Push Play Cafe

Classical Crossover

Ted Crouch Season 1 Episode 15

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0:00 | 57:57

In the realm of Classical Crossover, the album Days of Future Passed was one of the first in Rock to be recorded in Stereo and the first to be recorded with a Symphony orchestra. This approach to arranging music has become popular enough in the last few years that it now is classified as the sub-genre — Classical Crossover — a style that employs full orchestral arrangements to Pop and Rock songs.

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This is Acoustic Avenue. I'm Ted Crouch, your host in Salmon Arm, British Columbia, with co-producer Joe Little in Calgary, Alberta. On Acoustic Avenue, we recognize with respect and gratitude that these lands where we live, work, and make our music remain home to a number of indigenous nations and people. We acknowledge this land out of respect for the indigenous nations who have cared for Turtle Island, also called North America, from before the arrival of the settler peoples until this day. Here's Joe to introduce our program for today, Classical Crossover.

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In the summer of 1968, a group of friends and I got together for an ice blocking party that was to be followed with hot chocolate and sleepboard. What the hell is ice blocking? Imagine riding a block of ice down a grassy hill in the summer, as opposed to riding a walking down a snowy wind in the winter. So we had a snow.

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In need of company, And like some angels, hello proud You recover purity I see your armor plate in front As long as lost the sheep And in your advance fate of sounds and for steel Though I hope for something to find I was still a white What's the door for your stuff up on your stores In your road scaven now stand up, stick for Stu I know your fate I've spent on the time I must pay my respects Though I came to cheer at you I leave now with a friend As the clue picking stuff off to I know you came with so you did the fuck up a too best and for this gift a feel blessed a little group has always been and always will until the end Hello Hello Hello With the Light It's a stage It's a night It's a savage It is too It's a changes It's a night It's it's a And I forget 'cause why I'd say it's oh yeah I guess and maybe it is mine I find it hard It's hard to find Oh now Hello Hello Hello Hello Hello Hello Hello Hello Hello Hello Hello It's Load Bring your friends It's fun to Hello Hello Hello Hello Hello Hello Cat Se Perdito Quiere Me otra vez me dio Cuando te separaste de Dime que No quiero llorar Extraño el amor que se fue Extraño la dicha también Quiero que vengas a me vuelvas a querer No puedo más Si no estás tienes que llegar sin ti a mi lado Viene otra vez Por daré loro que alguien te metió Cuando te separaste de Dime Non me abandones hablando solo de ti Devuélveme la pasión de tus brazos This is Acoustic Avenue A huge thank you goes over to Joe for writing and narrating the introduction for today's programme and breaking that block of ice as we delve deeper into the genre of music called classical crossover Classical crossover blends elements of classical music with popular music or another non-classical genre results in a style of music combining technical characteristics of classical music with a broader audience originally performed by Richard Harrison by the London Philharmonic Orchestra is completely instrumental on this older multi-intersection composition.

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While I will be there is a more modern ballad performed by classical crossover artist Katie Malua with a focus on themes of love and commitment.

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She always wanted us to go. And she said, don't ever remember. I always came. Remember, and the lady that we know she has a smile so bright and sweet, and hair as white as driven snow. She has a very special way to make us smile when we alone. And she says, Don't ever be only remember I always care wherever you may be remember. I will be there. Don't ever be loving.

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Classical crossover music can be performed by a diversity of artists, including classically trained musicians, pop artists, vocalists with a background in other genres. The genre has seen the emergence of crossover artists who were trained in vocal classical hand. And we ended with the two main songwriters for the Moody Blues, Justin Hayward and John Lodge with Winters and Years from their debut album, Ludio. Their style was taken from their Moody Blues album that we mentioned earlier in this show, The Days of Future Past.

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I play it on my own supply, play it on my ADD, baby, maybe I should cry for her, maybe I should kill myself, they made on my ADD, baby. Maybe I'm in different breed, maybe I'm not this turning, they made on my AD baby.

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Most of all my darling when not only start to fall.

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These hits often feature a fusion of styles and appeal to a broad demographic. We hope you've enjoyed today's program and gained an appreciation for this new genre of music. We want to leave you with two songs that we are sure you will be familiar with hits from the rock world that are equally as popular as classical crossover songs. Here is House of the Rising Sun by the London Philharmonic Orchestra, and Stairway to Heaven, which was performed by Anne and Nancy Wilson from Hart at the Kennedy Centre Honors for Legends.

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There's a lady show. All that glitter is gone. And she's crying to her. When she gets, there she goes. If the stones are closed, with what she can get when she can stay here. There's a sign on the wall. But she wants to be sure. Cause you know sometimes words have to end in another tree. There's a song bird sing. Sometimes all of our thoughts are miscue. Makes me wonder. Makes me wonder. There's a feeling I get when I look to the west, and my spirit is crying for me. In my thoughts, I see rings of smoke through the trees, and the voices of those who stands me wonder.

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It's just it's bringing for away. Yes, there are two pants you can go by, but it belongs.

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Until next time, this is Ted Crow just signing off. And on behalf of Joe Little, from our hearts to yours, stay safe and love the ones you're with.