It’s a Wonderful Life – 2060
The chapter introduces Juniper Blakely, a 34-year-old man living in the year 2060, and details his structured yet technologically advanced daily life. Juniper uses an implanted pacemaker-like clock to regulate his sleep and follows a routine that includes automated meals, AI-assisted work, and leisure activities like gardening and model train building. He works remotely for Enstro Technologies, fact-checking global news reports and ensuring the accuracy of communication in a world heavily influenced by AI. His wife, Leonder, also works from home, creating pottery that decorates their distinctive home. The chapter explores themes of nostalgia, the challenges of modern technology, and the human need for escape, as Juniper reflects on the complexities of his work and the world’s precarious state. Despite the advancements, he finds solace in his hobbies and fleeting moments of prayer, yearning for a simpler, better life.
It’s a Wonderful Life – 2060
Chapter Twenty – Juniper’s Dilemma
In this chapter, Juniper grapples with the fallout of his professional and personal decisions as he works tirelessly to refine his miniature exhibition of It’s a Wonderful Life at the Jimmy Stewart Museum. Despite receiving mixed reviews from the preview audience, major publications praise his work, highlighting its potential while noting areas for improvement. Juniper realizes the importance of adding iconic elements, such as snowfall and George Bailey’s rescue of Clarence, to meet audience expectations.
As he pushes forward, Juniper faces mounting tension in his marriage with Leonder, who has left for the holiday, frustrated by his prioritization of work over their relationship. He reflects on his choices, questioning his ego and motivations, while drawing parallels between his own struggles and George Bailey’s selflessness in the film.
Juniper collaborates with scenic designers and receives support from Sayre, a former rival turned ally, to address technical challenges like creating realistic water effects and programming the figures for the rescue scene. Despite his exhaustion, he attends Thanksgiving dinner at Faye’s house, where he briefly finds solace but remains haunted by his marital issues.
The chapter ends with Juniper testing the updated layout, contemplating the meaning of Auld Lang Syne, and seeking a path forward—both for the exhibition and his fractured relationship. The snow falls on Bedford Falls, symbolizing the emotional weight of his choices and the hope for redemption.