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Sirens 1

Ted Crouch Season 1 Episode 30

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0:00 | 57:56

Sirens is the first in a multi part series that we’ll come back to now and again. We are going to delve into one of the better known Myths — Homers epic —  ‘The Iliad and the Odyssey‘ and one of the stories where it’s pretty easy to figure out the ’truth’ behind the Myth.

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This is Acoustic Avenue. I'm Ted Crouch, your host in Salmon Arm, British Columbia, with co-producer Joe Little in Calgary, Alberta. On Acoustic Avenue, we recognize with respect and gratitude that these lands where we live, work, and make our music remain home to a number of indigenous nations and people. We acknowledge this land out of respect for the indigenous nations who have cared for Turtle Island, also called North America, from before the arrival of settler peoples until this day. It has been said that all myths are based in truth. Today's show is the first in a multi-part series that we'll come back to now, and again we're going to delve into one of the better known myths, Homer's Epic, The Iliad and the Odyssey, and one of the stories where it's pretty easy to figure out the truth behind the myth. The Iliad is the story of the Trojan War, and the Odyssey is the story of Odysseus, also known as Ulysses, who was one of the heroes of that war, principally for coming up with the idea of the Trojan horse and his journey back home to Ithaca. It's a seafaring tale of travels through exotic lands, and with a crew enduring terrible storms and horrifying monsters. The story is set against a supernatural atmosphere where the gods use humble disguises so that they can be involved in human activities, keeping them safe by warning of upcoming catastrophes, provided they heed those warnings. In the first story, the goddess of Cersei warns Odysseus of the Sirens, a pair of monsters who pretend to be beautiful women with amazing voices, beguiling voices that can hypnotize men and thereby compel them to sail their ships into the rocks of their island and drown. If anyone unwarily draws too close and hears the singing of the sirens, his wife and children will never welcome him home again, for they sit in a green field and warble him to his death with the sweetness of their song. Today we will have a listen to some of the amazing voices that have hypnotized and enthralled men and women over the decades. Elmire Quinn will lead us off with the voice. Then Elaine Page will join Secret Garden and perform the things you are to me. We end this set with the hauntingly pure voice of Karen Carpenter and her rendition of this masquerade.

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I am the voice of your voice to change. Be not afraid to come follow me. But my corner does I am the voice of the wind of the pouring brain. I am the voice of the hunk of day. I am the voice, little wheels is calling the way the voice in the feels when we spend the dance of the feelings. You are the best of me. Suddenly take fright you might be just fan to see, but then you reach for me and once again I see all the things you want me. You are the song that comes on summer wings.

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And no matter how I try to understand the reason why we carry on this way, we're lost in this mess great. And no matter how hard I try to understand the reason why we carry out this way, we're lost in a masquerade.

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Nora Newar, Peggy Lee, Patty Page, and Whitney Houston are all notable female vocalists who made significant contributions to the music industry. They have all had a cultural impact in the evolution of their respective genres, shaping the music industry's landscape, and all played vital roles in the world of music, leaving a lasting legacy for future generations of artists to follow. Opening this at his Nora Newar, showcasing her powerful and soulful voice with Forget What I Said. She will be followed by Peggy Lee and her iconic recording of Fever. Then Patty Page, whose crossover success set the stage for other artists seeking to bridge the gap between country and pop will sing Hush Hush, sweet Charlotte. We end this set with Whitney Houston, who had one of the most remarkable and powerful voices in the history of pop music singing I Will Always Love You.

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I get abuse, I get high, I'll explode like that, and I cry to the dust settles down. When I'm cold when I'm feeling hot. Sometimes I guess things just happen to the face. I'm taking a bed. Put you on my black magic space. You like no bad yeah, yeah.

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I'll make good on my bed. I'll make nights of all this hands on my back.

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Never know how much I care when you put your arms around me, I get a fever that's a hardest day. You give me fever When you give me fever, when you hold me in the morning fever all through the night Sunlights up the daytime, moonlights up the night I light up when you come on and you know I'm gonna treat you right you give me a fever when you can't sleep a fever when you wanna fever in the morning fever Everybody got the fever that is sound you all the fever in the same fever started long ago Rome you love, Julia Julia she felt the same When he put his arms around her He said, Julie baby, you my flame now give us fever When we kisses the fever with that flame in you Fever I'm a fire Fever yeah I burned for soon Captain Smith and the poker honest had a very mad affair When a daddy tried to kill him She said Daddy oh don't you dag in me feet With his kisses a fever when he holds me tight. I'm his missus. Daddy won't you treat him right? Now you listen to my story. Here's the point that I have made. Chickens were born to give you fever. Be it a Fahrenheit or sand or gay, but they give you fever.

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When you get a fever if you live what a lovely way to burn What a lovely way to burn What a lovely way to go to way to burn Hush Hush, sweet Charlotte, Charlotte, don't you cry? Hush hush, sweet Charlotte, he loves you till he dies. Oh hold him turling, please hold him tight and brush the tear from your eyes. You weep because you had a dream last night. You dream that he said goodbye. He held two roses within his hand.

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Two roses he gave to you.

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The red rose tells you of his passion. The white rose is not so true. Hush hush, sweet shine, child, don't you cry? Hush hush, meet up you love you till he died and every night after he shall die. Yes, every night when he's gone the wind will say to you this love. Sweet child was loved by John.

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Sweet shine.

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That is all I'm taking with me. So goodbye.

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In this next set, we'll introduce you to three accomplished vocalists known for their distinctive styles and outstanding vocal qualities. Rosemary Clooney was known for her remarkable ability to interpret lyrics with emotion and nuance. Her voice had a comforting quality that made listeners feel at ease. Her vocals have a pristine quality that is both soothing and evolved. She will sing You Leave Me Breathless. And we end this out with Annie Lennox, highlighting her exceptional vocal range and deep, soulful and slightly raspy voice singing into the west lately when I'm in my room, all by myself in the solitary gloom, I come to myself.

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Hey there, you with the stars in your eyes, love never made a fool of you. You used to be too wise. Though he won't throw a crumb to you, you think someday he'll come to you. Better forget him, him with his nose in the air. He has you dancing on a string, break it, and he won't care. Won't you take this advice? I hand you like a mother, or are you not seeing things too clear? Are you too much in love to hear? Is it all going in one ear and out the other? Hey there you with the stars in your eyes.

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Are you joining me? Love never made a fool of you. Not until now.

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You used to be too eyes.

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Yes, I was once.

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Will you take this advice? I have you like a mother Oh am I not seeing things too clear? Are you just too far gone to hear? Is it all going in one ear and out the other? You leave me breathless.

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That little grin of yours.

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That funny chin of yours Does so much to my heart. Oh, give your lips to me for darling. That would be the final touch to my heart. You leave me breath. That's all I can say.

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You've come to Jenny's end. Sleep now, dream of the ones who came before they are calling from across a distant shore. Why do you weep? What are these tears upon your face? Soon you will see all of your fears will pass away.

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Save my only sleep. What can you see all? Why do white God call? The ships have come to carry to steal the glass, a light on the water, all souls hopefully into the world of night through shadows falling out of memory and time. You and I will meet again, and you'll be here. What can you see?

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To take us home today, we have five legendary female vocalists and performers who have made indelible marks on the music and entertainment industries. Each of these artists has achieved iconic status and presents unique and instant. Recognizable voices that set them apart from their contemporaries. They have all released chart-topping singles and albums and received Grammy Awards and nominations in recognition of their outstanding contributions. Their work has influenced and inspired generations of artists who have followed them, and their contributions have left a lasting imprint on the music world, and their music continues to be cherished and widely enjoyed by audiences of all ages. They collectively represent some of the most influential and enduring figures in the history of music and entertainment. We hope you have enjoyed the show today, and perhaps experienced moments of feeling hyped and enthralled by the voices of these remarkable women. Here is Diana Ross with the theme from Mahogany and Billy Holiday. Then Dion Warwick sings Alfie. And to represent our sirens, we feature a duet with two legends singing, Get Happy. Happy Days are here again with Barbara Streisand and Judy Garland.

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Do you know where you're going to? Do you like the things that life is showing you? Do you know? Do you get what are you hoping for? When you look behind you, there's no open doors. What are you hoping for? Do you know? Once we were standing still chasing the fancy feel You love you, speak the question that you want us to. Do you know we're going to? Do you like some life show? Do you know? How's all the answers to those questions can be? Do you know where you're going to? Do you like the things that life is showing you? Where are you going to? Do you know? Do you get what you're hoping for? When you look behind you this morning doors.

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Could make me be blue. And even be glad just to be sad. Thinking of you.

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Might never be me.

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Might never be cross or try to be bots, but they wouldn't do.

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Give me three with all your thoughts. I love you still. It had to be wonderful. It had to be it had to be.

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Could make me be true.

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And me wouldn't be black. My never be cry. I'll try to be born. But they wouldn't know. With all your thoughts, I love you. It had to be wonderful. It had to be what's it all about?

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Is it just for the moment we live? What's it all about when you sort it out?

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Are we meant to take more than we killed? Hall are we meant to be cast? Alfie. Then I guess it is wise to be cruel. And to the street, Alfie. Without true love, we just exist.

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I mean untapped by the love you miss.

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You're nothing else.

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When you walk, let your heart lead away, and you find love any day.

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Come on, get happy. I hear again. So let's sing a song. Come on, get happy. Cheer again.

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Happiness I hear again. The sun is shining together. Shut it down.

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Shut hallelujah. So let's tell the world and just get happy about it now. Happy days off. We're heading across a river. Soon your kids will all be gone be no more.

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From now on. Just get happy.

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Happy time.

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Until next time, this is Ted Crouch signing off, and on behalf of Joe Little, from our hearts to yours, stay safe and love the ones you're with. Peace.