, after another cycle of life, which became the semaine, in three months or in three years, you can have the lois of remake in question what you have done toi-member, for not enfermed in your proper discourses, and in your personality that you have created in two pieces that has to do with you. And so my regard to that, it's really to create that harmony, and that's what I feel, and that's where I accompany my clients at the long term. Because it's like we have sufficient record to say you know the month of Mars, there's that was arrived, you know. You know, the month of October, and I have a client who rested other days with me and who I'm able to say already, the day, a little bit on the same day, there was a lot of similarity that was passed to your rhythm physical. You have a report. And then we can experiment in the practice and see how this dance will be our natural, not in forcing, but in saying that structure, my art, my talent can be more developing. It's a little like if we had made a tarot already that we have a grains fabulous. And we said, Wow! In fact, when I do my jardine again, my grains more. When I rose, my grains are flowers that are not what and I don't know why. And what I'm doing, it's not marketing, it's to say that you say, perfectly, and that your natural, naturally, they're plenty in a naturally like that, and picture, comment on a dance more harmonious in permetting to be so by another aspect of you that you can describe in the feeling. And you see, what's it? Three minutes in a day? Rien. And you have to say, Well, in fact, that's perfect. It's like when you want to see a great artist or great sports, that marks, it's because they are of the technique. Why they are of the technique, not in saying nothing, I'm full of the structure, I'm free of the technique, I'm the entire work, but on the feeling extremely profound, with enormous attention, intention, and it's that perfect to great symphonists, artists, to go to the road. And I don't know if you have the chance to learn a biographies of great sports, and they say that I'm not talented, but I'm not entrained. And it's really the way artisan art that I appear, it's my gesture. I entreated. And so I have clients who are at which we have a discourse marketing and who have obliged to get their property and who talk of their life in the way of their work. And what I'm saying is to have a lot of artisans of art who find their life. Don't find your life. Feel of your life, it's great to that you know, but it demands to work in different ways, that's that I accompany. This is important. I'm like to partake what you're doing for you. What's what I invited for this day, for this trimestre? What invites to explore, decouvere, tested? Right, we are in the environment of G but also. What invites to the interior of you, which is really not contradictory, but on the time will evolve, encourage what is here. I'm sorry to respond to the question. And in the comment or in the comments. And if this conversation interests, for those actions, the conversation, for that you make in place what is just for you, to read in the comments, sublime. I have a proposal that's absolutely delicious and I would say after you talk publicly.