Tickets Secured

Sorry, Baby

Tickets Secured Pod Episode 6

Charlene and Jackie go in and go off on Sorry, Baby, Eva Victor’s Cannes playing, Sundance Award winning debut. 

This episode has everything: wild speculation about A24’s business decision making process, Emerald Fennell haterade, thoughtful reflections on the use of time and trauma in storytelling, and of course, strong opinions about the Alamo Drafthouse’s popcorn. 

Time Stamped Notes: 

1:07 Sundance: A24 Takes ‘Sorry, Baby’ For $8M 

2:22 Obvious Child, a comedy about abortion

3:45 Me and Earl and The Dying Girl: Fox Searchlight bought it for $12 million 

5:20  Eva Victor discusses ‘film grad school’ and Barry Jenkins producing

6:30 Jane Schoenbrun on making a film about how something felt, not how it happened

12:04 Temporal discontinuities and nonlinear structure in the work of Toni Morrison – Charlene meant Beloved, not The Bluest Eye.

13:54 End of the End of the Line: Temporality in Infinite Jest Is a Broken Circle

15:38 Tennis Balls, Heads, Annular Defloration Cycles in Infinite Jest

25:00 Promising Young Woman: The College Dean Scene

27:00 Authenticity is Dangerous and Expensive

27:30 John Proctor is the Villain

34:50 Jeopardy! Bar League at BOTH Alamo’s in NYC

37:57 1/3 of New Bedfords Population Claims Portuguese Ancestry 

40:01 Mike Leigh discusses his improvisational process 

47:48 The Case Against the Trauma Plot by Parul Sehgal

51:06 IT IS THE TITULAR ROLE

53:03 Paradoxes of American Individualism

55:55 “I Don’t Watch Ted Lasso”

1:03:20 Splitsville: Dakota Johnson in a fancy house

1:04:00 Oh, Hi!: A gender flipped Gerald’s Game? 

For complete episode notes and more: ticketssecuredpodcast.com