BreakDown Gunsmoke 55-64: S2 Episodes 7&8 How to Cure a Friend & Legal Revenge

In How to Cure a Friend, Dodge City is pulled into a high-stakes card game when gambler Nick Search arrives with a questionable reputation and a dangerous history. Matt Dillon knows Search personally, while Chester Goode worries that trust in the wrong man could cost Matt his standing in town. As Search prepares for a private game at Bill Pence’s Long Branch, rumors spread and tensions rise around wealthy gambler Enoch Mills. When suspicion and pride collide at the table, Matt is forced into a split-second decision that tests loyalty, judgment, and consequence. One wrong move could change everything.

In Legal Revenge, Doc Adams visits a remote homestead and discovers a man with a severe, infected injury, guarded by his wife Flory and a tense, unstable household dynamic. As Matt Dillon and Chester Goode investigate, conflicting accounts and rising suspicion point toward a hidden history of violence and betrayal. Matt is forced to navigate a situation where truth, loyalty, and survival blur together, while Flory’s control over the cabin grows increasingly dangerous. As pressure builds and motives begin to surface, the question becomes not just what happened—but who will face the consequences when the truth finally breaks open.

Transcript

SPEAKER_00 0:09

Welcome to Breakdown Gunsmoke, where we are diving deep into classic TV's legendary western. We're covering two episodes each time because we're just crazy for gunsmoke. I'm Jennifer Packer, your guide and fan of all things I think.

SPEAKER_01 0:22

I'm Steve Latch, director of the Museum of Western Film Industry, Lone Pine, California, and a lifelong fan of Gunsmoke. In each episode, we explore plots, characters, and themes that made this TV show a legend. Plus, we'll share some fun facts and angles you might not have noticed before.

SPEAKER_00 0:40

For season two, we're keeping our format by tightening things up a bit. We'll give you the story, the themes, and a special Dodge City character moment from each episode. So buckle up. We're heading back to Dodge. First up, we're covering How to Cure a Friend, which aired November 10th, 1956. On Boot Hill, Matt Dillon reflects that gamblers are men who talk fast and move slow, framing the episode's focus on reputation and loyalty. In Dodge City, Matt and Chester watch from the Marshall's office porch, while Doc Adams brings gifts to the Turner family who are expecting their eighth child. Chester jokes that Doc is there to take the pick of the litter, highlighting the town's familiar humor. At the barbershop, Mr. Teeter tells Matt about Nick Search, a gambler from San Antonio with a reputation for cheating and gunfighting. Chester repeats the warning, but Matt says Search is an old friend, noting he wants stopped a man from shooting him in the back. Chester worries about Matt trusting him, but Matt downplays the concern. When Search arrives by stage, he plans to play at Bill Pence's Long Branch. Matt warns him that rumors from two Texans label him a cheat. Search insists that if he is caught cheating, others can take the cards back. Kitty later questions Matt's judgment, but he stands by Search. Pence agrees to let Search play only after Matt vouches for him. Search focuses on wealthy gambler Enoch Mills, known for high stakes play. Chester grows uneasy as suspicion spreads through town, but Search insists he will keep the game honest. In a private upstairs game, tension builds between Search and Mills as bets rise. Matt enters and remains, despite Search calling the game private. When Mills reveals a straight flush, Matt realizes Search is about to cheat. Sear threatens him, but Matt shoots him in the hand before violence escalates. Doc Adams treats Search, telling him his gunfighting days are over. Search acknowledges Matt has saved his life twice. The episode closes on a quiet note of loyalty balanced against the limits of trust. So my general afterthoughts. Nick's search is hard to read. He's likable enough to believe him, but slippery enough that you're never fully sure where the truth sits.

SPEAKER_01 3:24

Okay, so I gotta start with a question. There's a line at one point in this where Matt says Bill Pence runs the long branch. I thought Kitty ran the long branch. Have I got that wrong?

SPEAKER_00 3:36

She will eventually.

SPEAKER_01 3:38

Okay.

SPEAKER_00 3:39

Eventually she'll become a co-owner, and then it'll be hers.

SPEAKER_01 3:42

Alright, well, that's see, there's a confusion. That's because I watched it as a kid, and uh she'd already owned it, a co-owner by by that point. One scene really stood out. I'm a huge huge Andrew Dugan fan. But there's this great scene that kind of shows you where they talk about actors being a thinking actor, where you can see them in the moment thinking, working the strip script, not just sitting there delivering their lines. And it's when Matt is sitting there sewing, and as Andrew is talking to him, he's very intently watching Matt's every move as he sews. And it's just a little extra layer of of great acting, and I just that really that really stood out for me. And the other moment I love the the end where they all share a drink and Doc drinks out of the bottle. I like that.

SPEAKER_00 4:39

Well, my dodge moment belongs to Chester. There's a scene where he watches Matt defend Nick's search despite the rumors spreading through town, and he quietly grows frustrated as people's suspicions start to feel like they're closing in on Matt's judgment. It's a small moment, but it tells us something important about who he is. He isn't just reacting to danger, he's reacting to how easily trust can get bent in Dodge, especially when Matt is involved.

SPEAKER_01 5:09

So, some themes in this episode. Some that stand out here are reputation versus reality. This episode constantly contrasts what people say Nick Search is with how he actually behaves in front of Matt, showing how quickly rumor can harden into fact in Dodge. And there's trust under pressure. Matt's personal history with search collides with public suspicion, raising the question of when trust is justified and when it becomes a liability.

SPEAKER_00 5:39

And we also see ideas about moral intervention in violence. The long branch game pushes the idea that stepping in at the right moment can prevent a killing, even if it means crossing a line. For character arcs, for Matt Dillon, he moves from confident defender of an old friend to someone forced to physically intervene when loyalty and danger collide, reaffirming his role as protector first, friend second. For Nick's search, there is a shift from a charismatic, self-assured gambler claiming honesty to a man exposed at the moment of escalation, ending with his career in violence, effectively ended by injury.

SPEAKER_01 6:21

Chester tracks from cautious skepticism to growing frustration as he watches Matt stand against town opinion, which highlights his role as Matt's conscience and emotional pressure valve. Doc Adams remains steady and observational, but his treatment of search underscores the recurring function as the aftermath voice of consequence and limitation.

SPEAKER_00 6:45

For our cast, we have Andrew Duggan as Nick Search. He lived from December 1923 to February 1988. He was an American film and television character actor, active from the 1950s to the 1980s, known for supporting roles in the fugitive TV series, Dallas, Shenandoah, 1965, and Beneath the Planet of the Apes 1970.

SPEAKER_01 7:09

I pretty much grew up watching Duggan on TV in the 60s. I remember him most as Major General Ed Britt on the World War II Air War series 12 o'clock high. He was a star of his own Western TV series, Lancer, playing Patriarch Murdoch Lancer, and this is the series that Quentin Tarantino recreated for his movie Once Upon a Time in Hollywood. And Dugan did uh two excellent Randolph Scott movies for director Bud Bediger, Decision at Sundown and Westbound. He was a World War II veteran. He was solid and dependable, just really, really good, which is why he worked constantly until he passed away in 1988.

SPEAKER_00 7:48

Next we have Simon Oakland as Enoch Mills. He lived from August 1915 to August 1983. American character actor, active in film and television from the 1950s to the 1980s. He was known for supporting roles in Psycho in 1960, West Side Story in 1961, The Night Stalker TV series and film, and The Sand Pebbles in 1966. And when I see Oakland, I also think of Bullet starring Steve McQueen in 1968.

SPEAKER_01 8:17

Yeah, this is another actor I grew up watching on TV. He started his career as oddly enough as a concert violinist before turning to acting and having great success on Broadway. He also did some major films despite all of his television work: Follow That Dream with Elvis Presley, Emperor with the North with Lee Marvin, and Shadow's Land with Charles Bronson. I remember him well from The Night Stalker. Loved that show. And I also remember him from the World War II TV series Black Sheep Squadron with Bob Conrad. And uh and he did also did four gunsmokes.

SPEAKER_00 8:53

Next we have Jess Kirkpatrick as Mr. Teeters. He lived from October 1897 to August 1976. An American character actor, active in film and television. He's known for supporting roles in gunsmoke, Perry Mason, The Lone Ranger, Dragnet, and more.

SPEAKER_01 9:12

Yes, he worked a lot on television. His last credit was a 1969 episode of Mayberry RFD, which was the CBS spinoff of the Andy Griffiths show.

SPEAKER_00 9:22

And then we have Joseph Mell as Bill Pence. He lived from June 1915 to August 1977. American character actor, active in Phil and television, known for supporting roles in Gunsmoke, Bonanza, The Wild, Wild West, and The Rifleman.

SPEAKER_01 9:38

And drum roll, he was in one of the most memorable horror films of the 1950s, opposite Michael Landon in I Was a Teenage Werewolf.

SPEAKER_00 9:50

Which by the way, I'm watching Highway to Heaven, and they used that in one of the episodes as a background story.

SPEAKER_01 9:56

I saw that, I saw that episode. I th if I remember right, and it was when it originally aired, is when I saw it, I think Michael Landon actually gets in the makeup again in that episode.

SPEAKER_00 10:07

At one point.

SPEAKER_01 10:09

Have you ever seen the original film?

SPEAKER_00 10:10

No.

SPEAKER_01 10:11

I've got it on DVD. It's really, really good. It's it's most of those movies from that company were not, but this one is really different and uh really enjoyable.

SPEAKER_00 10:23

That's hilarious.

SPEAKER_01 10:25

Oh, oh, I gotta tell there's a great scene, just to digress, there's a great scene. The first time you see the werewolf, it's from the POV of a girl who's in the gym doing gymnastics, and she's on the gym bars, but she's hanging upside down. So the werewolf, Michael Landon, comes into the gym, but she's seeing him upside down as he's coming toward her. So anyway.

SPEAKER_00 10:46

They use that exact clip, but I don't know if they showed that particular shot. We have Barflies, Tex Holden and Earl Parker. Tex Holden, he was an American character actor, stunt performer, active primarily in television westerns during the 50s to the 70s, known for appearances in Gunsmoke, and Earl Parker, he was a character actor active in television with recorded appearances in Gunsmoke TV, broader filmography, and biographical data is not consistently documented in available sources.

SPEAKER_01 11:25

Yeah, and I always take that as a challenge because I love I love digging up information, if I can find it, on on uh these really obscure day players that showed up in these shows and and would do so many episodes of these shows. Um so I did a little digging. Tex Holden was born in 1908. He had a peg leg, but that didn't stop him. He used it and got a lot of work because of it. His biggest role was in the 1951 Clark Gable Western across the wide Missouri as Peg leg Bates. Uh he did uh 33 episodes of Gunsmoke and passed away in 1973. Earl Parker was born in 1927, and he worked very steadily as a stuntman and actor until 1972, and he worked on some very tough shows. He did 11 episodes of the World War II series Combat, which was very hard on actors and stuntmen, and he did 27 gun smokes. And interestingly, he passed away in 2002 after leaving the business in 1972, which shows he had a pretty full life after Hollowa Hollywood and did not die with his boots on.

SPEAKER_00 12:39

For the screenplay, we have Winston Miller, story by John Meston, directed by Ted Post, produced by Charles Markey Warren and associate producer Norman McDonnell.

SPEAKER_01 12:49

You know, I'm always paying attention to the locations, and they didn't spend a lot of money on location work on this one. Um they had some Melody Ranch exteriors which uh look like stock shots to me. They used the the fake uh exterior Dodge Street on a soundstage for both night and daytime shots in this one. So they they pretty much stuck to the studio.

SPEAKER_00 13:12

Uh a little behind the scenes for Winston Miller. He lived from 1910 to 1994. He was an American screenwriter, film editor, and producer, active from the silent film era through television's classic age. He began in Hollywood as a child actor in silent films before moving behind the camera as an editor and eventually a writer. By the 1950s, he had become a prolific television writer, especially in Westerns. He is credited with writing for series such as Gunsmoke, The Virginian, Bonanza, and Rawhide, contributing to the era's frontier moral drama style, stories built around reputation, law, and personal codes rather than simple action. His writing often emphasized ethical tension inside small-town justice systems, which fit the tone for Gunsmoke Season 2, stories like the Nick Search episode.

SPEAKER_01 14:05

Winston Miller is one of my favorite writers. He wrote serials in several Roy Rogers films for Republic Pictures, which in those days was sort of king of the Westerns. He served in the Marines during World War II, then resumed his writing career. His favorite genre was Westerns. He wrote two bona fide classics, Station West, which starred Dick Powell and Agnes Moorhead, and he wrote one of John Ford's many masterpieces, My Darling Clementine, which starred Henry Fonda as Wyatt Earp, Victor Mature as Doc Holiday, and Walter Brennan as a very evil Ike Clanton. And uh Miller had this quote about his own writing. He said, Westerns happen to be what I could do best. There are a lot of pictures I couldn't do, like a highly dramatic Betty Davis picture. I can only speak for myself, but you find your niche, you find other people like it. I never took an assignment I didn't think I could make a good picture out of.

SPEAKER_00 15:03

And uh side side note, James Arnest was known for favoring grounded restrained performances. So scenes like Matt vouching for search and later intervening in the card game fit the show's consistent approach to Matt as a calm authority figure rather than an emotional gunslinger, which Arnest strongly shaped. And then even for Dennis Weaver, he often leaned into improvisational physicality and moral discomfort. Chester's unease in episodes like this was typically played as an emotional counterweight to Matt's composure, something directors used to signal danger early to the audience. And now we have a brief stop along the trail.

SPEAKER_01 15:48

Well, folks, saddle up for a quick detour into film history. The Lone Pine Film Festival in Lone Pine, California is inviting you into the Alabama Hills beneath Mount Whitney, where hundreds of Westerns were once filmed. You're going to be able to watch classic screenings, meet special guests, explore filming locations, and hear stories from cinema's golden age and the very terrain that defined it. The festival's October 8th through 11th, and you can get details at the Museum of Western Film History and Lone Pine Film Festival webpages. Just a little additional information. This year the theme is Mixing the Herd, a corral of movie genres, and we're mixing it up for sure in a variety of them. Roadhouse, a modern-day Western that replaces horses with monster trucks. Kelly Lynch starred with Patrick Swayze in this one, and she will be joining us at the festival. Sunset, with James Garner as Wyatt Earp and Bruce Willis as Tom Mix, is a Western, a comedy, a mystery, and a Hollywood biopic. And co-star Marielle Hemingway will be joining us for that film. Other films include Shanghai Noon with Jackie Chan and Owen Wilson, which mixes Westerns and martial arts, Seven Faces of Dr. Lao with Tony Randall, which mixes Western and fantasy genres, and Valley of the Guanji, which is cowboys and dinosaurs. So lots of fun stuff at the Lone Pine Film Festival this October.

SPEAKER_00 17:13

From film festivals to fresh coffee, I'd say that's a pretty good combination. Here's a message from Josh Serious Coffee. If the trail gets long and your eyes start drooping, reach for Josh Serious Coffee. Their dark roast mushroom blend delivers bold, rich flavor and a smooth kick to keep you sharp, focused, and ready for whatever rides your way. No jitters, just steady energy. Find it at josh seriouscoffee.com. It's Jester Approved. And now, back to our show. Next we ride into Legal Revenge, which aired November 17th, 1956. Matt Dillon becomes involved in a difficult case after Doc Adams visits a remote cabin owned by Mr. Tibbs and his wife Florey. Doc examines Mr. Tibbs, who has a badly infected foot, from a work injury and warrants that the infection could cost him the leg if it worsens. Florey is resistant and uneasy about going to Dodge, while Mr. Tibbs appears fearful of her and controlled within the household. Doc returns to Dodge and reports the unsettling situation to Matt, prompting concern that something is wrong beyond the injury. In town, a brief moment of humor occurs when Chester struggles with strong smelling Limburger cheese at the office, but the conversation quickly shifts back to Doc's concern about the Tibbs cabin. Matt decides to investigate, and he and Chester ride out to the property to assess the situation directly. At the cabin, Matt meets Mr. Tibbs and immediately senses tension in the relationship between him and Florey. Mr. Tibbs behaves nervously and assists Matt stay nearby, while Florey resists his presence and attempts to push Matt away. Matt becomes increasingly suspicious of the household dynamic and chooses to sleep outside. Now during the night, Matt and Chester camp outside the cabin, with Chester lightening the mood by eating more of the pungent cheese while complaining about being hungry. As dawn approaches, they put out their fire and prepare to move in. Matt coordinates with Chester as Florey is found asleep inside the cabin. Matt quietly enters and disarms her, taking her weapon without confrontation. Inside, they discover that Mr. Tibbs has died during the night. Matt uncovers the truth. Florey admits she killed the man named George Bassett, who was not her husband but a drifter. She explains that Bassett killed her real husband Ben after Ben drew a knife, and she was bent on revenge. She accepts responsibility without attempting to deny her actions. Back in Dodge, Matt learns Bassett was a wanted man, complicating the legal outcome. Flory refuses the reward money and walks away on her own terms. Matt and Chester watch her leave, left with an uneasy understanding of justice that does not fit neatly within the law. And my general afterthoughts, I like how Doc's early visit sets the tone before Matt even gets involved. So the sense of wrongness is already in place when they arrive. The Chester camp moments with the cheese are a nice bit of relief without fully breaking the unease, especially as things keep tightening around Florey and Mr. Tibbs. The ending lands in that classic gunsmoke space where the law doesn't quite line up with what actually happened, and you're left sitting with the moral mess rather than a nice clean resolution.

SPEAKER_01 20:55

Yeah, uh one of the things I noticed, apart from the story, is that Doc has got a hole or a patch or something on the elbow of his coat. And I I hadn't noticed that before. Is that normal for him? It is. Okay. Cloris is sure scary in this, uh, especially the way she's cutting wood. Uh I mean, it it's um this was a really, really, really dark episode, and I did not but I did not expect the ending. And it's funny, in television today, th they note they kind of advertise it as as a special thing. Watch out for the surprise ending. You know, and it happened maybe happens maybe two or three times a season, but in those days on this show, almost every episode has a surprise ending of some sort. It never goes the way you expect it to. I think this episode's dodge moment belongs to Matt, and it it it's because of the ending. He goes through a lot of changes in this episode. He's he's initially he's initially hesitant to believe there's a problem, and then he goes out there. There and he realizes there pro is a problem, and then he realizes there's a big problem, and she is gonna kill this guy, and how do they get around this? And at the end, though, he he gets the dispatch that the the mail that where he realizes that the guy that she killed is a criminal, he's wanted, and she realizes he realizes that she was right. He he can't hold her, but he's not happy about that. He's very resentful of the fact that she's getting away with murder, and that really offends his personal honor and code of justice. But there's that wonderful moment when he mentions the reward, and he mentions it, he's got kind of a bite in his mouth when he mentions it. He's not happy that, oh, you know, you got a reward coming. And when she kind of tears up and says she doesn't want it, and he realizes she does feel some guilt and some dirt for having done this, regardless of how bad this guy was. And at that moment he's he's able to then show her some compassion, which which he wasn't able to do earlier, because before it was just she got away with murder. But I thought that was a that was a neat one of those there's a lot of things happen to Matt in this episode, but that was a really interesting sort of ending to the whole thing. Continuing now, episode themes, uh Justice versus personal revenge. This episode keeps blurring whether Florey's actions are criminal murder or a justified act carried out to settle a personal moral debt. Truth hidden in plain sight, what looks like a troubled married household, very slowly reveals a deeper identity deception and a history that changes everything.

SPEAKER_00 23:49

We also see undercurrents of control and fear inside relationships. The cabin dynamic is shaped by intimidation and imbalance, raising questions about who holds real power behind the appearances. We also have law versus moral outcome. When Matt uncovers the truth, the legal outcome doesn't fully align with what feels resolved, leaving ambiguity. For Chester, he functions as the emotional counterbalance, moving from light comic relief, the camp and cheese moments, to quiet observer of moral weight, grounding Matt's decision without direct influence.

SPEAKER_01 24:39

Matt Dillon moves from investigator to moral arbiter, shifting from suspicion about a domestic situation to managing a case where law and justice don't perfectly align, ending with restrained acceptance rather than resolution. Flory transitions from guarded, controlling presence in the cabin to a fully revealed figure driven by long-set revenge, ultimately rejecting reward or redemption and accepting consequences on her own terms.

SPEAKER_00 25:08

For the guest cast, we have the fabulous Cloris Leachman as Flori Tibbs. She lived from April 1926 to January 2021. She's an American film and TV actor, active from the 1940s to the 2000s. She's known for supporting and character roles in The Last Picture Show, 1971, Young Frankenstein, 1974, The Mary Tyler Moore Show, and Phyllis. And my favorite, she played Mima on Raising Hoop.

SPEAKER_01 25:39

Yeah, what what can you say about Clora? She could do anything and everything from comedy to drama. She won an Oscar for her performance in The Last Picture Show, and she won eight, count them eight, Emmy Awards for television acting. She never, literally never stopped working. I think her last two film projects were released after she passed away. And she even appeared on Dancing with the Stars at age 82.

SPEAKER_00 26:04

Next we have Philip Borneff as George Bassett. He lived from January 1908 to March 1979. He was an American character actor, active in film and television from the 40s to the 1960s, known for roles in 13 Rue Madeline in 1947, The Lodger in 44, Alfred Hitchcock Presents, and The Twilight Zone TV series.

SPEAKER_01 26:28

He was the son of an engineer and a very respected performer on Broadway for 30 years, beginning in 1934. He had a reputation for being a consummate professional and a great storyteller, which again means it's too bad I never got to meet this guy.

SPEAKER_00 26:47

Next we have Robert Strong as the clerk. He lived from February 1906 to July 1994. He was an American film and television actor, active from the 30s to the 60s, known for supporting roles in The Tall Target, 1951, The Magnetic Monster in 53, Gunsmoke, and 77 Sunset Strip. He frequently appeared in crime dramas, westerns, and science fiction films during the early television era.

SPEAKER_01 27:15

You know, 77 Sunset Strip. I think the song went 77 Sunset Strip. There were three rotating Warner Brothers detective shows. 77 Sunset Strip, which was set in Hollywood, at Dino's, the restaurant and bar owned by Dean Martins. There was Surfside 6, which was set in Miami Beach, Florida, and there was Hawaiian Eye, which was set in Hawaii. And all three of these rotated on Warner Brothers, and they all had young actors and so forth. But I just I remember that theme show song. Robert Strong was another one of those actors who worked constantly. His last credit was on a 1986 episode of LA Law, and he did uh five gunsmokes.

SPEAKER_00 28:03

The story was by John Meston, script by Sam Peckenpah, director Andrew McLaughlin, associate producer Norman McDonnell, and producer Charles Markey Warren.

SPEAKER_01 28:15

I want to speak a little bit about Andy McLaughlin. He was the son of famed character actor Victor McLoughlin. He got his start working for John Ford as a gopherer and eventually a first assistant director. He became one of the most prolific directors in Hollywood with an emphasis on action adventure and westerns. Among his many hit films included The Sea Wolves, The Wild Geese, Bandolera with James Stewart, Dean Martin, and Raquel Welch, Shenandoah and Fool's Parade with James Stewart, Something Big in Texas Across the River with Dean Martin, and several John Wayne films, including McClintock, Hellfighters, Chisholm, The Undefeated, and Cahill U.S. Marshall. And he directed 95 gunsmoke episodes.

SPEAKER_00 28:59

A little behind the scenes, I'm gonna talk a little bit about what is an art director. An art director is the person who makes movies or TV shows look the way they do. They design things like sets, rooms, buildings, landscapes, and even a black and white color and style. They also control the props and overall visual feel of the show. Think of them as the person who answers, what should this world look like? If a film feels rich, dark, glamorous, or realistic, that's largely because of the art director. So on Gunsmoke, Nikolai Ramosov, who lived from May 1887 to August 1975, was a Russian-born American art director and production designer. He was born in St. Petersburg. He trained at the Imperial Academy of Fine Arts and began as a political cartoonist. After fleeing Russia following the Revolution, he worked in Paris theater before settling in the United States. He transitioned into Hollywood in the late 30s, designing sets for film and television. His notable work includes Ocean's Eleven, Lourdes, and Paris Underground, as well as TV series like Gunsmoke and the O. Henry Playhouse. I looked at him and I was impressed with his career.

SPEAKER_01 30:23

There are some very interesting location things I want to note in this episode. They use the uh stock footage again of the Dodd Street, but they actually went out to the Iverson Movie Ranch for the setting for the the uh the cabin uh of Cloris Leechman. And I was very interested when I saw this, and I actually took it back to watch it to make sure. In 1998, I moved to a condo development in Chatsworth that was built in the middle of the old Iverson movie ranch. And about I'd say about a hundred and fifty foot from my condo was this exact location where that cabin was. And and we could go up through a a cave, it was not really a cave, but it was rocks on top that looked like a cave, and you go through that cave, and then boom, you're right there in the area where this cabin was. And when I moved there in 1998, the ruins of that actual cabin were still there. Uh, it was the roof was collapsed, but it was it was all right there. So when I saw that, it's like, oh my god, I've st I stood right where they're standing.

SPEAKER_00 31:30

That's a good connection. Well, thanks for joining us for this double feature breakdown gunsmoke. If you like this podcast, please subscribe and tell a friend right now. Word of mouth keeps shows like this growing.

SPEAKER_01 31:54

If you have memories, questions, or favorite gunsmoke moments, please send them away. We might feature them in the future episode.

SPEAKER_00 32:02

Breakdown is fully independently produced. I'm the writer, host, co-host, editor, and producer, and there are real costs involved in keeping this archive alive and available. If this podcast matters to you and if you are able to offer financial support, you'll find links in the show notes through Buy MeACoffee or at mindwavemedia.design. Your support helps cover hosting and production expenses and keeps these episodes accessible for fellow gunsmoke fans.

SPEAKER_01 32:28

Until next time, keep your boots on the ground and your stick shooter at your side.

SPEAKER_00 32:52

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