Radio Archeaology

Gunsmoke: When the Truth is Buried

gun smoke Season 1 Episode 31

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0:00 | 30:48

Jim Cobbett had waited a long time to stop being alone. A homesteader known more for his stubbornness than his luck, Jim had finally brought a bride out to his Kansas spread - a handsome, high-strung woman named Lila, fresh from back east. Matt Dillon and Chester watched them leave the wedding celebration and ride into the prairie night, and for a while, Dodge City was content to leave them to it. But a month or so later, Hank Lewes - Jim’s long-time rival, a man with a grudge as old as a water rights dispute - came into the marshal’s office with a story: Lila was gone. Jim sat alone on the homestead, stock missing, wife nowhere to be found, and not a word of explanation to offer.

Dillon brought Doc out to the homestead, already suspicious of a story that didn’t quite fit. What he found beneath those flowers was the truth - and a grief too quiet and bone-deep to be anything but real.

Episode Quotes:

“Loneliness’ll do that to a man sometimes.” - Marshal Matt Dillon

“I just couldn’t not have planted flowers there.” - Jim Cobbett

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SPEAKER_01

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SPEAKER_01

And now Gunsmoke, starring William Conrad. The story of the violence that moved West with young America. The story of a man who moved with it. Matt Dillon, United States Marshal.

SPEAKER_02

The cook sure must have had a bad night, Mr. Dillon.

SPEAKER_12

Well, how do you figure that, Chester?

SPEAKER_02

Well, sir, I never saw so much chili pepper on a couple of poor eggs. He must figure everybody's got a hangover this morning.

SPEAKER_12

Almost everybody usually has of a Sunday around here.

SPEAKER_02

Well, now, I clean up forgot all about it being Sunday. So that's why Jim Cobbett's all dressed up over there, huh? First time I've ever seen him with his hair combed, yeah. Ah.

SPEAKER_12

Well, I haven't you heard about Jim, Chester. He's gonna get married. He's got his wife to be coming in on the train from back east today.

SPEAKER_02

Jim Cobbett?

SPEAKER_12

Yeah.

SPEAKER_02

Well, now, what sort of a woman would that be, Mr. Dillon, who'd come clear to Dodge City to marry a fellow like Jim?

SPEAKER_12

Now, Jim's a good man, Chester. It's just that, well, living out on that homestead of his year after year has made him grow a little off-center, so. Loneliness will do that to a man sometimes.

SPEAKER_06

Morning, Marshal. Chester?

SPEAKER_12

Morning, Hank. Well, what do you think of that old go Jim Cobbett getting himself itched? It's a fine thing, I'd say.

SPEAKER_02

Well, Jim's no older than you are, Hank Lewes.

SPEAKER_12

No older, maybe. A lot less respectable. Now you're talking your usual nonsense, Hank.

SPEAKER_06

Am I, Marshal? What about Jim's first wife, who disappeared over that place he had up north on Hackbury Creek. Just plain disappeared, she did. Jim never explained that, and nobody ever saw her again either.

SPEAKER_02

Oh, you're a worse than an old woman with your gossip, Hank. Jim's never done anything to you, Hank.

SPEAKER_06

Nothing except stake his homestead on the only spring south of the smokey that didn't dry up. Cheated me out of it, that's what.

SPEAKER_12

He filed his claim two weeks before you did, Hank, and everybody knows it. Sneaked into town, that's what he did.

SPEAKER_06

Sneaked into town behind my back.

SPEAKER_12

Still telling your lies, ain't you, Hank Lewis? Now?

SPEAKER_06

Now you keep away from me, Jim. Keep away.

SPEAKER_07

I've never bothered you, Hank. But I hear you talking around Lila. When she gets here, I'll hurt you. I'll hurt you bad.

SPEAKER_06

What is it you want to hide from her, Jim? Maybe that business about your first wife? All right, don't touch that gun, Hank. Not a move. You arrest her marshal. You saw it. Get up. Put him in jail now. I didn't touch him. Shut up.

SPEAKER_12

Now, you're just lucky you weren't killed. Now, you get out of here and stay away from Jim. It's his wedding day, and if I find you bothering him again, I'll throw you in jail. Now go on, move. Fine, fine law. We got around here, Matt.

SPEAKER_05

Nothing happened.

SPEAKER_12

Sorry to make trouble, Marshal. But I won't hold for his making that talk around Lila. Oh, forget it, Jim. Just keep clear of him for a while. Uh what time's the wedding? Well, about three o'clock. At least that's when the preacher said he'd come down.

SPEAKER_02

It'll be at the church, won't it, Jim?

SPEAKER_12

Well, no. Preacher thought maybe it'd be better to do it somewheres else. It's uh because uh Yeah, yeah, sure, Jim. Uh you know, Dodge City House would be a fine place, wouldn't it? That's just what I'd plan, Marshal. Uh I brought a jug of corn in with me in case anyone came around, maybe. Jim, I wouldn't miss it for the world. I'm gonna be there for sure.

SPEAKER_02

Yeah, me too, Jim. I certainly do enjoy wedding. I never got married myself, but I sure do like to watch.

SPEAKER_12

See you later, Jim. Sure, Marshal.

SPEAKER_02

We'll be there, Jim. Bye.

SPEAKER_12

Jim's bride, Lila, turned out to be a handsome, high-strung woman with nervous black eyes and a manner that bespoke a gentle breeding and background. I watched her and I wondered how she'd ever make out in this crude, raw country she'd chosen to come to. It was never mentioned how she and Jim had got together, but the few friends who gathered for the wedding didn't care. We were all pleased that Jim finally had a wife to break the loneliness that he'd set upon himself for so long. And after the brief ceremony at the Dodge City House, we told him so.

SPEAKER_02

Well, it's about time, Jim. If you don't mind my saying so, ma'am, you should have filed on him long ago.

SPEAKER_10

Why, uh yes. I mean, of course.

SPEAKER_12

Open the jug on the table there, sir. It's good corn. Well, thank you, Jim. Throat is you might dust it. Help yourselves to the liquor, boys.

unknown

Thank you.

SPEAKER_12

Well, congratulations, Jim. And Miss Cobbett, my best wishes to you, ma'am.

SPEAKER_10

Thank you, Marshal Dillon.

SPEAKER_12

Now, you make Jim bring you to town and see us once in a while. He never came in much when he was alone out there.

SPEAKER_10

Oh, I'm sure he will, Marshal.

SPEAKER_12

I sure hope so, ma'am. Help yourself to the jug there, Chester.

SPEAKER_02

Well, thank you, Jim. If I can get it away from Sy long enough, I will.

SPEAKER_12

Uh, you stay in here tonight, Jim? Well, no, Marshal. I brought the wagon on account of Lila here, and it's a slow way of traveling.

SPEAKER_07

Take a day and a half at best, huh?

SPEAKER_10

But where will we sleep tonight, Jim?

SPEAKER_07

Oh, I've got some blankets, Lila. We'll be fine.

SPEAKER_10

You mean out? On the prairie? Sure.

SPEAKER_12

We'll bed down in the wagon if you're afraid of snakes. Oh, snakes can't get to you if you're in the wagon, ma'am.

SPEAKER_10

But but what about everything else? Indians.

SPEAKER_07

No Indians have been seen around here for months, I think.

SPEAKER_02

Oh, no, you're wrong, Jim. A man from Walnut Creek told me he ran into some Pawnees a couple weeks ago.

SPEAKER_12

Only about a dozen, though. Pawnees? Well, they didn't bother him, did they, sir? No, no, they didn't, Marshal. Yeah. You see, Lila? Well, they didn't bother him because he saw him first. He hid himself under a bank in the creek.

SPEAKER_10

Are there many Indians around?

SPEAKER_12

Oh, no, very few.

SPEAKER_02

Well, the army's been after him pretty steady ever since them crows raided the Gillette place. The engines have been making themselves scarce the last few months.

SPEAKER_10

What happened at the Gillette place, huh?

SPEAKER_12

They had a little trouble, that's all, I know. Little trouble to kill Bob and rode off of Mrs. Gillette and the child, that's all.

SPEAKER_05

Oh, no.

SPEAKER_12

Uh, Cy, why don't you go get yourself another drink, huh?

SPEAKER_02

Yeah, well, I was just thinking about doing that. Well, no, I suppose it'll be easier in Mrs.

SPEAKER_12

Gillette once she learns to talk crow, but still, it's a hard life on a white woman, suddenly being made a squaw. Oh. The uh jug's almost empty, Sy. You better hurry, huh? By golly, dear. Hey, fellas, I got another sweater coming. Liquor's working on the side, Lyler.

SPEAKER_07

Don't pay no.

SPEAKER_10

Jim, is it true what he said about that poem?

SPEAKER_07

Now, Lila, don't you fret about that.

SPEAKER_10

Is it true? I want to know, Jim.

SPEAKER_12

Yes. Uh, Jim, if you stayed in Dodge City tonight, well, you could start out before dawn tomorrow.

SPEAKER_10

No, Marshal. Jim thinks it's best we leave tonight.

SPEAKER_07

There's nothing to fear, Lila, but if you'd rather stay, we can.

SPEAKER_10

No. We'll go, Jim. If you'll excuse me, I'll go change into something more suitable. Goodbye, Marshal.

SPEAKER_12

Goodbye, ma'am. We'll see you in Dodge City real soon, I hope.

SPEAKER_10

Of course. I'll be down shortly, Joe.

SPEAKER_12

Maybe it was best that way for Lila to face out her first night on the prairie, not far from Dodge. Nothing would bother him that close to town, and it'd make it easier for her on the next night. And they left. And that's all we heard about them for a month or so. Dodge City was fairly quiet except for one week when a Texas herd arrived. Two boys were killed the next night and another a few days after. But then things cooled off and became peaceable again.

SPEAKER_02

Hank loss is in town, Mr. Dillon.

SPEAKER_12

Oh, no, Chester. Well, there ought to be a law against it, that's all.

SPEAKER_02

He said he was coming here to see you in a few minutes.

SPEAKER_12

Look, you talk to him, Chester. I think I'll go upstairs and pick on the doc for a while.

SPEAKER_02

Oh, oh, he doesn't want to see me, Mr. Dillon. I'll send him up when he comes.

SPEAKER_12

Uh, Chester.

SPEAKER_02

No. Yes, sir, but he'll ask me where you are, sir, and then what am I going to tell him?

SPEAKER_01

I want to talk to you.

SPEAKER_12

All right, Hank. Go ahead, talk. You think I was lying about Jim Cobbett, don't you? Well, listen to this, Marshal.

SPEAKER_06

Lila's disappeared, too. What? I saw it with my own eyes. I mean, I saw she isn't there. What are you talking about, Hank? I'm telling you, Marshal, Lila's gone, just like Jim's first wife up on Hackbury Creek. She's plain disappeared.

SPEAKER_12

Well, go on.

SPEAKER_06

Well, I got a Runny Bay mare that's always running off, and I rode by Jim's place to see if he'd seen her. Jim was just sitting there and he'd hardly pay me any mind at all. He was all alone, and when I asked him about Lila, he just walked off, wouldn't say a word.

SPEAKER_02

Well, maybe she was just out on the prairie somewhere.

SPEAKER_12

Then she stayed a long time. I was back next day and still didn't see her. Stock's gone, too. When was this, Hank? About a week ago. Now, Marshal, I think you ought to get out. I'd do my own thinking, Hank. Well, all right. But you better get out there, Marshal. I've told you now. Yeah, you've told me, and you can forget it. Just stay away from the Cobbett place, you understand?

SPEAKER_06

All right, Marshal. I've done my duty. You better do yours. Goodbye, Hank. Well, I. Goodbye.

SPEAKER_02

What are you gonna do, Mr.

SPEAKER_12

Dillon? Only thing we can do, Chester. Go settle our horses, will you? I got some things to clean up around here.

SPEAKER_02

Yes, Mr. Dillon.

SPEAKER_08

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SPEAKER_01

Now the second act of gunsmoke.

SPEAKER_02

Yeah.

SPEAKER_12

Yeah, come on, they're probably inside. You think Lyle is here, don't you, sir? I will soon find out, Chester. Hello, Marshall.

SPEAKER_02

Hello, Jim.

SPEAKER_12

How have you been, Jim? Hank Louise told you, didn't he, Marshal? Where is she, Jim? Hank Louise said I killed her, didn't he, Marshal? Now, Jim, you know I don't pay any attention to what Hank Louise says. Then why'd you come here, Marshal? To help you. You're in trouble. Lila isn't here. I'm in trouble, all right. Well, what happened, Jim? Where is she? I don't know. What? Well, Indians, party of crows. They took her. They took her. Indians?

SPEAKER_02

My goodness.

SPEAKER_12

You mean you were raided here? Maybe ten days ago, a war party, about twelve crows.

SPEAKER_07

Oh, what happened? Lila was out there with a spring. It was just getting dark. I was setting on the floor right there. Men in the saddle I'd torn the stirrup off of when I heard her come running up the path out back. All sweat and yelling.

SPEAKER_09

I saw something out there. Oh, Jim. Jim, I think it was an Indian. Come inside.

SPEAKER_07

How many? How many did you see?

SPEAKER_09

Jim. I saw his skin behind that little rise. Oh, Jim. Don't let him get in.

SPEAKER_07

You don't see a thing out of this one, do you?

SPEAKER_05

Look over here.

SPEAKER_07

Nothing. Must have heard you yell.

SPEAKER_09

Oh, Jim. What do we do?

SPEAKER_07

Stand them off, that's all. Wait a minute. There's one.

SPEAKER_09

Oh no.

SPEAKER_07

Getting hard to see.

SPEAKER_09

Jim! The other side.

SPEAKER_07

Be the one behind that log out here. Just wait.

SPEAKER_09

Oh, Jim. Jim, don't carry me off like they did that other woman. I can't done it, Jim.

SPEAKER_07

Here. Take that six, you're in.

SPEAKER_09

Yeah, I will. I will.

SPEAKER_07

It won't take you while I'm alive. I promise you that'll lie. Wait a minute. They're down at the corral. That'll show them. Here he goes. There was one behind that log.

SPEAKER_09

Oh, yeah, my God.

SPEAKER_07

Sneaking up on us. We'll just wait. Let him get in the open. Wait a little more. Then when they jump and run on us.

SPEAKER_12

Go on, Jim. What happened then?

SPEAKER_02

Yeah. What did they do when they rushed you?

SPEAKER_07

Well, one of them must have got in the window behind me. When Lila screamed, I was knocked out, and when I come to the engine was gone. Lila was gone. Were you shot, Jim, or what? No. The engine must have got behind me somehow and clubbed me, that's all. Did you try to follow him? How could I, Marshal? They ran off the horses, stole them. Yeah. I see. Anyway, I was out a long time.

SPEAKER_12

I wasn't a sign of anybody when I come to. Well, they could be in the Rocky Mountains by now. We'll never find them. Uh I'll report this to Colonel Jenkins of Fort Dodge, and he can spread the word through the Army Post. Thanks, Marshal. I'm sorry, Jim. But I guess that's all I can do for you. Sure, Marshal. Come on, Chester. Let's uh take a look around outside and then get back to Dodge City.

SPEAKER_02

Yes, sir. So long, Jim. I sure I am sorry it happened. So long. Jim's pretty broke up, Mr. Dillon. Yeah. That's terrible. And her a squaw now. Yeah. My, aren't those pretty, Mr. Dillon? What? Yeah, that bunch of columbine there, growing right in a row. I think I'll just put one in my hat.

SPEAKER_12

No, wait a minute, Chester. I, uh, I wouldn't pick them, Chester. They're too pretty to pick, huh?

SPEAKER_02

Well, all right, sure. Jimstock is gone, all right. Mm-hmm. You know, Mr. Dillon, Jim Cobbett ain't the luckiest man in the world, is he?

SPEAKER_12

Oh, he sure isn't, Chester. Come on, let's get out of here. It was the day after we got back to Dodge City that the trouble started, as I expected it would. Chester spread the story about the Indians kidnapping Lila Cobbett, and it wasn't long before some of the men began to question it. A group of them, headed, of course, by Hank Lewes, came to see me.

SPEAKER_06

Marshal, we want to know when you're going to arrest him.

SPEAKER_12

Hank, it'd be better if you'd let somebody else do the talking. Your record against Jim Cobbett's pretty strong. Marshall's right, Hank. You always did talk too much anyway.

SPEAKER_06

I want justice done, that's all, and I mean to get it. Oh, shut up, Hank.

SPEAKER_12

Marshal Hank sort of talked us into thinking you don't need to do anything about Jim Cobbett. Is that true? Well, what's your idea, Merrick? Go out there and arrest him and find Lila's body if you can. You think Jim murdered her, is that it? Looks that way. You sure don't believe his story, do you, Marshal? No. Not all of it.

SPEAKER_06

Jim did her in just like his first wife. That's what?

SPEAKER_12

It's a sure thing, Marshal, no injuns would have stolen the woman left Jim lying there without scalping him. Injuns just being made that way. Merritt, I don't know what happened out there, but I'm gonna find out. Then what are you waiting for, Marshal? The doc. The doc? What's he got to do with this? Well, Miss Preliphiew had a baby this morning. The doc was up all night and he's sleeping today. We're gonna ride out to Jim's tomorrow. Well, I don't know what you need the doc for, but we'll wait and ride out with you. You won't ride anywhere, Hank. When I need a posse, I'll ask for it. I don't want a single man of you anywhere near the covet place. Is that clear? All right, now get out of here. I got work to do.

SPEAKER_03

It's a mighty lonely looking place, man. Uh indeed.

SPEAKER_12

I wonder what Lila Cobbett thought when she first saw it.

SPEAKER_02

She must have been mighty fond of Jim to come here tall, seems to me.

SPEAKER_12

Yeah. Well, I hope Jim's still there.

SPEAKER_03

Isn't that him there? Uh, down by the corral there, isn't it?

SPEAKER_12

Oh, yeah, yeah. He's got a new horse.

SPEAKER_05

Oh, oh.

SPEAKER_12

Hello, Jim.

SPEAKER_07

What are you doing here, Doc?

SPEAKER_12

I had to bring the doc, Jim. To perform a sort of autopsy. Autopsy? Oh, Ms. Cobbett. It's necessary, Jim, or I wouldn't do it. Marshal? Now don't do it, Jim. You wouldn't have a chance. No. Take his gun, Chester. Yes. All right, Jim, let's you and me go on into the house, Marshal. I don't imagine you want to watch this.

SPEAKER_03

Well, um, well, where is it, ma'am?

SPEAKER_12

You want to tell him, Jim? Over there. Under that roll columbine.

SPEAKER_13

Well, I'll.

SPEAKER_02

So that's why you wouldn't let me pick any, Mr. Dallin.

SPEAKER_07

I watered the ground a lot to make it hard.

SPEAKER_12

It was a good job, Jim. Come on, let's go in the house. Shovels out back of the corral.

SPEAKER_03

I'll get it. All that water didn't do any good.

SPEAKER_12

In the house, Jim sat with his back to the wall, his hands clasped tightly across his knees. He was so gaunt and leathery that I wondered if he'd bothered to eat anything at all since this had happened. He just sat there as if waiting to be sentenced and not caring very much one way or the other. Finally, Doc and Chester were finished and they came into the house. We put her back, Jim. Right where you had her.

SPEAKER_05

Yeah.

SPEAKER_12

And it wasn't easy, Matt. Yeah, I know. But what did you find?

SPEAKER_03

Well, she was killed by uh 45. Fired at close range. Bullet entered her head just under.

SPEAKER_02

Never mind, Doc. Jim's gun here is a 45, Mr. Dillon.

SPEAKER_12

You want to tell us about it, Jim? You think I killed her, Marshal? Well, it looks that way, Jim. But I still can't believe it. Thank you, Marshal. If you did it, Jim, you're gonna hang for it. The crows didn't attack the house, Marshal. They never aimed to. They just dodged around out there, some of them to cover for the ones that ran the stock off. They didn't want to fight, just a stock. It's happened before. Lila screamed and screamed.

SPEAKER_07

I guess she went kind of crazy. Then I heard a shot. First I thought she was shooting at the engines. Then I saw her on the floor there. I didn't care after that. They could have come right in there. They could have done anything they wanted, but I didn't care.

SPEAKER_12

You uh you'd given her your six gun, is that it?

SPEAKER_13

Yes. The crows didn't bother you after that. They just took the horses and left.

SPEAKER_07

I didn't care about them. I buried Lyle out there right away.

SPEAKER_12

And I sat there on the ground all night.

SPEAKER_07

Everything would have been all right, Marshal, but when Hank Luce came by, I got scared. I didn't want to talk to him, but I knew what he'd say. So I put water on the grave and tried to hide. Except for the flowers I'd planted. I just couldn't not have planted flowers there.

SPEAKER_04

He's telling the truth, Matt. Yeah, Jim isn't mine.

SPEAKER_12

No, no, sir, he certainly isn't. There's no reason I know of why Jim should stand trial.

SPEAKER_02

What about Hank Lewes, Mr. Dillon? He'll make trouble.

SPEAKER_12

The three of us here have heard the story and seen the evidence. Hank's talk doesn't mean a thing, huh? I have no cause to arrest Jim. Then I can go, Marshal. Go. Go where?

SPEAKER_07

I don't want to live here anymore. It's like the other place up north after my first wife rode off. She just said goodbye and rode off one day. I was ashamed of that, so I never told nobody what happened. I left the place. I can leaving this one.

SPEAKER_04

Well, you gotta settle down sometime, Jim. No, no, I don't.

SPEAKER_12

I got bad luck both places. I won't settle down no more. We won't stop you, Jim.

SPEAKER_07

I think I'll go now, Marshal.

SPEAKER_12

I don't want to spend another night here. I'll get my things together. Yeah. Uh we'll wait outside. Come on, Chester. Doc. A half hour later, Jim was packed and ready to go. Silently he shook hands with each one of us and then mounted and rode off. Yeah, the prairie had dealt hard with Jim Cobbett, but the man was too tough and dry not to survive somehow. He wouldn't try again to be happy, but he'd live. He'd make his way. We watched him disappear while the sun went and the land cooled and became still and quiet.

SPEAKER_08

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SPEAKER_11

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SPEAKER_08

But remember, entries must be mailed by Monday midnight. So be sure to visit your Plymouth Dealers tomorrow to pick up your contest entry blank and meet the new 53 Plymouth.

SPEAKER_01

Gunsmoke under the direction of Norman McDonald's stars William Conrad as Matt Dillon, U.S. Marshall. Tonight's story was specially written for Gunsmoke by John Meston, with music composed and conducted by Rex Corey. Featured in the cast were John McIntyre and Jeanette Nolan. With Paul DuBall, Jack Crucian, and Harry Bartel. Harley Bear is Chester and Howard McNear is Doc. Gunsmoke was brought to you by Plymouth, along with a reminder that you visit your Plymouth dealer tomorrow and enter the Meet the New Plymouth contest. Remember, entries must be mailed before Monday, midnight.

SPEAKER_00

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