Oh NASA, Why You Gotta Be Like That? And Other Musings

Warning: This episode contains strong language and adult themes, reflecting my authentic storytelling style.

I ain’t done with, NASA. There is simply more to say.

Did you know number 33 is a power frequency? It’s been hijacked, just like the number 13. Had to come back to this one. There’s more to share.

Sounds, symbols, and rituals show up in everyday life both overtly and covertly, but most don’t connect the dots. I’m shining some light on this.

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Transcript

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Well, well Fancy meeting you here in Podcast Land. How the heck are you? For goodness sakes, how the hell are you? It's been not even a week and I've missed you terribly. Welcome to Me Time Musings. I'm Jess. And we're gonna muse it the fuck up today. I am doubling down on NASA. These motherfuckers. These these lying little bitches. Uh yeah, I'm uh I'm coming for you, NASA, because you deserve it. So, um I say let's waste no time. Let's get the fuck into it. Let's get it, let's go. Um yeah, you know, I decided I just I ain't done with them. Because it's important, I believe, to shed some additional light on NASA because they are a very large part of the lie around where you live and what this is. And this lie opens the floodgates, and they know it. It opens the floodgates to a great many other things. So this is why you see such a concerted, intentional effort to push so many lies your way almost every single day in some capacity around where you live, what this is, and who you are. The more people that come online, you know, have an awareness, are awake to what's really going on here, is what brings to a screeching halt the dark ass deception. There is immense power in collective consciousness. The light will always supersede the dark, but you have to know that you are the light and that you are crazy powerful. It's about collectively linking up, locking arms from an energy, frequency, and vibrational standpoint, the grid is shaking. People are going within. They are questioning shit. Awakening is happening. And you know whether they anticipated that as a downstream effect of COVID, I don't know. I would assume they knew. Considering they have the ability to time travel and to look into the future, it's called Project Looking Glass for another day. But does anyone wonder or question why The Simpsons, the show, gets so many future events um or details right before they happen? They even get Powerball numbers right. I mean, huh. That's a real head scratcher. Did you know that mister Schmepstein won the lottery or reported three times? One time was in New Mexico for eighty million dollars. That is in the files, that is in the emails. Does that seem right to you? Sure doesn't to me. It sounds a little bit just a smidge uh that it's rigged, wouldn't you say? All right, anyways, um, back on track. This whole moon bullshit was NASA feeding the system with the lies and narrative to keep people mentally contained with the story that you live on a spinning ball hurtling through space. That you are the downstream evolution from Neanderthals. I beg to differ. It is about control and containment. They served up a messy ass plate of NASA slop, and you'd think they'd be executing with such precision, given all the things, but it's the exact opposite. And I think the only conclusion one can come to is that these satanic loving Freemasons don't value quality. They do a real rush job. Speaking of those satanic loving Freemason perverts, I'm also circling back on the number thirty-three because it is literally everywhere. Thirty-three is a very powerful number, and it is intentional that they flood the system with it. It's similar to what they've done with the number thirteen, which I talked about not too long ago. It's a number of equal power. And I will go ahead and refresh your memory on some of that today. Don't you worry. I got you. All right, uh so Artemis, the word, is the goddess of disease, plague, and sudden death. The full definition is in Greek mythology, Artemis is often considered a goddess of sudden death, plagues, and disease, specifically targeting women and young girls, acting as a counterpart to her brother Apollo, who inflicted the same on men. You think that's a coincidence? You know what, girl doesn't? Nothing is a coincidence with these parasites. So NASA isn't just space exploration. It's part of the veil. Some say it's not evil. I say it is. It's positioned, it's planted. It was created at the height of psychological ops, Cold War secrecy, and technological cover-ups. Its job is to control the narrative of space, what's out there, what's not, what's real. They drip feed just enough to keep the public intrigued while hiding advanced tech, energy knowledge, and ancient truths tied to the stars. You ever wonder why NASA symbols are full of serpent tongues, forks, and rings? Or how their top scientists always seem to brush off anomalies and then they bury the footage. They're not just looking outward, they're gatekeeping what's already known and filtering what we're allowed to remember. So we know they know shit. And they seem to have an insatiable need to control the skies that belong to all of us, by the way. Here's the Dilio. They control the skies because the skies are a mirror, not just vast space, not just stars, they're a memory field, a veil, and a gateway. If people looked up and really saw, if they remembered what's actually out there, what's been coming and going through those portals, what the stars really are, the entire illusion would collapse. The mimic uses the sky as one of its biggest distractions. Space as a concept became a way to push people's eyes outward, while the real doorway was always within and above, both literal and metaphysical. NASA's role is to keep the sky explainable, sterilize wonder, mock anything too strange, control timing of release, filter what's allowed through the glass because when you control the sky, you control the narrative of origin. And if you control origin, you control identity. If humanity forgets where it comes from, you can write its story for it. But the sky is cracking now. We feel it and they know it. That's why the disclosure drip has started, but it's twisted, it's fragmented, and it's safe. So what are the stars? The stars aren't just balls of gas millions of light years away. That's the mimics cover story, the safe, mechanical version, clean, cold, and containable. The truth is that stars are memory. They're conscious light nodes, anchored into the sky field as record keepers, not just of time, but of soul pattern. Each one is like a signal gate holding a piece of the original design, the blueprint, the truth of who and what we are. When people look up and feel something stir, that's not imagination, that's recognition. We come from stars. Not in a metaphorical sense, but in a resonant one. You carry strands that link to specific stargates like Sirius, Vega, and Lyra. Those aren't just locations. They're frequency lines. We need to remember the sky isn't above us. It's around us, inside us, reflecting us. The mimic turned the sky into something unreachable. But it was always a mirror of soul, and when you activate your own internal gates, the sky begins to respond. That's why they keep it locked down. That's why space is filtered through agencies, telescopes, and glass, because if you remembered what the sky really was, you'd remember what you are. And then the mimic system falls. So when you go out and look up at the sky, stand still. Bare feet if you can. Look up, not with your eyes alone, but with your field. Let the mimic thoughts pass. Don't try to get anything. Just listen with the part of you that remembers. And then say this out loud or in your mind, I remember you. And I remember what I am. The sky is not above me, it's mirrored within me. All mimic gates are null. I see the true light and I'm open. And I wait not for a sign, not for magic, but for a shift. And you might feel tingles, pressure, pressure in your chest, a pull behind your eyes, or a strange stillness. That's your gate answering. Thirty-three. It's a power frequency. It's not random and it's not just symbolic. It's code embedded into the fabric of this realm because it mirrors ascension through embodiment. You have thirty-three vertebrae in your spine. Energy rises from the base to the crown through those thirty three steps. That's the kundalini path, the Christ path, the serpent path. All the same motion, when that energy hits the top, consciousness shifts. That's what Christed really means. Not Christed, Christed. Not a man on a cross, but a human who remembered who they are. So how did this magical number get hijacked? The ones running the system, the ones with the mimic codes, they know 33 is sacred, so they flood the field with distortion. They stamp 33 on false flags, death counts, test results, and so much more over and over to saturate the public field so the real meaning gets buried under fear, trauma, and confusion. They invert what's sacred to make you reject it. So when you see 33 on the news, it's not coincidence. It's intentional frequency mimicry. They're hijacking a power number to imprint fear onto it. So people start associating 33 with control and crisis instead of activation. But here's the mirror. Because they are both power numbers and they've both been hijacked. So just to refresh your memory, thirteen is the number of the divine feminine. The lunar cycle, the original blueprint before the calendar got reshaped. There were thirteen moons, thirteen strands of original DNA, and thirteen gates in your field. It's the number of the witch, the seer, matriarch. That's why they vilified it. Friday the thirteenth is the day they started wiping out the Templars and the Magdalene lines. It's total inversion. So to reclaim them, first off, you stop flinching when they show up. You speak them with power instead of fear. You use them intentionally. You remind people these numbers aren't cursed, they're caged. If you want to flip the field, start saying things like thirty-three is completion through embodiment. Thirteen is the gate of the feminine, hidden but never lost. This isn't a cult, it's remembrance. You embed these phrases into your vocabulary, your writing, if you're a content creator, whatever, and you reclaim the grid. And that really leads me to symbols, sounds, and rituals. Because these are used on people constantly, and most people don't notice because it's baked into normal life. You can tell what is bad for you by the feeling it leaves in your field. Bad symbols, sounds, rituals, and repeated patterns leave you more split, more anxious, numb, more addicted, obedient, more externally focused, and more looped. They drain your clarity. They make you crave, react, submit, compare, and forget yourself. Good ones do the opposite. They make you clearer, steadier, more present, honest, more internally anchored, more able to choose. They don't usually feel as loud, they feel clean. And really it's about not asking, is this officially sacred or officially harmless? And asking, what does this do to my state? Because that is where the truth shows. So how do you use them yourself? And really that's I guess simple in that it's on purpose. Choose the symbols around you, choose the music you repeat, choose the words you speak often. Choose the shapes, colors, spaces, and rituals you build into your day. Light a candle with intention. Speak clearly over water. Use a sigil that means something real to you. Play sounds that settle your body instead of scattering it. Repeat phrases that align your mind instead of programming fear into it. Make your own rituals clean, calm, and deliberate. The point is not drama, the point is coherence. The biggest lie about history in this area is that ancient people were primitive and superstitious, while modern people are rational and free. That is backwards in an important way. Ancient people often understood that sound, symbol, rhythm, architecture, season, myth, and ritual affected consciousness directly. Modern people still live under all of that, but now it is hidden inside branding. Politics, media, school, religion, entertainment, medicine, advertising, and technology. Same forces, less honesty, a lot less. Why do they not want people to know? Because a human who understands pattern becomes harder to steer, harder to hypnotize, harder to farm for attention, harder to break into predictable reactions. Once you see that your state is being shaped, you start choosing more carefully. And power hates people who can feel the mechanism. So, yeah, I mean, sounds, symbols, rituals, they're used constantly. And it shows up in songs, slogans, architecture, official language, ceremony, celebrity imagery, fear cycles, even the rhythm of work and exhaustion. Most of it is not random. The deeper truth is not that everything is evil per se, although, my goodness, it freaking feels like it. Like ninety-nine percent of it. But it's actually that nothing is as neutral as often as people think. Some things are there to keep you looping. Some are there to wake you up. Your job is to learn the difference by what they produce in you. The clean test is this. Does it make you more sovereign or more programmable? That question cuts through a lot. And you know, what I'm thinking, and I'm sure others are too, um, or I guess I should say what I've thought about in regards to that specifically is with songs. You know, there are songs that I like, but I know the artist is dark. I know they are. So how do you really discern that? And there are examples, other examples. I'm just, I guess I'm just taking songs. But discerning that would be by the after effect. Not just did it give me a rush, because plenty of dark things give a rush. The real question is: what does it leave behind? Does the song, or whatever else you want to replace there, leave you clearer, warmer, stronger, more open, more alive, or does it leave you agitated, obsessive, depleted? Even sexually scrambled in a way, sad, angry, or just like weirdly hooked. That's the difference between uplift and stimulation. A song can feel good because it's feeding life, or feel good because it's hitting the same parts of you that junk food hits. Quick pleasure, messy residue. And I think it's also worth saying the artist being dark does not automatically mean every song is poison. Sometimes a beautiful signal still comes through a messy vessel. So, really, in all contexts, it's about not obsessing over purity and instead test the feeling. Listen to the song and notice your your body, your mood, your thoughts, and your field after. Does this song make me more me or less me? And again, song or anything else um that fits there Okay Well, I think we've arrived I think we're there. So I am going to ground and protect I stand in light I speak only truth. I'm untouchable in the name of what is real. Till next time.