Radio Archeaology

Gunsmoke: Love of a Good Woman - When Vengeance Meets Devotion

gun smoke Season 1 Episode 45

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0:00 | 29:29

A telegram from an old friend in Arizona warns Marshal Matt Dillon that Coney Thorne, freshly released from prison, is riding for Dodge City with murder on his mind. Years earlier, Dillon had arrested Thorne for a stage holdup he never believed the man committed - but the courts convicted him anyway, and five hard years behind bars have given Thorne plenty of time to nurse his grudge. When Thorne finally arrives, feverish and half out of his mind, it isn't a jail cell that awaits him but a sickbed - and the unexpected care of a woman with a gift for healing more than broken bodies.

 Episode Quotes

 "He's a good man, Marshal, but he suffered a lot being in prison the way he was... if they're given a chance, the right kind of a chance, they find their way back sometimes." - Abby Twilling

 "There were a lot of things I didn't like about being a lawman, and having to face a man who was out purely for revenge was one of them." - Marshal Matt Dillon

 Radio Archaeology is a Vancouver Island podcast celebrating the Golden Age of Radio through classic broadcasts including Gunsmoke, Dragnet and other timeless radio dramas while exploring the history of vintage broadcasting and storytelling. Radio Archaeology is part of The PULSE Podcast Community.

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SPEAKER_04

Gunsmoke. Brought to you by LM Builders with the miracle tip. King-size regular. Both at the same low price. Around Dodge City and in the territory on West, there's just one way to handle the killers and the spoilers, and that's with a U.S. Marshal and the smell of gun smoke. Gun smoke, starring William Conrad, who transcribed the story of the violence that moves west with young America. And the story of a man who moved with it.

SPEAKER_07

I'm that man, Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful. And a little lonely.

SPEAKER_06

In the restaurant, Mr. Dillon. What? And Doc's got himself a girl.

SPEAKER_07

But well, I'll be. I never saw her before, Chester. He's waving at us. He wants us to come in. Oh, all right. Now look, you come in and say hello and then go on out at the telegraph office. Might be important. Okay, sir.

SPEAKER_06

That girl must be a real good friend, Mr. Dillon, if Doc's buying her dinner. If he is. He better be. She ain't half ugly.

SPEAKER_07

I uh wouldn't put it exactly that way, to her, if I was a little chest.

SPEAKER_05

Ha ha ha, Chester. Hello, Dillon. Uh, well, Abby, Abby, this is Marshall Dillon. And Chester Proudfoot. Abby Twilling. How do you do, gentlemen?

SPEAKER_07

Miss Twilling.

SPEAKER_05

How do you do? Titow, sit down.

SPEAKER_06

Oh, thank you, Doc. Well, I'll be back directly, Doc. I gotta go across to the depot. There's a telegraph waiting for Mr. Dillon. I'll be here, Chester. Okay, sir. I'll hurry.

SPEAKER_03

Doc's been uh telling me about you, Marshal.

SPEAKER_05

Oh? Oh, now, don't look at me like that now, man. She wants to know all about Dodge. And I've been trying to tell her uh what to expect.

SPEAKER_07

Well, in Dodge, you can expect almost anything, Miss Twilling.

SPEAKER_05

So I hear. But Abby's seen her share of violence, Matt. She was a nurse in the war. Oh?

SPEAKER_03

Well, that's how I met Doc. We worked in the same hospital for nearly a year.

SPEAKER_05

Oh, best dog nurse I ever saw. Yeah. I'm trying to talk her into settling down here. Oh, Dodge could use somebody like her.

SPEAKER_07

Are you moving on, Miss Twilling?

SPEAKER_03

Why, I haven't any plans, Marshal. I've been working in St. Louis, but it's lonely, and I got restless and decided to ride the Santa Fe as far west as it goes. I'm on sort of a vacation, you might say. Somebody on the train mentioned my name.

SPEAKER_05

And she looked me up right off.

SPEAKER_03

Well, it's been a long time, Doc.

SPEAKER_05

Ah, yeah, too long. Oh, you stay here, Abby. We'll keep you busy. Oh, yes, and who knows? Maybe we'll even find you a husband. Oh, oh, I'm sorry.

SPEAKER_03

Oh, that's all right, Doc. You see, my husband was killed in the war, Marshal. The first year. That's why I went into nursing.

SPEAKER_07

Oh, I see.

SPEAKER_03

Well, I think I'd better get back to the hotel.

SPEAKER_05

Yeah. Oh, I'll take you, Abby. You're going to wait here for Chester, Matt?

SPEAKER_07

Oh, he's coming now. It is a pleasure to meet you, Miss Twilling.

SPEAKER_03

Thank you, Marshal. Good night.

SPEAKER_07

Good night. I'll see you later, Doc.

SPEAKER_03

Sure, ma'am.

SPEAKER_07

This way, Abby.

SPEAKER_06

Well, Chester. Miss Twing? Doc? Well, I got it, Mr.

SPEAKER_07

Dillon.

SPEAKER_01

Hang on.

SPEAKER_07

Oh, thanks, Jesse. Sit down while I read it, huh? Who's it from? It's from Wyatt Earp out in Arizona.

SPEAKER_06

Is? Is he coming here?

SPEAKER_07

No. No, it says uh Coney Thorne released from state prison last week. I hear he's looking for you, so you better go on wearing that gun a while longer. Good luck, W Herp.

SPEAKER_06

Who's Coney Thorne, Mr. Dillon? What's he one of you?

SPEAKER_07

I expect he wants to kill me, Chester.

SPEAKER_06

What?

SPEAKER_07

What for? Well, I arrested him out in Arizona a long time ago. He was one of the suspects in the stage holdup. So I had to bring him in, even though I thought he had nothing to do with it.

SPEAKER_06

Well, then why'd he go to prison?

SPEAKER_07

Well, I wasn't on the jury, Chester. And anyway, I left that part of the country before he was tried. I heard later that he was sent to prison.

SPEAKER_06

Well, you didn't have nothing to do with it.

SPEAKER_07

I arrested him. And according to this telegram, he thinks I had a lot to do with it.

SPEAKER_06

And he's really coming here, huh?

SPEAKER_07

Tony Thorne wasn't a bad man, Chester. But prison may have changed him some. He'll probably be here next week sometime.

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SPEAKER_07

There were a lot of things I didn't like about being a lawman. And having to face a man who was off purely for revenge was one of them. It didn't matter what his reasons were. When Coney Thorne arrived, I had to shoot it out with him. A man who'd travel all the way to Dodge City from Arizona wasn't going to be put off by arguments. However, a week passed and he didn't show up, and I began to hope that maybe he had changed his mind. Until one day when I was sitting with Kitty watching the crowd from the porch of the Dodge House.

SPEAKER_01

Well, must be supper time. Here comes the noon stage.

SPEAKER_07

The way he's driving those horses, he shouldn't be late.

SPEAKER_01

He's never been on time yet, unless there was an Indian scare going on. And how many passengers? Three. No, another one getting out.

SPEAKER_07

Yeah. All strangers. No, not all of them, Kitty. Not to me.

SPEAKER_01

Huh?

SPEAKER_07

That last man I got out. I've been waiting for him.

SPEAKER_01

Connie Thorn.

SPEAKER_07

Well, I might as well get this over with right now. Uh, look, Kitty, you uh better go inside, huh?

SPEAKER_01

Yeah, I sure will. Good luck, ma'am.

SPEAKER_07

Yeah.

SPEAKER_01

All right, now.

SPEAKER_07

Hello, Coney. Dylan? Well, it took you so long. I was expecting you last week. How'd you know I was coming? You must have told somebody. You got friends everywhere, ain't you, Marshal? I never thought you had anything to do with that holdup, Coney. I told you at the time I was sorry I had to take you in. I've been five years in prison, Marshal, no matter what you thought. I'm not apologizing. But you're free now, Coney. Why do you want to die? What makes you think I'm gonna die? Well, a man in prison doesn't get much chance to handle a gun. You must be pretty rusty by now. A lot of ways to kill a man, Marshal. In the back? Think about it. Now you've changed, Coney. You were a man once. Five years in prison, Marshal. It wasn't any good. Nearly went crazy. I would have till I got to thinking about who put me there. That saved my mind kind of now, but you're out now. It's all over. Oh, not yet. I ain't gonna fight you, Marshal, not till I'm ready. Not till I figure out how to kill you. I'm gonna make you go crazy waiting the way I've done. And I'll sleep all the better, knowing you're gonna have to have one eye open every minute from now. You're not the first man who's wanted to kill me. Maybe not. But I'm gonna be the first to do it.

SPEAKER_05

Oh, good morning, man.

SPEAKER_07

Hello, Doc. How come you're up so early?

SPEAKER_05

Well, I got a call last night, Matt, about three o'clock. A fellow over the Dodge house was keeping everybody awake.

SPEAKER_07

Huh? Well, it sounds more like they should have called me.

SPEAKER_05

No, no, he wasn't drunk, Matt. He was delirious. Brain fever, most people call it. Oh? Well, I couldn't leave him there alone, so I got Abby Trilling to take a room next to his.

SPEAKER_07

Uh, the first chance you got, you put her to work, huh? Well, a man that sick has to have care, Matt. You talk like he's gonna die.

SPEAKER_05

Not with Abby working on him. He isn't.

SPEAKER_07

Well, that's fine.

SPEAKER_05

Yeah. The man's name is Coney Thorne, Matt. What? Yeah, he won't be up and about for another week, though.

SPEAKER_07

Yeah, I thought he looked sick when he got off the stage yesterday.

SPEAKER_05

Well, he was.

SPEAKER_07

Well, maybe it was the fever that made him talk like he was planning to shoot me in the back.

SPEAKER_06

What's that?

SPEAKER_07

Yeah, he wasn't like Coney. He was never that kind of a man.

SPEAKER_05

Good morning, Mr. Don.

unknown

Doc?

SPEAKER_05

Oh, good morning, Chester. Oh, where'd you get that mail at this hour? It ain't mail, Doc.

SPEAKER_06

It's a telegraph here, Mr. Down.

SPEAKER_07

Yeah, you know, sometimes I wish they'd never invented the telegraph.

SPEAKER_05

But maybe it's Washington, Matt. Offering you a raise.

SPEAKER_07

If they'd send me last month's check by mail, I'd be satisfied. Well. Well, what is it, Mr. Dillon? That's from a U.S. Marshal in Phoenix. He says if Coney Thorne has left Arizona, he's broken his parole. If he turns up here looking for me to arrest him. I didn't know he was on parole. No, neither did I. But they're willing to pay the expense of sending him back under escort.

SPEAKER_06

You going all the way to Arizona with him, Mr. Dillon?

SPEAKER_07

No, no, no, of course not. I'll hire somebody.

SPEAKER_05

Well, you can't put that man in jail, Matt. Why not? He's too sick. And I won't have Abby nursing a man in jail. It's bad enough in the hotel.

SPEAKER_07

Well, as long as he can't run away.

SPEAKER_05

He'll be in bed for a week. And if you don't tell him about this, he won't run anyway.

SPEAKER_07

Okay, Doc, huh? I'll leave him alone. For a week. I kept track of Coney's progress through Doc. And the rest of Dodge did, too. Everybody in town knew he'd come there to shoot me, and it seemed like they were all waiting for him to get well and try it. And there were a number of men who would have been right happy if he'd done it. I waited for over a week and he was still in bed. So finally I went over to the hotel to have a talk with him.

SPEAKER_03

Oh, Marshal Dillon.

SPEAKER_07

Hello, Abby. Uh can we come in?

SPEAKER_03

Why, of course. Come in.

SPEAKER_07

Thank you.

SPEAKER_03

Hello, Chester.

SPEAKER_07

Hello, Mr. Where's your patient?

SPEAKER_03

This is my room, Marshal. He's right through there. I have it arranged this way so he won't be disturbed.

SPEAKER_07

Is uh is he still sick, Abby?

SPEAKER_03

He's better.

SPEAKER_07

Well, the doc says that he could get up.

SPEAKER_03

Please, Marshal. Give him a little more time. A couple of days. It's very important.

SPEAKER_07

It is?

SPEAKER_03

I know what he came here for. It doesn't matter to you if he stays in bed a while longer, does it?

SPEAKER_07

No, but uh if he's well, why are you keeping him in bed?

SPEAKER_03

It's good for him. Coney needs a rest like this. You've no idea how much he needs it. Please, Marshal.

SPEAKER_07

Um, Abby.

SPEAKER_03

Yes?

SPEAKER_07

You uh you got to know Coney pretty well, I mean.

SPEAKER_03

Yes, I have.

SPEAKER_07

What kind of a man would you say he is?

SPEAKER_03

He's a good man, Marshal. But he suffered a lot being in prison the way he was, and well, it's it's like soldiers I've seen who've been through too much. They've changed for a while anyway. But if they're given a chance, the right kind of a chance, they find their way back sometimes.

SPEAKER_07

That's what you're doing. Giving him a chance, huh?

SPEAKER_03

I'm trying, Marshal.

SPEAKER_07

Well, how does he feel about it?

SPEAKER_03

I'm not sure yet.

SPEAKER_07

Uh, Chester. Yes, sir? I changed my mind about talking to Coney.

unknown

Come on.

SPEAKER_07

Okay.

SPEAKER_03

Thank you, Marshal.

SPEAKER_07

I uh guess I'll know how you make out, Abby. One way or the other.

SPEAKER_06

I swear I don't understand what she was talking about, Mr. Dillon.

SPEAKER_07

Well, I don't understand it either, Chester, but uh, my guess is that Abby's fallen in love with him.

SPEAKER_06

What?

SPEAKER_07

That don't make sense. That seldom does. That doesn't keep it from happening. No, sir. My. Kind of scary, ain't it? Well, Abby's a little scared. She's not sure about Cooney. But anyway, he trusts her enough to have told her about being out on parole. That's why she figured I'd heard about it and had come to arrest him. What you gonna do? Well, maybe asked for a couple of more days, Chester. I think she deserves them.

SPEAKER_01

Huh?

SPEAKER_07

Evening, Kitty. I just coming in to say hello.

SPEAKER_01

Oh, yeah, it's better out here, Matt. I never saw that saloon so crowded as it is tonight.

SPEAKER_07

Oh, a couple of new herds arrived today.

SPEAKER_01

Yeah, I know. I've danced with every cowboy that came with them. I had to get out of there while I could still walk.

SPEAKER_07

Well, as long as they're dancing, they're not fighting.

SPEAKER_01

Oh? You ever dance with one of them, Matt?

SPEAKER_07

Why is it that bad?

SPEAKER_01

No. Dillon?

SPEAKER_06

Hello, Miss Kitty. Evening, Chester. Mr. Dillon right across the street there. I just seen Coney Thorne.

SPEAKER_07

What? Well, where was he headed?

SPEAKER_06

He was knocking on the front door of the stage office and nobody didn't dance her, so he went around back.

SPEAKER_07

I'll see you later, Kitty.

SPEAKER_06

Sure. Looks like Coney's trying to run off, Mr.

SPEAKER_07

Dillon. There's no stage till tomorrow morning, Chester. Besides, he doesn't know I'm going to arrest him.

SPEAKER_06

Well, at least he didn't come gunning for you as soon as he got out of bed.

SPEAKER_07

Well, maybe he wants to be sure of a seat on the stage first. You said he went around to the back of the office?

SPEAKER_06

Yes, sir, right up Ali here.

SPEAKER_07

Yeah. Look, uh, you better stay back a little, huh?

SPEAKER_06

Hmm?

SPEAKER_07

Being in bed so long might have made Coney a little nervous.

SPEAKER_06

Well, yeah, sure.

SPEAKER_10

Chester.

SPEAKER_07

You all right, Mr. Dillon? No, he didn't hit me. But I didn't hit him either. He had a horse waiting out there. Come on, if we hurry, we can still follow him.

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SPEAKER_07

Once we hit it. We pulled up now and then and listened, and we could hear his horse running hard, not too far ahead of us. But he didn't run long. Coney had made a poor choice of the mount that he'd stolen, and it settled on him within an hour. We found the horse standing riderless with his head down, his legs weak and quivering.

SPEAKER_06

That poor horse is plumb bedrock, Mr. Dunn. He ought to be shot.

SPEAKER_07

Never mind the horse, Chester. Let's find Coney.

SPEAKER_06

He can't be very far. There's no place to hide out here.

SPEAKER_07

Huh. There's something over there, Chester. Out to the left there. It ain't moving. Yeah, let's take a look. Look, you ride straight from here and I'll come in on an angle.

SPEAKER_06

Okay, sir.

SPEAKER_07

All right, ride in, Chester, but be careful.

SPEAKER_06

Is he dead, Mr. Gillard?

SPEAKER_07

I don't know, Chester, but he's all through shooting. Yeah, Chester. Then I'll take a look. That ain't going to be thorn. Man, before.

SPEAKER_06

No, sir. I don't know who it is.

SPEAKER_07

No, but he's bleeding pretty bad. I'm afraid he soon will be. Who are you, fellow? Hey. What's your name?

SPEAKER_05

Marshal?

SPEAKER_07

Yeah, that's right, I'm the Marshal. Now, why did you try to shoot me back in Dodge tonight? Can't you do nothing to me now? No harm in talking. Heard that fellow was gonna shoot you. That Coney Thorne? I don't know his name. I don't know nothing about him. Well, then what's he got to do with your trying to shoot me?

SPEAKER_10

Nothing.

SPEAKER_07

Only I figured I could do was neg blame him. Why? I never saw you before. Why did you want to shoot me? Kill a marshal? That'd be pretty good, wouldn't it? Kill a marshal? Yeah. Yeah, that'll be pretty good. Didn't work.

unknown

You could kill me.

SPEAKER_06

He's dead, ain't he? Yeah, he's dead. A darn fool.

SPEAKER_07

What good would shooting you have done him? Well, it made him feel better for some reason, Jesse. But why? I don't know. Just the idea of shooting the marshal and getting away with it, I guess. He didn't have any more sensible a reason. No, sir. Well, let's get him buried. It'll be daylight before we get back to Dodge as it is. I still gotta find Coney.

SPEAKER_06

There's the stage, Mr. Dillon. It's just about to leave. We got back just in time.

SPEAKER_07

Why would Coney be taking the stage? He hasn't finished his business here yet.

SPEAKER_06

Nobody was trying to get in the office when I seen him last night.

SPEAKER_07

By heaven, there he is. Yes, sir, and Abby, too. Now, what are they up to? Now let's ask them. Let him stand, Joe. Yes, sir.

SPEAKER_03

Don't you do a thing, Connie? It'll be all right, I tell you.

SPEAKER_07

Why do you have to come back now? Good morning.

SPEAKER_03

Good morning, Marshal.

SPEAKER_07

You, uh going someplace, Connie? Well, I heard about last night, Marshal. But it wasn't me shot at G. You know it wasn't. I found the man that did it. I ain't gonna kill you. That's all over, Marshal. It is. It was like being crazy, Marshal. For a long time. And I got the fever, and Abby was there talking to me all the time. Taking care of me. Now, somehow I ain't mad at nobody. Well, I'm glad to hear that, Connie. Being in prison so long when I was innocent. Was bad, Marshal. Yeah. Yeah. Look, Connie, uh, you shouldn't have left Arizona. You broke your parole. I'm gonna have to send you back.

SPEAKER_03

He's going back, Marshal. Right now. With me.

SPEAKER_07

What?

SPEAKER_03

We're gonna be married. And then he's gonna turn himself in.

SPEAKER_07

Is that true, Coney? I'll get another year. But Abby says it's the only way. You're gonna get married, huh?

SPEAKER_03

We'll make out Marshal. Please, please don't arrest him here. Let him go alone with me. It isn't much. You can give him that.

SPEAKER_07

Chester. Go over to the telegraph office and write something out and send it to the Marshal in Phoenix, huh?

SPEAKER_06

Well, what'll I say?

SPEAKER_07

Tell him thanks for the warning. And tell him that Coney Thorne did leave Arizona and came here to shoot me. I'd arrest him quick. But knowing Coney, I think he's learned his lesson. He's got more sense. Yes, sir. Now get going. All of you.

SPEAKER_04

And now our star, William Conrad.

SPEAKER_07

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SPEAKER_04

Gunsmoke, transcribed under the direction of Norman McDonald, and stars William Conrad as Matt Dillon, U.S. Marshall. Tonight's story was specially written for Gun Smoke by John Meston, with music composed and conducted by Rex Corey. Featured in the cast were John Daner, V. V. Janice, and James Nusser. Harley Bear as Chester, Howard McMare is Doc, and Georgia Ellis is Kitty. Join us again next week as Matt Dillon, U.S. Marshall. Fights to bring law and order out of the wild violence of the West in gunsmoke. The makers of LM filters also present for your television pleasure the new Stu Irwin Show. It's a happy half hour with June and Stu Irwin, which begins October 20th in most cities. Please check your local television listings for time and channel for LM's Stu Irwin Show. Hear gunsmoke every Saturday, this same time, this same station. Hear the great new Pericomo Radio Show every Monday, Wednesday, and Friday, 9 p.m. Eastern Standard Time, also on CBS Radio. This is the CBS Radio Network.

SPEAKER_00

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