Stories from The Black Cat

In this episode are 2 stories froma collection all written by H. D. Umbstaetter, entitled “The Red Hot Dollar and Other Stories from The Black Cat”.   Also included is the Introduction to the collection written by Jack London

•  “One Chance in a Million” tells of an entrepreneur so secretive that he   almost loses his live
• “In Hell’s Cañon” a prospector is determined to locate a "lost lead". 

Transcript

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Welcome to Narrated Archives. I’m your host, Sally Barron. Every episode, we breathe new life into history’s hidden gems—from forgotten prose to timeless poetry. Join us as we unlock the public domain and listen to the echoes of our shared past

The following stories “One Chance in a Million” and “In Hell’s Cañon” are from a collection all written by H. D Umbstaetter, entitled “The Red Hot Dollar and Other Stories from The Black Cat”.  

Herman D. Umbstaetter, born in 1851, was a prominent American writer, editor, and publisher based in Boston, best known for his influential role in the literary scene at the turn of the 20th century. He notably founded and served as an editor for "The Black Cat" magazine, a popular publication that helped launch the careers of notable authors such as Jack London. As an editor, Umbstaetter was instrumental in fostering short fiction and identifying new literary talent. His work in the magazine industry significantly influenced the landscape of American fiction during that era. Tragically, in November of 1913, he died at his cottage in Lovell, Maine, from a self-inflicted gunshot wound resulting from a hunting accident. Umbstaetter was remembered as a dedicated professional in the publishing world. 

Before we listen to the story I’d like to share the introduction to the collection by Jack London.

Introduction

It is indeed a pleasure to write an introduction for a collection of tales by Mr. H. D. Umbstaetter. His stories are "Black Cat" stories, and by such designation is meant much. The field of the "Black Cat" is unique, and a "Black Cat" story is a story apart from all other short stories. While Mr. Umbstaetter may not have originated such a type of story, he made such a type possible, and made many a writer possible. I know he made me possible. He saved my literary life, if he did not save my literal life. And I think he was guilty of this second crime, too.

For months, without the smallest particle of experience, I had been attempting to write something marketable. Everything I possessed was in pawn, and I did not have enough to eat. I was sick, mentally and physically, from lack of nourishment. I had once read in a Sunday supplement that the minimum rate paid by the magazines was ten dollars per thousand words. But during all the months devoted to storming the magazine field, I had received back only manuscripts. Still,I believed implicitly what I had read in the Sunday supplement.

As I say, I was at the end of my tether, beaten out, starved, ready to go back to coal-shoveling or ahead to suicide. Being very sick in mind and body, the chance was in favor of my self-destruction. And then, one morning, I received a short, thin letter from a magazine. This magazine had a national reputation. It had been founded by Bret Harte. It sold for twenty-five cents a copy. It held a four-thousand-word story of mine, "To the Man on Trail." I was modest. As I tore the envelope across the end, I expected to find a check for no more than forty dollars. Instead, I was coldly informed (by the Assistant Sub-scissors, I imagine), that my story was "available" and that on publication I would be paid for it the sum of five dollars.

The end was in sight. The Sunday supplement had lied. I was finished—finished as only a very young, very sick, and very hungry young man could be. I planned—I was too miserable to plan anything save that I would never write again. And then, that same day, that very afternoon, the mail brought a short, thin letter from Mr. Umbstaetter of the "Black Cat." He told me that the four-thousand-word story submitted to him was more lengthy than strengthy, but that if I would give permission to cut it in half, he would immediately send me a check for forty dollars.

Give permission! It was equivalent to twenty dollars per thousand, or double the minimum rate. Give permission! I told Mr. Umbstaetter he could cut it down two-halves if he'd only send the money along. He did, by return mail. And that is just precisely how and why I stayed by the writing game. Literally, and literarily, I was saved by the "Black Cat" short story.

To many a writer with a national reputation, the "Black Cat" has been the stepping stone. The marvelous, unthinkable thing Mr. Umbstaetter did, was to judge a story on its merits and to pay for it on its merits. Also, and only a hungry writer can appreciate it, he paid immediately on acceptance.

Of the stories in this volume, let them speak for themselves. They are true "Black Cat" stories. Personally, I care far more for men than for the best stories ever hatched. Wherefore, this introduction has been devoted to Mr. Umbstaetter, the Man.

JACK LONDON
Glen Ellen, California, March 25, 1911 

One Chance In A Million

As the traveler, turning his back to the setting sun, descends into Paradise Valley, there spreads before him a brilliant checker-board of orchard and vineyard. Beyond this an extensive and picturesque group of red buildings gleams still ruddier, and upon one corner of the roof of the principal structure a small house of glass glistens like a huge jewel in the sunset glow. Approaching nearer, the buildings are seen to be surrounded by parks and gardens, where men and women are amusing themselves with golf and baseball, croquet and tennis, under the watchful eyes of discreet attendants.

Here is the home of many a human wreck, cast upon the shores of mental oblivion in the strenuous struggle of life—the man who, during the gold fever of '49, found fortune to lose all else, he who sacrificed everything and gained nothing, and hundreds of others, men and women, who have proved unequal to the strain on nerve and brain imposed by the stress of an unkindly Fate.

Walking apart from these groups may be seen a white-haired man of melancholy mien, who pauses occasionally and makes a peculiar motion with his hands, as if in the act of cutting with an imaginary pocket knife. This man is the sole occupant of the glass house on the roof, which is always brilliantly lighted, blazing all night with electric lamps. At intervals of a few months, he is visited by two ladies, who seem extremely solicitous for his welfare, and twice a year a noted alienist from Paris comes to study this interesting case. Here is the story of this peculiar patient:

Anyone with a sweet tooth and a good memory will recall the curious little pear-shaped sweetmeats which were so popular thirty years ago and then suddenly dropped out of sight. Everyone bought and talked of the new candy, which was small, apple-green and translucent, with a curious red streak in the core. It was not only very delicious to the taste, but produced a strange effect of mental and physical stimulation, of buoyancy—almost of intoxication. Totally different from the action of any known drug, however, and especially from alcohol, it had absolutely no deleterious reaction, but on the contrary seemed to exercise a tonic influence upon the nervous system. Joy Drops, as they were called, were carried in school-children's satchels, sold on trains, taken as a "pick-me-up" by men, ordered by society ladies for their "functions" and consumed by shop-girls by the ton.

The enormous profits from their sales were not divided among shareholders, but all went to one man, Walter H. Torreton, the inventor and manufacturer, who, starting in a small way, had constantly increased his business and incidentally the fame of the Lake city where he lived. There he bought the handsomest estate on Park Avenue and built extensive conservatories, giving much personal attention to a unique species of lily, which had never before been seen, called by him the multi-bloom.

As the fame of Torreton's confectionery spread, other manufacturers put imitations on the market, but without success. Though their candy looked much the same, it wholly lacked the peculiar qualities of the genuine Joy Drops, in which analysis had failed to reveal anything more than sugar, a little fruit flavoring and the merest trace of some quite unknown but very volatile essence, which appeared to be located in the red central stripe.

Torreton received large offers for the use of his secret formula, but these he promptly declined, and went on enlarging his business. Then his competitors began a systematic endeavor to steal what they could not buy. Information was lodged with the internal revenue officers that the candy contained alcohol, but this was disproved by the government analysis, which, however, utterly failed to show the nature of the characteristic ingredient. 

Torreton often found spy-glasses and cameras levelled upon his laboratory windows from buildings across the way. Repeated attempts were made to bribe his workmen, but they only served to bring out the fact that no one knew the secret but Torreton himself. Then complaint was brought against him for violating the fire regulations, and among the inspectors who came when an investigation was ordered he recognized a chemist from Chicago. But even this spy, after gaining access to the citadel, and peering and sniffing about the premises, could find no clue but a strange aroma which he could not identify. Some express  packages which arrived at the factory were traced back to Amsterdam, where, after a tedious search, it was found that they had been originally shipped across the ocean by Torreton himself, merely as a blind. When it seemed as if persecution and inquisition could go no further, the inventor, one evening on leaving the factory, discovered a small balloon anchored over his laboratory skylight!

Not long after this, a real estate firm, acting, it was surmised, for a foreign syndicate, bought a vacant tract of land on the outskirts, commonly known as Sumach Park. On the high ground in the centre a large brick building was erected and enclosed by a high brick wall like those which give privacy to many English estates. The building itself was surmounted by a glass structure, somewhat like the lantern of a lighthouse, and was the cause of much curiosity. This curiosity was partially gratified eventually, and the story of a foreign syndicate shattered by the following notice, which appeared one evening in all the papers:

ONE THOUSAND DOLLARS REWARD will be paid by the undersigned to the person who first brings news to his residence on Park Avenue that the electric light has gone out in the cupola of the new Torreton Confectionery Works, in Sumach Park.

Walter H. Torreton.

As soon as the papers were on the street, men went out of their way to get a look at the new light. There it was, sure enough, and as the darkness gathered it displayed a beautiful green pear, with a red streak in the centre, a gleaming reproduction of the famous candy. It was pronounced a great advertisement, but one scarcely necessary in a locality where the confection itself was already in the mouth of everybody. However, the reward offered was tempting, and not only did every policeman and fireman immediately become a night watchman for the Torreton works, but every man and boy as well who could invent any pretext for being out.

But while thus, in one sense, subjected to closer espionage than ever, Torreton's factory was no longer troubled by the spies of his rivals, and his business increased even beyond his expectations. Still he labored regularly as ever, and lived with his wife and niece just as quietly, his only extravagance being frequent additions to his greenhouses.

The light in the cupola burned steadily, and the tempting reward seemed destined to remain unclaimed, until one evening more than two years after the completion of the building, when a newsboy lingering late in the endeavor to dispose of an overstock of "extrys" suddenly saw a blurred halo surrounding the green and red beacon. It trembled, grew pale and—

The light went out!

Dropping his papers, the boy took the shortest route to Park Avenue, but soon found he was not alone in the race for the Torreton residence, as he passed men and boys and even women, all silently striving for the promised reward. A watchful and active fireman was the first to arrive in the presence of Mrs. Torreton to claim it, and she, with her niece, who acted as confidential secretary to her uncle at the factory, were already in a carriage swinging out of the grounds when the great body of panting messengers arrived.

During the anxious drive to Sumach Park, the girl explained that, rather earlier than usual, her uncle told her he was going to the city and would not return to the works. When she started for home she had noticed that the door to a small inner laboratory vault, in which Mr. Torreton kept his most important chemicals and papers, was open. She had closed and locked it. What connection this incident might have with the extinguishing of the light she could not imagine, yet she felt that something was wrong, as any attempt to enter the building by night would put out the beacon and give an alarm.

Followed by Mrs. Torreton and a policeman from the crowd assembled about the factory, the niece led the way through the building. Although this was four stories high, all the stairways and elevators stopped at the third floor. The private laboratories on the top floor were never entered by any one but Torreton and his niece, who went there daily, drawing themselves up by an ingenious contrivance like a dumb waiter built into the wall and concealed behind a panel in the private secretary's office. To this she now went, and under her direction the others ascended one at a time to the floor above. The laboratory was in darkness, and the electric light would not work. But as they approached the door of the vault by lantern light, strange noises were heard. Tremblingly the girl worked the combination and released the heavy door. Torreton was there and alive, and without speaking he stumbled blindly toward the light, and then fell unconscious.

Before closing the vault again, the niece looked wonderingly in. Burned matches and paper ashes attracted her attention. They lay on the floor, beneath the electric light bracket. On a shelf lay a note hastily scrawled on a Joy Drop wrapper:

"Locked in—suffocating. Secret shall die with me. Have burned the formula. Wife has enough—she shall not be persecuted as I have been. Good-bye."

Beneath this was written:

"A thought has come to me that may save my life: I shall try to give the alarm by cutting the electric wires and putting out the cupola light."

He had indeed given the alarm in time to save his life, but his mind became a complete blank. The Torreton Joy Drops disappeared from the market, and the light in the cupola of the deserted works has never been relighted. Finally, even the family residence was given to the city for a hospital, but it was not until after the extensive greenhouses had been dismantled and their treasures scattered that it was suggested that they might have held the secret of the famous sweetmeat. That secret, with its possibilities, lies hopelessly buried in the darkened brain of Walter Torreton.

And it is darkness alone that disturbs him now. It was observed from the beginning of the attempts to treat his remarkable case that he displayed the utmost repugnance to darkness, and grew nervous, uneasy and wild as twilight came on. He is happy only in a glare of light, and it was upon the advice of an eminent Parisian specialist that he was finally removed to the beautiful California valley, where he lives, day and night, in a flood of radiance. His mind slipped a cog, the specialist says, which may slip back again, just as a train that has jumped the track may jump back—but it is one chance in a million.

IN HELL'S CAÑON

Adventurous prospectors who have followed the perilous trails over the Cabinet Mountains have, as a matter of course, heard of the Lost Lead, but only he who is a total stranger to fear has penetrated the chaotic wilderness of Hell's Cañon, and thus come suddenly upon the Grave of Gold. Four rude granite posts, connected by heavy log chains, enclose the spot. On the face of the giant bowlder that stands guard over the few square feet of sacred earth is carved:

THE LOST LEAD.
LOUIS GILBERT.
1860-1891.

This inscription marks the loneliest, yet richest, grave in the world.

Late in the spring of 1889, Louis Gilbert left his home in Kentucky for a visit to his uncle's mine in the Northwest. He had lung trouble and the doctor had ordered an outdoor life. While his health improved, he became infected with another ailment, perhaps the only one to be caught at that altitude—the gold fever. Miners were his only associates, the talk was all of lodes, leads and drifts, and the only communication with the outside world was by the train of pack mules that carried the heavy ore sacks down the winding trail. 

So it was not surprising that his walks took the character of prospecting tours and carried him farther and farther from camp. Late in October, when his visit was nearly over, he started with three days' food for a last trip, into new territory. From a conical mountain top about ten miles west of the mine, he had looked over a lower range of summits to a great expanse of wild and broken country that he had never explored.

The weather was like summer when he started, but thirty-six hours later, on the evening of the second day, a fierce snowstorm set in. By midnight, the first blizzard of the season was raging through the mountains. On the third day the storm still howled furiously, but searching parties were sent out with a faint hope of finding the young prospector before the trails became entirely impassable. In the dim twilight of the afternoon they returned one by one, almost worn out, convinced that the body of the missing man would not be found till the warm winds of spring should melt away the drifts. Yet, as a humane precaution, lights were kept burning all night in cabin windows, and, guided by one of them, Louis Gilbert staggered into camp and fell like a dead man before the messroom door. He was taken from the snow, wrapped in blankets and laid before the blazing fire. When he showed signs of life he was given hot drinks and put to bed. His prospector's belt dropped to the floor like lead, and when opened was found to be stuffed with nuggets of virgin gold.

In the fever that followed, Gilbert talked deliriously of his long struggle through the blinding drifts, hungry, cold and aching for the sleep which would mean death, yet forcing himself onward with the blizzard at his back as his only guide. The amazing richness of his find had given him the strength that saved his life.

Finally he opened his eyes with the old look and told in detail the story of his wonderful discovery. On the east side of a stream, in a cañon so terribly wild and broken that it was almost impassable, he had found the gold on the very surface of a ledge.

Filling his belt, he had started to blaze his way back, when the storm came down with frightful violence. The rest of the journey was simply a horrible nightmare.

As nothing could be done while the snow lasted, Gilbert returned to Kentucky for the winter, yet could think of nothing but his discovery. He had found a fortune, had even put his hands upon it, and knew it was his whenever he could stake off his claim and take possession. He spent his time in making a chart of the stream he had followed on which he set down every detail he could recall of the eastern bank, along which he had travelled.

Early the following spring he was back at his uncle's mine, waiting impatiently for the snow to melt and be carried away by the swollen streams. Finally, after a tedious delay, he set out with a small party of miners all eager to have a hand in locating the rich prospect.

"Hell's Cañon!" exclaimed the foreman, as, skirting Cone Top Mountain, Gilbert pointed out the way. One of the men, a Mexican, declined to go any farther with the party, and the foreman explained to the wondering Gilbert:

"The Mexicans give Hell's Cañon a wide berth. They say that one of them found a big treasure there, and then lost it and his life in some uncanny way. They found his bones though, next summer. Knew 'em by his divining rod that he clung to even in death."

On the second day Gilbert and his companions found the stream, which fought its way among the upturned rocks, cavernous gorges and fallen logs. At the sight of it Gilbert eagerly led the search along the east bank, and every spot was carefully searched. But the boulder, the two dead trees—every other characteristic landmark on Gilbert's chart—could not be found. All search was in vain. The map was not that of the locality they were in—as Gilbert himself was obliged to admit.

During that summer Gilbert led out four other searching parties, but never got any nearer the lost lead. Then he again went South for the winter. When he next returned it was with a flushed cheek that contrasted horribly with his pale, pinched look and steadily failing strength. In spite of all disappointments, he was still hopeful, and to humor him his uncle's miners occasionally made excursions into the maze of peaks and gulches.

One morning, late in the season, Gilbert asked for one more chance to solve the mystery of Hell's Cañon. He had had a dream, he said enthusiastically, that this time he would be successful. The miners didn’t put much faith in dreams, but, for his uncle's sake, and because it was recalled that this was the second anniversary of the great discovery, they made up a party and started out in the usual direction. 

 Although they moved slowly, the young man's feebleness increased until it became necessary to carry him on a litter made of boughs. This delayed them even more, and it was late on the third day before they reached the stream. At the sight of the dashing water, Gilbert's strength appeared to rally, and, sitting up, he directed them to cross to the west bank. At this strange order the bearers exchanged significant glances and called the rest of the party. They all believed that with a brief return of physical strength the young man's mind had broken down. The one point on which he had always been most positive—that the vein was on the eastern bank of the stream—he had now abandoned. It was evident to them that the lost lead would never be found.

But it was time to camp for the night, and the west bank was much more sheltered. With much difficulty, bracing themselves against the stones, they carried the litter across the swift current. Selecting a site sheltered by a huge boulder, the men sent in advance to pitch camp began with picks to clear a spot for the tent. With a ring that could not be mistaken the steel struck the rock. The men gave a great cheer. Gilbert raised himself on his litter when it was brought up, and gazed excitedly at the great boulder and its surroundings, which had come to him so vividly in that prophetic death-dream—his last on earth.

"The Lost Lead!" he cried in a triumphant tone, and then adding in a weak voice, "Bury me here, boys," he sank back—dead.

Spring freshets had changed the torrent's course, and the east bank had become the west!

They buried Louis Gilbert with the treasure he had never possessed, and while the rich mine became known in financial circles as "The Lost Lead," yet old miners themselves speak of it only as "The Grave of Gold."

“The Black Cat” published only short stories, and had a reputation for originality and for encouraging new writers.  I plan to search for more stories from “The Black Cat” to share on Narrated Archives. 

What forgotten tales would you like to hear? 

Send your requests to the archive at sbnarration@sallybarronvoiceovers.com and we'll see you in the next episode.

The story may have ended, but the archive is always open. We’ll see you in the next chapter of the Narrated Archives.  Thank you for listening.