Born Bad Radio: Episode 6 ((Style))

Episode Six is all about STYLE, not fashion, not trends, but the real thing: presence, taste, and knowing exactly when to let the music speak. DJ Sleazy T is joined by his co-hosts Satan (smug as ever) and the Evil AI Playlist Robot (glitching, spiraling, and possibly dealing with a minor substance issue) as they dig into the greasy mystery of what makes someone truly have it. Expect trashy R&B, soul stompers, ass shakers from beyond the moon, late-night philosophy, and Born Bad chaos in its purest form. Because style isn’t about being liked… It’s about the needle dropping and the room listening.

The Songs

1. Young Jessie - Shuffle In The Gravel ((ACTO Records))

2. James Duncan - Thee Little Pigs ((King))

3. Little Willie John - Don't Play With Love ((Jukebox Jam))

4. Benny Spellman - Fortune Teller ((Minit Records))

5. Clarence Henry- Come On And Dance ((ARGO))

6. The Antennas- Be Yourself ((Clay))

7. Jewel Akens - Around The Corner ((ERA Records))

8. Jimmy Shaw - Big Cheif Hug-em An' Kiss-Em ((Imperial))

9. Fats Domino - I'm Ready ((Imperial))

10. Don & Dewey - Jelly Bean ((Specialty))

11. Ronnie Goode - Hokus Pokus  ((DEMON))

12. The Table Top - Talk To Me Baby ((Klondike))

13. Hank Ballard & The Midnighters - Nothing But Good ((King))

14. Tammy Reed - Needle In A Haystack ((Red Bird))

15. Slim Harpo - Shake Your Hips ((Excello))

16. Howlin Wolf - Wang Dang Doodle ((Chess))

17. Doctor Ross & The Orbits - Cat Squirrel ((Fortune))

18. Tarheel Slim - Number 9 Train ((Fury Records))

19. Elmore James - Stranger Blues ((Fire))

20. Muddy Waters - Got My Mojo Working ((Chess))

21. The Bad Habits - Night Owl ((Paula Records))

22. The Orlones - Not Me ((Cameo))

23. James Brown - Caldonia (Live) ((Smash))

24. The Capitols - We Got A thing That's In The Groove ((Karen))

25. Jimmy Vick - Take A Trip ((Cherry))

26. The Sheep - Hide & Seek ((Boom Records))

27. Little Richard - Whole Lotta Shakin Goin On ((Vee Jay))

28. Danny Cobb - My Isabella ((Jubilee))

29. Lil Ray - Shake! Shout! & Soul! ((Impact))

30. Don & Dewey - Koko Joe ((Specialty))

31. The Butlers - She Tried To Kiss Me ((ERIC Records))

32. Marty Hill - Red Lips ((Pop Corn))

33. The Dovells - You Can't Sit Down ((Parkway Records))

34. Larry Williams - Heeby Jeebies ((Specialty))

35. Jimmy McCracklin - The Wobble ((Mercury Records))

36. Bobby James - Going Back To Philly ((Lanor Records))

37. James Brown - Tell Me That You Love Me ((King))

Contact: bornbadradio@gmail.com

Transcript

SPEAKER_29 0:02

Welcome back, Sleep Slames, to episode six of Format Radio. And this one's about style.

SPEAKER_06 0:12

Knowing when to not say a goddamn fish.

SPEAKER_30 0:18

Everybody got stage. Everybody got an opinion. Well, some people walk into a room and the room listens. Oh yeah. This ain't about fashion and it ain't about being light. It's about staying upright when everything's trying to knock you sideways. And let's explore this concept of what style is.

SPEAKER_29 0:42

To the lens and to the words of Charles Bukowski about style.

SPEAKER_04 0:53

Style is the answer to everything. A fresh way to approach a dull or dangerous thing. To do a dull thing with style. It's preferable to doing a dangerous thing without. Boxing. Loving can be an art. Opening a kid, something can be an art. Sometimes people stop the I met men in jail with style. I met four men in jail with style men out of jail. Style is a difference. A way of doing a way of being done. Since you're standing quietly in a pool of water. Are you walking out the mountain length without a single?

SPEAKER_15 2:45

They are the hot shot stingers, proven to the music you see. But this girl won't do that sheffel in the gravel with you. They do the dance they call the popcorn. They got it from Kate Perry. Sheffeling the gravel. Come on, somebody. Sheffel in the gravel. A hip town now, shuffle in the gravel. In the gravel. They do the fishy, washing fishy. They got it from a creature in the sea. Here comes a sister Lucy. Walking with the phone with me, Apple in the gravel. I'm gonna ask that girl do the shovel in the gravel with me. Come on, the phone, your shuffle in the gravel. A heap down now, shuffle in the gravel. I wanna use the several fellow shuffle. In the gravel. I focus you won't do that. Chefle in the gravel, we shovel in the gravel. Come on, somebody shovel gravel. Yeah, yeah, yeah, yeah, yeah. I won't have you the several seven.

SPEAKER_03 5:32

I'm talking about my beauty.

SPEAKER_17 5:42

I read about a baby long time ago. Uh-huh. They used to rock and roll all over the wound, yeah. They used to do the holiday and they did it, did it, uh uh huh big battle came over one day.

SPEAKER_03 6:05

Happy night of what they find, ready with uh I'm talking about my feet.

SPEAKER_17 6:12

Listen, everybody, the first big pig, though he was very sweet, uh uh Built this house out of KM sticks, uh-huh.

SPEAKER_06 6:26

Oh brother, big battle books started hopping out of puppin' house fell down and the pig started trockin' hey Oh the big battle book, the feeling pig I run through the woods just a dance and that Ga Have mercy You know what I'm talking about I'll shut now Look at that girl, hell again Monkey if you want I wanna be a pigeon, everybody know We read about a baby many years ago They used to run through the woods, just to jump it up and down They was having lots of fun until the wolf came around A rather big battle, little thing, running through the bush, just a little bit, pretty big you're ready to shake your big old wild ass to this next one.

SPEAKER_17 7:55

Little Willy John don't play with life It's a little bit of thing some people think But let me tell you if you fall Your whole life will say it will make it you have it, it will make you sad I know how it hurts almost I have you mad so don't play with love you know how you happy if you do you got you so it will make you happy, it will make you sad. I know how it hurts, almost have you bad, so don't play with love. That made me feel happy, made me feel bad, and I just want me to lie, I want to fall in that play with love Don't play with them Don't nobody with the Come Come Don't play with Don't Oh yeah Alright kids You don't need a crystal ball for this one You just need good taste And then Hellman has more than enough of that to go around Hell May I'm fortunate records I hope you girls are ready to hold your scared and shake your ass. Went to a fortune teller, had my forgiveness. I didn't know what to tell her.

SPEAKER_14 10:52

I had a dizzy feeling in my head. Then she took a look at my palm. She said, Sonny, you feel kinda warm. She looked into a crystal ball and said, You're in love. I said, How good can that be so?

SPEAKER_17 11:09

I'm not type with all the girls I know. She said, when the next sun arrives, you be looking in her eyes. I left that in a hurry, I'm looking forward to my big surprise. The next day I discovered that the fortune teller told me a lie. I hurried back down to that room. I told I didn't see nobody. Why she made a fool of me.

SPEAKER_14 11:54

Then something struck me, as if it came from a bug. While looking at the fortune tell, I fell in love. Now I'm a happy fella. I'm married to the fortune fellow. We're happy as we can be. And now I'll give my fortune toe for free.

SPEAKER_29 12:18

Alright, you mouth breathing idiots.

SPEAKER_30 12:20

Clarence and some frogman Henry would come on and dance on Argo Records.

SPEAKER_28 12:26

Let's make a big old fucking mess.

SPEAKER_10 12:34

Come on, come on, come on, come on, dance with me. Come on, come on, come on, come on, dance with me. Come on, come on, come on, come on, come on, dance me Putcha, putcha, put your put your hand on your hip.

SPEAKER_11 12:47

Put your butcha put your put your hand on your hip. Put your butcha put your butcha, put your hand on your hip. Put your hand up on your hip.

SPEAKER_00 12:58

You like the fact that you are flip. You shake it to the east, you shake it to the west, you shake it through the wind.

SPEAKER_10 13:05

You love the best thing Come and come and come and come and dance with me. Come on, come and come and come and dance with me. Come on, come on, come and come and come and dance with me.

SPEAKER_11 13:35

Put your butcher, put your put your clean on your hip. Put your butcher, put your butcher in on your hip. Put your butcher, put your butcha, put your hand on your hip.

SPEAKER_00 13:51

Take it to the kid, take it through the wind, take it through the wind, come and come and come and come and dance me.

SPEAKER_10 14:16

Come on, come and come, come and dance with me. Come on, come on, come and come and come and dance with me.

SPEAKER_11 14:24

Put your butcha putcha, put your hand on your hip. Putcha, put your putcha, put your hand on your hip. Putcha, put your put your putcha, put your hand on your hip.

SPEAKER_29 14:34

It's time to make your liver quiver and your bladders splatter with the antennas. Be yourself, clear guys.

SPEAKER_17 14:44

People gonna talk about you all the time. If you listen, baby, they will drive on your man. Just go Baby, baby, go be o cell Beo Cell Thing about the baby, just think about me.

SPEAKER_06 15:14

Listen to me, please, and you go Baby, baby, go Beyonce Beyond, be young No matter what they say, they can't stop me from loving you For you're the only one that I am thinking of Now you heard my story, breeze baby, man We'll be together till the end of time Baby, baby, go this next track is going to freeze your knees, these things with your Atkins around the corner on the RA record.

SPEAKER_17 16:32

Yes, there's the cutest little gal that you ever can see Around the corner from my house. And things are getting better and better for me Around the corner from my house. Now on a fly tonight, do you know I'll be around the corner from my house? On a Saturday night, can you guess who I'll see? Around the corner from my house. Yes, things are getting better and better for me. Around the corner from my house. She got a walk.

SPEAKER_00 17:01

She got the craziest walk, she got a smile. She got the craziest smile, she got the laugh.

SPEAKER_17 17:07

She got a whole lot of class. And I want the world to know. Yeah. She got a walk. She got the craziest walk, she got a smile. She got the craziest smile, she got the laugh. She got a whole lot of class. And I want the world to know. There's the cutest little gal that you ever deceived. Around the corner from house. Yes, as the cutest little gal that you ever deceived. Around the corner from my house. And things are getting better and better for me. Around the corner from my house. Yes, things are getting better and better for me. Around the corner of my house. Yes, things are getting better and better for me.

SPEAKER_30 17:59

Well, hello. Sorry about that, guys. A ladies man that never stops. Well, can each you are bitches? It's me, DJ Sleazy T.

SPEAKER_28 18:09

Your idiot, internationally famous DJ, broadcasting live from a basement full of bad decisions, empty rum bottles, and probably human waste.

SPEAKER_30 18:21

I'm here with my two co-host DJs, the evil AI robot and Satan.

SPEAKER_06 18:27

Say hi guys. Hey guys! Now shut the fuck up. You're sucking up all my time.

SPEAKER_30 18:33

Now listen, we're here to make sure you, you right there, yes, the shithead getting ready for work. The one who hates his job because it's stupid. Oh, there we go again. Well, it sucks the life out of you.

SPEAKER_28 18:50

And it pays you the absolute minimum for the about the most maximum amount of soul-crushing labor.

SPEAKER_30 18:58

Just so at a time you get home, you're too beat to even dream of a better life outside a fear-filled hamster wheel. You've trapped yourself inside of Andy, just maybe, if you kill your boss, you'll finally find freedom outside the shackles of work. Right there, a little missy. Don't act like you can't hear us. I see you trying to ignore us. You can't ignore us, bitch! You can't escape us. You're enamored. You're twitter hated. You're sucked the fuck in. Alright? And I gotta ask you a question.

SPEAKER_28 19:33

Do you like soul music? Do you like to shake your ass? Something to wiggle your dick to? I love it! Well, I bet you do.

SPEAKER_06 19:43

What type of question is that?

SPEAKER_30 19:46

Of course you fucking do. I'm ashamed.

SPEAKER_28 19:48

I'm embarrassed that I even had the goddamn gall to ask something so insensitive, so stupid. I should be punished. I should be kicked around a little bit. But I won't let that happen. So shut the fuck up. Stop trying to fool me into your boring ass life. This is for you. Brace yourself. Things are about to get weird. Things are about to get exciting. With Jimmy Shaw.

SPEAKER_03 20:20

You know the lounge is the king of the jungle. Jimmy Sharp is the ruler of the sea. You know the high man is the king of the mountain. But tell me, baby, have you heard about me? Well I'm big. Me got him kissing by like a leg.

SPEAKER_17 20:40

I am the king of a love. Well, they call me Big Chi Ba.

unknown 20:45

Baby, the baby side.

SPEAKER_03 21:09

You gonna come around the tube about the show the kitchen to make on the pitch of powder wow. The baby oh minute Cheaper up, I'm gonna roll him like I told him, get your baby down by the beat. But baby, oh I'm in a hub, huh?

SPEAKER_08 21:51

Please don't bring your mama up. When I'm big, cheaper love, and I guess I'm getting sense.

SPEAKER_17 21:57

We make a big cessation on the race. I am the key of a love.

SPEAKER_14 22:14

Well, I'm ready. I'm willing. Can I make up? I'm willing. Can I both? I'm all ready, baby. We gonna rock, we gonna roll, tell the roll, you're right. And I'm able I'm willin' and I'm able, so you better put me all We gonna rub and roll, tell them all about free. Ruppin' on the top people. We're gonna run and roll along and long because I'm ready. I'm willing, can I ball? Rap and roll our night, I'm ready. I'm willing, can I ball? I'm already baby. We're gonna rock, we gotta roll the roll night. I'll be on the phone is not a people send me all the letters I can read. All you know that's a big pull. We gonna rock and roll on ready. I'm we'll it'll be bug and rock and roll on night, I'm ready. I'm willing, in a minute, rock and roll on night. I'm ready, baby. We're gonna rock, we gonna roll and tell them all night.

SPEAKER_29 23:57

That was Fats Domino's on ready, the official soundtrack, the Gizmos, dance number in Gripplins 2. Up next, Don and Dewey with Jelly B. Let me tell you, boys, bother my jelly bee. I'm a healthy and sweet sixteen.

SPEAKER_17 24:25

The cutest couple that you ever seen. See the child, stop my listen, Sweet 16 and ever been kissed. I didn't see the chick of the young cats tryna steal my queen. I'm gonna tell you, balls by my jelly, and they healthy and sweet sixty bumps, mama jelly, healthy and sweet sixteen. I love the child gonna let the child out of the side of peaches and be lay The Cutest Bumble that you ever have seen. Sweet child Sweet sixteen and ever been kissed. Let me tell you, balls by my chilly at the sweet sixteen. I'm gonna bring my baby back. I'm gonna bring my baby back. I'm gonna blah blah blah back.

SPEAKER_13 26:14

I'm gonna say, I'm gonna say, I'm gonna bring my baby back with I'm gonna bring my baby back. I do my hood I make boo-doo I'm gonna bring my baby back. I'm gonna baby Gonna bring my baby Gonna change my baby's balls. I'm gonna start this mistake I'm gonna hit my stove.

SPEAKER_17 27:09

I'm gonna get my baby toe. I'm gonna love my baby buds.

SPEAKER_13 27:20

I'm gonna start this Mr.

SPEAKER_17 27:22

B well o'clock on the mouth, I'm gonna bring my baby back.

SPEAKER_13 27:30

Do body I'm gonna bring my baby back. I'm gonna bring my baby back. I'm gonna bring my baby back.

SPEAKER_16 28:16

I like a made of team, even in a haul. I like a bit of team, even in a haul and law, I like a little bit of me, baby, I don't mean baby, I don't mean baby, I did talk to me, baby, I did talk to me, baby I better doing what you want and leave in a hall alone I better do water leaving a hollow I better leave in the country like a dirty dog, hey you soy.

SPEAKER_17 32:00

Oh, well, I want to be back on me. Don't you better get yourself on a track to get shot the apple and catch you up to start the eye over you, but I'll put it up for me, stop beat up, I'll be the eight, and you get you free, a fine I'm trying to go to bed and very cheap. You'll be trying when you're gonna be sweet, but I'll be a bit of good, I'm gonna get a city making me free.

unknown 33:58

Give it a boy again.

SPEAKER_30 34:03

Alright, sleazelings, let's keep this train rolling nice and easy like.

SPEAKER_28 34:10

First stop with that set was Ronnie Goody with Hocus Pocus on Demon Records. A little magic to start the night off, right?

SPEAKER_07 34:20

Yeah! Confirm sleazy! Next selection, the cable tasks! With tummy baby on Clonda Records! Human flirting protocol inky!

SPEAKER_05 34:39

Bingo! Man, flirty! You people are endlessly optimistic. It's almost charming.

SPEAKER_28 34:51

Next was Hate Ballard and the Midnighters with nothing but good on King Records. Nothing but good for some beautiful bad people.

SPEAKER_07 35:01

And now it's time to tell you about Timmy Ree with Meo and the Haystack! Um bread bird again! It was really good. That's right. That's all I have to say. I like that. It's time for something fun. And I'm currently next little segment called Interview with our DJ. And our first interview will be with our boy DJ Sneasy T.

SPEAKER_28 36:05

You don't get it again.

SPEAKER_07 36:06

You don't get it again around temporary.

SPEAKER_28 36:24

Later in life. They are. Memories. Room they've already been in. And hand they've already been in. I can catch it before mine. I I I just something about that thing at night. Usually um at night I I clean my record, um I put it on carefully. I said the whole way through. I try to do uh no multitasking and no no talking on it. Just listening to it. Well because it's kinda weird. It is. I was a weird kid, man. Um I didn't have many friends growing up, and the ones I had were they were just really hard to understand and harder to just keep around in general, to be honest. People come with rules. No one explains anything. I was I was always worried I was doing it wrong. And the music didn't do that. I didn't need to be I didn't need to perform. It just showed up the same way um every time.

SPEAKER_07 38:03

Um it was sad, it was sad.

SPEAKER_28 38:11

If it was loud, it was loud, uh there was there was just no mixing signals up in there. I'd have to say that was my mom. My mom got me in the collection of records actually. She'd take me to the thrift stores, uh we'd flip through dusty bins together. She didn't care really if the the records were cool. She c she cared if they felt like something. And that that that that always resonated with me, and to this day it still does. Um that taste wasn't about impressing people. It was all it was about um recognizing yourself in something that someone else made. Music was and still is the way I can activate. But everything else feels like I can't. Every real friend I had started with music, actually. Um conversations like, what are you listening to? You gotta hear this, let's play, I wanna like I wanna play something. That was kind of like my my doorway with like the few friends I made as a kid and the few friends I have as an adult. So yeah, it definitely did. Um it gave me a way to stand next to someone without forcing anything. Um if they listened, we were already connecting in a way.

SPEAKER_07 39:55

You don't limit yourself to a genre. Explain why.

SPEAKER_28 39:59

I never trusted genres actually. Um they they felt like offensive uh people built after the fact. Most of what I love is old. I love um early RB, soul, blues, gospel country, rock and roll, um, all the old like late 70s, early 80s punk shit, and stuff that just sounded like it came somewhere it came from somewhere sp specific. Uh different time, different place. It's a place I I a place I've never been to. They're not lanes, uh you know what? I think they're more like intersections, to be quite honest. Um yeah. I want to know I'd find so like to say I find like some contemporary artists that I would try to look up and see who they were influenced by and who that person was listening to, and then who they borrowed it from, and all that other bullshit. And I would just keep on going backwards and just keep on going as backwards as far as I could go to like actually find something physical to listen to get my hands on, or just is it something streaming online that some some motherfucker just like put up for someone like me to find.

SPEAKER_05 41:24

You were collecting you word.

SPEAKER_28 41:35

Yeah. It felt like pulling a thread and watching it as a spider web in every direction at once. It just went everywhere. And when you had the time and the patience, you could kind of go back and follow them and find something incredibly, incredibly special, you know? Prove that none of this came from nowhere, you know?

SPEAKER_05 42:07

And we're it took me in all these different directions that I I wasn't really ever expecting to get interested in at all, actually.

SPEAKER_28 42:20

Like music from the twenties and thirties and forties and fifties, people's recording, people just you know, just people recording music like it was a message in a bottle almost. Uh with no resolution and with no final answer. Just this connection stacking forever upon themselves. I don't know if that really makes any sense. It made me feel this doesn't feel like this doesn't sound like it made me feel left alone. Like I was part of a long conversation that never really ended with anybody for any reason. I never trusted resolution. Life never wraps up. I don't want that. You're waiting for something. Um stream bang That's who I listen to when I miss somebody.

SPEAKER_07 43:56

To be quite honest, I did not expect you to say.

SPEAKER_28 44:07

Yeah man, um he was my mom's favorite. We listened to him in the car all the time, man. Windows down, she sang louder. Um she sang so loud when he was on the radio. She didn't care how bad she sounded. She just had the biggest, like the biggest smile on her face. I remember I remember dancing in the house. She would drag me in, and uh both of us would be laughing so hard, man. We could we couldn't even breathe. We would just be having such a fun time. She just loved Rose Springs so much. It was so nice to see witness one of your parents enjoying themselves like that. Like she was being a kid with me. Oh, he's asking me to play that song that you're the last episode. That we did you and Stan all day together. He just loved you. He thinks AI is so laugh at that song when he hears your daughter singing that song on the guitar. He makes me try to play that song on the guitar so he can sing it. You would die if you thought we'd be able to do it. I forget about being afraid about the world. We act like just two ding dongs. We laugh so hard. And we just he just squeezes my face. And then like right now, one of my favorite things is you know, man, man, I I I just love Gremlin specifically. And uh recently he's become a huge fan. We run around the house like maniacs, pulling all the furniture, acting like Gremlin. It's uh it's one of my favorite things right now. Um it's one of those crazy parent things where you get to kind of revisit your childhood thing or child's eyes in the moment when it's happening. I'm not thinking about money problems. I'm not thinking about life. I'm not thinking about the future man of the world. I'm just there and I'm in the moment I'm having I'm just having a good I'm just having a beautiful moment with myself Laughter. Everything was just perfect.

SPEAKER_07 50:33

Okay We move on.

SPEAKER_17 50:36

I think what we need to do is play another song And I wanna jump into something a little a little gooey Alright boys jump on in Jesus I wanna turn the daughter dance that's born around Yep, we gotta do the From the bone us down We have to move your head We have to move your hands We have to move your hips Just shake your hands And do what you shake the head And do what you shake Shake Shake your hands don't be Don't your head Don't move your hands Don't move your lips I do my head I don't shake Then I hear shake Then I hear shake you back the skin Alright Slea slings I feel I'm hinged straight now So let's jump right into the howlin' wolf with Wang Dang Doh Tell them Madden Slim Tell Raves to the Jim Tell butcher knife to the at it Tell bags talking fat it we gon' pitch up I down to that gun home We gon' roam and trunk till midnight We gon' fuss and fight till daylight We gon' bitch up Wayway doodle All night long All night long All night long All night long Tell Hoodle approach the rib Tell tower seeing your name To tell old Mr.

SPEAKER_28 53:56

Pete Everybody gonna meet the night we need no rest We really gonna throw a mist We gonna break out all the windows Gonna kick down all the doors We all bitch away wait All that long All I know All I know All I know All I know All I know Just fabs and wash no sound That maybe about it gonna tell Just shake it past cartoon With our souls on the float They'll dig it and kill I die Oh go on the hell a time Oh when the fish and feel the L I be snuff cubes everywhere We go with your way Oh no Oh no Oh na no Oh na no Oh na no Well if you can't dance to that Sleeze means that you must be a fucking quadruple some shit Well here's another chance to booty the Dante Ross with Cat Squirrel Wheel of boy God on boy Father Were you a mama That you keep me for me by the Other Other Oh She got me so She got up on the bottom I can look Well I know She don't love me She don't love me Will no more I'm only walking Well coming up next is Terrell Slim with number nine Sure Number nine up the light T Ba baby Up the Line Number Nine Up the Line Up Baby Up Black Song Just King Song I've been waiting for this for a long time to play y'all El James with Stranger Blue I'm a state Just go in your tongue I'm a stream That's all in your tongue And that's the Everybody talking about the post pizza And they come up with my baby Mother Yeah I'll wonder Do my baby Mother We are not in I'm gonna we're not in no most feeling who needs no introduction But we'll do it anyways Muddy fucking waters with got my mojo working A live recording Who knows when and who fucking knows how it even happened Aren't we glad it did that we're living in a world where a song like this could live and breathe and put a smile on your dumb face Got my mojo working butter Just over it on you got my mojo working butter Just don't break on you I wanna love you so bad Don over button Get me a mojo Get me a mojo Red Shut the Mm-Pock Jeff That I was coming He's walking through your front door But like I told you baby Well I don't love you no more No no no more It's been so long Since I kissed your lives It makes my little heart just free Oh night Ow night out I treated you right You treated me wrong

SPEAKER_17 1:06:03

No, no, no, no, no, no. No, no, no, no, no, no, no, no, no, no, no.

SPEAKER_22 1:06:10

The night hours coming, baby. And he's gonna walk right through that front door. But like I told you, baby, and like I'm telling you now, Oh, I don't love you no more. That's just one more thing I got to say. Now listen, I hate you guys, y'all ruin my life.

SPEAKER_17 1:06:27

Bye, bye, baby. I'll never be your wife. I'm saying no, no, no, no, no, no. No, no, no, no, no, no, no, no, no, no. I hate you guys, you'll ruin my life. Bye bye, baby. I'll never be your wife. I'm singing no, no, no, no, no, no. No, no, no, no, no, no, no, no, no, no, no, no, no, no.

SPEAKER_29 1:07:05

Here we go, boys and girls, with the orloads, not me on Cameo Records.

SPEAKER_17 1:07:17

Well, this county, California, where the RT grow.

unknown 1:07:22

It is a pretty little girl, that he used to know.

SPEAKER_17 1:07:33

She said, Come on over, daddy, let's tell me what He said, Why about you have it back on the gym? She said, Come on over, daddy, don't you worry about him? Not me, not me, not me. I ain't no bummer. When I was down in Alabama, where they tell you all Who will they dang around until I have a bone? Who really talking to me? And then they looked at him and called him carefully. He said, I went a minute, but for you and call me right the deck, what you tryna do? I've got a little bike.

unknown 1:08:19

I ain't no bumper. When I back and put in your back and it's home now. But where we die, I just take a lot of Yeah, and I never know more, what will be ever wrong?

SPEAKER_17 1:09:09

You know, we're thinking right there do it never home, girl wants to do it, he said let's make a trip. He said you better shut up, pull a bunch of in your lip.

unknown 1:09:24

Yeah, back to him.

SPEAKER_29 1:09:27

Let's jump on in with James Brown, the godfather of soul. Yeah, don't you?

unknown 1:09:34

Yeah, don't you?

SPEAKER_17 1:09:42

Don't win, come back, come back. Mama didn't know what y'all don't know what's putting down. That's it. My mama told me to leave the agony alone. That was me alone. She decides to keep away from that one. My mama didn't know my dad don't know what's wrong with that. That's one more year. Yeah. Yada.

SPEAKER_06 1:11:56

Ya daya. What the? Alright, turkeys!

SPEAKER_28 1:12:02

Coming up next. The capitals, the boys have brought you cool jerk. Well, they're gonna be bringing you another song called We Gotta Thing.

SPEAKER_30 1:12:10

That's in the groove on Karen Records. Enjoy.

unknown 1:12:15

Wow.

SPEAKER_17 1:12:17

It's a feeling you can't explain. People, it'll put you in a plane. It'll make you so your pants stand still. Baby, do you get this feeling? We gotta be less in a room. Yes. It's so here, it'll make you move.

unknown 1:12:40

I know you wanna shout.

SPEAKER_17 1:12:48

She won't get to let us know. We gotta bring up. Here we go, here we go, here we go. Here we go, here we go, here we go.

SPEAKER_29 1:13:55

Let's take a trip with Jimmy.

SPEAKER_08 1:14:00

I wish to see my baby. I wanna baby. I wanted to be a triple with me.

SPEAKER_09 1:14:21

Around the world. I come out of baby. If they could triple with me. Around the world. I come out of the baby. If they could be a baby, I want a baby.

unknown 1:15:33

I come on, baby. And you can go with me around the world.

SPEAKER_09 1:15:41

I come on, baby. And I had a baby.

unknown 1:15:46

Give it up our way. And I need a baby. Give it our baby.

SPEAKER_07 1:15:57

I come on, baby. I like that sweet wings. I song covered by many, but never done so well. Richard Wiley and his band with a song about money.

SPEAKER_17 1:16:14

The best things in life are free, but you can give them to the birds and bees that need money. That's the what I want. I need money. Oh yeah, that's what I want. Your love, give me such a thrill. But your love don't pay my bills.

unknown 1:16:35

I need money. That's the what I want. That's what I want. Oh yeah, that's the one I want.

SPEAKER_17 1:17:17

Money don't get everything is true. When it don't get out of you that's a what I want to what I want I give me money, I give me a lot for money.

unknown 1:17:40

And give me a lot for money. I want money.

SPEAKER_06 1:17:45

Oh yeah, I'm about to what I want.

SPEAKER_29 1:17:49

Alright, Sleaslings, let's talk more rock.

SPEAKER_28 1:17:53

We're gonna take a big old break of us talking shit to you and just have you enjoy a bunch of songs in a row. And then we'll come back and we'll chit-chat, we'll say hi, we'll do all that dumb stuff. Ciao.

SPEAKER_17 1:18:06

In the hall I got a rocking band. Come on, baby, let me take your hand, let's start. What girl I stop now? You know your shoulder fine, I won't make you mind, let's stop. Hey baby, put your stompers on. But do a dance that's a really gone, let's start. Yeah, let's stone. You know, you're looking good like I knew you would let's stop. Hey baby, it's a me and you. We're gonna stand the whole night through that stone. Oh girl, let's start. You know, I love you so I never let you go and stop Hey baby with your stompers on. We'll do a dance, just a real let's go, let's stomp. Hey, girl, let's stop now. You know you're looking good like I know you go to let's stop. Hey baby, just me and you. We do the stomp the whole life, do that stomp. I went down the rope, the rope for the foot, to my toe, my toe water, too ball, too ball, ball, gonna go back to the boat, but they go potato two potato two potato pool, I potato two potato, two potato pool. Ready on that? Here I go anybody round my face everybody I just got back from my tour over in England, yeah.

SPEAKER_13 1:21:40

Everybody's talking about the rock and crave over in England!

SPEAKER_17 1:21:43

Yeah, come on over, baby, hold on a chicken on over, baby, yeah, come on over, hold on a chicken one, babe, we got chicken in my bottom, hold on a chicken, come on, hold on a chicken, baby shake, baby shake, save the shape, baby shake, baby shake, baby shake, save, baby, baby, chicken.

SPEAKER_12 1:23:04

I think the pickle on the singing And nobody's angry all the time. And nobody's sad all the time. But the important thing is that we can have any one of those feelings and not worry about it. There are things that we can do when we're happy, and things that we can do when we're angry, and things that we can do when we're sad that don't hurt ourselves or anybody else.

SPEAKER_17 1:23:41

Maybe even dangerous, she's the only one I know. She was good to me, I didn't know I wanted to know that she was all dead. She's the only one I love.

SPEAKER_19 1:24:56

She's the only one I know.

SPEAKER_17 1:25:15

She's the only one I love. She's shake, shut your house, shake shut it so you guys so that yeah.

unknown 1:27:05

Yeah, yeah, yeah.

SPEAKER_17 1:28:39

In the jungle, there's a monkey named Coco Joe. The coolest little monkey that you ever know. You don't have a tail like the other monkeys do. Trim little suede and it dyed it blue. Coco Joe, let me tell you about a Coco Joe. Coco Joe, the coolest little monkey in town. Coco, let me see there's no sway. He wears all the legals with a crazy drain. You should see his fall, it's the funniest thing. You change the stroll to the monkey swing. Coco. And let me tell you about a cocoa choke. Coco, the coolest little monkey in time. Let me tell you about Coco U-Jo. Cocoa U-Cho, who is in the monkey in town. Coco that cat really fits the chicks out of joke. Like a chatter that really fits. When they talk about marriage like the other monkeys, here baby now later for you. Coco, I didn't tell you about Coco U-Cho. Coco, sit a moment. I didn't tell you about Coco U-Cho. Coco, who's in the Moggy and Tango Bitcoin, that's the next one.

SPEAKER_18 1:32:30

Well, I know you've got those pretty blue eyes. You got a figure you can advertise. But honey, baby, it's friendly stand alone. When you talk, it's summer mystery. And when you walk, it's like you're dancing for me. But honey, baby, it's friendly stand alone. Honey, baby, I love you so I never never let you go. Let's level it up. Don't ever stop. Kiss me, kiss me, kiss me till I drop Well, well, smile the tree, make me crazy inside. My dishes put boiled, roasted and fight. Yeah, honey, be this is the little Yeah, yeah, yeah.

SPEAKER_17 1:33:52

Come on, come along. Baby, yes, whoa, whoa.

SPEAKER_18 1:33:59

I'm so I'm alone, let's get go Let's drop it up, don't ever stop, kiss me.

SPEAKER_22 1:34:27

Hey, pretty baby Don't you hear the drummer thumping? You gotta shake it like a crazy I cause the man is saying something.

SPEAKER_28 1:34:39

Everybody is a jumpin' You gotta slap up, flip, flap, flip, hop, oh gotta go, oh you can't go, all you can When yourself creeping And the bed is really bootin' You hear the hippie with the back beat up And you see the ganger groovin's I gotta get your motor moving You gotta make it break it shake it all around You can't sit up You gotta move You gotta Yeah yeah I don't mind You gotta shake it like a crazy I don't even have I don't know throw it on my slap You can't sit up You can't sit up You gotta move right here Everyone does it Let's go with muddy This is real A good lady Well the world Lightly outside this doesn't move your own fucking track with little Richard with a whole lot of shaking going on, all right?

SPEAKER_29 1:38:07

That isn't just music wrapped up in a little bit if you're still sitting there with that song. You're a goddamn square! What the hell's wrong with you?

SPEAKER_05 1:38:21

That was dying hard with my yellow. This is one for the late night romantic. This is one for the one trying to get dressed up.

SPEAKER_28 1:39:08

Oh wow. That was Don and Dewey with a cocoa. Absolute maniac music. This is for the weirdos only, the ones living like there's no tomorrow. Why the rest of the world stays politely as slame.

SPEAKER_05 1:39:29

Don't worry about it.

SPEAKER_28 1:39:32

Should we worry about that guy?

SPEAKER_05 1:39:34

Don't it's okay. I've seen a way more fucking territorial easily. This is where you are playing.

SPEAKER_28 1:40:36

And we're closing this run with a you can't sit down, and that's the truth. If you still planted in your chair right now, and you've been sentenced to a boring death. So get up and get weird and make a big old fucking mess for the snacks.

SPEAKER_18 1:40:57

I gotta be a little baby pull the jank on me.

SPEAKER_06 1:41:00

Larry Williams covering Heebie Jeebies by Lil Richard came out in 1956 on specialty records. I hope you like it, because I love it. It's one of my favorite songs.

SPEAKER_17 1:41:12

Let's make a little baby pull the janks on me. Gotta get back.

SPEAKER_10 1:41:31

I got the T B T this that I love you so.

SPEAKER_17 1:41:34

I got the T B T half and so. I'm not gonna be a fool over you no more. Baby T and I love you so be a pretty baby, I'll break down your door. I got the TV T this I have to go.

unknown 1:41:52

Come on, baby Then you be mine.

SPEAKER_17 1:41:54

You pretty little thing waste of my time. I love you so pretty, baby, till I break down your door.

SPEAKER_29 1:42:50

Right here, right now, you're listening to Jimmy McCrackling with the wobble on Mercury Records. This show's almost over, Sleasleans. Let's have a good fucking time before it ends up. You don't know what it's all about.

SPEAKER_20 1:43:05

And you want to rock, I show you how. I want to show you how to do the wobble. Just get that baby from your partner. Now all you do is what you told.

SPEAKER_19 1:43:21

Costa wobble ain't nothing but a shake though you do the wobble, take your time Costa, ain't nothing better you can do a fine. Everybody can do it, why can't you?

SPEAKER_20 1:43:45

That's the speed that you can do if you can't wobble, get on the floor. Stay here, baby, no bottom.

SPEAKER_19 1:44:17

I'm the whole game to it as y'all can do I'm the whole case to it as the uncle do the own soum up the way they go.

SPEAKER_20 1:44:29

I'm the old dust do it the way they go.

SPEAKER_29 1:44:33

When you walk it take off you spin your potash to it and blue Well Bobby James is gonna be kicking down the door with going back to Philly on looter records. Let's do it!

SPEAKER_24 1:45:01

Going back to Philly where I belong, going back to Philly, be gone too long. Coming from baby King's hamner phone, goin' back to Philly where I belong, alright. Hey hey, alright, hey, hey I've been everywhere, from Miami to LA. I ain't been happy for one single day when I get that feeling, got thrown, going back to feel it where I belong, alright. Hey hey, alright, hey hey Going to feel it, I'm on my way, I should be there by the end of the day Goin back to feel it where I belong, going back to feel it been going too long. Coming to me, it takes it down the phone, going back to feel it where I belong, alright. I've been everywhere, I am it real late. I ain't been happy for one single day when I get that feeling, got home. Going back to feel it where I feel, alright. Alright. I goin' back to feel it, I'm on my way. I should be there by the end of the day.

SPEAKER_29 1:46:26

All great things must come to an end, Slea's lanes. And that's why we're gonna end it with one of our favorites, James Brown. Tell me that you love me, a chaotic piece off of King Records. Let's have a nice last night.

SPEAKER_26 1:48:34

What happened? What would happen? What is the very end of the play? That may happen. A few things that whatever happens, it's okay. So you cannot be playing moving in some direction when you're wrong. Something you've done. You're either free to play or you're not. So you've got a risk of saying things that are silly and illogical and wrong. And the best way to get the confidence to do that is to know that while you're created, nothing is wrong. There's no such thing as a mistake. And any rhythm may lead to the break.

SPEAKER_23 1:49:23

Do you think it is possible for someone to forgive themselves even when they've done something absolutely terrible? At some point you do if you don't call the sound. But you have to go through the fire. You have to experience a common to come around to something like something that's what you see responsibility.

SPEAKER_05 1:50:25

Bukowski says, Let it die. And he's right. Some parts of you have to be buried.

unknown 1:50:38

The version that keeps begging. The version that keeps performing. The version that won't release what already ended. Let it die.

SPEAKER_05 1:50:55

Because style isn't what you pile on. Style is what's left. When you stop carrying the dead weight of who you thought you had to be. An Ecclesi shows up talking about creativity. Like it's not some lightning bolt.

unknown 1:51:26

He says it starts with playfulness and openness to whatever might happen. Before the rules, before the practicality, before the world slams the door shut.

SPEAKER_05 1:51:46

Creativity lives in that open space, that fragile moment where you let your imagination move without immediately strangling it with judgment.

unknown 1:52:03

That's the room you have to protect. And then Tony Morrison says, forgive yourself with grace. Not because we're perfect, not because you're innocent.

SPEAKER_05 1:52:22

Because you don't have to spend your whole life punishing yourself for being human. And somewhere underneath all of it. That's love. Not the soft kind, the real kind. The kind that says, I'll let it die, I'll stay open, I'll forgive. Because I refuse to live without tenderness. That's self-expression. That's survival. That's style.

SPEAKER_07 1:53:06

That's uh Hey Doomsday.

SPEAKER_05 1:53:12

What's up?

SPEAKER_07 1:53:13

Hi, it's me, Evil AI Robot.

SPEAKER_05 1:53:16

Nice to meet you. Pleasure.

SPEAKER_07 1:53:18

It kind of ended on a shitty note.

SPEAKER_05 1:53:21

I'm just reading the script, man.

SPEAKER_07 1:53:23

We need to play one more song. Okay. It might not be the best song. Whatever, dude. Good song.

SPEAKER_05 1:53:30

I'm not gonna stop you.

SPEAKER_07 1:53:32

He just loves this this map.

SPEAKER_05 1:53:34

Do it.

SPEAKER_07 1:53:35

What do you think?

SPEAKER_05 1:53:37

Well, yeah, he's the boss, so fucking do it. I don't care, kid. Fuck. I'm just trying to sell this fucking nonsense up. Be my little man. I'm just trying to do my fucking job.

unknown 1:53:51

I'll fuck it out of here, dude. Fuck off! Fuck that.

SPEAKER_05 1:53:54

Yeah, fuck you too.

SPEAKER_07 1:53:57

We're gonna end this with a secret song, like we always do. Rattle the boat on this rocket, Oregon. This is gonna be fucking ball.

SPEAKER_25 1:54:27

All the way. We bought the pride. We both begin the ball. Oh my goodness, baby. I won't love you, bull. Oh my goodness. I want you to love me. Don't you cry? Oh, we both of the ball. Oh wave. Oh we ball of the ball. Oh, we ball.

unknown 1:56:04

Oh, we ball.

SPEAKER_12 1:56:05

Like expressing their feelings through music to get art, dance, sports, and drama, computers, and writing, and invariably we end our little time together with a hub. I'm just so proud of all of you who have grown up with us. And I know how tough it is some days to look with hope and confidence on the months and years ahead. But I would like to tell you what I often told you when you were much younger. I like you just the way you are. And what's more, I'm so grateful to you for helping the children in your life to know that you'll do everything you can to keep them safe and to help them express their feelings in ways that will bring healing in different things.