SPEAKER_01
0:04
Here's
an
excerpt
from
the
upcoming
episode
of
Distortion
Analysis.
SPEAKER_00
0:13
That
is
our
topic
of
the
podcast.
It's
gear.
We're
just
going
to
talk
about
the
actual
equipment.
There's
other
uh
elements,
obviously,
um,
like
the
the
pickups
and
the
guitars
that
are
being
used.
SPEAKER_01
0:24
Yep.
SPEAKER_00
0:25
That
makes
a
huge
difference.
SPEAKER_01
0:26
Oh,
yeah,
big
time.
Strings.
SPEAKER_00
0:28
The
strings.
Yeah.
And
finally,
last
but
not
least,
the
fucking
hands.
SPEAKER_01
0:34
Yeah.
SPEAKER_00
0:34
The
player.
The
hands.
SPEAKER_01
0:36
Yeah,
the
player,
100%.
SPEAKER_00
0:38
The
the
famous
example
that
gets
thrown
around
is
if
I
gave
you
Stevie
Ray
Vaughan's
guitar,
and
even
if
you
knew
how
to
play
guitar,
it's
not
going
to
sound
like
him,
even
if
it's
plugged
into
his
Fender
app.
SPEAKER_01
0:50
Yeah.
Even
if
I
was
wearing
his
hands
on
my
arms,
I
still
couldn't
get
it
to
sound
like
him.
SPEAKER_00
0:57
After
this
album
got
recorded,
they
built
these
actual
speaker
coffins
that
the
speaker
cabs
would
sit
in
to
isolate
themselves.
Oh.
SPEAKER_01
1:07
Like
so
both
for
the
cabinet.
Oh,
that's
interesting.
SPEAKER_00
1:10
I'm
gonna
do
two
of
these
together
load
in
ninety-six
and
reload
in
ninety-seven.
SPEAKER_01
1:15
Oh,
okay.
All
right.
Yeah.
SPEAKER_00
1:18
Uh
this
is
when
they
discovered
mid-range
frequencies.
Load
was
described
as
uh
AA
meetings
and
band
drama.
Well,
let's
uh
let's
move
to
the
the
high
point.
SPEAKER_01
1:32
Oh
boy.
Uh-huh.
Yeah,
uh
huh.
The
high
point,
all
right.
SPEAKER_00
1:38
Uh
also
described
as
plug-ins
and
sadness.
SPEAKER_01
1:44
Available
on
YouTube
and
podcast
platforms
everywhere.
