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The Big Book Project
The Big Book Project is a multi-venue reading experience for bibliophiles fascinated by long or dense works of fiction and interested in discussing them with others, one novel at a time.
The works selected will be capacious novels from the mid-nineteenth century through today that possess an abundant writing style or complexity in structure and themes.
The notion that reading need not be a solitary activity has special resonance with these novels given that there is much to discuss, elaborate upon and question in the authors’ expression of ideas. I like to think of these novels as abundant because I appreciate their richness and volume, characteristics bestow a sort of grace to luxuriate with the text.
The critic and scholar Alexander Nehamas writes that when a work of art beckons, it is because we do not fully understand it but feel the strong desire to do so. And it is this deliberative process, the journey, of trying to understand why a novel is extraordinary that I want to explore with fellow readers at The Big Book Project.
We discuss books like Roberto Bolaño’s 2666
The Big Book Project
Absalom, Absalom! Final Thoughts with Dr. Larry Allums
In this final discussion of Absalom, Absalom! by William Faulkner, Lori is joined once again by Dr. Larry Allums to close out one of the most haunting and inexhaustible novels in American literature.
Together, they trace Faulkner’s labyrinth of narration—Quentin and Shreve’s imaginative reconstruction of the Sutpen story—and explore what it reveals about truth, storytelling, and the South’s enduring obsession with its past. Lori and Larry discuss themes of fatalism, love, terror, and the moral weight of history, examining how characters like Judith and Charles embody both the inescapability of inheritance and moments of grace within it.
They also reflect on Faulkner’s ambivalence toward the South—his simultaneous hatred and love for it—and how that tension gives the novel its tragic depth. From the image of the blackbird referring to Wallace Stevens’s “Thirteen Ways of Looking at a Blackbird,” the conversation concludes by considering what it means, as readers, to seek truth in a story that resists any single interpretation.
A fitting end to The Big Book Project’s journey through Absalom, Absalom!—and a reminder that the most profound books never truly end; they continue to reverberate in the imagination long after the final page.
Chapters:00:00 — Introduction02:00 — The unreliable narrators: Quentin and Shreve15:30 — Judith and Charles: love, fate, and moral choice35:00 — The curse and fatalism of the Sutpen legacy50:00 — Faulkner’s ambivalence toward the South1:02:00 — Wallace Stevens and the search for truth1:04:30 — Closing reflections
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