Chercher "l'alignement" te bloque voici pourquoi | Laetitia Martos

Et si la quête obsessionnelle d’alignement te faisait perdre exactement ce que tu cherches : du mouvement, de l’élan, de la justesse réelle ?

Ici, on ouvre un autre espace.
 Penser ton entreprise comme une pièce de haute couture.
 D’abord coupée large.
 Puis ajustée.
 Puis reprise au millimètre,
 jusqu’à tomber juste sur ta vie réelle, pas sur un idéal théorique.

Le point de départ est simple : on peut vendre, créer et croître sans se sentir parfaitement aligné.
 La vie n’est pas linéaire.
 Le vivant fonctionne par cycles.
 Les entreprises aussi.

À partir de là, le cadre change.
 On quitte la ligne droite.
 On cherche l’harmonie.

Comme le peintre qui pose une nuance décisive.
 Comme le chorégraphe qui ajuste une entrée.
 Comme le tailleur qui affine une épaule.

Ce sont rarement les grandes ruptures qui transforment un business,
 mais des micro-ajustements précis, répétés, assumés,
 qui respectent ton énergie et augmentent tes résultats.

Dans cet épisode, tu verras comment poser une direction de vie suffisamment claire pour guider tes décisions,
 pourquoi les débuts imparfaits sont non seulement normaux mais nécessaires,
 et comment affiner offre, prix, message et rythme de création à partir du réel, pas d’un concept.

On parle aussi des mots creux,
 des promesses d’alignement permanent,
 et de cette illusion de devoir se “réaligner” sans cesse.

À la place, une pratique vivante :
 avancer,
 observer,
 ajuster,
 répéter.

Moins spectaculaire qu’un grand reset.
 Infiniment plus stable.
 Et profondément plus rentable.

Bienvenue dans LES AFFRANCHIS, le podcast des audacieux qui osent bâtir leur propre modèle de réussite.

Je suis Laetitia, entrepreneure, ambitieuse et libre. Depuis 12 ans, je guide les bâtisseurs atypiques, les ambitieux et les esprits libres à transformer leur vie en véritables œuvres d’art.

Si tu veux bâtir une vie où beauté et simplicité se rencontrent pour laisser un héritage puissant – pour toi, tes enfants et le collectif – alors tu es au bon endroit.

Transcript

Contexte Et Mythe De L’Alignement

SPEAKER_00 0:54

We will talk about a theme that has great break. I will make a context to partake this notion. It was three years that I'm entrepreneur at the moment where I enregist this episode. And there's something for there are tendance that we have, tendance of communication, marketing, like the mode in terms of also in the entrepreneurial, the communication, the marketing, the products, the offer we have. So I like to read that in the way that I entrepreneur and I accompany my clients, we are hurt tendance. If your truth is to surf with opportunities, be one coach and machine, fitness, and a few development of bien-être, honestly, this podcast will not interest, but this episode is more more. So now that we are the bad people to exit this episode, I will talk about alignment. The alignment, there were three or six months that we have an alignment, in particular in the entrepreneurial feminine, that's ported by flesh. I enregist an episode on that. If you want to have contact me and demand the episode, I will. And in the entrepreneurial ported by firms, we have the concept of you being aligned for that marks. Also we enter aligned because it works, that's that it has a result. Alright, there is a plus. If you have an event, I vendor enormously offers that at the moment where I was vendues were not aligned, not the two, and I vendu, I parle là, of one to 10, 20, 30, 40, 500 euros per month, along with each and sort of publicity, sort of. Paso. Deuxièmement, sinon it's sourire, en fait. Alors peut-être que l'alignement, and we can see ensemble, peut-être que l'alignement permet a réussir that will be more fluid. But it's not a condition. Don't say an entrepreneuriately financiers, ce n'est pas l'alignement qui va faire que tu auras plus de résultats financiers. Ceci étant dit, on va passer à la deuxième partie. L'alignement, rien que dans le mot, c'est le fait de marcher en ligne. En ligne, comme si on avançait sur une même ligne. Alors, on va reprendre cette idea. Dans la nature, in the nature telle qu'elle est créée at the extérieur of us, it's very choses that are in light, who are rectilignes, that are dropped. Try the choses. In general, it's courts. There are enough children to the number dors, for example. But when we regard, for example, a coquillage, but there are things that are dropped in the sense graphic of term. Things that are dropped, an immeuble, there are constructions totally human. And that's that we're going to get to me. I think that we are the nature. Because the but not d'être. The but is d'être harmonieux. We know that in the nature, tout et son opposé existent. For example, an arbre for despair a besoin d'une saison hivernale. An arbre has a feuilles and has a feuilles. There are things that we have at certain moments, those that they have at certain others. There's no light, it's not rectiligne, it's not linear. Make the time is linear. Not that we say, it was proved scientifically. So the concept of alignment would work, but in fact it is. The two is that the fact of that alignment with the objective of her life is dangerous because it will oppose the concept of the nature. And the nature near march or in light. And I don't know if you have entered in my phrase, I nearly alignment, but I talk about harmony. And I will say a motor that you have captain that appears the ajustment. And it means that in the alignment, which is a concept when you talk of connaissance of so and professional, it's the ajustement. Just a millimetre of term. A vêtement perfectly ajusted is ajusted at millimeters, not a centimetre. And I will put a concept of the art that is really a source important inspiration because I think that it's what forges our humanity. It's really that adjustment, that creation, that's that after our passage there was something, and after our passage, we learned a trace. So that's one of the sense of the humanity. And so if we put an art, for example, let's imagine a peintre, he has an idea in the text or he has a pay to me, he is in training, and he put a record before he has terminated supposedly his tableau, and there's a lot that makes a color, a vibration, a nuance. And in the exterior, the people will say, Oh but touch it, it's super. And the peintre, the artist, I put an example artistic of the art classic, it is for two type of art. It's an example, evidently, it's a symbol, a metaphor. So he will put the pas of record, and là, sans equity at the exterior, because the exterior has the interiority of the image, he will take a little touch of jack, a little touch of blue, and which for the exterior is real, it is great, but which for him will change the millimeters. Because he will pass to a change that is profoundly just adjusted in a sense millimetric, a sense that perfectly, like a veteran, millimeters. And then, when we complain that we are there for being aligned, that's a really problematic. When we are in light, we are dropped, there's a way a little tranchant, there is a function of how you see the light, if it's a line horizontal or vertical. But when you are on a line horizontal, there's a way that we need a passage, like a two, it launches the filet, and what you have in the filet, it is. But that doesn't jump on a line, because it is in harmony. And you know with all the episodes that you have traveled in your life, and performance to obtain a family, a meeting, a cool, an entrepreneur, an equipe, a career professional. And at a moment, it's not adjusted. So what we cherish, it's an ajust. And the difference between the light and the ajustment, I'll talk about it. The danger to church the alignment, is to return at the code of the light. And so to pose that question that has no sense, comment to retrieve my alignment. But okay, because when we are in light and disaligns, we will recreate a light where we are at the code of our proper light, at the code of our pompes, and that's hyper difficult because you're not sure to remett the pomp, we're not sure to visit that light, and we don't know how we have to create the light. And you're not embarrassed in a quête, already that has sense. It's like cherry. Although we cherch l'ajustement, and that is really different, is that on the zero, we don't recreate a light, we travel in the subtile. And it's an ajustement. And what a robe de mariée, a costume will tomb juste, it's coup par coup l'ajustement millimétrique, the haute couture of vêtement. And so that will make in a person who ports, that will be uniquely the model, it will be the ajustement of the person at the end. And it will change with the time. Because we, for example, the fans be ancient, we can gross, we have a maladies, we can have emotions, we can have a menopause, there are plenty of things that pass, also in the heart of anything. And what we cherish is the harmony and the millimeters. The danger that you know in the alignment, is the number of people who think that because they are at the case of their life, their life never function, and they have a reason valuable for not that it function and so tight, so they change their alignment, and after they should, they will pass. But in fact, it's anything in the subtle a bit. Because our corner changes. It is a bit like I church the vatement perfect, and I cherry, I cherch, I cherch. Pendant I don't know if to church. And a while that I tried, I've grossed, I perfect, I did, I've vieilli, and in fact it's not. And it's an except sans aucun sense, like a coquille that we enter the pipe, is when we have a models of gentlemen who already supposedly tried that alignment, along with the vocabulary that is incorrect. C'est that the vocabulary. I ajuste. And then we'll enter in the conclusion of this idea, which is very important for the matter. When we have a robe or a costume in my example, we commence by tailling at a dizaine of ms, and we taille au mètre, and millimeters. On the taille pas au millimètres directly. And in a moment, alors on the ajustement and the harmony, you have a view that continues in permanence. C'est-à-dire dire, I feel these actions, I think that it's not perfect, but it's empowered to peindrepe. And when you see a videos and people who peign, and in fact these videos are ralenties or an acceleration, and the time we don't know what the artist says to me. Why? Because it's au fur and a mesure that he paint. It's a mesure that he fits his creation. It's a bit like a chorégraphe who repeated a boot of chorégraphies on a mesure of the day in a group, and at the time, when we rajo two or it will be a chorégraphice. You have the artist who knows the direction. So if we applique that, that's the art at our view, it's ajusted a fur and the view arrives. And we ajusts in what direction, like the chorégraphy, in function of what we suggest be a view. This necessity evidently a definition as clear and made a journey of our view. Because if you don't see where we are, it's very difficult to ajust in millimeters. We wanna say that the first thing to know of it is to have our direction, what is my definition of a view, satisfactory, in p, incroyable, I don't know the words that you have to make. And part of that, each year in our actions, in order to change an alignment theoretically, in chapter of our actions, we will choose what the further and measure. And if already, for example, in what appear the entrepreneurial entrepreneur, which is the expression of my art, I am here already, it's because I'm at a diza, I've tailled the mètre, and I've tailled the centimetres. And the recherche of that adjustment on millimeters imposes to vivid and ajusting not only au fur et à mesure that we are, but au fur et à mesure of what we are in our view. And in permanence, a vêtement ajusting, a view ajusty to what you are. So it had three years that I travail in individual with people who accompany some. And in couple of semas, I've had really this appeal interior to accompany these people who have their lien, those people who are the toilet, who travel in direct on the matrix, and to tell that they were easy. Not because I'm here, but because there are others. And what I have at home is that these people know that they are not alone, that is a man totally different with that egregor, but that they are not still. Don't seem to month combien l'intention that you met va te faire passer dans une quête qui n'est certainement non seulement pas la tienne, mais en plus même pas un levier tour là où tu veux aller. And that's very important because souvent sur les réseaux sociaux, you have an amalgame of motors, of vocabulaire, d'étymology, you have what we apple the snacking content, c'est-à-dire that rapidly like a snack, like a bar chocolate. And we know the ravages of this genre of alimentation, because it's like an alimentation concrete or alimentation for the spirit. And it's important to put the time to have a dictionary, to read the etymologies, and to make confiance on the vibration, to the frequence at the end. So, my personal is that to cherry l'alignment and with the centaines of people that I accompany, recherching the alignment is a coquille vide that perd, to move to code la vie, alors que si on chercha l'alignement, you étais en quête d'ajuster ta vie au millimètre, tu vivrais tout en faisant les actions qui te permettraient de vivre cet ajustement. And au fur et à mesure que tu vis cet ajustement, tu peux ajuster au millimètre. Parce que c'est parce que tu as coupé au mètre que tu peux couper au centimètre, but if you're just en quête, it's like en quête d'un tissu, but you cherch a tissue, but you can cherry to tackle. But en cherchant, you never have jumping a robe. Alors que par contre, if you have a robe directly, you couple at a dizaine of mètres, you couple mètre centimeters, you have your robe, and you say, but in fact, I could say that with this tissue that was. Okay? And for these things, actions, we arrest them to ajust in the hot couture of. I sure have your actions, your life, your decisions a millimeters, and that's how you see that by consequence immediately, the results in absolutely 100% of your life. Not because you cherish the alignment to obtain the results, but ajusted your life and choose the actions that ajust our life, and the button. Même of our existence. And we're not en trained to cherry to obtain another, but we are en trained to ajuster for the processus même to have a view ajustée to nose and