Prairie Gold - Iowa Authors

In this episode I’ve pulled a few stories and poems from an anthology called Prairie Gold, an anthology of Iowan authors and artists. Created during the social upheaval of World War I, the collection emphasizes cooperation and humanitarian ideals through pieces that showcase Iowa's landscapes, people, and culture. The book uses local legends and natural imagery to evoke pride and unity, offering a diverse array of personal narratives and reflections.

• “Bread” by Ellis Parker Butler will have you salivating for some fresh baked bread; 
• “A Field” by Minnie Stichter vividly chronicles a year in the life of an Iowa prairie ecosystem;
• “Old Bill” by  Henry C. Wallace pays tribute to a farm family’s loyal horse.
• Poems:  
  • “A Load of Hay” by James B Weaver, 
  • “Sonny’s Wish” by Bertha M. H. Shambaugh 
  •  “A Box From Home” by Helen Cowles LeCron.

Transcript

"Hello and welcome to Narrated Archives. I'm your host, Sally Barron. In each episode, we open the dusty covers of history's forgotten books and rediscover the timeless stories, poems, and articles that belong to us all. Join us as we step back in time, and listen to the voice of the public domain.

In this episode I’ve pulled a few stories and poems from Prairie Gold, an anthology of Iowan authors and artists. Created during the social upheaval of World War I, the collection emphasizes cooperation and humanitarian ideals through pieces that showcase Iowa's landscapes, people, and culture. The book uses local legends and natural imagery to evoke pride and unity, offering a diverse array of personal narratives and reflections.

The first story by Ellis Parker Butler will have you salivating for some fresh baked bread.  

Ellis Parker Butler lived 1869-1937 and was a prolific American author known for his humorous short stories and novels, most notably the classic "Pigs Is Pigs". Born in Muscatine, Iowa, he started his career in banking before becoming a full-time writer in New York. Over his lifetime, he penned more than 30 books and thousands of short stories, poems, and essays for major magazines. His work often satirized modern life and bureaucracy, endearing him to readers across the country. Butler was also a founding member of the prestigious Dutch Treat Club, a professional society for artists and writers.

Bread

They came to Iowa in a prairie schooner with a rounded canvas top and where the canvas was brought together at the rear of the wagon it left a little window above the tailboard. On the floor of the wagon was a heap of hay and an old quilt out of which the matted cotton protruded, and on this Martha and Eben used to sit, looking out of the window. Martha was a little over two years old and Eben was four.

They crossed the Mississippi at Muscatine on the ferry. It was about noon and old Hodges, the crew of the ferry, who was as crooked as the branches of an English oak because the huge branch of an English oak had fallen on him when he was young, took his dinner from his tin pail. He looked up and saw the two eager little faces.

"Want a bite to eat?" he asked, and he peeled apart two thick slices of bread, thickly buttered, and handed them up to the two youngsters. This, a slice of Mrs. Hodges' good wheat bread, was Martha's welcome to Iowa. The butter was as fragrant as a flower and the bread was moist and succulent, delicious to the touch and the taste. Martha ate it all, even to the last crumb of crust, and, although she did not know it, the gift, the acceptance and the eating was a sacrament—the welcome of bountiful Iowa.

As the prairie schooner rolled its slow way inward into the state there were more slices of bread. The father stopped the weary horses at many houses, shacks and dugouts; and always there was a woman to come to the wagon with a slice of bread for Martha, and one for Eben, for that was the Iowa way. Sometimes the bread was buttered, sometimes it was spread with jelly, sometimes it was bread alone. It was all good bread.

There were days at a time, after they reached the new home, when there was nothing to eat but bread, but there was always that. The neighbors did not wait to be asked to lend; they brought flour unasked and Martha's mother kneaded it and set it to rise and baked it. Then the harvests began to come in uninterrupted succession of wealth, and the dugout became a house, and barns arose, and a school was built, and Martha and Eben went along the dusty, unfenced road, barefooted, happy, well fed, or in winter leaped through the snowdrifts. In their well-filled lunch pail there was always plenty and always bread.

In time Martha taught school, now in one district and now in another; and everywhere, wherever she boarded, there was good wheat bread and plenty of it. She remembered the boarding places by their bread. Some had bread as good as her mother's; some had bread not as good. During her first vacation her mother taught her to make bread. 

 Her very first baking was a success. John Cartwright, coming to the kitchen door just as she was drawing the black bread-pan from the oven on that hot July day, saw her eyes sparkle with triumph as she saw the rich brown loaves.

"Isn't it beautiful? It is my first bread, John," she said, as she stood, flushed and triumphant.

"It smells like mother's," he said, "but she don't seem to get her'n so nice and brown."

"I guess Martha is a natural bread-maker," said her mother proudly. "Some is and some ain't."

Always good bread and plenty of it! That was Iowa. And it was of Martha's bread they partook around the kitchen table the next year—Eben and John, Martha and her father and mother—just before the two young men drove to the county seat to enlist.

"I guess we won't get bread like this in the army," John said, and he was right.

"When I'm chawing this sow-belly and hard tack," Eben wrote, "I wish I had some of that bread of yours, Marth. I guess this war won't last long and the minute it is over you'll see me skedaddling home for some of your bread. Tell ma I'm well and——"

They brought his body home because he was not killed outright but lived almost two weeks in the hospital at St. Louis after he was wounded. Martha scraped the dough from her fingers to go to the door when her father drove up with the precious, lifeless form. That day her bread was not as good as usual.

Martha and John were married the month he came back from the war, and the bread that was eaten at the wedding dinner was Martha's own baking. The bread that was eaten by those who came to prepare her mother for the grave and by those who came, a year later, to lay away her father, was Martha's. Once, twice, three times, four times Martha did a double baking, to "last over," so that there might be bread in the house while the babies were being born. Every week, except those four weeks, she baked bread.

In succession the small boys and girls of her own began coming to the kitchen door pleading, "Ma, may I have a piece of bread an' butter?" Always they might. There was always plenty of bread; it was Iowa.

In time Martha became something of a fanatic about flour. One kind was the best flour in the world; she would have no other. Once, when John brought back another brand, she sent him back to town with it. Her bread was so well known that the flour dealer in town was wont to say, "This is the kind Mis' Cartwright uses; I guess I can't say no more'n that." Eight times in twenty years she won the blue ribbon at the county fair for her loaves; the twelve other times John swore the judges were prejudiced. "It ain't the flour; that I do know!" Martha would answer.

Presently there were children of her children coming on Sunday to spend the day with the "old folks," and there was always enough bread for all. Sometime in the afternoon the big loaf would be taken out of the discarded tin boiler that served as a bread-box and the children would have a "piece"—huge slices of bread, limber in the hand, spread with brown sugar, or jelly, or honey, or dripping with jam. 

 Then, one Sunday, young John's wife brought a loaf of her own bread to show Martha. They battled pleasantly for two hours over the merits of two brands of flour, comparing the bread, but Martha would no more have given up her own brand than she would have deserted the Methodist Church to become a Mahometan!

Then came a time when John had difficulty in holding his pipe in his mouth because his "pipe tooth" was gone. He no longer ate the crusts of Martha's bread except when he dipped them in his coffee. There was a strong, young girl to do the housework but Martha still made the bread, just such beautiful, richly browned, fragrant bread as she had made in her younger days. There had never been a week without the good bread, for this was Iowa.

One day, as she was kneading the dough, she stopped suddenly and put her hand to her side, under her heart. She had to wait several minutes before she could go on with the kneading. Then she shaped the bread into loaves and put it in the pan and put the pan in the oven. She went out on the porch, where John was sitting, and talked about the weather, and then of a grandson, Horace, who was the first to enlist for the great war that was wracking the world. She mentioned the poor Belgians.

"And us so comfortable here, and all!" she said. "When I think of them not having bread enough to eat——"

"I warrant they never did have bread like yours to eat, ma," said John.

She rocked slowly, happy and proud that her man thought that, and then she went in to take the fresh loaves from the oven. They were crisp and golden brown as always, great, plump, nourishing loaves of good wheat bread. She carried the pan to the table.

"Bertha," she said, "I'll let you put the bread away. I guess I'll go up and lie down awhile; I don't feel right well."

She stopped at the foot of the stairs to tell John she was going up; that she did not feel very well.

"If I don't come down to supper," she said, "you can have Bertha cut a loaf of the fresh bread, but you'd better not eat too much of it, John; it don't always agree with you. There's plenty of the other loaf left."

She did not come down again, not Martha herself. She did not mourn because she could not come down again. She had lived her life and it had been a good life, happy, well-nourished, satisfying as her own bread had been. And so, when they came back from leaving Martha beside the brother who had died so many years before, the last loaf of her last baking was cut and eaten around the kitchen table—the youngsters biting eagerly into the thick slices, the elders tasting with thoughts not on the bread at all, and old John crumbling the bread in his fingers and thinking of long past years.

Next from Minnie Stichter for whom I didn’t find any biographical information, "A Field" vividly chronicles a year in the life of an Iowa prairie ecosystem. 

A Field 

Sometime I expect to turn a sharp corner and come face to face with myself, according to the ancient maxim, "extremes meet." For, did I not vow to the Four Great Walls that had imprisoned me for nine months, that I would fly to the uttermost parts of the earth so soon as vacation should open the doors? And did I not spend almost my entire summer within sight of my home, and in a field of a few acres dimension?

I caught sight of some flowers, just inside the barbed wire fencing the track, that were fairer than any I had yet gathered for my vases. As the old song has it, "O, brighter the flowers on the other side seem!" No one saw me get under that six-stranded barbed-wire fence, and I am not going to tell how I did it. But when I got through I felt as well guarded as though attended by a retinue of soldiers. And I found myself in another world—a dream-world!

It was a large field rosy with red clover and waving with tall timothy. A single tree glistened and rustled invitingly. In its shade I rested, refreshing myself with the field sights and sounds and fragrances. It was delightful to be the center of so much beauty as circled round about me. Then I had only to rest on the rosy clover-carpet at the foot of the tree, and the tall grass eclipsed all things earthly save the tree, and the sky overhead, and the round mat of clover under the tree which the grass ringed about. I had often wished for Siegfried's magic cloak. Well, here was something quite as good, which, if it didn’t render me invisible to the world, made the world invisible to me. Who of you would not be glad to have the old world with its "everyday endeavors and desires," its folly, its pride and its tears, drop out of sight for a while, leaving you in a flowery zone of perfect quiet and beauty, hedged in by a wall of grass!

There were many "afterwards." And the marvel of it all was that, for all I could do, the field retained its virgin splendor and kept the secret of my goings-in and comings-out most completely.

After the daisies, there came a season of black-eyed Susans. That was when the grasses were tallest and the feeling of mystery did most abound. I know I had been there many days before I discovered the myriads of wild roses near the crabtree thicket—those fairies' flowers so exquisite in their pink frailty that mortal breath is rude. Only when I reached the hedge, bounding the remote side of the field, did I enter into my full inheritance. Along a barbed-wire fence had grown up sumac, elderberry, crabtrees and nameless brambles, while over all trailed the wild grapevine, bearing the most perfect miniature clusters, fit to be sculptured by Trentanove into immortal beauty. And this hedge was the source of ever increasing wonder the whole summer long. I depended on it alone for sensational denouements after the grass was cut for hay. When the field lay shorn, like other fields about it far and wide, I could not have been lured hitherward but for the hedge. There the hard green berries of a peculiar bramble ripened into wax-white pellet-sized drops clustered together on a woody stem by the most coral-pink pedicles ever designed by sea-sprites.

In its time came the elderberry bloom, and its purple fruit; the garnet fruit of the sumach and its flaming foliage; the lengths of vines and their purple clusters—all these and more also ministered to my delight.

About goldenrod time, the school-bell rang me in from the field, but I managed to take recesses long enough to behold the kaleidoscopic views brought before me by the turning of nature's hand. The smooth velvety green of the field with its border of gold and lavender—great widths of thistle and goldenrod following the line of fence—was like the broidered mantle of some celestial Sir Walter Raleigh, spread for the queens of earth. I was no queen; but I did not envy royalty, since I doubted if it had any such cherished possessions as my field in its various phases.

In the November days, the brightness of the fields seemed to be inverted and to be seen in the opalescent tints of the sky. Then, the clearness of the atmosphere, the wider horizon, the less hidden homes and doings of men, had this message for the children of men: "If there is any secret in your life, leave it out."

When it is December and the fields are too snowy and wind-swept for pleasure-grounds, where the only bits of brightness are the embroideries of the scarlet pips of the wild-rose, it is good to nestle by the cozy fireside and conjure it all up again, and nourish a feeling of expectancy for the spring and summer that shall come. Again, the flowers and waving grass and drowsy warmth of the summer day; again, the songs of flitting birds, the scented sweets of the new-mown hay. Again the work of the fields goes on before me like a play in pantomime! Again, with my eyes, I follow home the boys with their cows, to the purple rim of the hill beyond which only my fancy has ever gone. Again I quit work with the tired laborer. Again I dream of the open, free, unfettered song that life might be if it were lived more simply, with less of artificiality. And again, for the sake of one patient toiler in the town, whose life-task admits of no holiday, I have the grace to return thither and begin where I left off—the life common to you and to me, the life ordained for us from the beginning.

In the next story the author, Henry C. Wallace pays tribute to a farm family’s loyal horse in “Old Bill”. 

Henry C. Wallace, born in 1866–1924 and was a prominent Iowan farmer, journalist, and politician who played a significant role in American agriculture policy. Born in Illinois and raised in Iowa, he became editor of the successful farming publication “Wallaces' Farmer” and advocated for farmers' interests throughout his career. Wallace served as the United States Secretary of Agriculture under Presidents Warren G. Harding and Calvin Coolidge, working to address the post-World War I agricultural depression. He was a key figure in the "farm bloc," a coalition that pushed for federal intervention to stabilize farm prices and improve rural life. His legacy profoundly influenced the New Deal agricultural programs implemented by his son, Henry A. Wallace, who later held the same position. 

Old Bill

We buried Old Bill to-day. As we came back to the house it seemed almost as if we had laid away a member of the family. All afternoon I have been thinking of him, and this evening I want to tell you the story.

Old Bill was a horse, and he was owned by four generations of our family. He was forty-one years old when he died, so you’ll understand that for many years he was what some might call a "dead-beat boarder." But long ago he had paid in advance for his board as long as he might stay with us. In winter a warm corner of the stable was his as a matter of right, and not a day went by but a lump of sugar, an apple, or some other tidbit found its way to him from the hands of those who loved him. Old Bill was never in the slightest danger of meeting the sad fate of many a faithful old horse in the hands of the huckster or trader.

My grandfather liked a good horse. He loved to draw the lines over a team that trotted up into the bits as if they enjoyed it. He had such a team in a span of eleven-hundred pound mares, full sisters, and well matched both as to appearance and disposition. The old gentleman said they were Morgan bred. Whether they were or not, they had a lot of warm blood in them. He raised several colts from these mares by light horses, but none of them had either the spirit or the quality of their dams. One year a neighbor brought in a Percheron horse, a rangy fellow weighing about seventeen hundred and fifty pounds, clean of limb, and with plenty of life, as were most of the early horses of that breed, and grandfather bred these mares to him. The colts foaled the next spring, developed into a fine span, weighing about twelve hundred and fifty each, sound as nuts, willing workers and free movers. Grandfather gave this team to my father the spring he started to farm for himself. They were then three years old, and one of them was Old Bill.

In those days the young farmer's capital was not very large: a team of horses, a cow, two or three pigs, and a few farm implements, the horses being by far the most important part of it. I shall not try to tell of the part these horses played in helping father win out. They were never sick; they were always ready for work. And well do I remember father's grief when Bill's mate slipped on the ice in the barnyard one cold winter day and had to be shot. It was that evening that my father talked of the important part a good horse plays in the life of a farmer, and gave us a little lecture on the treatment of horses and other animals. I was but a lad of ten at that time, but something father said, or the way he said it, made a deep impression on me, and from that time forward I looked upon horses as my friends and treated them as such. What a fine thing it would be if all parents would teach the youngsters at an early age the right way to treat our animals.

Bill was already "Old Bill" when he became mine. He was four years older than I when we started courting together, and my success must have been due in large part to his age and experience. We had but a mile and a half to go, and of a summer evening Bill would trot this off at a pace equal to a much younger horse. When the girl of my affection was snugly seated in the buggy, he would move off briskly for half a mile, after which he dropped to a dignified walk, understanding full well the importance of the business at hand. He knew where it was safe to leave the beaten track and walk quietly along the turf at the side, and he had a positive genius for finding nice shady places where he could browse the overhanging branches, looking back once in a while to see that everything was going along as it should be. I suppose I’m old-fashioned, but I don't see how a really first-class job of courting can be done without such a horse as Old Bill. He seemed to take just about as much interest in the matter as I did. One night Jennie brought out a couple of lumps of sugar for him (a hopeful sign to me, by the way), and after that there was no time lost in getting to her house, where Bill very promptly announced our arrival by two or three nickers.

One time I jokingly said to my wife that evidently she married Bill as much as she did me. That remark was a mistake. She admitted it more cheerfully than seemed necessary, and on sundry occasions afterward made free to remind me of it. Sometimes she drew comparisons to my discredit, and if Old Bill could have understood them, he would have enjoyed a real horse laugh. Jennie always said Bill knew more than some real folks.

After the wedding, Old Bill took us on our honeymoon trip—not a very long one, you may be sure—and the three of us settled down to the steady grind of farm life. We asked nothing hard of Old Bill, but he helped chore around, and took Jennie safely where she wanted to go. I felt perfectly at ease when she was driving him. I wish I had a picture of the three of them when she brought out the boy to show to Old Bill. I can close my eyes and see her standing in front of the old horse, with the boy cuddled up in a blanket in her arms. I can see the proud light in her eyes, and I can see Old Bill's sensitive upper lip nuzzling at the blanket. He evidently understood Jennie perfectly, and seemed just as proud as she was.

The youngster learned to ride Old Bill at the age most children are riding broomsticks. Jennie used to put him on Old Bill's back and lead him around, but Old Bill seemed so careful that before a great while she would trust him alone with the boy in the front yard, she sitting on the porch. I remember a scare I had one summer evening. Old Bill did not have much hair left on his withers, but he had a long mane lock just in front of the collar mark, and the youngster held onto this.  I was walking up toward the house, where Bill was marching the youngster around in front, Jennie sitting on the porch. Evidently a botfly was bothering Bill's front legs, for he threw his head down quickly, whereupon the youngster, holding tightly to this mane lock, slid down his neck and flopped to the ground. You may be sure I got there in a hurry, almost as quickly as Jennie, who was but a few steps away, calling as I ran: "Did he step on him?" You should have seen the look of scorn Jennie gave me. Such an insult to Old Bill deserved no answer. The old horse seemed as much concerned as we were and Jennie promptly replaced the boy on his back and the ride was resumed, with me relegated to the corner of the porch in disgrace.

 As if Old Bill would hurt her boy!

Old Bill's later years were full of contentment and happiness, if I know what constitutes horse happiness. In the winter he had the best corner in the stable. In the summer he was the autocrat of the small pasture where we kept the colts. He taught the boy to ride properly with due respect for his steed. He would give him a gallop now and then, but as a rule he insisted upon a dignified walk, and if the youngster armed himself with a switch and tried to have his way about it, the old fellow would quickly show who was boss by nipping his little legs just hard enough to serve as a warning of what he could do.

Bill had a lot of fun with the mares and colts. We never allowed the colts to follow the mares in the fields, but kept them in the five-acre pasture with Bill for company. At noon, we would lead the mares in after they had cooled off, and let the colts suck, and at night we turned the mares into the pasture with them. Bill had a keen sense of humor. He would fool around until the colts had finished, and then gallop off with all the colts in full tilt after him. Naturally the mares resented this. They followed around in great indignation, but it did them no good. We used to walk over to the pasture fence and watch this little byplay, and I think Bill enjoyed having us there, for he kept up the fun as long as we would watch. He surely was not popular with the mares. They regarded him about as the proud mother regards grandfather when he entices away her darling boy and teaches him tricks of which she does not approve.

Although Bill took delight in teaching the colts mean little tricks during their days of irresponsibility, when they reached the proper age he enjoyed the part he had to play in their training with a grim satisfaction. For more than twenty-five years he was our main reliance in breaking the colts to work. It was amusing to watch a colt the first time he was harnessed and hooked up to the wagon alongside Bill, his halter strap being tied back to the hames on Bill's collar.

Our colts were always handled more or less from infancy, and we had little trouble in harnessing them. When led out to the wagon with Bill, the colt invariably assumed he was out for a good time. But the Bill he found now was not the Bill he had known in the pasture, and he very quickly learned that he was in for real business.

Bill was a very strict disciplinarian; he tolerated no familiarities; with his teeth he promptly suppressed any undue exuberance of spirit; he was kind but firm. As he grew older, he would lose patience now and then with the colts that persisted in their unruly ways. When they lunged forward, he settled back against their plunges with a bored air, as much as to say: "Take it easy, my young friend; you surely don't think you can run away with Old Bill!" When they sulked, he pulled them along for a bit. But if they continued obstreperous, he turned upon them with his teeth in an almost savage manner, and the way he would bring them out of the sulky spell was a joy to see.

Finally, when the tired and bewildered colt had settled down to an orderly walk, and had learned to respond to the guiding reins, Bill would reward him with a caress on the neck and other evidences of his esteem.

Old Bill knew the game thoroughly, and was invaluable in this work of training the young ones. But after the first round at the wagon with him, the colts always seemed to feel as if they had lost a boon companion; they kept their friendship for him, but they maintained a very respectful attitude, and never after took liberties unless assured by his manner that they would be tolerated.

I got a collie dog for the youngster when he was about three years old. When he was riding Old Bill, Jack would rush back and forth, in front and behind, barking joyously. Old Bill disliked such frivolity. To him it was a serious occasion. I think he never forgot the time the boy fell off, for nothing could tempt him out of a steady walk until the youngster got to an age when his seat was reasonably secure. When the ride was over, Old Bill would lay back his ears and go after Jack so viciously that the collie would seek refuge under the porch. Except when the boy was about, however, Old Bill and Jack were good friends, and in very cold weather Jack would beg a place in Bill's stall, curling up between his legs, to the apparent satisfaction of both. There was a very real friendship between them, but just as real jealousy for the favors of the little fellow. They were much like human beings in this respect.

Until the last year of his life Bill was a most useful member of the family. Jennie liked a good garden and used to say before we were married that when we had our own home, she would have a garden that was a garden, and that she did not propose to wear herself out with a hoe as her mother had done. She laid out her garden in a long, narrow strip of ground between the pasture and the windbreak, just back of the house, and with Bill's help she had the garden she talked about. Bill plowed the ground and cultivated it, and the care with which he walked the long narrow rows was astonishing. This was another place where he did not want to be bothered with Jack. He was willing Jack should sit at one end and watch the proceedings, but he must keep out of the way.

During the school season Bill's regular job was to take the children to school, a mile away. They rode him, turning him loose to come home alone. He learned to go back for them in the afternoon, and he delivered them at the porch with an air as much as to say: "There are your little folks, safe and sound, thanks to Old Bill." Jennie always met him with an apple or a lump of sugar. She and Old Bill seemed to be in partnership in about everything he could have a part in. They understood each other perfectly, and I don't mind confessing now that once in a great while I felt rather jealous of Old Bill.

Well, as I said in the beginning, we buried Old Bill to-day. He died peacefully, and, as we say of some esteemed citizen, "full of honors." He was buried on the farm he helped pay for; and, foolish as it may seem to some folks, before long a modest stone will mark his last resting place. And sometimes, of a summer afternoon, if I find Jennie sitting with her needlework in the shade of the big oak tree under which Old Bill rests, I will know that tender memories of a faithful servant are being woven into her neat stitches.

To wrap up our visit to Iowa this week, we have 3 poems, first “A Load of Hay” by James B Weaver, then “Sonny’s Wish” by Bertha M. H. Shambaugh and finally “A Box From Home” by Helen Cowles LeCron.  I’m going to share their brief biographies before the narration of the poems.

First, James B. Weaver was a three-term U.S. Congressman and a two-time presidential candidate who was born in Ohio and moved to Iowa as a child. After serving as a Union officer in the Civil War and working as a lawyer and district attorney, he became a prominent anti-monopolist and agrarian reformer.

Bertha M. H. Shambaugh who lived from 1871to 1953 was an American writer and photographer renowned for her extensive work documenting the history and life of the Amana Colonies in Iowa. Often called the "chief historian of Amana," she published the definitive standard reference on the community, Amana: The Community of True Inspiration, in 190 Her work, including numerous photographs, is a valuable historical record and remains a primary resource for the study of the Amana communal society. 

Helen Cowles LeCron born in 1886 and died in 1963 was a notable American writer and editor, known for her significant contributions to cookbooks, poetry, and Iowa's literary scene.  LeCron edited Prairie Gold (available via Project Gutenberg) and wrote a column for Better Homes and Gardens, establishing herself as an active and respected literary figure for three decades. 

A Load of Hay

By James B. Weaver 

Hard paved streets and hurrying feet,

Where it's oft but a nod when old friends meet,

Rattle of cart and shriek of horn,

Laughing Youth and Age forlorn,

Bound for the office I speed away,

When my auto brushes—a load of hay!

Chauffeur curses, I scarcely hear,

For things I loved as a boy seem near:

Scent of meadows at early morn,

Miles of waving fields of corn,

Lowing cattle and colts at play—

Far have I drifted another way!

Hark, the bell as it calls the noon!

Boys at their chores, hear them whistle a tune!

Barn doors creaking on rusty locks,

Rattle of corn in the old feed-box,

Answering nicker at toss of hay—

Old sweet sounds of a far-off day.

There, my driver stops with a jerk;

Then far aloft to the scene of my work;

But all day long midst the city's roar

My heart is the heart of a boy once more,

My feet in old-time fields astray,

Lured—by the scent from a load of hay!

Sonny's Wish

By Bertha M. H. Shambaugh 

Sometimes before I go to bed

I 'member things that Grandpa said

When I sat close beside his knee

And Grandpa laid his hand on me.

I 'member how he'd smile and say,

"Well, what did Sonny do to-day?"

'Cause Grandpa always liked to know

(I s'pose that's why I miss him so).

I never had to coax and plead

For things I really didn't need:

I'd 'splain it in an off-hand way

And Grandpa brought it home next day.

When I grow up I'd like to be

A grandpa with a boy like me

To live with and to bring things to:

That's what I'd like the most to do.

I'd rummage 'round and hunt about

For things the boy could do without,

Because you see of course I'd know

That's why the boy would like them so.

And when I'd bring some brand new toy

And someone said, "You'll spoil that boy!"

I'd only shake my head and say,

"A good boy isn't spoiled that way."

When Sonny said he'd like to get

A nice wee doggie for a pet,

And when the grown-ups one and all

Said, "Oh, no, Son! You're much too small,"

I'd whisper, "Come, don't look so blue

'Cause Grandpa bought a dog for you,

A birthday present! Schh! Don't cry!

He's black and just about so high."

Oh, yes! I'm sure I'd like to be

A grandpa with a boy like me

To live with and to bring things to:

That's what I'd like the most to do.

A Box From Home

By Helen Cowles LeCron 

I'll send to you in France, my dear,

A box with treasures in it:

The patch of sky that meets our hill

And changes every minute,

The grape-vine that you taught to grow—

My pansies young with dew,

The plum-tree by the kitchen door—

These things I'll send to you.

I'll pack with care our fragile dawn—

The dawn we laughed to greet;

I'll send the comfort of the grass

That once caressed your feet.

No yearning love of mine I'll send

To tear your heart in two—

Just earth-peace—home-peace—still 

and strong—

These things I'll send to you.

For you must tire of flags, and guns,

And courage high, and pain,

And long to rest your heart upon

The common things again,

And so I'll send no prayers, no tears,

No longings—only dew

And garden-rows, and goldenrod

And country roads to you!

Since life has given you to know

The gentle tenderness

Of growing things, I cannot think

That death would give you less!

Hold fast, hold fast within your heart

The earth-sweet hours we knew,

And keep, my dear, where'er you are

These things I send to you.

I hope you enjoyed this brief celebration of the beauty and resilience of Iowa drawn from local legends and natural imagery which I’m sure would evoke a sense of pride and unity among Iowans.

Next week we’ll embrace winter with Henry David Thoreau and Walden.

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