Beats To Rap On Experience

Global Grooves - Willem Hengelmolen’s Poetic Rap, Earlnino33’s Amapiano, & Brandix’s Afrobeat Energy & More

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Welcome to the BeatsToRapOn Global Music Podcast, your essential source for the world's most exciting independent artists. In this episode, we journey across continents to uncover the raw talent shaping the future of sound.

Discover the genre-fluid storytelling of Dutch musician Willem Hengelmolen, whose tracks like "Upside Down" and "Echo of the Mind" blend poetic hip-hop, introspective rap, and emotional minimalism. His philosophical lyrics and unique soundscapes make him a standout artist to watch in 2025. Explore his profile: https://beatstorapon.com/artist/willemhengelmolen

From the US, we feature iamksgviafaith512 of Sol/infinity music works, an underground hip-hop veteran delivering unfiltered truth since 1988. We also spotlight hudda from Akron, Ohio, a producer and rapper with 17 years of experience in hard trap and emo rap. And don't miss esymoney209, the engineer and rapper from Stockton, CA, making waves in contemporary R&B and Gangsta Rap.

We then turn up the energy with the infectious African rhythms of earlnino33, whose Amapiano and Afrobeat tracks like "Mental slave" are dominating the airwaves. We also feature the soulful Afropop vibes of vocalist brandix and the conscious rap of Nigerian-born producer ydado1.

Finally, we explore the master craftsmen of production. Hear the fresh hip-hop instrumentals from kloverfreshproduction and the motivational old-school beats of multi-talented creative shawnncollin. We also introduce angelice, a visionary artist blending West Coast hip-hop and drill with a unique soft tempo and an ambition for global impact.

We’re building the future—empowering every artist and creator with the tools, beats, and network to share their voice, connect boldly, and leave a mark on the world. 🔗 Visit us at https://beatstorapon.com.

Keep creating. Keep sharing. Keep rising.

Welcome to the Deep Dive. We're cutting through the noise today to bring you some really compelling insights from the world of independent music. Yeah, it's a space just bursting with creativity. Exactly. So today, we're diving into these, you know, vibrant, often unsung soundscapes. Artists doing their own thing outside the mainstream. Forget the algorithms for a bit. Right. We're looking for that raw, unfiltered expression, the stuff that might just be shaping tomorrow's sounds. Our mission today is pretty straightforward. Introduce you to some fascinating creators, get into their artistic identities, unpack their sounds, the moods, the genres. Basically giving you a backstage pass. Yeah, a shortcut. So you can be clued in on these hidden gems that are definitely ready to liven up your playlists. And it's so vital right now. I mean, independent artists are really the lifeblood of creative evolution, aren't they? They reflect experiences, push boundaries in ways maybe bigger acts can't or just won't. That's a great point. What we'll see today, I think, is how these different creators weave their own stories, their perspectives, right into the music. It gives us a more direct, maybe more honest connection. Okay, let's jump right in then. First up, Willem Hengelmoelen. Yeah. He immediately stands out as, well, a truly genre-fluid musician and storyteller. That description alone grabs you. It does. And he wears multiple hats, artist, songwriter, lyricist. And he even does his own videographer, visual artist work. Handling the whole vision. Exactly. His bio talks about this blend of philosophical lyrics with really emotionally charged soundscapes. He flows between hip-hop, blues, experimental stuff. Quite the range. Yeah. Exploring big themes, identity, power, the human experience. And he has this gift for weaving introspection right into the rhythm. His lyrics make you think, but they also soothe or provoke. His latest, Hip-Hop's the Truth, is apparently a standout. It's pretty remarkable, that multifaceted approach. When an artist controls the sound, the story, and the visuals, it creates this deeply immersive experience for the listener. Yeah. But it does make you wonder, how does an artist keep that authentic voice, that focus, when drawing from so many different places? That's a really good question. Maybe we can find some clues in the music itself. Let's start with Upside Down. Yeah. This one's a boom-bap track, pretty brisk at 145 ppm. The tags mention things like introspective rap and emotional resilience. An interesting combination. It really feels like it flips reality on its head. You know? Yeah. Exploring that feeling of disorientation, where maybe growth actually comes from falling apart sometimes. It's raw, reflective, vulnerability, and strength all mixed up. Poetic delivery, you said. Absolutely. Then, we move to one more step. This is freestyle rap, but it's got a more meditative feel. 92 bpm. Slower pace. Yeah. Tags here include introspective, poetic rap, and emotional minimalism. Picture someone just deliberately marching through that space between doubt and determination. I can almost hear that. The beat is minimalist, kind of pulsing. And it feels like every step forward carries the weight of what came before. Yeah. Heavy, but necessary. It captures that spirit of refusing to stand still, even when things are tough inside. What's compelling there is how it seems to crystallize that philosophical lyricism he's known for, but within a really simple soundscape. The movement itself, the beat, becomes a metaphor for just pushing through. Yeah, finding depth in minimalism. Exactly. Okay, his third track, Echo of the Mind, takes us into lo-fi hip hop. Slows right down to 72 bpm. Lo-fi. Okay. Similar tags again. Introspective, poetic rap, emotional minimalism. This one feels like a haunting journey through memory, doubt, inner dialogue. It's like thoughts bouncing around. Precisely. They reverberate like distant voices. He blends these ambient textures with really raw, vulnerable lyrics. It amplifies that feeling of solitude, makes it poetic. So across these three, despite the different genres, you really hear that consistent, introspective, poetic style. You do, yeah. It shows how a strong artistic identity can cut across genres, right? That coherence is what makes them stand out. Absolutely. Okay, shifting gears now, let's move from Willem's deep introspection to an artist whose all-helticity is maybe forged in a different fire, and via Faith 512. Okay. He's an artist, songwriter, lyricist, but also a label indie label owner that says a lot about his commitment. Booning a label, yeah, that's significant. His origin story goes way back. 1988, he and Danzy Blue started Sol Infinity Music Works. Wow, 88, that's some history. Right, and their mission was simple. Release raw, original music, transparent lyrics about real life, no sugarcoating. He calls it the gray truth ready to haunt you. Ha, I like that, the gray truth. It's about showing actual feelings, no fear of judgment. Leads to an originality described as acute and out of this world. Establishing a label back then, that's real pioneering spirit in the indie world. It speaks to this long-term commitment to just unfiltered expression. It's not just about putting out songs, it's building a platform based on that core belief. So let's hear how that sounds. All three tracks we've got here plant him firmly in underground hip hop. Okay, consistent there. First, No Problem at 82 BPM. Then, So What You Tellin' Me picks up the pace a bit at 132 BPM. And finally, Hustling Under Heaven back down to 75 BPM. Across these, you just feel that raw, original vibe. It lines up perfectly with his label's mission. Yeah, that consistency and sticking to underground hip hop really reinforces his bio, doesn't it? It tells you he's not chasing trends. He's focused on the sound that carries those transparent, unjudged lyrics. It feels very authentic. Spot on. Okay, next up, Huda. Coming to us from Akron, Ohio. His bio is refreshingly direct. Oh, yeah. He named Hopped him from Akron, Fyobe and rapped it for 17 years. Jekylls, straightforward, I like it. You too. Leads the music to do the talking. He's an artist, playlist owner, and producer beat maker. Got it. Let's check out his tracks. Start with Cellblock Freestyle. It's emo rap, 74 BPM. Description, just one word, hoodie. Then Freestyle. This one's hardtrap, 93 BPM. Got the tag, hashtag Akron, Ohio, and a description that hits you. Being alone is deep. Wow, yeah, that's poignant. And rounding out Huda, venting PT1, also hardtrap, 82 BPM tags. Hashtag hoodie, hashtag game god, hashtag Akron, Ohio. It's interesting, isn't it? That really simple, almost terse bio, but then the track descriptions hint at something much deeper. Being alone is deep, especially in a hardtrap context. It's just he's using his music for some really direct, raw, emotional release. Yeah, and filtering. And that hashtag Akron, Ohio tag keeps it grounded in his reality, his experience. Good point. Okay, from Huda's individual voice, let's turn to something different. Clover Fresh Production. This isn't just one person, it's a company. Ah, a collective or production house. Seems like it. They cover roles as artist, producer beat maker, and videographer visual artist. Covering all the bases. Their bio talks about dedication to bringing fresh, high quality content and experiences through music and video. The goal is creating unique projects that resonate, inspire, focusing on creativity and excellence. It's about the whole package. That's a smart approach. Positioning as Clover Fresh Production emphasizes that collaborative, comprehensive strategy. It's not just about the beat, it's the visuals, the whole experience. That focus on content and experience really speaks to understanding the modern landscape. It does. And their tracks really showcase that focus on sonic creation. All three are instrumental, specifically hip hop. Makes sense for a production focus. We've got Pass the Trap at 74 BPM, then Shadow Steps, which picks up the pace to 145 BPM. Description, just instrumental. Letting the music speak. And finally, Trimming the Fat, keeping that faster pace at 146 BPM. Pure soundscapes, really designed to set a mood. Exactly. All instrumentals tied to their producer beat maker role. It shows confidence in letting the sonic landscape do the storytelling. No lyrics needed. All right, next up, let's meet Brandox. He's an artist, songwriter, lyricist, and vocalist singer. His bio says he's more than just a name. It's a vibe, a voice, and a vision. He lives for singing and performing, bringing heartfelt vocals to stage-shaking performances. But here's the cool part. He blends artistry with athleticism. Oh, how so? He scores goals on the football field. So he's earning artist medals for music and playing sports. It really shows how creativity and discipline can mesh. That's fascinating. That mix of music and sports suggests a certain energy, a discipline that probably fuels his performances. It makes you wonder, how does he balance those passions? Does the rigor of sports maybe influence his vocal delivery? Interesting thought. Let's hear that energy. All his tracks are in the Afrobeat genre, so a clear direction there. Okay, focus. We kick off with Dama. It's Afropop, 104 BPM. The description says it's a storyline of a man in love with an African lady. Nice narrative touch. Then No Dulling Sese. This one's Afro Swing, 108 BPM. The instruction is simple. Just enjoy your essay. Chuckles. Love the energy in the title. Totally. And wrapping up, Brand X's Energy. Afro R&B, 104 BPM. Tag romantic chill. And the description is just love vibes, saw rage. That consistent Afrobeat genre really nails down his artistic identity. It creates that distinct vibe, as Bayo mentioned, tying into the heartfelt vocals and energetic presence. He's clearly found his sound. Definitely seems like it. Okay, our next artist, Sean Collin, really embodies the modern indie creator. He does it all. Songwriter, lyricist, producer, beat maker, videographer, visual artist, and artist. The multi-hyphenate creator. Very common these days. And he's very practical about it. He makes hip hop R&B instrumentals, writes songs, but he openly says his main gig, the one that pays my bills, is videography and graphic design. That highlights such a crucial reality for indie artists now. Having those extra skills, video, graphics. It's not just practical financially, it lets you control the whole artistic package yourself. Total self-sufficiency. It's that entrepreneurial spirit. For sure. And his music carries this strong motivational theme. Mostly hip hop instrumentals. First is Keep Pushing, motivational hip hop instrumental. Old school hip hop, 82 BPM. Tags like chill, motivational, calm. It's meant to encourage people facing hardships, you know, keep pushing. Uplifting. Hang on, hard motivational hip hop instrumental. This one shifts to new school hip hop, 75 BPM. Tags, hard, motivational, energetic. The message is clear. Don't give up just yet, things will get better. It's interesting how he keeps that motivational core, but shifts the sound from old school to new school. Shows adaptability, right? Reaching different vibes with the same positive message. Yeah, exactly. And his third track, YOLO, goes back to old school hip hop. 81 BPM, tags, hard, flow, inspirational. It talks about life's struggles, but urges you to live a little. YOLO, basically. Yeah, consistent positive thread through different sounds. Nice. Next, EarlNino33. He's an artist, producer, beat maker, and DJ. His bio is super direct, mostly contact info for TikTok, YouTube, Spotify, et cetera. Straight to connection, very modern approach, making himself accessible. And his style seems really focused. All three tracks are Afrobeat, specifically the trending Amatpiana sub-genre, and the tempos are incredibly consistent. Ah, zoning in on Amatpiana, that's huge right now. Right. First, Mental Slave, featuring Beck Settlom at 112 BPM. Then, Morning Breeze, also 112 BPM, described as an African song by DJ EarlNino. And finally, Creepy Blackbird by DJ EarlNino, just a tick higher at 113 BPM. That dedication to Amatpiana with such similar BPMs is a clear choice. He's carving out a specific niche within a popular, identifiable African sound that's making waves globally. Smart way to build a recognizable brand. Definitely seems intentional. Okay. Next artist, Yedado1, also known as Yusuf M. Daddy, or Yedado. He's an artist, producer, beat maker, and rapper, originally from Lagos, Nigeria. Okay, another produced rapper. His track shows some nice versatility within hip hop. First is Energy, it's alternative rap, 133 BPM. Description, keep it up. Energetic fits the title. Then, Journey. This one shifts to neo-soul hip hop, slower at 77 BPM. The description is intriguing, strange people. Neo-soul hip hop, nice blend. And finally, Navigate. This is conscious rap, 90 BPM. So, alternative rap, neo-soul hip hop, conscious rap, that movement between sub-genres, even in just three tracks, really highlights his versatility. Yeah, it does. It suggests he can explore different textures, different lyrical angles, but keep it grounded in hip hop. That's a great way to stand out. Agreed. Let's welcome Angeles, an artist, songwriter, lyricist, and vocalist singer, who has, well, a really ambitious vision laid out. Oh yeah, what's the plan? His biotox strategy, sharpen artistry with new releases, boost his online footprint, explore unique collabs. He's not just making music, he's shaping his sound, building a brand. Thinking like a business. Totally, aiming for global impact, topping charts, awards, a major label deal. He's got it all mapped out. Articulating that vision so clearly is quite striking. Lots of indie artists dream big, but laying out the strategy like that, it shows a real professional approach to building a brand in today's music world. It's talent plus deliberate planning. It is inspiring. Let's check out his tracks, which have an interesting mix of style and message. First, Above the Rims. West Coast hip hop, 92 BPM. Tagged, unique soft tempo. Message, living on the positive side of life. Unique soft tempo on West Coast. Interesting. Yeah, and then Against All Odds. This is trap, specifically drill, 86 BPM. But guess what? Also tagged, unique soft tempo. Same tag, different genre again. Drill with a soft tempo. Right. The description is powerful. A song to inspire anyone out there. That recurring unique soft tempo tag across different genres like hip hop and trap, that's fascinating. It sounds like a deliberate signature, like a rhythmic fingerprint he applies regardless of the style. It makes you really curious how he pulls off that soft tempo feel within harder genres. Creates unique contrast. It really does. And to round out Angelus, Merry Go Round. Cautious rap, 116 BPM. This one's tagged, hardcore drop on vocals, and the description is intense. Going against all odds and breaking boundaries across universal impossibilities. Wow, quite the statement. Okay, our final artist for this deep dive. Ezzy Money, 209. Jaime C. Estrada from Stockton, CA. He's an artist, rapper, and also an engineer for mixing mastering. Ah, the artist-engineer combo again. Powerful. His vial highlights these skills, and he even offers no charge for collaborations. Speaks to a real community vibe. That combination, artist and engineer, is so valuable independently. Having that control over your own mixing and mastering means your vision gets realized exactly how you intend it. It's that dedication to owning the whole creative process. Let's explore his sound, which is pretty versatile. He starts with R&B and soul. First, no strangers, Ezzy Money. Contemporary R&B, 116 BPM. Dedicated to my Cupid in disguise. Sweet. Then, heartbroken Ezzy Money. Smooth soul, 101 BPM. Description, never lie to the one you love. Yeah. Shows a real emotional range right there. Definitely. Those two tracks clearly let him explore that spectrum from romance to heartbreak. He's using the nuances of R&B and soul really effectively to convey deep feelings. Draws you right in. But then, he flips the script with all me Ezzy Money. This track shifts completely. It's gangster rap, 100 BPM. Oh, okay. Big switch. Yeah, and the message is direct. For that hater yeet. Fucks. Right, that sudden shift to gangster rap reveals a totally different side of him, doesn't it? It's more than just versatility. It shows he can inhabit these different musical worlds and really showcases rapping skills. Proves he's not confined to one lane. That's a strong statement of artistic breadth. Absolutely. And wow, that brings our incredible deep dive into these independent soundscapes to a close for today. What a journey through different styles. Seriously. We've heard everything from Willem Hengel's Mullen's Philosophical Hip Hop to Bran Angleblas' Infectious Afrobeat. We got the instrumental craft of Cloverfresh Production, the raw honesty from Amske via Faith 512 and Huda. The multi-skilled approach of Sean Collin, Earl Nino 33's I'm On Piano Focus. The versatile sounds of Udo One, Angelis' Ambition, and that mix of R&B and rap from S.E. Money 209. Just incredible diversity. Truly showcases the depth out there. It's been so inspiring seeing the power of these artists telling their stories, unfiltered, authentic. We really hope you continue your own journey in discovery, seek out these unique voices, they're making a real impact. And in a world that's just overloaded with information, with music, these independent artists kind of remind us that true knowledge, real connection often comes from actively seeking out those voices. The ones choosing to make their art without compromise. Well said. So, it raises a question for you, listening right now, how will you keep discovering and supporting the unique sounds that are really shaping tomorrow's musical landscape?