03: Time, Desire, and the Self as a Character with Tracy O'Neill

This episode of Feed the Art brings you a conversation that host Catherine LaSota had with writer Tracy O'Neill in August 2024, about Tracy's memoir Woman of Interest (HarperOne, 2024). Catherine and Tracy talk about epigraphs, a writer's relationship to time, and the motivations for writing a book, among other topics. They discuss some of the themes of Woman of Interest and the way that Tracy develops characters in her writing, when the characters are herself and her friends. There is a lot to learn here, both about Tracy's creative process and ways to think about the life of a writer!

About our guest:
Tracy O'Neill is the author of the memoir Woman of Interest. Her novels include The Hopeful, one of Electric Literature's Best Novels of 2015; and Quotients, a New York Times​ New & Noteworthy Book, TOR Editor's Choice, & Literary Hub Favorite Book of 2020. In 2015, she was named a National Book Foundation 5 Under 35 honoree and long-listed for the Center for Fiction First Novel Prize. In 2012, she was awarded the Center for Fiction's Emerging Writers Fellowship. Her writing has appeared in Granta, The New York Times, Rolling Stone, The Atlantic, the New Yorker, LitHub, BOMB, Vol. 1 Brooklyn, The Believer, The Literarian, The Austin Chronicle, New World Writing, The Baffler, Narrative, 4Columns, Scoundrel Time, Guernica, Bookforum, Electric Literature, Grantland, Vice, The Guardian, VQR, ​The San Francisco Chronicle, and Catapult. She holds an MFA from the City College of New York; and an MA, an MPhil, and a PhD from Columbia University. She teaches at Vassar College.

More about Tracy:
website: tracyoneill.net
Instagram: @tracysoneill

Thanks for listening to Feed the Art!
Learn more about Catherine LaSota's offerings as a creativity coach at catherinelasota.com.
Looking for more ways to feed your art? Join Catherine's occasional newsletter, full of stories, prompts, inspirations, and resources, here.

Thank you to our podcast editor Jade Iseri-Ramos, and thank you to Pat Irwin for our theme music.