Uncommon Sense with Mike Kovaliv
The official Podcast of Mike Kovaliv, where you'll find expert insights on photography, music, and thought-provoking discussions on the creative process.
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Uncommon Sense with Mike Kovaliv
Nikon 300mm 2.8 Classic DSLR and Mirrorless Lens Tested
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Nikon 300mm f/2.8 ED-IF AI Manual Focus Lens Review | Vintage Telephoto Glass Tested This is a magical vintage lens for DSLR and Mirrorless cameras like Nikon, Canon, Sony, Leica and Fujifilm. Looking for a unique, character-filled lens that delivers a different view of the world? In this video I take a deep dive into the classic Nikon 300mm f/2.8 ED-IF — a legendary fast telephoto that has been around since the 1960s/70s and still holds up in 2026. This all-metal, manual-focus beast features a massive 122mm front element, beautiful creamy bokeh, excellent subject isolation, and the kind of solid “built-like-a-tank” construction that has kept these lenses working for decades. I shot it on a Nikon D750 (no IBIS) exclusively on a tripod and was impressed with the sharpness, rendering, and that dreamy f/2.8 look. Timestamps: 0:00 – Intro: Looking for a unique lens 0:22 – This specific Nikon 300mm f/2.8 ED AI 1:37 – Why 300mm f/2.8 is special + 122mm front element 2:01 – Built like a tank (AI/AIS construction) 2:26 – Thanks to Photo Outfitters (Windsor, Ontario) 2:41 – Real-world shooting experience 2:49 – Dreamy f/2.8 bokeh & subject isolation 3:39 – Manual focus & handling 4:23 – No autofocus or image stabilization 5:37 – Manual aperture ring (f/2.8–f/22) 5:53 – Great on mirrorless with an adapter 6:16 – Sharpness results 6:24 – Rear filter slot & built-in hood 6:40 – Original case & hood 7:14 – The unique “headspace” of shooting at 300mm 8:06 – Best uses: birding, flowers & portraiture 8:42 – Portrait example (Windsor/Detroit waterfront) 9:28 – Final thoughts & recommendation 9:49 – Where to find this lens www.photooutfitters.ca Huge thanks to Photo Outfitters on Tecumseh Road in Windsor, Ontario Canada for lending me this excellent copy (complete with the original case and hood) so I could put it through its paces. If you’re into vintage Nikon AI/AIS glass, unique telephoto perspectives, or just want a fast 300mm without spending modern prices, this lens is worth a serious look. If you enjoyed the video, give it a like and subscribe for more photography gear, unique lenses, and real-world shooting. #Nikon300mm #NikonAI #VintageLens #300mm28 #ManualFocusLens #NikonLensReview #TelephotoLens #PhotographyGear #VintagePhotography #WindsorOntario
If you're looking for something a little bit different in your photography, picking out a unique lens sometimes is a way to get a new view on the world. This lens here, the 300mm 2.8, is definitely one of those lenses that's not in everybody's kit these days. They have been around for a long time, uh definitely since the 60s and 70s, I believe, is when these uh lenses came out. And this particular copy here that we're looking at is the Nikon 300mm 2.8 ED AI lens. Um comes from a whole lineage or a whole line of 300mm 2.8s that uh that Nikon created. And to my understanding, the 300mm 2.8, this uh this early manual focus lens uh was one of the first really uh relatively affordable um you know longer fast lenses that were made that were out there. So a lot of people back in the day, a lot of professionals uh bought this lens. Um it was definitely something to give you a great perspective and to uh you know use for everything from uh maybe sporting events, believe it or not. A lot of baseball photographers use this lens. Uh this particular copy that I have here, you can see on the case that comes with it, it has the uh, you know, the um the Toronto Blue Jays winning the World Series. You know, that says a lot about uh what these lenses were used for. So using a lens like this can be uh really something to give you a different look on your image than you would get with a lot of standard lenses for sure. So why would that be? Of course, the you know, the 300 millimeter focal length uh at a 2.8 aperture is something that, as you can see by looking at the lens, it's it's got a very large 122 millimeter front filter, front size, which is you know very large compared to a lot of standard lenses that people would be using. Um, you know, so it's it's a pretty substantial piece of glass. And these classic lenses, these AI and AIS lenses, um, you know, were built like tanks. It's got you know all metal construction, very solid weight, very solid build. And you know, the fact that they're still around here in 2026 and uh you know still available and still being used uh on the used market, um, you know, is a testament to how well these lenses were built. Uh this copy that I have here was uh very graciously loaned to me from uh photo outfitters here in Windsor, Ontario. Uh great store on DeGumsee Road if you're looking for some unique photography gear. So thanks to Adrian there for uh for letting me try out this lens to uh you know get a feel for it. I shot with it for a while, took it out on a number of uh shoots in uh you know, just a stunning lens. Really, really uh easy to get good quality images with this lens. Uh, if you're into the uh the dreamy blurred look, this lens will definitely do that for you at F2.8. You know, the combination of the long focal length and the uh you know the wide aperture is definitely going to give you that super blurry background. Uh from a character standpoint, you know, we could look at some of the images that I'm putting on screen here. Uh it's definitely got you know what I would consider a really beautiful boca. Uh the balls are very round, very smooth, very soft. It's got a really, really nice look. Uh super easy to make, you know, maybe congested backgrounds, um, you know, you know, back away or drift away, which is a nice thing to do sometimes. It's always better to you know frame the picture the best you can, of course, from a pure photography standpoint. But you know, if you're in a situation where you need to isolate your subject, then this is this is definitely a lens that'll do that for you without even breaking a sweat. Um, you know, getting back to the lens itself, it's you know, like I said, all metal construction. Uh it is manual focus, of course. And you know, that scares a lot of people away these days, of course. But um, you know, if you're looking for something that you can, you know, get for a relatively affordable price at this kind of a lens, this is a great one to look at. I think uh this copy here sells for about 900 bucks Canadian. Um from what I see online, uh the the most current version of a three point uh uh 300 millimeter 2.8 from Nikon runs about $7,000 Canadian. So you know you're looking at 18th, 1/7th of the cost, you know, to get into a lens that uh you know can give you that kind of a look. Of course, you're giving up autofocus and you're gonna be giving up uh image stabilization. So uh if you're gonna use this lens, you have to know what you're uh what you're getting into. Uh I did shoot the lens on a tripod uh the entire time for all of these shots, uh shooting it with my Nikon D750. So no in-body image stabilization, no lens stabilization. So I had to make sure that uh you know I was uh you know supporting the lens properly. And uh this is definitely a lens that uh you attach a camera to. Uh you don't attach the uh the lens to the camera. This is the this is the thing you want to hang on to. You definitely don't want to support you know the uh the lens by holding on to the camera body or anything. It's a great way to ruin your mount. Um, you know, this kind of a lens is uh is definitely something you mount the tripod to the lens and uh and use it you know uh very carefully for sure. Um definitely got notice when I was out and about shooting with this lens. This is not a discrete lens, this is something that says I'm serious about photography or I'm a professional, you know, or uh you know I'm doing something where people want to pay attention to you. I definitely noticed that everywhere I went, people were uh, you know, coming over and talking to me or asking me what I was photographing. Um so definitely uh an attention getter of a lens. So it is manual everything on the lens, manual aperture ring, which is which is great to use. I I prefer those kind of lenses. So from F2.8 to F22 in uh you know, full stop clicks, which is really nice. So you can use it on a mirrorless camera with an adapter, uh, which would really, I think, be a great benefit for uh you know for focusing and getting that shallow depth of field uh really nailed. I did it on my D750 and all of the shots, uh I think except for maybe one were in pretty, you know, really what I would consider more than acceptable sharpness. The lens itself is really good. Uh just paying attention and making sure you know that it's uh set up right, you can you can get sharp shots easily. So manual aperture ring, uh it does have some filter inserts. I think the 39 millimeters, which is pretty neat. So if you want to have a filter right in the lens, there's a you know a slot where you can put that in. Uh really nice built-in lens hood, which is great. So you can just twist that and kind of lock it into place. Um the copy that uh that I've been trying here, like I said, does come, did come with the case. You can see it's pretty worn, uh you know, disintegrating a little bit from age, but uh that to me that adds to the character. Uh but nicely protects the lens, and it does have the leather or leatherette style hood uh for the lens as well. A lot of older copies have uh long forgotten those or lost those along the way. So this copy does have that as well. Um just just a great lens to use. Solid, uh very simple, no extra VR or anything to really uh to get distracted by, set your aperture, set your focus, you know, and and you're good to go. Um you know the other thing that I really liked about this lens, I think, was that it really puts you into uh a different headspace than a normal uh you know, 50 millimeter, 40, 35 millimeter lens. This definitely locks out the world. When you're looking through an eyepiece at 300 millimeters, um you're you're looking at a very narrow slice of the world. So uh I find that you know I definitely had to visualize the photograph beforehand, you know, pick out the subject. What is it that I'm going to be photographing? What is it that I want to highlight in this image? Um, you know, and set that up beforehand. Because if you're just gonna, you know, maybe think of it as a point the lens somewhere and hope to get a picture type of a type of a lens, it's not gonna work for you because you're seeing such a shallow, you know, like I said, slice of you know the environment around you that you really need to know what you're focusing on. So what could you use this lens for? Um I, you know, as some of these examples show, I think it's definitely a great, perhaps uh stationary birding lens if you're you know uh you know photographing birds that are on a tree or on a feeder or somewhere where they're not you're not chasing them around with autofocus. Um definitely a great lens for that. Uh perhaps flowers, anything you know that isn't uh really moving around that quickly, you can certainly use that for. And of course, portraiture. Um, that's kind of the main interest that I have in this kind of a lens is you know, what kind of a portrait can you get with this lens. So I was able to get a picture of a couple that wasn't uh too scared by the lens, and uh, you know, let me take their picture while they were down by the waterfront here in Windsor across from Detroit. And uh, you know, I think it's uh you know a decent photograph. It's just a few seconds to take up the shot. Uh, and it shows us, you know, what kind of detail you can get from this lens, the separation from the background. Uh definitely a very flattering lens. Uh, this is something I would uh definitely think would make a great portraiture lens for a certain look. Uh that kind of a long focal length is definitely going to compress a lot and might not be the most flattering thing for everybody's faces. So I think you'd want to definitely, you know, use that, you know, very sparingly, perhaps, or make sure your subject is the right type of thing for this type of a lens. Um so a great value, really great lens, you know, compared to, like I said, the $7,000 uh for you know, at least the most current version that I see from Nikon. Um and it's something unique, something different. Um great lens to use, really fun and um highly recommended. So if you're in Windsor or if you're uh you know looking to pick up a lens like this, uh you can contact uh photo outfitters here in Windsor. And uh you know, they do have a website and contact information, I'm sure they would uh arrange to get it to you. But uh great lens. Thanks for letting me try it out. Uh definitely something that's uh that's different. My name is Mike Kovaliv. Thanks very much for watching. If you like the video, give it a like and subscribe, and I'll see you in the next one.