Narrated Archives
Discover classic literature, vintage fiction, and public domain short stories on Narrated Archives. This audio project focuses on professional narration of short fiction from legendary authors and hidden literary talents of the past. Perfect for fans of audiobooks, vintage fiction, and anthologies. With each episode a brief biography of the author(s) introduces the episode.
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Narrated Archives
Impossible Choices
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Today, we are cracking open a specific piece of literary history. We’re looking at two tales that were hand-picked over a century ago for the classroom in the 1921 collection, Modern Short Stories: A Book for High Schools.
This influential volume was edited by Frederick Houk Law, Ph.D., a scholar who believed that short fiction should not just entertain, but challenge the reader to think deeply about human nature. The two stories selected from his collection today do exactly that, placing characters in situations where there are no easy answers.
We’re exploring the high-stakes world of impossible choices, featuring two stories where a single decision can mean the difference between life and death.
First, we head to the front lines of the American Civil War in Jack London’s "War".
Next, we turn to a very different kind of tension in S. Weir Mitchell’s “A Dilemma”.
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Welcome to Narrated Archives! I’m your host and narrator, Sally Barron, and I’m delighted to have your company for this journey into the public domain archives. In every episode, we dust off the covers in the annals of the public domain, from forgotten short stories to timeless essays, and bring these historic chronicles back to life.
Today, we are cracking open a specific piece of literary history. We’re looking at two tales that were hand-picked over a century ago for the classroom in the 1921 collection, Modern Short Stories: A Book for High Schools.
This influential volume was edited by Frederick Houk Law, Ph.D., a scholar who believed that short fiction should not just entertain, but challenge the reader to think deeply about human nature. The two stories selected from his collection today do exactly that, placing characters in situations where there are no easy answers.
We’re exploring the high-stakes world of impossible choices, featuring two stories where a single decision can mean the difference between life and death.
First, we head to the front lines of the American Civil War in Jack London’s 'War.' Best known for his rugged survival epics like The Call of the Wild, John Griffith Chaney born January 12,1876 in San Francisco and grew up in working-class poverty in Oakland. He worked in canneries and as an "oyster pirate" by age 15.
London lived a life as intense as his fiction—from prospecting for gold in the Klondike to sailing the Pacific.
In 1897, he joined the Gold Rush, where the harsh Yukon winter and a battle with scurvy provided the raw material for his most iconic stories.
A militant socialist, he was known as a crusading journalist and political activist who often sided with the "underdog" against social injustice.
London died at the age of 40 on his ranch in Glen Ellen, California. While his death certificate listed uremia (kidney failure) as the cause, his death remains a subject of debate among biographers due to the presence of morphine in his system. His former estate is now preserved as the Jack London State Historic Park, where visitors can see the ruins of his dream home, the Wolf House.
London was a master of 'Naturalism,' a style that strips away romanticism to show the brutal, indifferent reality of survival. In 'War,' he explores how a single, fleeting moment of human mercy can clash violently with the cold machinery of combat.
War
He was a young man, not more than twenty-four or five, and he might have sat his horse with the careless grace of his youth had he not been so catlike and tense. His black eyes roved everywhere, catching the movements of twigs and branches where small birds hopped, questing ever onward through the changing vistas of trees and brush, and returning always to the clumps of undergrowth on either side. And as he watched, so did he listen, though he rode on in silence, save for the boom of heavy guns from far to the west. This had been sounding monotonously in his ears for hours, and only its cessation would have aroused his notice. For he had business closer to hand. Across his saddle-bow was balanced a carbine.
So tensely was he strung, that a bunch of quail, exploding into flight from under his horse’s nose, startled him to such an extent that automatically, instantly, he had reined in and fetched the carbine half-way to his shoulder. He grinned sheepishly, recovered himself, and rode on. So tense was he, so bent upon the work he had to do, that the sweat stung his eyes unwiped, and unheeded rolled down his nose and spattered his saddle pommel. The band of his cavalryman’s hat was fresh-stained with sweat. The roan horse under him was likewise wet. It was high noon of a breathless day of heat. Even the birds and squirrels did not dare the sun, but sheltered in shady hiding places among the trees.
Man and horse were littered with leaves and dusted with yellow pollen, for the open was ventured no more than was compulsory. They kept to the brush and trees, and invariably the man halted and peered out before crossing a dry glade or naked stretch of upland pasturage. He worked always to the north, though his way was devious, and it was from the north that he seemed most to apprehend that for which he was looking. He was no coward, but his courage was only that of the average civilized man, and he was looking to live, not die.
Up a small hillside he followed a cowpath through such dense scrub that he was forced to dismount and lead his horse. But when the path swung around to the west, he abandoned it and headed to the north again along the oak-covered top of the ridge.
The ridge ended in a steep descent—so steep that he zigzagged back and forth across the face of the slope, sliding and stumbling among the dead leaves and matted vines and keeping a watchful eye on the horse above that threatened to fall down upon him. The sweat ran from him, and the pollen-dust, settling pungently in mouth and nostrils, increased his thirst. Try as he would, nevertheless the descent was noisy, and frequently he stopped, panting in the dry heat and listening for any warning from beneath.
At the bottom he came out on a flat, so densely forested that he could not make out its extent. Here the character of the woods changed, and he was able to remount. Instead of the twisted hillside oaks, tall straight trees, big-trunked and prosperous, rose from the damp fat soil. Only here and there were thickets, easily avoided, while he encountered winding, park-like glades where the cattle had pastured in the days before war had run them off.
His progress was more rapid now, as he came down into the valley, and at the end of half an hour he halted at an ancient rail fence on the edge of a clearing. He did not like the openness of it, yet his path lay across to the fringe of trees that marked the banks of the stream. It was a mere quarter of a mile across that open, but the thought of venturing out in it was repugnant. A rifle, a score of them, a thousand, might lurk in that fringe by the stream.
Twice he essayed to start, and twice he paused. He was appalled by his own loneliness. The pulse of war that beat from the west suggested the companionship of battling thousands; here was naught but silence, and himself, and possible death-dealing bullets from a myriad ambushes. And yet his task was to find what he feared to find. He must go on, and on, till somewhere, some time, he encountered another man, or other men, from the other side, scouting, as he was scouting, to make report, as he must make report, of having come in touch.
Changing his mind, he skirted inside the woods for a distance, and again peeped forth. This time, in the middle of the clearing, he saw a small farmhouse. There were no signs of life. No smoke curled from the chimney, not a barnyard fowl clucked and strutted. The kitchen door stood open, and he gazed so long and hard into the black aperture that it seemed almost that a farmer’s wife must emerge at any moment.
He licked the pollen and dust from his dry lips, stiffened himself, mind and body, and rode out into the blazing sunshine. Nothing stirred. He went on past the house, and approached the wall of trees and bushes by the river’s bank. One thought persisted maddeningly. It was of the crash into his body of a high-velocity bullet. It made him feel very fragile and defenseless, and he crouched lower in the saddle.
Tethering his horse in the edge of the wood, he continued a hundred yards on foot till he came to the stream. Twenty feet wide it was, without perceptible current, cool and inviting, and he was very thirsty. But he waited inside his screen of leafage, his eyes fixed on the screen on the opposite side. To make the wait endurable, he sat down, his carbine resting on his knees. The minutes passed, and slowly his tenseness relaxed. At last he decided there was no danger; but just as he prepared to part the bushes and bend down to the water, a movement among the opposite bushes caught his eye.
It might be a bird. But he waited. Again there was an agitation of the bushes, and then, so suddenly that it almost startled a cry from him, the bushes parted and a face peered out. It was a face covered with several weeks’ growth of ginger-colored beard. The eyes were blue and wide apart, with laughter-wrinkles in the corners that showed despite the tired and anxious expression of the whole face.
All this he could see with microscopic clearness, for the distance was no more than twenty feet. And all this he saw in such brief time, that he saw it as he lifted his carbine to his shoulder. He glanced along the sights, and knew that he was gazing upon a man who was as good as dead. It was impossible to miss at such point blank range.
But he did not shoot. Slowly he lowered the carbine and watched. A hand, clutching a water-bottle, became visible and the ginger beard bent downward to fill the bottle. He could hear the gurgle of the water. Then arm and bottle and ginger beard disappeared behind the closing bushes. A long time he waited, when, with thirst unslaked, he crept back to his horse, rode slowly across the sun-washed clearing, and passed into the shelter of the woods beyond.
II
Another day, hot and breathless. A deserted farmhouse, large, with many outbuildings and an orchard, standing in a clearing. From the woods, on a roan horse, carbine across pommel, rode the young man with the quick black eyes. He breathed with relief as he gained the house. That a fight had taken place here earlier in the season was evident. Clips and empty cartridges, tarnished with verdigris, lay on the ground, which, while wet, had been torn up by the hoofs of horses. Hard by the kitchen garden were graves, tagged and numbered. From the oak tree by the kitchen door, in tattered, weather-beaten garments, hung the bodies of two men. The faces, shriveled and defaced, bore no likeness to the faces of men. The roan horse snorted beneath them, and the rider caressed and soothed it and tied it farther away.
Entering the house, he found the interior a wreck. He trod on empty cartridges as he walked from room to room to reconnoiter from the windows. Men had camped and slept everywhere, and on the floor of one room he came upon stains unmistakable where the wounded had been laid down.
Again outside, he led the horse around behind the barn and invaded the orchard. A dozen trees were burdened with ripe apples. He filled his pockets, eating while he picked. Then a thought came to him, and he glanced at the sun, calculating the time of his return to camp. He pulled off his shirt, tying the sleeves and making a bag. This he proceeded to fill with apples.
As he was about to mount his horse, the animal suddenly pricked up its ears. The man, too, listened, and heard, faintly, the thud of hoofs on soft earth. He crept to the corner of the barn and peered out. A dozen mounted men, strung out loosely, approaching from the opposite side of the clearing, were only a matter of a hundred yards or so away. They rode on to the house. Some dismounted, while others remained in the saddle as an earnest that their stay would be short. They seemed to be holding a council, for he could hear them talking excitedly in the detested tongue of the alien invader. The time passed, but they seemed unable to reach a decision. He put the carbine away in its boot, mounted, and waited impatiently, balancing the shirt of apples on the pommel.
He heard footsteps approaching, and drove his spurs so fiercely into the roan as to force a surprised groan from the animal as it leaped forward. At the corner of the barn he saw the intruder, a mere boy of nineteen or twenty for all of his uniform, jump back to escape being run down. At the same moment the roan swerved, and its rider caught a glimpse of the aroused men by the house. Some were springing from their horses, and he could see the rifles going to their shoulders. He passed the kitchen door and the dried corpses swinging in the shade, compelling his foes to run around the front of the house. A rifle cracked, and a second, but he was going fast, leaning forward, low in the saddle, one hand clutching the shirt of apples, the other guiding the horse.
The top bar of the fence was four feet high, but he knew his roan and leaped it at full career to the accompaniment of several scattered shots. Eight hundred yards straight away were the woods, and the roan was covering the distance with mighty strides. Every man was now firing. They were pumping their guns so rapidly that he no longer heard individual shots. A bullet went through his hat, but he was unaware, though he did know when another tore through the apples on the pommel. And he winced and ducked even lower when a third bullet, fired low, struck a stone between his horse’s legs and ricochetted off through the air, buzzing and humming like some incredible insect.
The shots died down as the magazines were emptied, until, quickly, there was no more shooting. The young man was elated. Through that astonishing fusillade he had come unscathed. He glanced back. Yes, they had emptied their magazines. He could see several reloading. Others were running back behind the house for their horses. As he looked, two already mounted, came back into view around the corner, riding hard. And at the same moment, he saw the man with the unmistakable ginger beard kneel down on the uched very low, and swerved in his flight in order to distract the other’s aim. And still the shot did not come. With each jump of the horse, the woods sprang nearer. They were only two hundred yards away, and still the shot was delayed.
And then he heard it, the last thing he was to hear, for he was dead ere he hit the ground in the long crashing fall from the saddle. And they, watching at the house, saw him fall, saw his body bounce when it struck the earth, and saw the burst of red-cheeked apples that rolled about him. They laughed at the unexpected eruption of apples, and clapped their hands in applause of the long shot by the man with the ginger beard.
Next, we turn to a very different kind of tension in S. Weir Mitchell’s “A Dilemma”. Born on February 15, 1829, in Philadelphia, Silas Weir Mitchell grew up in a prominent medical family where the American Revolution was still a living memory among his elders. Mitchell was one of the most famous neurologists of his time, known for his 'rest cure' treatments for nervous disorders, infamous due to Charlotte Perkins Gilman, a former patient who critiqued the treatment’s psychological toll in her feminist short story, "The Yellow Wallpaper”, which we’ve heard in an earlier episode of Narrated Archives. Please give that episode a listen if you haven’t already.
Mitchell was a major figure in 19th-century medicine, particularly for his work during and after the Civil War.
Mitchell maintained a successful parallel career as a poet and novelist, often writing under the pseudonym Edward Kearsley early in his career to keep his two professions separate
Despite his medical eminence, Mitchell’s legacy is complex.
In this story, “The Dilemma”, he presents us with a classic 'damned if you do, damned if you don't' scenario.
London shows us the cost of an impossible choice made in a split second. But what happens when the choice isn't forced by a gunshot, but by curiosity and fear? We move now from the wide-open, violent landscape of the Civil War to a quiet room where a man sits staring at a locked box. In our next story, the battle isn't against an enemy soldier—it’s against one's own greed and nerves. This is S. Weir Mitchell’s “A Dilemma”.
A Dilemma
I was just thirty-seven when my Uncle Philip died. A week before that event he sent for me; and here let me say that I had never set eyes on him. He hated my mother, but I do not know why. She told me long before his last illness that I need expect nothing from my father’s brother. He was an inventor, an able and ingenious mechanical engineer, and had made much money by his improvement in turbine-wheels. He was a bachelor; lived alone, cooked his own meals, and collected precious stones, especially rubies and pearls. From the time he made his first money he had this mania. As he grew richer, the desire to possess rare and costly gems became stronger. When he bought a new stone, he carried it in his pocket for a month and now and then took it out and looked at it. Then it was added to the collection in his safe at the trust company.
At the time he sent for me I was a clerk, and poor enough. Remembering my mother’s words, his message gave me, his sole relative, no new hopes; but I thought it best to go.
When I sat down by his bedside, he began, with a malicious grin:
“I suppose you think me odd. I will explain.” What he said was certainly queer enough. “I have been living on an annuity into which I put my fortune. In other words, I have been, as to money, concentric half of my life to enable me to be as eccentric as I pleased the rest of it. Now I repent of my wickedness to you all, and desire to live in the memory of at least one of my family. You think I am poor and have only my annuity. You will be profitably surprised. I have never parted with my precious stones; they will be yours. You are my sole heir. I shall carry with me to the other world the satisfaction of making one man happy.
“No doubt you have always had expectations, and I desire that you should continue to expect. My jewels are in my safe. There is nothing else left.”
When I thanked him he grinned all over his lean face, and said:
“You will have to pay for my funeral.”
I must say that I never looked forward to any expenditure with more pleasure than to what it would cost me to put him away in the earth. As I rose to go, he said:
“The rubies are valuable. They are in my safe at the trust company. Before you unlock the box, be very careful to read a letter which lies on top of it; and be sure not to shake the box.” I thought this strange. “Don’t come back. It won’t hasten things.”
He died that day, and was handsomely buried. The day after, his will was found, leaving me his heir. I opened his safe and found in it nothing but an iron box, evidently of his own making, for he was a skilled workman and very ingenious. The box was heavy and strong, about ten inches long, eight inches wide and ten inches high. On it lay a letter to me. It ran thus:
“Dear Tom: This box contains a large number of very fine pigeon-blood rubies and a fair lot of diamonds; one is blue—a beauty. There are hundreds of pearls—one the famous green pearl and a necklace of blue pearls, for which any woman would sell her soul—or her affections.” I thought of Susan. “I wish you to continue to have expectations and continuously to remember your dear uncle. I would have left these stones to some charity, but I hate the poor as much as I hate your mother’s son,—yes, rather more.
“The box contains an interesting mechanism, which will act with certainty as you unlock it, and explode ten ounces of my improved, supersensitive dynamite—no, to be accurate, there are only nine and a half ounces. Doubt me, and open it, and you will be blown to atoms. Believe me, and you will continue to nourish expectations which will never be fulfilled. As a considerate man, I counsel extreme care in handling the box. Don’t forget your affectionate “Uncle.”
I stood appalled, the key in my hand. Was it true? Was it a lie? I had spent all my savings on the funeral, and was poorer than ever.
Remembering the old man’s oddity, his malice, his cleverness in mechanic arts, and the patent explosive which had helped to make him rich, I began to feel how very likely it was that he had told the truth in this cruel letter.
I carried the iron box away to my lodgings, set it down with care in a closet, laid the key on it, and locked the closet.
Then I sat down, as yet hopeful, and began to exert my ingenuity upon ways of opening the box without being killed. There must be a way.
After a week of vain thinking I bethought me, one day, that it would be easy to explode the box by unlocking it at a safe distance, and I arranged a plan with wires, which seemed as if it would answer. But when I reflected on what would happen when the dynamite scattered the rubies, I knew that I would be none the richer. For hours at a time I sat looking at that box and handling the key.
At last I hung the key on my watch-guard; but then it occurred to me that it might be lost or stolen. Dreading this, I hid it, fearful that some one might use it to open the box. This state of doubt and fear lasted for weeks, until I became nervous and began to dread that some accident might happen to that box. A burglar might come and boldly carry it away and force it open and find it was a wicked fraud of my uncle’s. Even the rumble and vibration caused by the heavy vans in the street became at last a terror.
Worst of all, my salary was reduced, and I saw that marriage was out of the question.
In my despair I consulted Professor Clinch about my dilemma, and as to some safe way of getting at the rubies.
He said that, if my uncle had not lied, there was none that would not ruin the stones, especially the pearls, but that it was a silly tale and altogether incredible. I offered him the biggest ruby if he wished to test his opinion. He did not desire to do so.
Dr. Schaff, my uncle’s doctor, believed the old man’s letter, and added a caution, which was entirely useless, for by this time I was afraid to be in the room with that terrible box.
At last the doctor kindly warned me that I was in danger of losing my mind with too much thought about my rubies. In fact, I did nothing else but contrive wild plans to get at them safely. I spent all my spare hours at one of the great libraries reading about dynamite. Indeed, I talked of it until the library attendants, believing me a lunatic or a dynamite fiend, declined to humor me, and spoke to the police. I suspect that for a while I was “shadowed” as a suspicious, and possibly criminal, character. I gave up the libraries, and, becoming more and more fearful, set my precious box on a down pillow, for fear of its being shaken; for at this time even the absurd possibility of its being disturbed by an earthquake troubled me. I tried to calculate the amount of shake needful to explode my box.
The old doctor, when I saw him again, begged me to give up all thought of the matter, and, as I felt how completely I was the slave of one despotic idea, I tried to take the good advice thus given me.
Unhappily, I found, soon after, between the leaves of my uncle’s Bible, a numbered list of the stones with their cost and much beside. It was dated two years before my uncle’s death. Many of the stones were well known, and their enormous value amazed me.
Several of the rubies were described with care, and curious histories of them were given in detail. One was said to be the famous “Sunset ruby,” which had belonged to the Empress-Queen Maria Theresa. One was called the “Blood ruby,” not, as was explained, because of the color, but on account of the murders it had occasioned. Now, as I read, it seemed again to threaten death.
The pearls were described with care as an unequalled collection. Concerning two of them my uncle had written what I might call biographies,—for, indeed, they seemed to have done much evil and some good. One, a black pearl, was mentioned in an old bill of sale as—She—which seemed queer to me.
It was maddening. Here, guarded by a vision of sudden death, was wealth “beyond the dreams of avarice.” I am not a clever or ingenious man; I know little beyond how to keep a ledger, and so I was, and am, no doubt, absurd about many of my notions as to how to solve this riddle.
At one time I thought of finding a man who would take the risk of unlocking the box, but what right had I to subject any one else to the trial I dared not face? I could easily drop the box from a height somewhere, and if it did not explode could then safely unlock it; but if it did blow up when it fell, good-by to my rubies. Mine, indeed! I was rich, and I was not. I grew thin and morbid, and so miserable that, being a good Catholic, I at last carried my troubles to my father confessor. He thought it simply a cruel jest of my uncle’s, but was not so eager for another world as to be willing to open my box. He, too, counselled me to cease thinking about it. Good heavens! I dreamed about it. Not to think about it was impossible. Neither my own thought nor science nor religion had been able to assist me.
Two years have gone by, and I am one of the richest men in the city, and have no more money than will keep me alive.
Susan said I was half cracked like Uncle Philip, and broke off her engagement. In my despair I have advertised in the “Journal of Science,” and have had absurd schemes sent me by the dozen. At last, as I talked too much about it, the thing became so well known that when I put the horror in a safe, in bank, I was promptly desired to withdraw it. I was in constant fear of burglars, and my landlady gave me notice to leave, because no one would stay in the house with that box. I am now advised to print my story and await advice from the ingenuity of the American mind.
I have moved into the suburbs and hidden the box and changed my name and my occupation. This I did to escape the curiosity of the reporters. I ought to say that when the government officials came to hear of my inheritance, they very reasonably desired to collect the succession tax on my uncle’s estate.
I was delighted to assist them. I told the collector my story, and showed him Uncle Philip’s letter. Then I offered him the key, and asked for time to get half a mile away. That man said he would think it over and come back later.
This is all I have to say. I have made a will and left my rubies and pearls to the Society for the Prevention of Human Vivisection. If any man thinks this account a joke or an invention, let him coldly imagine the situation:
Given an iron box, known to contain wealth, said to contain dynamite, arranged to explode when the key is used to unlock it—what would any sane man do? What would he advise?
By pairing Jack London’s "War" with S. Weir Mitchell’s "A Dilemma," we see two different sides of the same coin: the paralysis of choice. London gives us the soldier whose split-second decision to show mercy leads to his own destruction, while Mitchell gives us the heir whose long-term indecision leads to a different kind of ruin. One is killed by his heart; the other is driven mad by his head.
These stories remind us that while the "modern" world of 1921 has changed, the core of the human experience hasn't. We are still fragile creatures caught between our instincts for survival and our desire for something more—whether that’s a moment of decency on a battlefield or a fortune hidden in a box.
Next week, we’ll explore one of the most famous ironic twists in literary history: "The Necklace" by Guy de Maupassant. It is another story of how a single object can define—or destroy—a destiny. Make sure to subscribe so you don't miss it.
The story may have ended, but the archive is always open. We’ll see you in the next chapter of the Narrated Archives. Thank you for listening.