HipHop & 808’s 4-7 E

Welcome back as we talk about Kanye West’s comeback and Pooh Shiesty’s contract problems. We also big up all the new music out now and we go brief into old beef and new beef in the HipHop world 

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Transcript

SPEAKER_06 0:46

Yo yo yo, welcome to Anime and 808s, where chocking me ciphers and showing me street anthems. It's your weekly plug for all things anime, hip hop, and everything in between. Whether you're debating Luffy versus Naruto or Future vs. J. Cole, we break down arcs, bars, beefs, and beats, no filler all fire. I'm your host, Marco Polo. And I'm already Sama. Together we slid through the animated streets with bass in our trucks and headbands on tight. From the dojo to the block, we got you covered. Let's get into it. Yo, yo, yo. Yes, yes. Animal Man 808, man. We back with another one for you. You already know what time it is.

SPEAKER_02 1:28

The time is hip-hop, yo. So, we're gonna start off with this Kanye West comeback concert, eh? Oh, okay. Yeah, no, he snapped, if you ask me. If you ask me all that, he snapped. What the fuck with Kanye? Um so at the Sophie Stadium in LA, you know what I'm saying? He went hard, yo. He had guest appearances like Lauren Hill, bro. And when Lauren Hill came out, bro, before I go on to these other appearances, when Lauren Hill came out, it's like it was a Lauren Hill concert, yo.

SPEAKER_07 2:08

She just stole the whole show, huh?

SPEAKER_02 2:10

She stole the show. She stole the show. In between times, they was getting production ready, they was getting everything ready because they had a hydraulic lift on the appearances that was coming up.

SPEAKER_05 2:30

Yeah, yeah. Okay.

SPEAKER_02 2:32

First of all, speaking of stage, it was a 40-foot glow thing stage, goddogged. God damn. I'm talking about.

SPEAKER_07 2:45

I'm talking about Crow right here.

SPEAKER_02 2:47

Crow right here. And then you looking up at this big ass 40-foot globe. But yeah, um. Laura Hill Kilton. Laura Hill Kilton. She had her own show on Monster.

SPEAKER_06 3:02

I'm glad to fucking hear that because we haven't heard nothing new from her. You know, she's definitely not.

SPEAKER_02 3:09

She brought up she brought her right ones out her sons and everything. She brought her everybody. I am too. And I am too.

SPEAKER_07 3:18

I mean, shit. When the song said and done.

SPEAKER_02 3:21

When the song said and done. On top of that, we had solo, uh CeeLo Green, we had Don Tolliver, and we had Travis Scott, yo. And you know, it's a turn-up the whole time. It's a turn-up the whole time.

SPEAKER_05 3:40

That's a good yeah, that's a great ass lineup though for that. Yeah, that's a nice ass lineup though, bro. That's a good ass concert that I don't want to fuck with.

SPEAKER_02 3:50

You will want to. So it happened between April 1st to April 3rd. And two of those concerts. So now of course.

SPEAKER_05 4:05

Of course.

SPEAKER_04 4:05

Of course. That's natural. Sounds like a goddamn Jay-Z tour for.

SPEAKER_07 4:11

You know what I'm saying?

SPEAKER_04 4:12

He done came back out, goddammit. This is good.

SPEAKER_06 4:15

Did his his damn near first interview and shit, nigga. Yeah. Yeah. Damn decades. He was quiet. He was quiet. Like, not decades.

SPEAKER_05 4:28

Kanye was been quiet for Kanye.

SPEAKER_07 4:32

I'm talking about Jay-Z. Oh. But yeah, hell yeah. You know, this is giving me, you know, Jay-Z back.

SPEAKER_06 4:38

Because remember, they they asked it on under the same tour as of right now. No, excuse me, not the same tour. Under the same tour dates as of right now. So Kanye and Jay-Z have actually performed on the same day just in different, you know, venues in their respective areas.

SPEAKER_02 4:59

Kanye was no no no. Jay-Z has something sold out. He's be he's supposed to be going having a picnic with De LaSoul. Oh, yeah, okay. Yeah, I didn't know that one. It's supposed to be a picnic with De La Soul going on. I'm not familiar with the dates right now. That's what's going on.

SPEAKER_04 5:24

Jay-Z actually coming back out with some music after 444. And the craziest part is the man actually said that he didn't even really like 444 like that or a lot of the you know projects that came off of it.

SPEAKER_06 5:41

But it's like that was him point as well.

SPEAKER_07 5:43

You also curated that shit yourself. So it's like you gotta know that that was important as hell.

SPEAKER_02 5:55

Uh he don't like how much he was trying to lay Nas on it. I don't know what it was. And he talked about Nas about it. Yeah. I don't know, I'm just speculating.

SPEAKER_06 6:06

That's still that one of those, it goes back to, you know, that infamous beef of JC and Nas. Everybody, you know, you would have this uh general rap conversation with motherfuckers and be like, man, Joe. And this beef, who whooped who? Because when when you know you talk this shit with, you know, like Big E and fucking pop shit like that, you'll come across, you know what I'm saying, Jay-Z and Nas. Who won that fucking beef? You will have to say, yeah, yeah. But we don't do politics. Oh, yeah.

SPEAKER_02 6:49

Oh yeah. You know what I'm saying? We'll do politics over there. Take over and kill the fucking scene, nigga.

SPEAKER_03 6:56

Hey, and like I said, you can still draw demo from Nas. Yeah, I'm just saying, gang. We ain't gonna do politics.

SPEAKER_06 7:06

Obviously, somebody won, nigga. I'm just saying. Yeah, obviously somebody won a nigga. And because you're drawing inspiration from that nigga, you hired that nigga on to your demonstration and all that shit.

SPEAKER_02 7:23

He he talked about the man talking about what you're trying to kick knowledge, and now he and now he kicking knowledge now.

SPEAKER_06 7:29

Now you kicking knowledge with the same shit that this nigga been on. But he was kicking black knowledge. You know what I'm saying?

SPEAKER_02 7:37

It's like 56 talking about Jar Rufa singing. It's like 56 talking about Jar Rufa singing, now he's singing.

SPEAKER_06 7:45

But um at the same time, because we I can't fathom myself and what I'm doing right now, opposed to what you're doing right now. At this current moment, I don't see myself doing that because I'm not on that. At this current moment in time, when I made this song that went against you, I was not in the mind statement that you was on. Plain and simple, folks. So it's like, yeah, nigga. Given what you trying to do, kick knowledge, nigga, that shit like that, nigga. All my shit about drug dealing, nigga, and I'm on the streets, gang and you talking some fucking uplifting black shit, fol. You're not knowing that at the time, huh? I don't know that at the time. But don't kick it though.

SPEAKER_01 8:29

He said, 'cause don't kick it, though.

SPEAKER_02 8:32

Especially if it's about the community, the culture. Because this is not what I'm saying. Cause Nas is the man right now, bro. Nas has always been the man.

SPEAKER_06 8:42

To be there, that's honest. To be dead. Nas has always been the fucking man, bro. Yeah. It's just like I said, you are delivering a message to as at this point generation that don't want to hear it. I'm not talking about current shit. I'm talking about even these. For a whole generation type shit. This is his damn whole career. Like, you have been kicking knowledge to a bunch of motherfuckers, bro, that don't want to hear that shit.

SPEAKER_02 9:08

They ain't trying to hear what J. Cole and Kendrick are trying to say, type shit.

SPEAKER_06 9:12

Don't want to hear that shit, bro. Because we got our, you know, fucking generational rappers and musicians. Yeah, motherfucker that's not so slam, what's that shit that I'm doing?

SPEAKER_02 9:26

Uh Soldier Boy.

SPEAKER_06 9:29

It was more the thing when it comes down to. I just use them.

SPEAKER_02 9:34

I just used him as a and uh as an example.

SPEAKER_06 10:13

The thing comes down to music on these type of levels when it comes to like moving, you know, motherfuckers and like motherfuckers, you know, taking action because of, you know, their favorite artists, you know, talking that shit that's putting them in that mode. It comes down to bro, what's the mood of your listeners that's catching this message as you're throwing it?

SPEAKER_02 10:39

Ultimately, they gonna catch the move of only what you're talking about.

SPEAKER_06 10:42

Because you could talk that shit all day and you have a motherfucker who ain't on the crumb of what you talking about, feeling what you're talking about.

SPEAKER_02 10:52

A lot of times they be just ramming it off at the mouth.

SPEAKER_06 10:56

It really just draws down for me is that, because and and this was my influence, you know, for music and shit growing up and coming up. Was that is this relatable to what my lifestyle and what I'm on?

SPEAKER_02 11:16

Yeah, yeah, yeah, yeah.

SPEAKER_06 11:18

I can relate to what you're saying because this is actually what I'm on. I'm on this right now. This is my movement. So you are talking my movement right now. That is what's gonna lead.

SPEAKER_02 11:34

That's what is gonna lead us into the um the hip hop news that's been out right now. We have Pooh Shyste, Robin Gucci man, for allegedly um treating him bogus on the contract.

SPEAKER_06 11:54

More so he wanted out of his contract.

SPEAKER_02 11:58

And him won more out of his contract. Okay. So that's a grown, it's a business way to go about that.

SPEAKER_06 12:05

And and that's my only gripe about it. I don't give a fuck how you handle your fucking business in these fucking streets. And I'm only gonna say it because these are shits that we know as facts. It's been put out there. Niggas ain't never been tried, but it's been put out there, and these are facts that we know about.

SPEAKER_02 12:23

It has to, these have to be.

SPEAKER_06 12:24

The fucking locks niggas tried to drop a goddamn refrigerator nigga on Puffy, bro. Calm the fuck down.

SPEAKER_02 12:30

Yeah, no.

SPEAKER_06 12:30

Uh these are not extreme actions that we have seen people take to throw a piece of furniture.

SPEAKER_02 12:38

That's style speed. That's a fact. No, style speed through a piece of furniture did he, that's a fact. Yeah.

SPEAKER_06 12:45

So but, but, but this is an extreme that we have to talk about. Only reason, only reason why is because of the simple fact, bro. Like you said, there is a business way to go about these things. Yes. Now, now, unfortunately, unfortunately, you can't talk this business way of things of going about shit with niggas who obviously don't conduct themselves and be able to do it. When business, I'm talking about we thug, babies. Fuck is you talking about, bro. Because nigga, when I'm conducting, when I'm conducting business, nigga, fuck is you talking about, bro. Like that shit is completely different from how you niggas. But we're conducting business. But this at the end of the day, bro, you could have gone about that the better way. Now, and I only I only say that because of the simple fact, bro, you just got the fuck out of jail. Yes, bro. I have been there. I know people, bro, that I've been there, bro. And you are what you are, gang. You is what you is. And what you ain't, you're not gonna be. I understand that to the fullest effects. All right. You feel what I'm saying? But at the end of the day, bro, if nigga. So if if we're not going to do this shit the right way, I shouldn't have done this shit a whole nother way that did not involve motherfuckers coming up with a fake ass scheme, bro.

SPEAKER_02 14:23

Because now you got your people's online showing evidence.

SPEAKER_06 14:28

No, that does not even fall on him. That's them. But why are you doing that shit? Niggas who you ride and we got who who you rode with did not motherfuckers uphold code, nigga.

SPEAKER_02 14:43

They go about to say, do this shit myself.

SPEAKER_06 14:46

You might as well. Cause that's what I learned growing up. Fuck is you talking about? So you better, cause and this is my only thing, is because this is my super gripe with it. Like you said, motherfuckers hop online, get the, oh yeah, Joe, we just motherfucking head lit, motherfucker. Nigga, we out here doing shit and showing jewelry, and I'm not talking, I'm not physically talking about what happened. What happened? But me talking and showing jewelry, you know who jewelry this is. So, gang, my whole demonstration is what happened to the days of niggas doing shit and actually not being motherfucking in the spotlight.

SPEAKER_02 15:31

Because this ain't what we did it for.

SPEAKER_06 15:33

What happened to the days of me doing shit and only you knowing about it, gang? Because I want you to know about it.

SPEAKER_02 15:41

And if it's uh that's if I tell you same shit. That's if I tell you. No, fuck that. What happened to the days of the I did it already and then?

SPEAKER_06 15:50

The only person who knows anything that happened is the motherfucker that had something happen to him.

SPEAKER_02 15:58

Yeah. Oh, yeah, no, that part. He's the person that's conclusions and exactly.

SPEAKER_06 16:09

What happened to those days? What happened to the fucking days of, bro? We can't be out here motherfucking springing our denimos, bro. Bro, you gotta shut the fuck up. Don't be out here while I'm reckless and shit.

SPEAKER_02 16:24

Doing the extra.

SPEAKER_06 16:25

Don't be doing that. What happened to those days? What happened to the actual days of shutting the fuck up, nigga? The internet. How about I don't want everybody and they fucking mama to know what I just got busy along.

SPEAKER_02 16:41

The internet.

SPEAKER_06 16:42

Because I know what's the consequences and repercussions of motherfuckers finding now about actions that just took place. How about how I know how about the fucking days of niggas ducking? I ain't saying no scary shit, but I'm just doing this. Because nigga, how else am I going to properly spin my spoils of war?

SPEAKER_02 17:11

Ain't shit ain't shit like that no more.

SPEAKER_06 17:13

With no consequences.

SPEAKER_02 17:15

Ain't shit like that no more.

SPEAKER_06 17:16

Coming behind the actions that I took. What happened to those days, bro? That's all I'm saying.

SPEAKER_02 17:23

We ain't got those numbers.

SPEAKER_06 17:24

The world does not have to know that you just got busy, bro. The world don't gotta know. Guess what? The person who just got busy on, folks know.

SPEAKER_02 17:35

I'll tell you this took. Bro, you know. I'll tell you this just took it.

SPEAKER_06 17:39

That's cool. I'm cool with that. Come back. Fuck you talking about. Because you showed us a ram-ra. Come back then, nigga. Fuck you talking about. We just did that. We got busy. Come back, bro. Other than that, the world, the world does not have to know. I just got busy, bro.

SPEAKER_02 17:55

Next time I get busy, you will never hear for me until another 10 years.

SPEAKER_06 18:00

Cause nigga. What happened to the days of me just hitting a lick and niggas not knowing what I did? Because the hood, once the hood knows, everybody knows. Fuck is you talking about, bro? It's over with. It's over with. You burnt, nigga. You gotta accept what's coming, nigga. Or yeah, nigga. What the fuck, nigga? I'm not talking no off-brain nigga shit, nigga. We said that. What happened to those days?

SPEAKER_02 18:32

We said all that because people being in a fucked up ass.

SPEAKER_06 18:37

Niggas went dead what they did, bro, and hopped on motherfuckers.

SPEAKER_02 18:40

Now I only say it because this is you want to get out of the fucked ass contract.

SPEAKER_06 18:45

This is motherfucking evidence that's going to be used against you in a goddamn court of law, bro. Yeah. At the end of the fucking day, man.

SPEAKER_02 18:54

Look, look, you look realize the transition. He's trying to get out of the contract when at the same time. And I feel you. When at the same time, I got Stove God Cooks is going in insane part right now. Because this is a second album that was supposed to drop, had a whole release date, and that bitch still ain't dropped though. So we we need Stoveg to come out with the album. What's up with that shit, bro?

SPEAKER_04 19:26

I mean, you know how motherfuckers just hold back and motherfuckers just, you know, do what they do, and goddamn it's not a big thing.

SPEAKER_02 19:32

Well, uh, what's the what's the what's the record label like baby?

SPEAKER_06 19:37

You know, motherfuckers coming through, goddammit, action. You know, motherfuckers gotta get shit cleared.

SPEAKER_02 19:45

I understand, but this is the second album that can come out. Him being sad with Baby Grande. And people is online saying how Swiss Beats or they put Jay-Z name in it too, but whatever. But they saying at least Swiss Beats could buy him out that contract or buy him or buy the album.

SPEAKER_04 20:08

Yeah, but that's if niggas is fucking with him to do that, bro. Nigga, a lot of things.

SPEAKER_06 20:13

I mean a lot of my fucks could be fucking with, but bro, that money talks, man. That money talks. You know what I'm saying? So I'm not finna get you out of your demo to benefit you, nigga. So he been doing all these things.

SPEAKER_02 20:30

So he's been doing all these things with Griselda, with Brock Marciano, with Swiss beats, don't nobody believe on him.

SPEAKER_06 20:42

I mean, because if the niggas who you're fucking with isn't certifiably dropping your shit, bro, without complications.

SPEAKER_02 20:50

But you already know West Side Gun. I mean, but this is like some shit outside of whatever contract you got going on with Baby Grande type shit. Yeah. Because that's the contract you got with them. But somebody, somebody, somebody buy this man out. You got business wise, though. That shit is like, don't nobody know the contract. Don't nobody know the contract. But it's like, bro. It is that. Don't nobody know the stipulations of your contract.

SPEAKER_06 21:28

No, I don't look at it as that because nigga, Suge didn't know the fucking stipulations of a Tupac contract, nigga, before he got him the fuck up out of his shit. He didn't know no fucking stipulations. He's just, yeah, nigga. I I talked to the motherfucker, and from from from there, if you want, as an artist, if you want out, nigga, I'm gonna make that happen. Fuck what you're talking about and go from there. Ain't nobody sugar and shit. Back to what I said the first time.

SPEAKER_02 21:58

Baddest man stole God out, yo.

SPEAKER_06 22:01

But who though? Because it all comes down to numbers. You may be doing great and numbers, but it's one of those. Like, obviously, somebody don't see something in him that Westside Gun got his back.

SPEAKER_02 22:14

Bring the numbers. West Side Gun got his back. They ass doing tracks and everything. They got a whole collaboration coming out besides his album. But uh Griselda isn't a lick because if he did that, he'd have been said Rock Nation or some big Whoever the Parent Company is. Yeah. Type shit. Yeah. He wanna do that type shit.

SPEAKER_06 22:40

Right. I mean, because they're the they are the people. The parent company holds all the old shit. At the end of the day, I'm this is a sub company that I'm contracting to. He wanna do shit like the parent company has all the like extreme rights and you know, all of that shit.

SPEAKER_02 22:58

And not so much inner scope, but he wanna do something with interscope type shit. He Grizelda is um still, I feel uh uh don't quote me, I'm I don't know for sure, but Grizelda is still his own entity.

SPEAKER_05 23:14

Yeah, it definitely is. Definitely is.

SPEAKER_02 23:16

They was backed up. Um they was backed up with With Def Jam, they backed up with Def Jam type stuff.

SPEAKER_06 23:24

That's how we're getting that That's where our major distribution of all that shit comes from is that.

SPEAKER_02 23:31

And him leaving from Baby Grande to go to Grazilda, it'll be the same. Shit. Almost West Side Ghana probably treat him better. But he wanna go to He wanna go to a parent joint.

SPEAKER_06 23:48

He wanna go somewhere where the the major labels type shit. Yeah. I want to just be employed through the major labels because they're the ones that's gonna be. Yeah, that's the ones that we're going through. Now the the only thing that I gotta get out of the country like independent because I don't I'm I don't even know the super business specifics of the Zelda label and you know the the the whole fashion rebel label and all that. But when you talk going from major label to independent label, and then now you know I want to, you know, go from independent to getting that major label money, you know what I'm saying? Type shit. It is a difference, only reason why, because it's less overhead price that comes out from you and the people who you're fucking with. Yeah. It's more technically when you're fucking with a label because that price comes out yeah, later. You don't see that price coming out when they're cutting that fucking check to you.

SPEAKER_02 24:54

When they're cutting that check, you may go see that money. Exactly.

SPEAKER_06 24:58

But later on down the line, nigga, our fucking quarter two, quarter three, motherfucking bitch. Oh yeah, boy, your motherfucking check done took a dip.

SPEAKER_02 25:09

That fiscal year was awesome.

SPEAKER_06 25:12

Yo, check done took a dip, gang, cause we done did this, this, and that for you, and this, this. And that's where everybody was bitching about because it was called, you know, like hidden fees. You know what I'm saying? Just hidden shit in the contract, which was not hidden. Niggas just didn't fucking read that.

SPEAKER_02 25:31

You didn't get paid that, but no, you just didn't read that shit in your contract. Yeah, plain and simple.

SPEAKER_06 25:38

You yourself did not read that. You had a motherfucker to read that for you to break it down to you.

SPEAKER_02 25:44

And that's why you're you yourself did not read that or understand getting leaves of it.

SPEAKER_06 25:48

So, yeah, one of those. It just draws back to nigga whether you can cut a great deal for yourself or not while you're fucking with who's ever distributing your fucking demo. That's really what it comes down to. That's why. Read them contracts. Master P is the fucking man because he had, he came through with a major fucking label and you know what I'm saying, demonstrated his own terms for what he wanted to do.

SPEAKER_02 26:24

Yes.

SPEAKER_06 26:24

And what he had predicted. He made it simple. And what he had going on, and he reaped the extreme benefits of all of that. That shit didn't turn back to the label. We get, you know what I'm saying, fucking 33%. Why you know, nigga, none of that shit. Like, no.

SPEAKER_02 26:43

He made it simple. He made it so he comes out on fucking bring your lawyer, but he made it so everybody eating type stuff.

SPEAKER_06 26:53

Because at the end of the day, bro, you can bring your lawyer, bro, but lawyers don't fuck the motherfuckers out of the deal.

SPEAKER_02 27:00

Okay.

SPEAKER_06 27:00

You know what I'm saying? I'm paying you. Just trying to count a fucking bottom dollar.

SPEAKER_02 27:05

No, I don't know. I just need you to read this contract. I'm just paying you to read this contract for me.

SPEAKER_06 27:10

Because I don't know legalese.

SPEAKER_02 27:12

Yeah. All those super legalese terms. I'm just paying you for that. I need you to break the city. You know, all them, all them other uh not contracts, but all them other lawyers that's needed. I'm just talking about, just read this contract for me and let me know what's what. And I'll pay I'll pay you for the one-time fee.

SPEAKER_06 27:31

And that's what motherfuckers don't do.

SPEAKER_02 27:33

They, this is my lawyer that handles shit like that. Yes, that it do. That's different. Well, the the the ones that that still need stuff, they do have those. I mean, yeah, yeah. And trust and but and then I suppose to trust you. I suppose to trust you.

SPEAKER_06 27:52

Are the fucking artists, nigga? You make your own time.

SPEAKER_02 27:56

And if I have uh annual to um, not annual, but a monthly lawyer, I should be able to trust him. You should try to try to. Because I I ain't just picked him out of nowhere. You should, but I mean, put me on what they're trying to sell me in this contract. Do you know the hitting? Right.

SPEAKER_06 28:18

What's all the shit that I might have to do or produce or pay or you know what I'm saying? What they're comping. Tell me shit about that so I can figure out a way to offbeat those. Because at the end of the day, the the contract that I'm being interpreted about is their fucking terms. They haven't heard none of my terms.

SPEAKER_02 28:45

Negotiations.

SPEAKER_06 28:46

Exactly. This is their fucking terms that they're willing to do. Because I'm still upcoming though to fuck with that.

SPEAKER_02 28:52

I'm still upcoming. And like I'm gonna get the big money because I'm not Dave Chappelle or JC or it's not even that. It's just about you know they throw them the big money. I'm not Denzel Washington. They they throw them the best contract ever.

SPEAKER_06 29:07

It's not even that to be there that. And you still need to bring your lawyer. It's just about your knowledge about the negotiations that you're progressing in. Because at the end of the day, bro, we are we are as the parent company are coming with our term. These that's all that they can do is show you their terms.

SPEAKER_00 29:29

Yes. Yeah.

SPEAKER_06 29:30

If you sign that motherfucking B, okay, cool. That's you saying that you're cool with whatever the fuck they set up for you. You didn't counteract shit, you didn't change shit, you didn't talk about other shit. You just read their terms and obligations and shit they wanted to set up.

SPEAKER_02 29:49

We're gonna pay you for this.

SPEAKER_06 29:51

And what they wanted to pay, and okay, shit, cool. Here goes my signature, nigga. And I'm I'm fucking cool with that. That's why you have your lawyer there so that way we can negotiate other shit. Yeah, the the the fucking terms, nigga, because I see what what uh y'all saying here, article out the bam, line, woo up the bam. You know what? How about we swap that out because I'm not actually cool with uh that how about we, you know, say niggas don't do that, bro.

SPEAKER_02 30:19

So when I said when I tell you to bring your lawyer, it's like me telling a chick going out to go buy a car. I said, if you don't take me, take a mechanic. Right. So, you know, it's around the same realm type stuff.

SPEAKER_06 30:36

And it most definitely is, but it just comes down to man, at the end of the day, bro, you as a person have to know what the fuck you know with your dealings. What you what you what you wanted to take. Exactly. Because I I'm not saying Master B didn't come in with a lawyer or not. I don't know that specific. But I definitely know that that man brokered his own fucking deal with to get, you know what I'm saying, to be the man. Exactly. Exactly. He didn't walk in that motherfucker punch drunk nigga to the conversations that was being had in the room that he was in. That's what I'm saying, bro. He wasn't just there, but well, what did they say? No. I can sit here and talk with y'all motherfuckers just like y'all sit here and talk with me. With y'all terms. I can talk my own shit. I can talk my own shit. Yes, I probably do have a lawyer because that's a motherfucker that can make shit like legal, legal for me. You know what I'm saying? Like, he's gonna turn what I say into legalese terms and contract-wise, and now we can, yeah, bust from there. Cool. That's what I need him for. That's what I need him for.

SPEAKER_02 32:04

Um, he knew exactly what he was trying to do.

SPEAKER_06 32:07

Because, bro, at the end of the day, gang, can't nobody talk for you, bro.

SPEAKER_02 32:10

Yeah.

SPEAKER_06 32:11

That's what niggas lawyers.

SPEAKER_02 32:14

All these legal terms, and noted up at the quote unquote when I said that. Because it's all these legal terms. It's legal motherfuckers, yeah, bro.

SPEAKER_06 32:22

But at the end of the day, you can't talk for me. That's how Master P came into that demonstration. That's uh you can't talk for me.

SPEAKER_02 32:29

Love it, love it, love it. Let's um get into this hip-hop music, yo. I got some hip-hop albums. Um, first off, Where's Khalif and Currency out with a joint called Rufless Records for Drop Tops? And of course, and of course, yo. It sounds like currency.

SPEAKER_04 32:55

Of course.

SPEAKER_02 32:56

Where's on that joint? You know it's gonna be some high shit going on.

SPEAKER_05 33:00

It should. I mean, shouldn't it go? It's currency and whiz. I mean, what else do you expect besides some shit I can ride, stunting, smoking?

SPEAKER_06 33:12

At the end of the day.

SPEAKER_02 33:14

Down they show drive. Right. Summertime, shy, goddamn. Hey, hey, hey, hey. Um, we got next Five Yo Foreign, uh what the album called, Still Standing. Okay, I ain't too keen.

SPEAKER_06 33:31

I mean, I listen to the nigga, but I'm not, you know, too savvy a king, what the nigga. Eco jump out of this. Right, yeah. Yeah, equal. Eco.

SPEAKER_02 33:42

It's out there for everybody else, y'all. Y'all, y'all go ahead and listen to it. If you're keen to it. Um, next, we have Juvenile with a new album called Boiling Point, yo. That's crazy, yo.

SPEAKER_05 33:57

Yes, that's over a decade, man, since his last album.

SPEAKER_02 34:03

Everybody old school been coming out with new joints, and I'm here for it, yo.

SPEAKER_06 34:08

Yeah, he got the song uh uh uh BBB with Megan the Stallion. Yeah, it's a thing as album. He got some shit, man. G he got some notable features, nigga, with Swiz Beats, Lenny Kravis, Danny Fresh, Birdman, BG, uh Trombone, Shorty, Jack Quees, and D1, bro. And and for the fans who was truly looking for that Hot Boy reunion under the song with Lil Wayne, bro. Bonus track.

SPEAKER_02 34:46

Yay. I gotta peep. This motherfucker going hard.

SPEAKER_01 34:50

This motherfucker going hard.

SPEAKER_02 34:52

No, that one of the ones that I gotta peep, though. I didn't know the lineup was that crazy, yo.

SPEAKER_06 34:59

Oh, yeah, bro. This is over a decade that we have not heard no new Juvie Music. Yeah, at all. Yeah.

SPEAKER_02 35:09

You know, he promoted him on his podcast with what's bro name? I have no idea. Manny Fresh. He got a podcast of Manny Fresh. I didn't even know that. I was going with it.

SPEAKER_05 35:22

I was new.

SPEAKER_02 35:24

It's busting. I'm gonna go back and listen to it though. Um, next we have Chief Keefe with a joint called Skeletor, an album. Okay. Chief Keefe with some shit. Uh fucking with Chief Keith, though. I'm gonna fuck with it though. That man old and now he's talking shit. Uh next, uh next New York ass nigga, Dave East with an East Mix Volume 3. So this is a recurrent joint.

SPEAKER_05 35:52

Yeah, I definitely heard uh one of the songs off of there. Uh that um I got five on the remix. Yeah. I like Bro Flo.

SPEAKER_02 36:03

I like Bro Flo.

SPEAKER_04 36:05

I like the shit. I I guess I'm truly I'm not gonna say tired of hearing motherfuckers remix older shit, but at the end of the day, I am tired of hearing motherfuckers remix older shit.

SPEAKER_06 36:18

I get that. You know, like I definitely want to hear you come out because the the only thing that I I hear when I hear shit like that is you couldn't come up. Or you couldn't think of nothing.

SPEAKER_02 36:32

Or maybe somebody um hit him with a beat that they get on anything.

SPEAKER_06 36:36

That's all I can think. Yeah, it's like like somebody hit you with the oh man, I mean, I feel you, but I actually, you know, remix, you know what I'm saying? What the man beat and goddamn, that bitch actually busting to me right. And I feel you. But it's like it's not a remixed beat. It's the I got five on the beat. Yeah, yeah. You just do your own.

SPEAKER_00 37:04

He said he's and it's it's nothing wrong with me.

SPEAKER_02 37:08

Uh-uh. I heard that too, though. But damn.

SPEAKER_06 37:14

You couldn't come up with nothing else original for that.

SPEAKER_02 37:18

He was he was showing, you know. I mean, and I understand that.

SPEAKER_06 37:23

Pay homage, but do we have to hear that from damn near every fucking artist nigga? Is paying home? Like, so you can't come with your own original joint. You just gotta pay homage, huh man?

SPEAKER_02 37:35

Ain't no more original, uh uh ain't no more originality out here, if you if you ask me. So I should be getting what I'm what they give us.

SPEAKER_06 37:43

It's halfway.

SPEAKER_02 37:44

Until you bring it to us.

SPEAKER_06 37:48

It's originality out here, but at the end of the day, it still comes down to one of those. Like, even as an artist, if I was doing this, I wouldn't wanna ride off nobody else's B. And and I I actually give niggas respect off of like the motherfuckers who had done the song with Project Pat. It was like 217 or another, another motherfucker. Oh yeah, who did the song with Project Pat. Now, to have Pat on the chorus, okay, cool. And I fuck with this song. I can see that as high. You know what I'm saying?

SPEAKER_02 38:36

But nigga, you just took a beat on it, and I was supposed to give you. Lil Wayne. Lil Wayne, when he was on his shit, he was doing current beats. So I think old beats too, but he was doing current beats. But gang, but Lil Wayne was probably the same.

SPEAKER_06 38:57

Nah, that's a different drought. That nah, that's a different conversation, bro. Yeah, yeah. That's a different conversation. A lot of them was current beats. That's a different conversation because that was a mixtape. And a mixtape. That was a mixtape, bro. We are talking about motherfuckers that's coming out with songs that's on their albums.

SPEAKER_02 39:15

Straight album. I want you to hear this.

SPEAKER_06 39:18

I want you to hear, nigga, this is shit that's spinning. We didn't hear fucking Lil Wayne's tracks to other motherfuckers' beats spinning on the radio unless a motherfucker played that shit because it was just that goddamn hot.

SPEAKER_02 39:36

Okay.

SPEAKER_06 39:37

That wasn't his main demo. That was his mixtape off of other motherfuckers' beats. That's uh the only thing I'm saying.

SPEAKER_02 39:47

So uh my man Spady Wop got free, yo, and he dropped the album called Xavier. Oh yeah, dear uh Xavier. Uh it was actually something else. Yeah.

SPEAKER_06 40:01

I only call it Xavier par. Uh no, yeah, it's it's it's it's definitely a whole title. Yeah. It's like something else slash dear Xavier.

SPEAKER_02 40:12

Faded Wild People, hey. He said, uh pickle Rick. He's on pickle rick, man. He said, hey, boy, I'm pickle rick.

SPEAKER_06 40:24

Fuck what you talking about, nigga. I'm pickle rick, nigga.

SPEAKER_02 40:28

Um juicy J out with a joint with DJ Scream, bro. Okay, bro. The trippy trap. I that I haven't listened to that, but DJ Scream, bro, is crazy.

SPEAKER_06 40:41

Yeah, DJ Scream definitely is a good one. That was that was definitely a nice, you know, mix to come out with.

SPEAKER_02 40:47

Nice collaboration, yo. Definitely was, definitely was. We talked about this probably last time. I was saying that it was coming out. But Sway Lee's album finally came out called Same Difference.

SPEAKER_06 41:01

Oh yeah. I I definitely did watch the uh uh you know YouTube shit that he he did that was like the own on the uh block, you know, like performance. I did not catch that.

SPEAKER_02 41:12

I actually didn't catch that. I didn't know he did that.

SPEAKER_06 41:14

Yeah, he had uh I I I I you know guess, you know, for the title, track, same difference. Yeah, yeah.

SPEAKER_04 41:21

It was decent. You know, uh I mean it's Sway Lee. I mean, you know, if you fuck with him, shit, you you fuck with him. You know what I'm saying?

SPEAKER_05 41:30

Yeah, yeah, definitely one of those.

SPEAKER_02 41:32

Yeah. Uh he dropped little bro, uh, uh I guess. I don't know.

SPEAKER_06 41:36

I'm not gonna say he had dropped them, but you know, I mean, shit, gee, how many fucking?

SPEAKER_02 41:41

Bro, Sway Lee was the was the big was the man in the joint anyway, so I don't know.

SPEAKER_04 41:46

I didn't fuck with neither one of them, goddammit with that.

SPEAKER_02 41:49

Yeah.

SPEAKER_06 41:50

But it's the ones that played on the radio that went hard. And that's what I'm yeah, was finna say uh the the bigger artist to come out of that group is Sway Lee. Nah, you know, I don't even know fucking the other bro's uh name to be there. That's all I'm saying.

SPEAKER_02 42:07

It's Lin. Yeah. Right? Anyway, it does have some singles. Um Two Chains, Stud Selector, Pops. That single is dope, bro.

SPEAKER_06 42:21

I listened to it, it was cool. I mean, you know, if you're you know reminiscing and going through the situation that he was rapping about, then yeah, it'd be life be life. Yeah, you know, because life be life. But at the end of the day, I'm not finna bang.

SPEAKER_02 42:37

And who came around with this? I'm gonna say, yeah, bro. Like, motherfucking cool. Like you hit that Meek Mill 600 racks?

SPEAKER_06 42:48

Cause nigga, that fucking Meek Meal 600 racks is way more fucking pops, bro. That's I'm fucking saying, gang. Like I I would rather listen to that bitch while I'm riding than me, you know, fucking in turn at that moment. Turn it up. Yeah, nigga.

SPEAKER_02 43:08

Meek Mill 600 racks. Y'all look that up.

SPEAKER_06 43:11

Um my father passed, so I can understand the.

SPEAKER_02 43:15

We not go in that mode. We finna go get some money.

SPEAKER_06 43:17

Yeah, like nigga, I'm not trying to be in no sad ass. We finna go get some money. There's nothing wrong with that because Luther Vandros, you know, did that with the song that he sampled. He was singing about, you know, dancing with his little man with his father one last time. Nothing wrong with that, bro. But at the end of the day, another ride. I don't want to be in no OG.

SPEAKER_02 43:45

You wanna hit the sits on the race. Yeah, bro.

SPEAKER_06 43:49

I'm teed up, nigga. I ain't turned down. God damn.

SPEAKER_02 43:55

Love is love. Uh Don Tolliver with the baby out with a track called Tuition Remix at that. This is remix, yo.

SPEAKER_05 44:05

Okay.

SPEAKER_02 44:06

Didn't hear that. Yeah, yeah, really. I don't know, actually. How uh how dare us? He said how dare us.

SPEAKER_06 44:27

I mean, yeah, him is, you know, he on his comeback shit. I guess I'm not really liking all the music that he's coming back with to be that ass on.

SPEAKER_05 44:36

All that dancing ass shit. He out there on the top. Nothing wrong with it.

SPEAKER_02 44:40

He outside on tour right now. No, I feel you. Nothing wrong with it.

SPEAKER_06 44:43

But I ain't no dancing ass nigga, bro. Yeah, true that. I mean, at the end of the day, gang. Like, um, I'm not out here uh the nigga what the fuck. I don't know what she said, cause she's foreign, nigga. No, bro. Yeah, yeah, jigging to the shit on to the fucking shit that I'm listening to. He said, don't get down. I'm just saying, bro, like nigga. When I listen to my music, bro, that shit ain't I'm not getting up, bro, the bust of mood to the shit. Yeah nigga. So there's nothing you know wrong with that. I'm still fucking with it, but at the end of the day, bro. I mean, nigga, you didn't. I only say that because you didn't come from fucking dancing music, bro. You came from shooting a motherfucking Walmart gang. I'm just saying. Yeah, bro. There's nothing wrong with trans.

SPEAKER_02 45:47

He be on some thug shit.

SPEAKER_06 45:48

Right. I'm not saying don't transition. I'm not saying that at all.

SPEAKER_02 45:52

Yeah, nigga.

SPEAKER_06 45:53

Transition is great. It's beautiful. It's actually a recommended thing.

SPEAKER_02 45:57

Look, that nigga reminds you of that every other song.

SPEAKER_06 46:00

But you didn't start out fucking this music.

SPEAKER_02 46:04

He reminded you that he shot somebody every other song. So.

SPEAKER_06 46:08

And I fear you because nigga, that's what motherfucking got you to fuck. You was already doing music, excuse me. Yeah. But what got you to stardom. Oh, yeah. Was shooting the motherfucking Walmart, bro. Let's just be honest. Let's be able to do that. Big thug. Fuck you talking about. Big thug. You being a big thug is what got you to where you uh. So keep that, keep keep that. I wouldn't even say keep that. But to transition from that to controversy to your comeback is dance music is kind of crazy.

SPEAKER_07 46:42

That's all I'm saying. That's all I'm saying. Thug music, controversy, dance music is your comeback, folks.

SPEAKER_02 46:54

DDG and Polo G with a joint called Not Friendly.

SPEAKER_03 46:59

Okay.

SPEAKER_02 47:01

Not really, not really a DDG fan. I really can tell you what song he made. I couldn't tell you what song Ice Spice made. God damn it. So it's it it's all like the same thing. If you understand me, I put it all in the same thing. And it's crazy because DDG had a song that uh I actually fuck with.

SPEAKER_06 47:24

Him and Tyler. I don't even remember that. Yeah. But um the motherfucker was uh one of his, you know, verses on the fucking song. It's got them put a gun to the back of your whole head and make a name three DDG songs. I bet you she say it. I heard that shit and I promise you I sat there and was like, damn, for me and my bitch dead, bro. We could, bro.

SPEAKER_02 47:59

I couldn't tell you.

SPEAKER_06 48:00

We cooked as hell, bro. I couldn't tell. I'm talking about for goodness as a dog, man.

SPEAKER_01 48:06

I couldn't even tell you, bro. I'm good. I just had to accept my consequences.

SPEAKER_02 48:11

You got me, bro.

SPEAKER_01 48:12

And get right with my lawyer.

SPEAKER_02 48:14

Yeah, no, you got me, bro.

SPEAKER_07 48:17

You got me gonna get somewhere because yeah, I could meet and hers cooked, bro.

SPEAKER_02 48:22

But it's in your bar, but yeah, but we couldn't, bro. It's not just for y'all to listen to. Um, Keith Lock out here with a song called Loco.

SPEAKER_06 48:32

I definitely did listen to uh that one. It wasn't bad. Um, I mean, it's decent, you know, nice little uh, I guess club song.

SPEAKER_05 48:41

Yeah.

SPEAKER_04 48:42

You know, definitely gonna you know, I'm gonna shake ass in the club to that motherfucker. You know, when that bitch come come on. I'm playing playing that bitch in the truck, but.

SPEAKER_06 48:52

Hey! I'm gonna look a little, you know what I'm saying? Yeah, you know, catch me in the demo and that bitch come on. Yeah, boy, we teeing up to that motherfucker.

SPEAKER_02 49:04

I got two more for you. I got two more for you. Um, Earl Sweatshirt was Surf Gang with a track called Home on the Range.

SPEAKER_06 49:13

Nah, man, we gotta give it proper respect. Earl Sweatshirt, Mike, and Surf Gang. Oh, okay, sheesh. Three different entities is on this shit. When I didn't know when he started doing that shit. Oh no, man, these are different niggas, bro. Earl or so, so Mike is not part of Earl Sweatshirt and the Surf Gang or none of that shit. He is his own, you know, person by himself. But he is on this motherfucker with.

SPEAKER_02 49:42

That was Earl Sweatshirt on that motherfucker.

SPEAKER_06 49:45

Yeah, no, it's three different entities that make this album gang. That's my shit. Yeah. Earl Sweatshirt, Mike, and Surf Gang. Okay. And they make up the uh Pompeii U utility part.

SPEAKER_02 50:04

Learn me then, God dog. I know.

SPEAKER_06 50:07

Cause we gotta give that man Mike his proper respect. He has been doing his thing in the game for a nice amount of years, bro. No bullshit. He has been doing his thing. And to me, now he has other projects that's you know by himself solo. You know, his his own shit. But to me, this is a big ass project, bro. Real life shit. I actually like this fucking collaboration. This is a very nice ass project.

SPEAKER_02 50:35

So hold on. I'm only talking about the single called Home of the Rings. Do they have like album? So they have them coming out.

SPEAKER_06 50:42

They have an album that's out right now. Pompeii and Utility is out right now to stream.

SPEAKER_02 50:51

Yeah, I'll look that up.

SPEAKER_06 50:52

They started out with like four or five singles off of the demo, which was a mixture of Mike, uh Earl by themselves, respectively, and then you know, them together. Because the Surf Gang shit feels more so like um DJ aspect. You know what I'm saying? Yeah, yeah. Like they make it. Right. I guess. Like that's where the the beats, you know, come from is Surf Gang. Exactly. And it's almost like a Nicholas, you know, craven and fucking, you know, all them artists. I get what you want to fuck with him. I I get what you're doing. This is where our beats come from, and you so our producer is Surf Gang.

SPEAKER_02 51:39

Well, we started off was the go DJ. It was all with the DJ, and then you know, yeah.

SPEAKER_06 51:45

Because this is where the music comes from where we get busy on that. No, yeah, yeah. So, so, so, so yeah, the the the the the shit sounds good. I haven't listened to the full album because they actually, it's a two-disc album.

SPEAKER_02 52:01

Yeah, but no, I didn't see that. I forgot to say that.

SPEAKER_06 52:04

I'm actually hype as fuck because nigga, we are getting back to the roots of hip hop. It used to be a fucking time, nigga, where niggas would would make a song with three fucking verses on that bitch. That was the norm.

SPEAKER_02 52:19

And um, KRS 1, we we probably we talked about the last joint KRS 1 and Red Man, they all coming through. Yeah. The trice they made three bars. Because nigga. Three bars, bro.

SPEAKER_06 52:33

Motherfuckers, there was a time when a song consisted of three verses, two hooks, nigga. Mm-hmm. So whatever your hook is, you're gonna say that bitch twice, and you gotta come with three fucking verses. 16 bars, nigga. Each lit. That bitch gotta be hard.

SPEAKER_02 52:57

Yeah.

SPEAKER_06 52:58

Bro.

SPEAKER_02 52:58

I don't remember.

SPEAKER_06 52:59

Somehow, some way we diluted to damn that niggas hitting one verse and the beat, he'll say the chorus twice, still, and that one verse, it's over with.

SPEAKER_02 53:14

Yeah.

SPEAKER_06 53:15

Nigga, we used to have motherfucking three to four minute fucking tracks.

SPEAKER_02 53:19

I was about to say five minutes.

SPEAKER_06 53:21

Yeah, five, five minute tracks. Yeah. Nigga, that's a long time listening to a song, you know.

SPEAKER_02 53:27

Five minutes of working listening to a song. And niggas was really talking about some storytellers. I was talking about fuck the police.

SPEAKER_06 53:35

All type of shit. Motherfuckers, not just a nigga spouting a bunch of, and so this is because I don't I don't want to go off a topic in tangent, but this is still relatable. LA Russell made some recent comments about Lil Wayne, because LA Russell has just gotten signed uh, you know, through Jay-Z's Rock Nation. Okay. So now he is a signed artist. Now he's not no more independent, he's a signed artist. He's talking shit more a little bit now. So the first uh state of business, the man decided to talk some shit on Lil Wayne and just say that pretty much Lil Wayne has not said nothing no substance. The nigga has just been talking.

SPEAKER_02 54:26

Oh shit.

SPEAKER_06 54:27

Plain and simple. All his bars ain't no substance to him, nigga.

SPEAKER_02 54:31

But remember we talked about that before. Uh we probably didn't say it out loud, but we talked about that before. That's with a lot of these bunch of rappers out here. They just put words together. But I would give Lil Wayne more over any of these other little niggas out. Oh, well, but Lil Wayne, these other things. Lil Wayne just freestyling. He said a lot of stuff over and over. Lil Wayne is the metaphor punchline king. Yeah. To me.

SPEAKER_06 54:59

To me. I don't give a can't nobody compare. I'm not gonna say I don't give a fuck about substance in the music. But at the end of the day, what Lil Wayne delivers is busting. I I know what to expect from a Lil Wayne. I know that this nigga's finna come on this bitch. He's gonna talk some wild shit and you know what I'm saying.

SPEAKER_02 55:23

And we and we looking for those bars and metaphors.

SPEAKER_06 55:26

We're looking for those metaphors. And you know what I'm saying? Like, like Foles Dut, he is gonna hit you with a bunch of metaphors. He's gonna hit you with a bunch of fucking punchlines, nigga. Plain and simple, bro. Plain and simple. We know this. And that shit sounds good. It's Lil Wayne, nigga.

unknown 55:43

It's Lil' Wayne.

SPEAKER_02 55:44

The thing is, um, our halfway could feel where bro coming from. But when Lil Wayne has a thing to rap about, when it's just that thing, he's gonna kill the fuck out.

SPEAKER_06 55:58

Oh, like another motherfucking song that has a thing. Yeah. And then he jumps on that bitch with that thing.

SPEAKER_02 56:07

Uh otherwise unless he's doing his rock and roll shit or he's doing his um I'm a beast, I'm a dog, cause a lot of them songs he don't be talking about shit, but bigging himself up, saying how much his crew and him is better than your crew. Which is hip hop type shit. And on the other hand, um hip hop, you know, from the depths of it, it was talking about storytelling, how how bad I'm down and trying to get up. Yeah. Or uh got and then it graduated from. Big daddy came. Yeah, and went from that, it went from that to oh, I'm some up. Now I got I got so much money in you.

SPEAKER_07 57:03

Yeah, yeah, yeah, yeah. I thought you talk about how.

SPEAKER_01 57:27

Yeah, hell yeah.

SPEAKER_02 57:27

That's where your beats came from. Yeah. Now we got a beat.

SPEAKER_03 57:32

What fucking music are you rapping over besides other people instrumental?

SPEAKER_02 57:36

Yeah, you know, people is so competitive. We made it a sport. Now my crew better than your crew. Run DMC. Right. Type shit. We out here doing shit, y'all like that. Motherfucker, uh what what's bro name? All the old school rappers. My my shit is better than yours, god damn it. I I can flow better than you and your crew ain't no shit. Type shit. It started being competitive. It started being storytelling. So um, I'm with them all together with it. I'm I'm with them all together. But um ain't different. He he he gonna catch your air regardless. No, he won't. Because he he's gonna be relevant to the topic.

SPEAKER_06 58:21

At the end of the day, I mean, you you can talk whatever shit you want to talk about, man. But at the end of the day, he still has more shit to say about anything.

SPEAKER_02 58:31

He he might throw out a bunch of random bars out there, but he's gonna be relevant to the topic.

SPEAKER_06 58:38

And like I said, metaphor, punchline king, bro. Like, can't nobody rap that much shit in, you know, a fucking 16 nigga like Lil Wayne, bro. And make it make sense today. And make it make sense. Motherfuckers have done it, have tried, you know, nigga, Jay-Z, triple entente, like, but nigga, you are getting into shit that your average listener doesn't know about. You see what I'm saying? I understand where you're coming from. I can listen to it and be like, damn, bro, that's a cold ass line.

SPEAKER_02 59:13

We get down on people like coming for that shit. And before years ago, we got down on Nas for that shit. We got down on real rappers for that shit.

SPEAKER_06 59:23

It's not relatable to what I'm going through and what I'm doing right now. I can hear you and be like, damn, Joe, that shit hot, that shit nice. I like that song. But what's moving me, my everyday motion and what I'm this dope shit.

SPEAKER_02 59:43

This dope book.

SPEAKER_06 59:44

I'm gonna throw some fucking J-Z in there, joint, nigga, because this is what I'm on, bro. I'm gonna throw some, you know, Wild the Bam in that shit. Lux, bro, because yeah, nigga, I'm gonna throw some UGK on, because yeah, nigga, this is what I'm I'm gonna throw some 3-6 mafia on, because yeah, nigga, this is what I am on right now, bro. This is what I for the newer generation, nigga. I'm gonna throw some dirk on. You know what I'm saying? I'm gonna throw some who this is what I'm on. I can relate to this. Because this is what I'm on. That's why Jay-Z came out with that. Nigga, what you trying to do? Kick not for you kicking knowledge, bro, to niggas that's in the drug era, bro. You know what I'm saying? You you are trying to kick something that's bigger than us, we know. More than what I'm going through right here. I'm not going through no king and queen and changing the world shit, bro. I'm going through getting this motherfucking pack off, nigga, to get this goddamn money. Gotta go ahead and take care of what I'm taking care of. Now that's what I'm doing.

SPEAKER_02 1:00:42

Now he knows that with the 411. But um, I've said it wrong twice.

SPEAKER_06 1:00:49

Growth. I said it wrong twice.

SPEAKER_02 1:00:51

And thank God for growth.

SPEAKER_06 1:00:52

But growth.

SPEAKER_02 1:00:53

But growth.

SPEAKER_06 1:00:54

You gotta grow. You gotta see that. At that time, you was not on what he was on. Plain simple.

SPEAKER_02 1:01:01

Nas wasn't never wrong. Yeah.

SPEAKER_06 1:01:03

Plain and simple. He wasn't wrong. He didn't say nothing wrong. He did before Nas was never off. It was just you are appealing. You're kicking it to the crowd. Oh, the crowd. Exactly. You're kicking knowledge, bro, when niggas is out here trying to sell drugs. I'm on shit. I don't want to hear no fucking uh growth and development shit, bro, when I'm on some fucking gangster shit. Don't calm me down when I'm trying to whoop shit. Nigga, do not calm me down, bro, when I'm trying to tee up, gang. That's just kind of crazy. I'm trying to whoop shit. That's just kind of crazy.

SPEAKER_02 1:01:36

Uh one last one. We got Paul Wow out with a single called R.I.P. Owe Me.

SPEAKER_01 1:01:45

It's Paul Wall. You you a CFO. We got Paul Wow out.

SPEAKER_02 1:01:50

Damn it.

SPEAKER_01 1:01:51

Yes, you did.

SPEAKER_02 1:01:52

Um, well, one last one. We got Paul Wall out with a track called R.I.P. Owe Me.

SPEAKER_05 1:01:59

R.I.P. Owe Me? Paul Wall. Damn.

SPEAKER_02 1:02:02

I haven't heard anything.

SPEAKER_06 1:02:05

But that does not sound like a bad demo, though. No bullshit. The South is trying to creep back. Cause I mean, they've been there, but it's like the old South is definitely trying to make their way back. Ain't just out here making grills for motherfuckers. I make music too, nigga. He said, do you? I know, right? Cause gee, you gotta look at the newer generation. Do you nigga? Who are you, nigga? What are those? Because the younger motherfucker can't hear me like, who like I said, never heard this motherfucker. He, you know, on his music streaming site.

SPEAKER_02 1:02:52

Probably heard his beat before.

SPEAKER_06 1:02:53

Paul Wall shit pop up. Motherfucker gonna look at that like, Paul Wall, who the fuck is this nigga? Yay. Who the fuck is this nigga?

SPEAKER_02 1:03:00

You might think he knew trying to come in.

SPEAKER_06 1:03:02

Probably thinking this nigga knew as fuck like Paul Wall. I've never heard that motherfucker. Let me give it a spin. A nigga don't like that name. Boy, this nigga huff as hell until you do a little digging and find out. Oh damn, this nigga been now been now. Used to go hard. He used to go hard. Nigga, the fuck is he talking about? Like, motherfuckers listen to this white boy. Nigga, what is he talking about, bro? Like he was talking that shit, shit, bro. Like he wasn't just knowing front of the middle ass nigga. Yeah, he was in tune with shit, bro. He is actually talking that shit, bro. You just it is it's one of those. We we will always come back to it as the generation grows. You wasn't there, bro. You wasn't there before. You wasn't there for that movement. So you could never fully understand what's going on.

SPEAKER_02 1:04:00

Sum was here. It's just now nigga.

SPEAKER_06 1:04:02

Fun was here, sir. Fun was nigga. What the that nigga, that was a whole what tipping old fofo. The whole fucking era, nigga, was crazy to be. And the crazy shit is we wasn't even.

SPEAKER_02 1:04:22

And it works like a motherfucker.

SPEAKER_06 1:04:25

Believe me bad, bro. We wasn't even of the age to be. You know what I'm saying? Demonstrating with them niggas how they was demonstrating. We wouldn't even age, bro.

SPEAKER_02 1:04:40

Ain't even able to get in their club.

SPEAKER_06 1:04:42

Couldn't even get in with these niggas while they was demonstrating, bro. But we out here demonstrating all for their shit. So it was a it's a difference. You would have had to have been there, bro.

SPEAKER_02 1:04:51

You had to have been there. You had to have been there, bro. My folks young now. They wanna say, my folks young now. But all this music is out for everybody to listen to. Comment and like on us, you know. Let us know what other music that you done found. Put us on too. Put us on too, yo. And that's a wrap for this week on Anime and Adawaits. And if you vibe with the chaos, comment, like, and share with your crew. Follow us on all platforms for the latest drop debates and disrespect. And remember, whether it's anime art or rap charts, keep your stores sharp, your 808 knocking, charge your chakras, and we'll see y'all next week, eh?