Radio Archeaology
The PULSE Community Podcast Presents "Radio Archaeology", reimagined radio classics from the golden age of radio in podcast form.
Radio Archeaology
Gunsmoke: Love of a Good Woman - When Vengeance Meets Devotion
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A telegram from an old friend in Arizona warns Marshal Matt Dillon that Coney Thorne, freshly released from prison, is riding for Dodge City with murder on his mind. Years earlier, Dillon had arrested Thorne for a stage holdup he never believed the man committed - but the courts convicted him anyway, and five hard years behind bars have given Thorne plenty of time to nurse his grudge. When Thorne finally arrives, feverish and half out of his mind, it isn't a jail cell that awaits him but a sickbed - and the unexpected care of a woman with a gift for healing more than broken bodies.
Episode Quotes
"He's a good man, Marshal, but he suffered a lot being in prison the way he was... if they're given a chance, the right kind of a chance, they find their way back sometimes." - Abby Twilling
"There were a lot of things I didn't like about being a lawman, and having to face a man who was out purely for revenge was one of them." - Marshal Matt Dillon
Radio Archaeology is a Vancouver Island podcast celebrating the Golden Age of Radio through classic broadcasts including Gunsmoke, Dragnet and other timeless radio dramas while exploring the history of vintage broadcasting and storytelling. Radio Archaeology is part of The PULSE Podcast Community.
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SPEAKER_04Gunsmoke. Brought to you by LM Builders with the miracle tip. King-size regular. Both at the same low price. Around Dodge City and in the territory on West, there's just one way to handle the killers and the spoilers, and that's with a U.S. Marshal and the smell of gun smoke. Gun smoke, starring William Conrad, who transcribed the story of the violence that moves west with young America. And the story of a man who moved with it.
SPEAKER_07I'm that man, Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful. And a little lonely.
SPEAKER_06In the restaurant, Mr. Dillon. What? And Doc's got himself a girl.
SPEAKER_07But well, I'll be. I never saw her before, Chester. He's waving at us. He wants us to come in. Oh, all right. Now look, you come in and say hello and then go on out at the telegraph office. Might be important. Okay, sir.
SPEAKER_06That girl must be a real good friend, Mr. Dillon, if Doc's buying her dinner. If he is. He better be. She ain't half ugly.
SPEAKER_07I uh wouldn't put it exactly that way, to her, if I was a little chest.
SPEAKER_05Ha ha ha, Chester. Hello, Dillon. Uh, well, Abby, Abby, this is Marshall Dillon. And Chester Proudfoot. Abby Twilling. How do you do, gentlemen?
SPEAKER_07Miss Twilling.
SPEAKER_05How do you do? Titow, sit down.
SPEAKER_06Oh, thank you, Doc. Well, I'll be back directly, Doc. I gotta go across to the depot. There's a telegraph waiting for Mr. Dillon. I'll be here, Chester. Okay, sir. I'll hurry.
SPEAKER_03Doc's been uh telling me about you, Marshal.
SPEAKER_05Oh? Oh, now, don't look at me like that now, man. She wants to know all about Dodge. And I've been trying to tell her uh what to expect.
SPEAKER_07Well, in Dodge, you can expect almost anything, Miss Twilling.
SPEAKER_05So I hear. But Abby's seen her share of violence, Matt. She was a nurse in the war. Oh?
SPEAKER_03Well, that's how I met Doc. We worked in the same hospital for nearly a year.
SPEAKER_05Oh, best dog nurse I ever saw. Yeah. I'm trying to talk her into settling down here. Oh, Dodge could use somebody like her.
SPEAKER_07Are you moving on, Miss Twilling?
SPEAKER_03Why, I haven't any plans, Marshal. I've been working in St. Louis, but it's lonely, and I got restless and decided to ride the Santa Fe as far west as it goes. I'm on sort of a vacation, you might say. Somebody on the train mentioned my name.
SPEAKER_05And she looked me up right off.
SPEAKER_03Well, it's been a long time, Doc.
SPEAKER_05Ah, yeah, too long. Oh, you stay here, Abby. We'll keep you busy. Oh, yes, and who knows? Maybe we'll even find you a husband. Oh, oh, I'm sorry.
SPEAKER_03Oh, that's all right, Doc. You see, my husband was killed in the war, Marshal. The first year. That's why I went into nursing.
SPEAKER_07Oh, I see.
SPEAKER_03Well, I think I'd better get back to the hotel.
SPEAKER_05Yeah. Oh, I'll take you, Abby. You're going to wait here for Chester, Matt?
SPEAKER_07Oh, he's coming now. It is a pleasure to meet you, Miss Twilling.
SPEAKER_03Thank you, Marshal. Good night.
SPEAKER_07Good night. I'll see you later, Doc.
SPEAKER_03Sure, ma'am.
SPEAKER_07This way, Abby.
SPEAKER_06Well, Chester. Miss Twing? Doc? Well, I got it, Mr.
SPEAKER_07Dillon.
SPEAKER_01Hang on.
SPEAKER_07Oh, thanks, Jesse. Sit down while I read it, huh? Who's it from? It's from Wyatt Earp out in Arizona.
SPEAKER_06Is? Is he coming here?
SPEAKER_07No. No, it says uh Coney Thorne released from state prison last week. I hear he's looking for you, so you better go on wearing that gun a while longer. Good luck, W Herp.
SPEAKER_06Who's Coney Thorne, Mr. Dillon? What's he one of you?
SPEAKER_07I expect he wants to kill me, Chester.
SPEAKER_06What?
SPEAKER_07What for? Well, I arrested him out in Arizona a long time ago. He was one of the suspects in the stage holdup. So I had to bring him in, even though I thought he had nothing to do with it.
SPEAKER_06Well, then why'd he go to prison?
SPEAKER_07Well, I wasn't on the jury, Chester. And anyway, I left that part of the country before he was tried. I heard later that he was sent to prison.
SPEAKER_06Well, you didn't have nothing to do with it.
SPEAKER_07I arrested him. And according to this telegram, he thinks I had a lot to do with it.
SPEAKER_06And he's really coming here, huh?
SPEAKER_07Tony Thorne wasn't a bad man, Chester. But prison may have changed him some. He'll probably be here next week sometime.
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SPEAKER_07There were a lot of things I didn't like about being a lawman. And having to face a man who was off purely for revenge was one of them. It didn't matter what his reasons were. When Coney Thorne arrived, I had to shoot it out with him. A man who'd travel all the way to Dodge City from Arizona wasn't going to be put off by arguments. However, a week passed and he didn't show up, and I began to hope that maybe he had changed his mind. Until one day when I was sitting with Kitty watching the crowd from the porch of the Dodge House.
SPEAKER_01Well, must be supper time. Here comes the noon stage.
SPEAKER_07The way he's driving those horses, he shouldn't be late.
SPEAKER_01He's never been on time yet, unless there was an Indian scare going on. And how many passengers? Three. No, another one getting out.
SPEAKER_07Yeah. All strangers. No, not all of them, Kitty. Not to me.
SPEAKER_01Huh?
SPEAKER_07That last man I got out. I've been waiting for him.
SPEAKER_01Connie Thorn.
SPEAKER_07Well, I might as well get this over with right now. Uh, look, Kitty, you uh better go inside, huh?
SPEAKER_01Yeah, I sure will. Good luck, ma'am.
SPEAKER_07Yeah.
SPEAKER_01All right, now.
SPEAKER_07Hello, Coney. Dylan? Well, it took you so long. I was expecting you last week. How'd you know I was coming? You must have told somebody. You got friends everywhere, ain't you, Marshal? I never thought you had anything to do with that holdup, Coney. I told you at the time I was sorry I had to take you in. I've been five years in prison, Marshal, no matter what you thought. I'm not apologizing. But you're free now, Coney. Why do you want to die? What makes you think I'm gonna die? Well, a man in prison doesn't get much chance to handle a gun. You must be pretty rusty by now. A lot of ways to kill a man, Marshal. In the back? Think about it. Now you've changed, Coney. You were a man once. Five years in prison, Marshal. It wasn't any good. Nearly went crazy. I would have till I got to thinking about who put me there. That saved my mind kind of now, but you're out now. It's all over. Oh, not yet. I ain't gonna fight you, Marshal, not till I'm ready. Not till I figure out how to kill you. I'm gonna make you go crazy waiting the way I've done. And I'll sleep all the better, knowing you're gonna have to have one eye open every minute from now. You're not the first man who's wanted to kill me. Maybe not. But I'm gonna be the first to do it.
SPEAKER_05Oh, good morning, man.
SPEAKER_07Hello, Doc. How come you're up so early?
SPEAKER_05Well, I got a call last night, Matt, about three o'clock. A fellow over the Dodge house was keeping everybody awake.
SPEAKER_07Huh? Well, it sounds more like they should have called me.
SPEAKER_05No, no, he wasn't drunk, Matt. He was delirious. Brain fever, most people call it. Oh? Well, I couldn't leave him there alone, so I got Abby Trilling to take a room next to his.
SPEAKER_07Uh, the first chance you got, you put her to work, huh? Well, a man that sick has to have care, Matt. You talk like he's gonna die.
SPEAKER_05Not with Abby working on him. He isn't.
SPEAKER_07Well, that's fine.
SPEAKER_05Yeah. The man's name is Coney Thorne, Matt. What? Yeah, he won't be up and about for another week, though.
SPEAKER_07Yeah, I thought he looked sick when he got off the stage yesterday.
SPEAKER_05Well, he was.
SPEAKER_07Well, maybe it was the fever that made him talk like he was planning to shoot me in the back.
SPEAKER_06What's that?
SPEAKER_07Yeah, he wasn't like Coney. He was never that kind of a man.
SPEAKER_05Good morning, Mr. Don.
unknownDoc?
SPEAKER_05Oh, good morning, Chester. Oh, where'd you get that mail at this hour? It ain't mail, Doc.
SPEAKER_06It's a telegraph here, Mr. Down.
SPEAKER_07Yeah, you know, sometimes I wish they'd never invented the telegraph.
SPEAKER_05But maybe it's Washington, Matt. Offering you a raise.
SPEAKER_07If they'd send me last month's check by mail, I'd be satisfied. Well. Well, what is it, Mr. Dillon? That's from a U.S. Marshal in Phoenix. He says if Coney Thorne has left Arizona, he's broken his parole. If he turns up here looking for me to arrest him. I didn't know he was on parole. No, neither did I. But they're willing to pay the expense of sending him back under escort.
SPEAKER_06You going all the way to Arizona with him, Mr. Dillon?
SPEAKER_07No, no, no, of course not. I'll hire somebody.
SPEAKER_05Well, you can't put that man in jail, Matt. Why not? He's too sick. And I won't have Abby nursing a man in jail. It's bad enough in the hotel.
SPEAKER_07Well, as long as he can't run away.
SPEAKER_05He'll be in bed for a week. And if you don't tell him about this, he won't run anyway.
SPEAKER_07Okay, Doc, huh? I'll leave him alone. For a week. I kept track of Coney's progress through Doc. And the rest of Dodge did, too. Everybody in town knew he'd come there to shoot me, and it seemed like they were all waiting for him to get well and try it. And there were a number of men who would have been right happy if he'd done it. I waited for over a week and he was still in bed. So finally I went over to the hotel to have a talk with him.
SPEAKER_03Oh, Marshal Dillon.
SPEAKER_07Hello, Abby. Uh can we come in?
SPEAKER_03Why, of course. Come in.
SPEAKER_07Thank you.
SPEAKER_03Hello, Chester.
SPEAKER_07Hello, Mr. Where's your patient?
SPEAKER_03This is my room, Marshal. He's right through there. I have it arranged this way so he won't be disturbed.
SPEAKER_07Is uh is he still sick, Abby?
SPEAKER_03He's better.
SPEAKER_07Well, the doc says that he could get up.
SPEAKER_03Please, Marshal. Give him a little more time. A couple of days. It's very important.
SPEAKER_07It is?
SPEAKER_03I know what he came here for. It doesn't matter to you if he stays in bed a while longer, does it?
SPEAKER_07No, but uh if he's well, why are you keeping him in bed?
SPEAKER_03It's good for him. Coney needs a rest like this. You've no idea how much he needs it. Please, Marshal.
SPEAKER_07Um, Abby.
SPEAKER_03Yes?
SPEAKER_07You uh you got to know Coney pretty well, I mean.
SPEAKER_03Yes, I have.
SPEAKER_07What kind of a man would you say he is?
SPEAKER_03He's a good man, Marshal. But he suffered a lot being in prison the way he was, and well, it's it's like soldiers I've seen who've been through too much. They've changed for a while anyway. But if they're given a chance, the right kind of a chance, they find their way back sometimes.
SPEAKER_07That's what you're doing. Giving him a chance, huh?
SPEAKER_03I'm trying, Marshal.
SPEAKER_07Well, how does he feel about it?
SPEAKER_03I'm not sure yet.
SPEAKER_07Uh, Chester. Yes, sir? I changed my mind about talking to Coney.
unknownCome on.
SPEAKER_07Okay.
SPEAKER_03Thank you, Marshal.
SPEAKER_07I uh guess I'll know how you make out, Abby. One way or the other.
SPEAKER_06I swear I don't understand what she was talking about, Mr. Dillon.
SPEAKER_07Well, I don't understand it either, Chester, but uh, my guess is that Abby's fallen in love with him.
SPEAKER_06What?
SPEAKER_07That don't make sense. That seldom does. That doesn't keep it from happening. No, sir. My. Kind of scary, ain't it? Well, Abby's a little scared. She's not sure about Cooney. But anyway, he trusts her enough to have told her about being out on parole. That's why she figured I'd heard about it and had come to arrest him. What you gonna do? Well, maybe asked for a couple of more days, Chester. I think she deserves them.
SPEAKER_01Huh?
SPEAKER_07Evening, Kitty. I just coming in to say hello.
SPEAKER_01Oh, yeah, it's better out here, Matt. I never saw that saloon so crowded as it is tonight.
SPEAKER_07Oh, a couple of new herds arrived today.
SPEAKER_01Yeah, I know. I've danced with every cowboy that came with them. I had to get out of there while I could still walk.
SPEAKER_07Well, as long as they're dancing, they're not fighting.
SPEAKER_01Oh? You ever dance with one of them, Matt?
SPEAKER_07Why is it that bad?
SPEAKER_01No. Dillon?
SPEAKER_06Hello, Miss Kitty. Evening, Chester. Mr. Dillon right across the street there. I just seen Coney Thorne.
SPEAKER_07What? Well, where was he headed?
SPEAKER_06He was knocking on the front door of the stage office and nobody didn't dance her, so he went around back.
SPEAKER_07I'll see you later, Kitty.
SPEAKER_06Sure. Looks like Coney's trying to run off, Mr.
SPEAKER_07Dillon. There's no stage till tomorrow morning, Chester. Besides, he doesn't know I'm going to arrest him.
SPEAKER_06Well, at least he didn't come gunning for you as soon as he got out of bed.
SPEAKER_07Well, maybe he wants to be sure of a seat on the stage first. You said he went around to the back of the office?
SPEAKER_06Yes, sir, right up Ali here.
SPEAKER_07Yeah. Look, uh, you better stay back a little, huh?
SPEAKER_06Hmm?
SPEAKER_07Being in bed so long might have made Coney a little nervous.
SPEAKER_06Well, yeah, sure.
SPEAKER_10Chester.
SPEAKER_07You all right, Mr. Dillon? No, he didn't hit me. But I didn't hit him either. He had a horse waiting out there. Come on, if we hurry, we can still follow him.
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SPEAKER_07Once we hit it. We pulled up now and then and listened, and we could hear his horse running hard, not too far ahead of us. But he didn't run long. Coney had made a poor choice of the mount that he'd stolen, and it settled on him within an hour. We found the horse standing riderless with his head down, his legs weak and quivering.
SPEAKER_06That poor horse is plumb bedrock, Mr. Dunn. He ought to be shot.
SPEAKER_07Never mind the horse, Chester. Let's find Coney.
SPEAKER_06He can't be very far. There's no place to hide out here.
SPEAKER_07Huh. There's something over there, Chester. Out to the left there. It ain't moving. Yeah, let's take a look. Look, you ride straight from here and I'll come in on an angle.
SPEAKER_06Okay, sir.
SPEAKER_07All right, ride in, Chester, but be careful.
SPEAKER_06Is he dead, Mr. Gillard?
SPEAKER_07I don't know, Chester, but he's all through shooting. Yeah, Chester. Then I'll take a look. That ain't going to be thorn. Man, before.
SPEAKER_06No, sir. I don't know who it is.
SPEAKER_07No, but he's bleeding pretty bad. I'm afraid he soon will be. Who are you, fellow? Hey. What's your name?
SPEAKER_05Marshal?
SPEAKER_07Yeah, that's right, I'm the Marshal. Now, why did you try to shoot me back in Dodge tonight? Can't you do nothing to me now? No harm in talking. Heard that fellow was gonna shoot you. That Coney Thorne? I don't know his name. I don't know nothing about him. Well, then what's he got to do with your trying to shoot me?
SPEAKER_10Nothing.
SPEAKER_07Only I figured I could do was neg blame him. Why? I never saw you before. Why did you want to shoot me? Kill a marshal? That'd be pretty good, wouldn't it? Kill a marshal? Yeah. Yeah, that'll be pretty good. Didn't work.
unknownYou could kill me.
SPEAKER_06He's dead, ain't he? Yeah, he's dead. A darn fool.
SPEAKER_07What good would shooting you have done him? Well, it made him feel better for some reason, Jesse. But why? I don't know. Just the idea of shooting the marshal and getting away with it, I guess. He didn't have any more sensible a reason. No, sir. Well, let's get him buried. It'll be daylight before we get back to Dodge as it is. I still gotta find Coney.
SPEAKER_06There's the stage, Mr. Dillon. It's just about to leave. We got back just in time.
SPEAKER_07Why would Coney be taking the stage? He hasn't finished his business here yet.
SPEAKER_06Nobody was trying to get in the office when I seen him last night.
SPEAKER_07By heaven, there he is. Yes, sir, and Abby, too. Now, what are they up to? Now let's ask them. Let him stand, Joe. Yes, sir.
SPEAKER_03Don't you do a thing, Connie? It'll be all right, I tell you.
SPEAKER_07Why do you have to come back now? Good morning.
SPEAKER_03Good morning, Marshal.
SPEAKER_07You, uh going someplace, Connie? Well, I heard about last night, Marshal. But it wasn't me shot at G. You know it wasn't. I found the man that did it. I ain't gonna kill you. That's all over, Marshal. It is. It was like being crazy, Marshal. For a long time. And I got the fever, and Abby was there talking to me all the time. Taking care of me. Now, somehow I ain't mad at nobody. Well, I'm glad to hear that, Connie. Being in prison so long when I was innocent. Was bad, Marshal. Yeah. Yeah. Look, Connie, uh, you shouldn't have left Arizona. You broke your parole. I'm gonna have to send you back.
SPEAKER_03He's going back, Marshal. Right now. With me.
SPEAKER_07What?
SPEAKER_03We're gonna be married. And then he's gonna turn himself in.
SPEAKER_07Is that true, Coney? I'll get another year. But Abby says it's the only way. You're gonna get married, huh?
SPEAKER_03We'll make out Marshal. Please, please don't arrest him here. Let him go alone with me. It isn't much. You can give him that.
SPEAKER_07Chester. Go over to the telegraph office and write something out and send it to the Marshal in Phoenix, huh?
SPEAKER_06Well, what'll I say?
SPEAKER_07Tell him thanks for the warning. And tell him that Coney Thorne did leave Arizona and came here to shoot me. I'd arrest him quick. But knowing Coney, I think he's learned his lesson. He's got more sense. Yes, sir. Now get going. All of you.
SPEAKER_04And now our star, William Conrad.
SPEAKER_07Thank you. If you're a filter tip smoker, you should be smoking LM's. Everyone agrees LM's are just what the doctor ordered. The first filter that really does the job and a real good taste to go with it. Maybe you'll prefer LM's king size as I do. But either size, I know you'll like them, and I know you'll stick with them. LM's. Try them.
SPEAKER_04Gunsmoke, transcribed under the direction of Norman McDonald, and stars William Conrad as Matt Dillon, U.S. Marshall. Tonight's story was specially written for Gun Smoke by John Meston, with music composed and conducted by Rex Corey. Featured in the cast were John Daner, V. V. Janice, and James Nusser. Harley Bear as Chester, Howard McMare is Doc, and Georgia Ellis is Kitty. Join us again next week as Matt Dillon, U.S. Marshall. Fights to bring law and order out of the wild violence of the West in gunsmoke. The makers of LM filters also present for your television pleasure the new Stu Irwin Show. It's a happy half hour with June and Stu Irwin, which begins October 20th in most cities. Please check your local television listings for time and channel for LM's Stu Irwin Show. Hear gunsmoke every Saturday, this same time, this same station. Hear the great new Pericomo Radio Show every Monday, Wednesday, and Friday, 9 p.m. Eastern Standard Time, also on CBS Radio. This is the CBS Radio Network.
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