Behind the Beat: Creator & Artist Spotlight

Podcast Spotlight Series

Dive into the heart of hip‑hop culture with our Podcast Spotlight. Each episode brings you candid conversations and behind‑the‑boards insights from the artists, producers and promoters shaping the scene right now. 

From beatmakers like Kloverfresh Production and sampling aficionados like greybeard, we unpack creative workflows, trial‑by‑fire stories and the hustle that powers every hit. Tune in for raw passion, pro tips and a front‑row seat to tomorrow’s legends.

Featured Creators

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Kloverfresh Production (Artist · Producer)
Profile: https://beatstorapon.com/artist/kloverfreshproduction

greybeard (Artist · Producer)
Profile: https://beatstorapon.com/artist/greybeard

DJ Paradox 2020360 (DJ · Beatmaker)
Profile: https://beatstorapon.com/artist/djparadox2020360

Brentin Davis (Artist)
Profile: https://beatstorapon.com/artist/brentindavis

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Klassic (Artist · Producer)
Profile: https://beatstorapon.com/artist/klassic

PMP Beats (Producer)
Profile: https://beatstorapon.com/artist/pmpbeats

Dior (Artist)
Profile: https://beatstorapon.com/artist/dior

Hyung G (Rapper · Producer)
Profile: https://beatstorapon.com/artist/hyeong-g

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Monee Hungree (Artist)
Profile: https://beatstorapon.com/artist/moneehungreebeatz414

Prod. Tosh (Artist · Producer)
Profile: https://beatstorapon.com/artist/prod-tosh

Devil Artist (Producer · Rapper)
Profile: https://beatstorapon.com/artist/devilartist

Crispy Fresh (Rapper · Lyricist)
Profile: https://beatstorapon.com/artist/crispyfreshza

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Kingston 800 (Singer · Songwriter)
Profile: https://beatstorapon.com/artist/kingston800

Yah Wsa (Artist · MC)
Profile: https://beatstorapon.com/artist/yahwsa8

Torch Richards (Artist/Producer · Beatmaker)
Profile: https://beatstorapon.com/artist/torchrichards

R‑Dark (Rapper)
Profile: https://beatstorapon.com/artist/r-dark

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Cdoughgg (Rapper)
Profile: https://beatstorapon.com/artist/cdoughgg

It’s Ya Boy Mayo (Artist)
Profile: https://beatstorapon.com/artist/itsyaboymayo

E‑Kaine (Rapper · Engineer)
Profile: https://beatstorapon.com/artist/e-kaine

KiD Crook (Rapper · Lyricist)
Profile: https://beatstorapon.com/ar

We’re building the future—empowering every artist and creator with the tools, beats, and network to share their voice, connect boldly, and leave a mark on the world. 🔗 Visit us at https://beatstorapon.com.

Keep creating. Keep sharing. Keep rising.

Transcript

0:00

Welcome to the Deep Dive. Today we're digging into something really shifting in the music world. Yeah, it's all about emerging artists, right? And how they're not just getting by, but actually, well, shaping the future. Exactly. Using these new digital platforms, it feels like a real change in who holds the power, you know? Totally. We're looking specifically at a platform called Beats to Rap On. We've got their info, plus a bunch of really interesting artist profiles from their creator spotlight section. Gives us some great examples. So our mission today, like always, is to give you the shortcut, get you properly informed about this, well, fascinating slice of the music industry. Yeah, it's a cool corner to explore. OK, let's unpack this. There's quite a bit to get through. And what's really fascinating here, I think, is we're going beyond just, like, the tech of a platform. Right. We're really digging into what it means for one single creator, an individual, to actually shape global music culture now in this digital age. So the core of this deep dive, you'll see, is really spotlighting this handpicked group of really talented creators. OK. We'll be looking at their styles, you know, what makes them unique in today's scene, rap, hip hop, trap, R&B. All those genres, yeah. And crucially, how they're actually using platforms like Beats to Rap On, how they leverage it, how they contribute. Bringing their own vision to life. Exactly. Their authentic vision. It's this really compelling mix of the platform's goals and just raw individual artistic drive. Absolutely. So let's start there with the foundation, the Beats to Rap On platform itself. OK. What's its purpose? They have this statement. It's almost like a manifesto, really catches your eye. Oh, yeah. They say pretty boldly, we're building the future to give every artist and creator the power to create, share their voice, connect and shape the future of music and make their mark. Wow. That's a big statement. It is, isn't it? And what jumps out at me right away is that strong focus on the individual creator and their authentic vision. It feels like a deliberate step away from, you know, the old way, the gatekeepers. Yeah. Moving towards real artist empowerment, that focus. Yeah. That's right at the heart of their whole philosophy. OK. Beats to Rap On. It's not just like a place to dump your tracks. They want to be an entire arsenal for artists. An arsenal. Interesting term. Yeah. And they list the genres. Hip hop, rap, trap, Afrobeat, R&B, reggae. Pretty broad. So covering a lot of ground. The idea is full support. Give artists everything they need, not just to make the music, but to build a career, you know, build a brand. Right. More than just creation. Exactly. They talk about this whole suite of tools and a network. And they specifically designed it to build what they call a sovereign network. Sovereign network. OK. What does that mean in practice? Well, sovereign is key there. It implies the artists keep control, full control over their IP, their distribution, how they make money. So not handing it over to labels or middlemen. Precisely. It's about empowering them to really own their journey, own their work. That makes sense. That idea of a sovereign network is really powerful. So what about these tools? What's in the arsenal? How does it work practically? It's pretty extensive, actually, for the core music making. They've got some quite sophisticated A.I. tools. A.I. OK. That's becoming huge. Yeah. And it sort of democratizes things like they have an A.I. audio stem splitter. Stem splitter. So it separates tracks. Exactly. Pulls out vocals, drums, bass, whatever from any track. Imagine grabbing a song you love and just taking it apart. To study it or remix. Right. With just a few clicks. Then there's A.I. mastering. OK. Mastering is usually expensive. It can be a huge barrier. Yeah. This tool automates that final polish, makes a demo sound more professional, ready to release. That's a big deal for indie artists. Huge. And for getting the word out, they have an A.I. real maker. For social media like TikToks and Instagram. Yep. Quickly generates those short, snappy video clips. Essential these days for reaching people. So it's streamlined the whole process, making pro level stuff more accessible. That's the idea. Even if you don't have a big studio budget or like tons of tech knowledge. It sounds like they're thinking beyond just making the track then. Covering the whole workflow. Exactly. And beyond those core production tools, they've got other creative aids, little things that solve common problems. Like what? OK. So there's a BPM and key finder. Super crucial for producers, DJs, anyone collaborating. Yeah. Matching tempos, making sure things fit together harmonically. Right. Makes remixes or compilations way easier. And then there's the Suno A.I. lyrics generator. Wait, an A.I. that writes lyrics? Well, it helps, right? Yeah. For inspiration. If you're stuck or just need a starting point, put in a theme, some keywords and boom ideas. Huh. That's pretty wild. And practical stuff, too. An A.I. Spotify playlist finder helps you figure out where your music might fit. Ah, for pitching to curators. Smart. And even an A.I. rap name generator for artists just starting out, maybe looking for that catchy name. OK, they've thought of a lot of the little hurdles. Seems like it. They're trying to simplify things for independent artists. So that covers creation. But what about, you know, actually building a career? Artist development. Opportunities. Good question. Because making music is one thing, but yeah, making a living is another. Totally. And this is where beats to rap on seems pretty holistic. They've built in features for a community and getting seen like profiles and stuff. Yeah. Custom profiles, basically your digital shopfront. Show your work. Tell your story. Connect with people. Collaborators. Maybe clients. Exactly. And to get people engaged, maybe a bit of friendly competition. They have a top 10 leaderboard and a top artist section. OK. Adds a bit of gamification. Sort of. And for rappers specifically, there's a freestyle rap leaderboard. Plus dedicated spots like the Cypherpad and tools to create a freestyle rap. So interactive spaces to practice and get noticed. Right. Build skills, build community. And then for career moves, actual practical stuff. Like finding work. Yep. Find gigs. Helps artists get booked. Music event management for putting on your own shows. And ways to boost your music or submit interview requests. Direct paths to get more exposure. So it really is trying to be an entire ecosystem. That's what it looks like. Designed to help artists create and build something sustainable. Yeah. Amplify their voice. Right. And if you tie this back to that bigger picture, all these tools, all these services, they're meant to boost, not control, the individual creator. Building that sovereign network we talked about. Where the artist stays in charge. Exactly. And it's not just local. They mentioned being global offices in San Diego, London, Sydney. So aiming for a worldwide community. Seems that way. Underscores their ambition. That global reach. The comprehensive toolkit. It really does set the stage for something potentially new in music. But, you know, theory is one thing. Seeing it work is another. And that's where this creator spotlight section comes in. It's like where the idea meets reality. Where it meets the road. We see how these tools are actually being used by real artists. Often artists who seem to be right at the start of their journey, at least on this platform. Right. The platform is showcasing talent from within its community. Exactly. It's about spotlighting a hand picked group of talented creators. But here's the really striking thing. And we'll see this again and again. What's that? Across all these profiles, it consistently says zero streams, zero likes, zero downloads, zero views. Zero everything. Wow. OK. Yeah. And it's crucial, I think, how we interpret that. It's not a judgment. Right. Not about their talent. No, definitely not. So what does it signify then? It feels like a real indicator of the platform's purpose and maybe a unique chance for us listening in. How so? It suggests we're seeing artists not just emerging, but literally building their digital presence from scratch right here on this platform. So the platform is the launchpad itself, not just a place to put stuff that's already popular somewhere else. Exactly. It kind of challenges that old model where you needed buzz before you got noticed or needed a label. Right. Here, the platform itself seems to be prioritizing the creation, the community, maybe the collaboration over just chasing immediate viral numbers. Yeah. Which makes you ask, what does success even mean in this context? Good question. Maybe it's not about millions of streams right away. Maybe it's building that core fan base, finding collaborators, maybe selling beats or getting hired for gigs. Monetizing skills directly. Yeah. It's like witnessing the very start of a career journey. That's a critical point. That Ostream status really hammers home the emerging idea. These are artists actively using the platform, even without big public numbers yet. And the Creator Spotlight, it explicitly wants to explore three things for each artist. OK, what are they? First, their unique styles and genres showing the range of creativity. Makes sense. Second, what makes them stand out in the current scene? You know, rap, hip hop, afro beat, whatever. Their unique edge. Finding their niche. And third, how they actually use the platform to improve their sound, connect with people. That's where we see the vision in practice. Which brings up a really important question for us as we look at these individuals. Yeah. How do these stories, even with zero streams right now, actually show the platform empowering artists to, like they say, flex and shape the future? Good point. We're looking at potential, maybe intent, the process itself. Exactly. Not just past wins, but how their art is taking shape within this new system. It's like feeling the first tremors of maybe the next big thing driven by individuals, not the old guard. OK, well, that leads us perfectly into the core of this deep dive. The individual artist profiles. Let's get into it. This is where that platform vision really comes alive, right? One creator at a time. We're going to go into detail on each one. Sounds good. And you really see the incredible range here. Different roles, places all over the world, different artistic styles. Yeah, the diversity looks impressive. And one thing you'll notice, a lot of these artists explicitly say they're available for hire. Ah, directly signaling professional availability. Yeah. For collabs, gigs, production work, or sometimes they have a buy me a coffee link for direct support. So it's not just about sharing songs. It's about building actual professional connections, finding work, getting paid. Exactly. Alternative ways to monetize talent. OK, let's start. First up. Brendon Dovis. OK, Brendon Dovis profile says artist focusing on hip hop, specifically contemporary hip hop. And right away it mentions a new and bright energy they bring, which isn't just fluff, right? It suggests something fresh, maybe innovative that stands out. A different perspective. Yeah. And what makes their sound distinct, it says, is this fusion. They blend rap and R&B kind of foundational hip hop stuff, but mix it with techno sounds. OK, that's an interesting mix. It is. And the profile says it creates a singular oral experience, suggests something really unique, cohesive, memorable. Not just throwing things together. No. And this approach, mixing traditional elements with contemporary flair, lets them navigate the changing hip hop scene. Shows versatility, forward thinking. So even with the zero streams, the description points to someone with a really clear, developed sound already. Exactly. Lots of potential signal right there once they get more ears on them. And they're listed as available for hire. OK, next we have C-Dog. Profile's shorter, but hints at something maybe deeper. Indeed. Key Dog, based in the U.S. Rolls. Rapper, artist. The profile is brief, yeah, but uses this really powerful phrase, rich vision. Rich vision. What do you take that to mean? Well, it suggests depth, right? Maybe complex ideas behind the music or intricate stories they're telling, not just surface level stuff. Same thing with substance. Yeah. In a world of quick hits, rich vision implies something that might reward closer listening. You know, build a deeper connection. So even with zero streams, that phrase alone suggests serious artistic intent. I think so. Points to an artist whose work might have layers. Also available for hire. All right. Moving across the globe to South Africa. Crispy Freshsa. This profile is packed with detail. Oh, yeah. Crispy Freshsa. Real name, Vusi Jerel Kweb, born back in 97. From Tembisa, Gotang. A South African hip hop artist, but also way more. More than just rapping. Definitely. Rapper, songwriter, lyricist, live performer, MC and a graphic designer and visual artist. Wow. That's a full package for an indie artist. Control the whole brand. Huge advantage. And he's apparently been making waves since 2010. First under the name Toxic P. So he's been at this a while. Seems like it. Released tracks like Loco, Huawei and Cozy. No sleep back then. And was really involved in the crew scene. Right. Crews are big in hip hop culture. Super important. He was in Gods of Hustle Crew, L.O.V.E. Crew, Traps Lord's Crew over several years. Shows he knows. Collaboration, community. And he's worked with quite a few other artists, too, it looks like. Yeah, the list is pretty long. Late Illest King, King Cardi III, Biller, Nathanin, Lady Z. Lots of names. Shows networking skills, adaptability. And now as Christy Fresh, still active. Very. Released an EP, It's About Time, six tracks. An LP, Halloween Baby, three tracks plus 13 singles. And it says he's working on something new right now. Man, that's consistent output, even with zero streams on this platform profile. Tells you a lot about his work ethic, his dedication. He's not waiting around. He's building his catalog. That really fits the platform's ethos. And yes, available for hire. OK, from South Africa to India. Devalertist, sounds like maybe more of a behind the scenes force. Devalertist, yeah. Based in India, listed as artist, producer, beatmaker and rapper. But their main thing seems to be multi-genre music producer. Multi-genre, so versatile. Extremely. The profile specifically mentions trap, drill, hip hop, afro, melodic and et cetera. So a really wide range. That's valuable today with genres blurring so much. Immense asset. Means they can craft beats for almost anyone, any vibe. Hard drill track, mellow R&B. They can likely do it. Positions them as a really adaptable resource for vocal artists on the platform. Again, available for hire. Makes sense. OK, next is Dior. Just listed as producer, but there's an interesting note here. DI Dior. Yeah, artist, producer. The standout thing, brief as it is, is the offer. Plenty of free unused beats. Free beats. That's pretty generous. It really is. Signals a willingness to collaborate. Maybe removes that initial financial hurdle for rappers or singers on the platform who might be starting out. Builds goodwill, fosters community. Exactly. It's a great way to showcase their production and actively invite people to create with them. Could lead to paid work down the line, too. Available for hire and also has a buy me a coffee option. Cool. OK, then we have DJ Paradox 2020 360 from the US. This one looks complicated. Multiple names listed. Yeah, it's intriguing. DJ Paradox 2020 360 USA Rolls. Producer, beat maker, DJ, songwriter, lyricist. But then it lists these other aliases. DJ Paradox 2020 360, obviously, but also B-Boy. Dino D.E. Graffiti artist, Seiko One, and MC Sandman, freestyle, MC, written. Is it one person doing all that or a group? Hard to say for sure from just this. Could be one super multi-talented person hitting all pillars of hip hop culture production, DJing, graffiti, emceeing, both freestyle and written. Or it could be a collective under that name. Either way, it's just a deep dive into the culture. Absolutely. A holistic engagement with hip hop's elements shows an artist or group that can bring a lot to the table beyond just the music itself. Available for hire. Right. Next up is E-Kane. This artist seems to have a very clear, very strong identity. Oh, yeah. E-Kane from the USA. Artist, rapper, but also engineer for mixing, mastering and even a promoter event organizer. Doing it all. The modern indie artist model. Totally. Knows the creative, the tech and the business side and their artistic philosophy. It's intense. What does it say? Unfiltered, unapologetic. I'm E-Kane, the voice of the misfits, the broken, the ones who rose from darkness with blood in their teeth. Wow. OK, that's a statement. Definitely paints a picture. Raw, defiant, emotional and their sound influences. They mentioned blending the raw grit of Willyside Boy with the precision of tech and nine. So dark themes, but technically skilled delivery. That's what it suggests. Their mission is explicit. Forging a lane for outcasts who refuse to be silenced. And they say every bar I spit comes from scars I earned. Invites listeners to the darker side of hope. So using personal struggle to create something powerful and relatable for a specific audience. Exactly. It's authentic, niche focused. The kind of unique, powerful voice that can really thrive on a platform like this, connecting directly with people who get it even before hitting massive numbers. Available for hire with a buy me a coffee option, too. Very compelling. OK, from the legendary Motor City Detroit, we have Greybeard. Greybeard. Listed as artist, but the bio just says Detroit producer. Short, but says a lot. How so? Just the location. Yeah, Detroit carries weight musically, especially for producers. Think hip hop, techno, soul, a rich history. So saying Detroit producer implies a certain sound or influence. It suggests a connection to that legacy. Maybe gritty, maybe innovative, maybe a certain rhythm. It hints at a style, a quality rooted in that specific place. Even without a long bio, that geographic tag is a strong signal. Available for hire. Plus, buy me a coffee. Interesting. OK, shifting continents now to Korea for Hayoung Jang. Hayoung Jang, artist, rapper, producer, beat maker. And their artistic philosophy is incredibly concise, but really profound. What is it? Simply, rap music is my therapy. Wow. Just like that. Yeah. Immediately tells you about their connection to the music. It's personal. It's essential. An outlet for expression, healing. That's powerful and probably resonates with a lot of listeners who find that same solace in music. Absolutely. In a world more focused on mental health, an artist framing their work as therapy can build a really strong empathetic bond. Shows the platform supports not just the business side, but the deep personal side of art, too. Available for hire. Back to the U.S. Chicago this time. It's Ya Boy Mayo. This profile sounds like a big deal already, even on this platform. Yeah, it's Ya Boy Mayo from Chicago, described as a dynamic force. Has an extraordinary knack for crafting hits across a multitude of genres. Creativity with no bounds. Energy. Originality. It's high praise. And collaborations. This is where it gets really impressive. Mentions working with Stucka, G Herbo, Courtland Jabray, Gunplay. OK, those are major names. Huge names. Speaks volumes about his talent, reputation and the wider industry, regardless of the metrics here. Shows incredible versatility, ability to blend styles. Adapting to different artists. Right. And each track supposedly carries his unique identity, plus those diverse Chicago influences. You know, the city's legacy in hip hop, blues, house. So he's positioned as an inspiring figure on the musical frontier, pushing boundaries. Exactly. Suggests someone who's not just making music, but influencing it. Yeah. His presence here shows even established talents he valued in this platform for maybe connection or further growth. Available for hire with a Buy Me A Coffee link. Fascinating. OK, journeying over to Nigeria for Kingston 800. Kingston 800. Nigeria. Roles listed. Artist, vocalist, singer, songwriter, lyricist. Professional name is Dagwon Nathaniel Chris or Kingston Ray. Singer, songwriter, focusing on the voice and the words. Exactly. Described simply as a singer, songwriter and recording artist. It highlights those core strengths, vocal ability, crafting melodies and lyrics. Which can sometimes get overlooked with all the focus on production. True. So his presence emphasizes support for that fundamental craft. Showcases the global reach, too. Appealing to artists focused on timeless vocal performance and composition. Available for hire. Plus, Buy Me A Coffee. And back again to the U.S. Cincinnati. Classic. Another multi-talented creator here. Oh, yeah. Classic from Cincinnati. Really embodies that modern indie artist, American rapper, record producer, songwriter and graphic designer. Covers all the bases. Creation, production, writing, visuals. Very self-sufficient. Extremely. And his background shows real initiative. Started building a home studio way back in 2006. Early dedication. Right. Founded his own label, Brainstorm Records, in 2009. Released a mixtape. Then created his beat production brand, Brainstorm Beat Files in 2016. So he understands the whole process, creative and business. Totally. He's like a one person music factory. Exactly the kind of empowered creator the platform seems built for. Available for hire with a Buy Me A Coffee option. OK, next is Cloverfresh Production. Sounds more like a company. You got it. Cloverfresh Production, USA artist, producer, beat maker, videographer, visual artist, but explicitly called a dynamic and innovative company. Not just one person. Right. A structured entity. Focuses on fresh, high quality content and experiences. Specializes both music and video production crucial today. Offering a full package. Yeah. Aiming for unique projects that resonate and inspire. Committed to creativity and excellence. So likely providing services to other artists or creating their own integrated projects. Shows the platform supports teams and service providers too, not just solo acts. Available for hire. Makes sense. Now Money Hungry Beats 414. And here we see no bio. Correct. Money Hungry Beats 414. Just listed as artist. And the profile flat out says no bio available at this time. Huh. So what do we make of that? Well, it's a contrast to the detailed ones, isn't it? Means we only know they're an artist on the platform. Maybe just joined. Maybe still setting things up. But still active enough to be listed and available. Seems so. They have the available for hire and buy me a coffee options. Shows the platform includes artists at the very, very beginning of their public journey, even before they've written their story. Space for them to emerge. OK. Another producer now. Pump Beats. This profile emphasizes collaboration, it seems. Yes. Pump Beats from the USA. Producer, beat maker, artist. And the profile gives some great insight. States seven years producing beats. So solid experience. Establishes credibility. Right. And then this philosophy. The most important is that you should be having fun. Highlights passion and strongly advocates for connecting with artists and producers saying we can learn from everyone. Humble, open minded approach. Very collaborative spirit. Invites people to join the journey, create some hits, contact for collabs, positions them as someone eager to build community around making music. Fits perfectly with that network idea. Available for hire with buy me a coffee. Cool vibe. OK. To Nairobi, Kenya for Pradtash. Pradtash, Nairobi artist describes themselves as a self-taught music producer. Self-taught. That's impressive. It really is. Shows initiative, resilience, dedication, especially if they didn't have formal training access. Speaks to how tools are democratizing things. And their skills. It's this vast experience of variety of genres crafting a blend of great music. So versatile, skilled, adaptable. Could be a great partner for emerging artists needing fresh sounds. Underscores that global reach again. Available for hire. And from Iran, Rod Dark. Another one with no bio. Yep, similar situation. Rod Dark, Iran. Rapper, artist. And again, no bio available at this time. So present on the platform, ready to engage, but maybe just starting out their profile. Seems likely. Shows the platform's inclusivity, providing a space for creators worldwide, whatever stage they're at in documenting their journey publicly. Available for hire. Right. Hopping back to Australia for the real kid crook. This profile feels really impactful. Focuses on resilience. Yeah, the real kid crook. Perth, Australia. Artist, rapper, songwriter, lyricist. His motto sets the tone. The dream is free. The hustle is sold separately. Tells you something right away. Grit. Determination. Exactly. Born and raised on Perth's rugged streets. Described as a force of resilience, transformation and unfiltered emotion. His life experiences are his art. Authentic reflection. Right. Music reflects battles fought, lessons learned. Blends raw, unapologetic realism with deep, introspective thought. Uses his story as the foundation. Turning struggle into strength. That's what it says. Channels the power of overcoming adversity, turning pain into purpose. His relentless spirit and unique perspective make the music not just heard, but felt. That emotional connection. Yeah. He really exemplifies how a compelling personal story and authentic voice can resonate deeply, build an audience, even without huge initial numbers. The kind of artist platforms like this can really elevate. Available for hire. Powerful stuff. OK, another artist from South Africa, Torcherts. Torcherts, South Africa. Artist, producer, beat maker, songwriter, lyricist. Their self-description is simple, friendly. What does it say? New artist, new music on the platform. I hope you enjoy. Huh. Straightforward, welcoming. Yeah. Suggests someone new to the platform, eager to share, hopeful. Speaks to those early stages. But the roles listed, artist, producer, songwriter show their self-contained, capable. Highlights the platform as that launchpad again. Available for hire. OK. And finally, Yaso 8 from Nigeria. This one mentions spiritual music. Quite a specific focus. Yaso 8, Nigeria, maybe Lagos. Multi-genre artist, songwriter, lyricist, live performer, emcee, specializes in drill, afro and hip hop. So contemporary popular genre. With a twist. Exactly. The key focus is spiritual and inspirational songs. That really sets them apart. Connects with a specific audience looking for uplifting content within those genres. A defined niche. Right. And emphasizes writing and recording all their own projects. Creative control. Mention specific works like Official Girl, Song and Album, Salami Yi Peace, Yawa. Available on places like Audio Mac. So they have work out there. Seems so. And includes a direct email contact. Underscores that independent approach. Shows how diverse content, even niche spiritual themes, can find a home and an audience here. Available for hire with Buy Me a Coffee. Wow. OK. We just went through an absolutely incredible range of creators. Just thinking back. A lot. Right. Yeah. Brenton Davis's hip hop fusions. Crispy Fresh's deep history and multi-talent from South Africa. Ekane's raw power. Peenbeat's collaborative spirit. Yasa Eight's spiritual focus from Nigeria. Don't forget it's Yabu Mayo's hit making and major collabs out of Chicago. The Real Kid Cook's resilience from Australia. Producers from India, Kenya. Rappers from Korea, Iran. Even that production company. It's genuinely a global snapshot. Truly is. So stepping back. What does it all mean? How does this diverse group with all their different styles and backgrounds actually embody that big vision beats to rap on has? Well, I think this group is the vision in action. The sheer variety of roles we just covered. Rappers, singers, writers, producers across genres, engineers, DJs, visual artists, whole companies. It paints a picture of a really vibrant, connected and importantly, self-sufficient creative ecosystem. Interconnected. Exactly. And every single one, regardless of those zero stream counts, is using the platform to say, here I am, this is what I do and I'm available for collabs, for hire. Right. Actively building. Which speaks directly to the platform delivering on that sovereign network promise, a place where artists can operate autonomously, build their careers their way outside of maybe some of the old rules. Makes sense. And think about how they're contributing. Brennan Davis with unique genre blends. E.Kane with powerful narratives. Classic with that full suite of skills. Yasa Eight with spiritual depth. Crispy Fresha with that long history and constant outpouring. Exactly. That history isn't just trivia. It's proof of commitment, community building essential for indie success. Or it's Yalbo Mayo's big collabs, shows a network beyond the platform, but still finding value within it. So the platform isn't just hosting files, it's facilitating the whole journey. That's what it seems like, giving them tools, giving them a network to amplify their unique voices. It really underscores the potential for these artists to make their mark, just like the platform aims for. They're using the tools, using the community. So this collective, they're not just making music. They're kind of redefining what it means to be an independent artist today. I think so. Paving the way for maybe a more decentralized, creator-first music industry. This whole deep dive, it really hammers home the power of individual creativity now, doesn't it, in this digital era? It really does. It's a great reminder that the future isn't just about the sharts or the big labels. It's being shaped profoundly by all this talent bubbling up, artists connecting directly with people, often from the ground floor. So I really want to encourage you, listening right now, go seek out new artists, explore, find people like the ones we talked about today. There's such a joy in discovering those voices just as they're starting to make their impact. Voices that feel real direct. Aperams like beats to rap on. They feel like more than just a new frontier. It's like a new way of doing things entirely, putting the power, the tools right in the creator's hands. It's actually a really exciting time to be listening, just witnessing this shift. And that brings us to maybe one last thought, something for you to chew on. OK. Consider this, the future of global music culture. It seems like it's increasingly being shaped not by the old gatekeepers, the established players, but by the sheer drive, the authentic vision, the heart.