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The Big Book Project
The Big Book Project is a multi-venue reading experience for bibliophiles fascinated by long or dense works of fiction and interested in discussing them with others, one novel at a time.
The works selected will be capacious novels from the mid-nineteenth century through today that possess an abundant writing style or complexity in structure and themes.
The notion that reading need not be a solitary activity has special resonance with these novels given that there is much to discuss, elaborate upon and question in the authors’ expression of ideas. I like to think of these novels as abundant because I appreciate their richness and volume, characteristics bestow a sort of grace to luxuriate with the text.
The critic and scholar Alexander Nehamas writes that when a work of art beckons, it is because we do not fully understand it but feel the strong desire to do so. And it is this deliberative process, the journey, of trying to understand why a novel is extraordinary that I want to explore with fellow readers at The Big Book Project.
We discuss books like Roberto Bolaño’s 2666
The Big Book Project
Innocence, Design, and the American Adam: Faulkner’s Absalom, Absalom! Video #4 Dr. Larry Allums
https://substack.com/@thebigbookproject
In this episode of The Big Book Project, Lori Feathers and Dr. Larry Allums delve into Chapter 7 of William Faulkner’s Absalom, Absalom!—one of the novel’s most intricate and revealing sections.
They trace Thomas Sutpen’s backstory from his rugged Appalachian boyhood to the life-altering moment that shapes his “design.” What begins as a story of social humiliation—being told to “use the back door”—unfolds into a meditation on innocence, ambition, race, and the American faith in self-invention.
Lori and Larry discuss Sutpen’s fatal pursuit of a perfect plan, the symbolism of the front door, and Faulkner’s devastating irony: the man who vowed never again to reject a child as he had been rejected ends by repeating the same cruelty.
Together they explore how Faulkner layers fate and free will, class and color, guilt and innocence—linking Sutpen’s vision to larger American myths of reinvention and control, from The Great Gatsby to The American Adam.
Chapters & Highlights
0:00 — Opening reflections on Chapter 7
4:30 — The twin taboos: race and kinship
10:15 — The front-door incident and the birth of “the design”
20:00 — Innocence, ambition, and moral blindness
30:00 — Haiti, revelation, and the seeds of tragedy
40:00 — Charles Bon’s return and the great irony
50:00 — Wash Jones and the novel’s most brutal reckoning
58:00 — Faulkner and the myth of the self-made man
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