
State of the Unknown | Exploring Paranormal Stories and Dark American Folklore
Hosted by Robert Barber, State of the Unknown is a documentary-style podcast exploring urban legends, paranormal stories, and unsolved mysteries buried across America.
From haunted hotels and forest disappearances to ghost towns and forbidden folklore, each episode dives deep into the eerie, the forgotten, and the unexplained—brought to life with immersive sound and cinematic storytelling.
If you believe some places remember… and some stories were never meant to be solved, this show is for you.
🎧 New episodes every other week.
🌐 Visit: www.stateoftheunknown.com
📸 Instagram & Facebook → @stateoftheunknownpodcast
State of the Unknown | Exploring Paranormal Stories and Dark American Folklore
Haunted Forests in Pennsylvania | Urban Legends from Dead Man’s Hollow
Join us for one of the creepiest podcasts exploring haunted places in America—starting with Dead Man’s Hollow, a forest shrouded in ghost stories, urban legends, and unexplained disappearances.
Host Robert Barber takes you deep into the shadows of this Pennsylvania landmark, where folklore and fact blur, and where some believe the land itself remembers every tragedy that touched it.
In this episode of State of the Unknown, we trace the stories left behind—murders, accidents, and whispers of something watching from the trees.
Sound Attributions:
AMBForst_Late Spring.Forest Edge.Morning.Byrds.A Light Wind In The Trees 1_EM by newlocknew -- https://freesound.org/s/811685/ -- License: Attribution 4.0
Dark-City_futuristic_ambient(near-machinery-vents)_by_OnlyTheGhosts.ogg by OnlyTheGhosts -- https://freesound.org/s/251624/ -- License: Attribution 4.0
FIREBurn_Big Fire In The Forest.Artificial_EM_(34lrs).wav by newlocknew -- https://freesound.org/s/636917/ -- License: Attribution NonCommercial 4.0
calm forest April NL Kampina 04 DeNoise 200401_0141.wav by klankbeeld -- https://freesound.org/s/577488/ -- License: Attribution 4.0
Bone Crack by Afilion -- https://freesound.org/s/185147/ -- License: Attribution 4.0
RAMELET_Charline_2016_2017_whistledMelody.wav by iut_Paris8 -- https://freesound.org/s/390137/ -- License: Attribution 4.0
night at the forest lake nature atmo by Garuda1982 -- https://freesound.org/s/645971/ -- License: Attribution 4.0
Shine by NMTVESounds -- https://freesound.org/s/582344/ -- License: Attribution NonCommercial 4.0
Whispers Loop Mix 3.wav by ashleyxxpiano -- https://freesound.org/s/205628/ -- License: Attribution NonCommercial 3.0
sad piano improvisation for film royalty free by kingvitaman -- https://freesound.org/s/414032/ -- License: Attribution NonCommercial 3.0
State of the Unknown is a documentary-style podcast tracing the haunted highways, forgotten folklore, and unexplained phenomena across America’s 50 states.
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Some stories don’t stay buried.
We go looking anyway.
There's a place just outside Pittsburgh where the woods never feel quiet. Even when the wind dies and the trees stand still, something moves. It's a stretch of forest and ruin along the Monongahela River, overgrown, half swallowed by time. Once, it was alive with industry. Now, it's alive with the weight of what happened there. Violent deaths, vanishings, a place where too much went wrong and too little was made right. People hear voices in the brush, see lantern lights flickering through the fog, feel watched when they're alone on the trail. Some say the spirits are just echoes of the past, the factory workers who died in fires, in falls, in silence. Others think it's darker than that, that what's here never left because it never had peace. They call it Dead Man's Hollow, and it earns that name. Dead Man's Hollow is more than an eerie name on a map. It's a real place with real blood in the dirt. A string of violent deaths marked this ground. Factory explosions, drownings, lynchings, even a body strung up from a tree, and each one left a mark. Locals tell stories of screams that echo with no source, of hands that reach from the river, of black mist that follows hikers through the trees. This isn't just folklore. The records are there. The tragedies are real. And the fear? That's real, too. Because Dead Man's Hollow doesn't just hold a haunted past. It breathes with it. I'm your host, Robert Barber. And today, we travel to the hills outside McKeesport, Pennsylvania, to a tangle of forest and ruin where stone walls crumble beneath moss and the silence is anything but empty. A place where industry collapsed into decay, where the woods remember every body buried beneath the vines, and where hikers still feel watched long after the trail ends. This is the story of lost lives, restless legends, and a forest that refuses to forget. This is the story of Dead Man's Hollow. And this is State of the Unknown. There's a hush that falls over this place. Not silence, never that. The wind still moves through the trees. the river still drags itself past the banks, but beneath it, something lingers. Dead Man's Hollow lies just southeast of Pittsburgh, 900 acres of dense forest, sheer cliffs, and the skeletal ruins of what used to be industry. It backs against the Yakogany River, and what's left behind doesn't feel entirely abandoned. In the 1800s, This was a place of labor, of brick kilns, smokestacks, and furnaces so hot they could melt stone. The Union Sewer Pipe Company built its factory here in 1890, carving out a clearing in the hollow to house men, machinery, and fire. They laid rail lines, built walls, and left behind a scar in the woods that never quite healed. But the name Dead Man's Hollow goes back further. Some say it was 1874. Two boys walking near the river stumbled on a body, half hidden in the brush. Murdered. Shot through the head. No ID. Just a stranger, dead in the woods. The story made the Pittsburgh Commercial Gazette. The paper said the man had been there for days, already rotting in the July heat. and in the years that followed, more bodies turned up. Some drowned, some shot, none with answers. By the time the factories came, the name had stuck. Locals said the hollow was cursed, that men went in and didn't come out, that sometimes, in the dark, you could still hear screaming echo off the rock. Over time, the kilns were abandoned, the rails rusted, the factory walls collapsed into brush, and the forest began to take it all back. But the name stayed, Dead Man's Hollow, because the dead don't always stay buried, and this place never forgets. Long before it earned its name, Dead Man's Hollow was part of something bigger, a machine of smoke and labor that fueled the American century. Nestled along the Yakogany River, just south of Pittsburgh, the hollow sits within a valley carved by both water and industry. These hills held clay, coal, and a thousand ways to make a living, or lose one. By the late 1800s, Western Pennsylvania had become the heart of American manufacturing. Steel, glass, railroads. This was the empire of the working class. And McKeesport, the nearest town to the hollow, was booming. Its foundries burned day and night. Riverboats hauled freight past blackened hillsides. And the people who lived here, immigrants, veterans, farmers turned factory hands. They carved out entire lives from ash and river mud. The hollow, in those days, was no mystery. It was a worksite. The Union Sewer Pipe Company ran its clay operations here, an industrial sprawl of kilns, outbuildings, and smokestacks that rose like fingers from the forest floor. Workers lived in shanty towns along the hillside. They walked to work through the woods. A thousand feet from the trailhead, you'd find flames licking from chimneys and the heavy breath of furnaces rolling through the trees. This place was alive with labor. Men caked in soot. Children running barefoot with lunch pails. The smell of brick dust hanging thick in the air. But it was a hard life and a dangerous one. There were no unions. No safety boards. No guardrails around the machines. A misstep could take your hand. A loose pulley, your life. And the closest thing to a doctor was a company man with a notebook. Still, they stayed. Because the work was steady. The pay enough to keep food on the table. And the woods around them, for all their silence, were familiar. But the hollow... was changing. By the 1920s, the industry began to falter. The kilns cooled, the buildings fell quiet, and nature crept in. The forest came back fast, fast enough to swallow a brick wall in a season, to break apart concrete with its roots. The old paths turned to overgrowth, structures collapsed, and the hollow became a ruin. What was once a place of labor became a place of legend, abandoned, overgrown, and thick with stories no one could quite verify. They said people died here, workers who never made it home, a man crushed beneath a rail car, a boy drowned in the river, and others who disappeared without explanation. Official records are scarce. But something lingered. Enough that locals avoided the trails after dark. Enough that hikers reported whispers in the trees. Enough that the name stuck. Dead Man's Hollow is a place with too much past to be peaceful. And just enough forgotten to feel dangerous. The name wasn't metaphor. Dead Man's Hollow got its reputation the hard way, through blood, through bodies, through stories that left behind more questions than names. The earliest known death on record happened in 1874, before the factories even arrived. A local man vanished while hunting near the hollow. His body was found days later at the base of a ravine. No witnesses, No explanation. Just broken bones and a torn coat. As if something, or someone, had dragged him there. In the decades that followed, the deaths kept coming. Some were accidents. Men caught beneath machinery. A brick worker crushed during a wall collapse. A runaway rail car that jumped the track and tore through a tool shed, killing two. In 1902, a 17-year-old girl named Catherine was found dead in the hollow, strangled. No suspects, no motive. Her body discovered near the base of an old kiln, half covered by brush. It shocked the town. But within weeks, the case faded. Other headlines took its place. And Catherine became a name whispered only in warnings. Don't go into the hollow alone. Some say she was just in the wrong place at the wrong time. Others believe she knew her killer. But no one ever found out for sure. And her death joined a growing ledger of lives cut short in these woods. Others' deaths were even harder to explain. Like the story of the man in the 1920s who was found hanging from a tree limb 20 feet in the air. No ladder, no rope in his possession. One version of the story says the papers called it suicide, but no article was ever found. Just the same lines passed down again and again. Not every story tied to this place can be traced or proven. Some are just told. Passed from voice to voice, untethered from paper or record. But they still stick, and they shape how the hollow is remembered. Then there's the legend of the whistling boy, a teenage worker who had vanished on his way to the kiln. They searched for hours, then days, never found the body, only a single boot, and the sound of a whistle still echoing from the forest at night. Some deaths made the paper, others only made it into memory. The hollow had become a magnet for the lost, the troubled, the drunk. People who went into the woods alone and never came back. Some locals talk about bones found in the brush, a skull by the riverbank, even a boot, they say, with a foot still inside. No official reports, no case files, but the rumors never really stopped. By the 1950s, the industrial ruins were just that, ruins. Crumbling brick and concrete buried in moss. Teenagers came to party. Thrill seekers brought flashlights and dares. Hikers passed through without knowing what lay beneath their boots. That's where the stories turned darker. Talk of a body found in the 90s, bound, stabbed, left under stone. Some say that death led to another discovery, an older body, buried deeper in with the same wounds. No names, no convictions, just whispered patterns. There's no record of these cases in the public file, but in towns nearby, people still talk about them, as if silence was just another way of marking the grave. Today, the hollow is protected land, a nature reserve, a historical site, but it hasn't been cleaned of memory. People still hike it. Still bring dogs, cameras, and curiosity. But most don't stay past dark. And they don't go alone. Because the deeper you go, the quieter it gets. The birds stop. The wind disappears. And the trails? They don't always lead where they should. Dead Man's Hollow isn't just a ruin. It's a place full of absences, some marked, most not. And whatever remains doesn't always stay buried. By the 2000s, Dead Man's Hollow had transformed on paper. From industrial ruin to protected nature reserve, from coal dust to clean trails. But the stories never stopped. Hikers began reporting strange things, footsteps behind them when no one was there, cold spots in the middle of summer, and the sense that someone or something was watching. Flashlights flickered out in the same bend of trail. Camera batteries drained without warning. Phones refused to hold signal in the old brickyard clearing. One group of amateur investigators came out in 2014, armed with audio recorders, EMF detectors, and motion sensors. They didn't expect much, just a quiet night in the woods. What they got was something else. They picked the old kiln site at their base, right near where Catherine's body was found over a century earlier. At 1.17 a.m., the motion sensor triggered. Nothing visible, no wind, no animals, just a sudden activation. Then came the EMF spike, followed by the unmistakable sound of footsteps, slow, deliberate, on the leaf-covered stone. They asked the air, who's here? And on playback, a voice came through. Two words, still me. Other groups reported similar phenomena. A figure spotted between the trees. Glowing orbs that blinked out when approached. A low rattling hum that seemed to come from underground. Park rangers mostly dismiss the stories. They chalk it up to animals. Imagination. Overactive storytelling. But off the record, some will admit they've seen shadows moving against the tree line. heard voices on foggy mornings, felt an icy grip near the ruins of the old mill, and the local volunteer group that helps maintain the trail, they always stop working before dusk. Always. Because even in daylight, the hollow has a weight to it, a stillness that feels too heavy. It's not just haunted by ghosts, it's haunted by memory. And memory, in a place like this, doesn't let go easily. Some places haunt you because of what had happened there. Dead Man's Hollow feels different, like it remembers. Locals say the woods there don't just feel wrong, they feel aware. Paths change, compasses spin, and sometimes the silence isn't just quiet, it's heavy. Like the trees are listening. Long before the area became a nature reserve, it was known for something else. Industrial wreckage. The remains of the Union Sewer Pipe Company still litter the trailheads. Brick ruins overtaken by ivy and moss. But it's not just rust and stone the forest hides. Hikers report getting turned around in areas they've walked a dozen times. Phones die without warning. Flashlights dim. One group claimed to walk in circles for over an hour, only to find themselves back where they started, without ever turning around. Some think it's psychological, an overactive imagination triggered by isolation. But others aren't so sure. In 2012, a pair of amateur investigators recorded a low-frequency hum in the eastern part of the trail system. No nearby machinery, no known seismic activity. The hum disappeared the next day, but they both described the same thing. A rising pressure in the chest, a kind of internal static, like being watched from inside your own skull. And then there are the figures. shadow forms, fleeting silhouettes, not just seen, but felt. One witness said he saw a woman in white standing in the hollow center, pale dress, barefoot, head turned slightly toward him, like she was listening to something only she could hear. He called out. She didn't move. When he looked away for just a second, she was gone. Other hikers have described hearing footsteps behind them, soft, steady, matching their own. But when they stop, the footsteps don't. It's not every visit, not every trail. But when it happens, the stories sound eerily alike. As if the land is telling the same story over and over, through different voices, different eyes. Dead Man's Hollow doesn't just echo with ghosts. It replays them. It sets the stage again and again. And if you walk it long enough, you might find yourself playing a part. Not all ghosts wear chains. Some just tell stories. Ask around in Elizabeth or McKeesport and you'll hear them. Accounts pass between hikers, old-timers, and park volunteers. Stories that don't always make the paper, but linger like fog on the trail. There's the man who saw the lantern light deep in the woods and followed it for nearly 20 minutes. It always stayed just ahead, never too far, never close enough to see who held it. Eventually, he stopped, turned around, but when he did, there was no trail behind him, just thick woods and silence. A former park ranger once told a local reporter about hearing voices late at night. Not shouting, not conversation, just one voice, repeating a name over and over again. He searched the area. No one there. When he came back the next night, same time, same spot, the voice was still there. The name? Catherine. One of the most persistent local legends is that of the watcher. Not a ghost, not quite a spirit, more like a presence. People say you don't see the watcher, you feel him. When the wind dies, when the woods go still, when you suddenly realize you're not alone. A teenager walking the trail near dusk claimed to hear breathing behind her. She turned. No one. But when she started to run, the sound followed, faster, closer, until it was right behind her. She made it to the parking lot, got in the car, locked the door, and then heard a hand slap the back window, hard. When she turned, just condensation, no prints. Others report sudden changes in mood, an overwhelming wave of dread, nausea, Tears for no reason. One visitor said he broke down sobbing in the middle of a bright afternoon hike. No memory of why. Just the sound of water dripping nearby. Even though it hadn't rained in days. Then there's the man who brought a voice recorder. He asked a simple question. Is anyone here with me? Later, when he played it back, he heard something beneath his voice. Low. Breathy. It said, still. These aren't campfire tales. They're too fractured for that. They don't follow structure. They don't chase endings. They just happen. And then they stay with you. Dead Man's Hollow isn't crowded, but it isn't empty either. And if you ask the right question, the hollow might just answer. There is always a reason, even if it's buried. Dead Man's Hollow has drawn speculation for decades. Some look for logic. Others lean into the unknown. And the truth, if it exists, might lie somewhere in between. Start with the obvious, the land itself. This place was once an industrial site. Brickworks, kilns. Runoff tunnels board into the hillside. The ground is unstable in places. Caverns collapse. Gas pockets shift. Now I've walked some of those trails. Stepped over broken stone that used to be something. Furnace walls, maybe. It doesn't take much imagination to believe something strange could echo out of those ruins. But then again, plenty of places have ruins. Not all of them feel like this. Then there's the science. Some researchers point to infrasound, low-frequency vibrations just below the threshold of human hearing, known to cause unease, disorientation, even panic, the kind of thing a faulty sewer pipe or buried kiln might create under just the right conditions. Now that explanation makes sense to me. It's tidy. It puts the weird back in the box. But it doesn't explain why multiple people describe the same figure, the same voice, over years, over decades. I can see something external causing. Well, what amounts to hallucinations? But hallucinations, just like dreams, can't be the same for multiple people who have never encountered or spoken to each other across years and years of reported experiences. Others, they chalk it up to suggestion. The name Dead Man's Hollow alone sets the stage. You add the stories, the silence, the isolation, and the brain does the rest. Fear sharpens the senses until they start to lie. Now, I want to believe that, that most of this is just expectation. But some of these stories, they don't sound like imagination. They sound like memory. Paranormal investigators offer a different angle, residual energy, a kind of psychic recording left behind by trauma. The hollow is seen death, violent, accidental, unexplained. If you believe in emotional imprint, this would be the place. And then there are the outliers. Some say the hollow is a thin place, where the veil between worlds wears down. Not ghosts, but intrusions, moments that bleed through. For me, that's harder to wrap my head around. I'm not sure I believe in doorways, but I do believe some places feel off. Not haunted, not sacred, just wrong in a way that doesn't fade with sunlight. Other theories go deeper. Underground chambers, ley lines, even time slips. No proof, just patterns. But patterns persist. Now, at the end of the day, I don't know what's here. I've stood in that hollow, listened to the wind stall mid-breath, watched the flashlight die for no reason. It could all be in my head, but it sure didn't feel that way. Something's waiting in that valley. And whether it's a memory, a myth, or something we haven't named yet, it's not done with us. Some places just feel different. Even before you know the stories. Even if you never hear a name. Dead Man's Hollow has that feeling. Not loud, not showy, just present. Like the woods are holding their breath. We've heard the stories. Natural gas, psychological projection, residual energy. Each one makes sense on paper. But they don't quite explain why people keep coming back with the same story. That something was behind them. That the trail changed. That a voice whispered, even when they were alone. Not every legend needs proof. Some survive because they tap into something deeper, not just fear, but recognition. Because we all know what it's like to sense something we can't explain, to feel watched, to feel remembered. Maybe Dead Man's Hollow isn't haunted by spirits. Maybe it's haunted by attention, by everything that was never laid to rest. What makes this place stick with people isn't a spectacle, It's absence. The gaps. The quiet. The sense that the story here isn't over. And maybe never was. When we walk these trails, we're not just stepping through woods. We're walking into a space that resists forgetting. And if there's anything ghosts feed on, it's memory. If you ever visit, go quietly. Respect the stillness. And if something moves just beyond your line of sight, don't rush to explain it. Let it be what it is. This has been State of the Unknown, where we follow the stories that don't end clean, and the questions that don't go quiet. If this episode stayed with you, follow the show now so you don't miss what's next. And if you believe these stories deserve to be heard, leave a review, just a line, just a few words. It helps more than you know. Want to go deeper? Visit stateoftheunknown.com. You'll find full episodes, show notes, behind-the-scenes photos, and a place to submit a story of your own. Because this isn't just a podcast. It's a gathering of questions. And the answers are out there. Until next time, keep your head down and your footsteps light.