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The Big Book Project
The Big Book Project is a multi-venue reading experience for bibliophiles fascinated by long or dense works of fiction and interested in discussing them with others, one novel at a time.
The works selected will be capacious novels from the mid-nineteenth century through today that possess an abundant writing style or complexity in structure and themes.
The notion that reading need not be a solitary activity has special resonance with these novels given that there is much to discuss, elaborate upon and question in the authors’ expression of ideas. I like to think of these novels as abundant because I appreciate their richness and volume, characteristics bestow a sort of grace to luxuriate with the text.
The critic and scholar Alexander Nehamas writes that when a work of art beckons, it is because we do not fully understand it but feel the strong desire to do so. And it is this deliberative process, the journey, of trying to understand why a novel is extraordinary that I want to explore with fellow readers at The Big Book Project.
We discuss books like Roberto Bolaño’s 2666
The Big Book Project
Steven Moore on "Last Time Around," William Gaddis & the Future of the Big Novel
Use Left/Right to seek, Home/End to jump to start or end. Hold shift to jump forward or backward.
https://substack.com/@thebigbookproject
(Lori recorded this interview on a different device, and we apologize for the poor quality of her audio.)
For five decades Steven Moore has been one of the most thoughtful champions of the kinds of novels we read at The Big Book Project — the abundant, stylistically ambitious works that reward slow attention. He is the foremost scholar on William Gaddis, the editor who worked alongside David Foster Wallace on Infinite Jest, author of a two-volume alternative history of the novel, and a former editor at Dalkey Archive Press. If your bookshelves are groaning under the weight of capacious fiction there is a very good chance that Steven Moore played some role in getting it out into the world.
In this conversation Steven joins host Lori Feathers to discuss his new collection, Last Time "Around": Essays, Reviews, Interviews. They discuss why Gaddis turned toward the nineteenth-century Russians, what W. M. Spackman understood about style that most critics still miss, and why a sense of humor is closer to a sense of rebellion than to mere lightness.
The conversation moves into the question of artistry, that elusive quality that separates literature from fiction, and Steven argues for the kind of close attention that asks why an author chose dusk rather than twilight — the choices that take a second reading to even notice. They discuss the small presses that have come to the rescue of literature, dwindling book coverage, and whether there is still an audience for the big, brainy, erudite novel of the kind that once changed Moore’s life. Toward the end Lori draws Steven into a round-robin, asking Steven to opine on novels by, among others, Lucy Ellmann, Susanna Clarke, Mervyn Peake, Joseph McElroy, Gertrude Stein, John Cowper Powys, and James Elkins.
If you love long novels, dense novels, novels that ask something of you — subscribe to The Big Book Project on YouTube and follow along on Substack. Host Lori Feathers reads the abundant works of fiction with fellow bibliophiles, one extraordinary novel at a time.