The Paper Plane Podcast

Ep 3: 'Capital' with YD Hawkins

Colin Ehara Season 1 Episode 3

In this episode, Colin sits down with his dear Sactown/Bay Area sibling, (who goes by the pen name) YD Hawkins, to discuss "Capital" by Karl Marx, and it's impacts on his life and identity as an Artist, former Labor Organizer, and Social Worker. 

YD Hawkins is a bay area social worker, thinker, and poet.  Over the years he has served as a union organizer, youth trauma response specialist, mental health case manager for adults with co-occurring disorders.  His debut poetry collection “Years Like Fevers” is a document of the labor movement, love, and murder during the great recession.  It has been described as “you did it” by three of the five people who have purchased it.  His forthcoming book, “Totem” will investigate the commoditized self – “You” and “Me” – as ontological categories needing exorcism.  More than anything YD is a husband to a beautiful wife, and father to a daughter who has expanded his life with boundless meaning.  He looks forward to the arrival of another this coming May, perfectly named Adelasoul.

The Paper Plane is a podcast created and hosted by Colin Masashi Ehara, where he interviews people he is blessed and honored to share community with, and asks them about a book(s) that have had a transformational impact on their lives. In a society where literacy rates are steadily declining and a growing number of podcasts hosted by cishet men, un/consciously champion expressions of masculinity that come at the expense of women, femmes, and LGBTQIA2S+ (especially BIPOC) folx, this space aims to operate as a counter-narrative.

The Paper Plane is a space that intends to highlight the dire importance of relationships, community, dialogue, perpetual learning, honest expression as art, art as honest expression, and freedom for literacy and literacy for freedom. It speaks to planes of existence attached to the act of reading, but also as a metaphor for the “flights” we take as we sit in what Ta-Nehisi Coates calls “a one way interface” as readers, and how these “journeys” shape us...

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