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Why This Film?
🎬 Exploring the Criterion Collection, one spine at a time.
In each episode, I sit down with film historians, critics, filmmakers, and scholars for in-depth conversations about a single film from the Criterion Collection.
I'm Ron, and I guide these expert-driven discussions examining the artistry, cultural significance, and historical context of classic and contemporary cinema. From French New Wave masterpieces to American westerns, from experimental shorts to beloved classics, we unpack what makes these films essential viewing.
Whether you're a longtime Criterion collector, a film student, or simply curious about cinema history, Why This Film? offers thoughtful analysis and engaging conversations about the movies that shaped filmmaking.
New episodes release 1-2 times monthly. Subscribe to join me for deep dives into the Criterion Collection.
Why This Film?
After Hours (1985, Martin Scorsese) with Sheila O'Malley - Criterion Spine #1185
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"It's such an important film in his [Scorsese's] filmography. I'm so happy people are discovering it and Criterion decided to focus on it."
In this episode of Why This Film?, Ron is joined by critic and writer Sheila O'Malley of RogerEbert.com to discuss After Hours, Martin Scorsese's dark comedy and anxiety-driven odyssey through late-night SoHo. Sheila also wrote the essay for Criterion's release of the film.
Together, they walk through the film scene by scene, tracing how the evening spirals out of Paul's control. The poor guy just wants to go home. The discussion goes from Scorsese to Hitchcock to Kafka to Mr. Softee.
And as always, Sheila answers the central question: Why is After Hours included in the Criterion Collection, and why does it still matter today?
You can find more from Sheila from the links below:
Frankenstein by Sheila O'Malley
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