Cx1DJs We Do Things Different Podcast "Untold Stories of E-40" hosted by DJButterrock

 Cx1DJs We Do Things Different Podcast "Untold Stories of E-40" hosted by DJButterrock
Earl Tywone Stevens (born November 15, 1967), better known by his stage name E-40, is an American rapper. Stevens is a founding member of the rap group the Click and the founder of Sick Wid It Records. He has released 27 studio albums to date, appeared on numerous movie soundtracks, and has also done guest appearances on a host of other rap albums. Initially an underground artist, his 1995 solo album In a Major Way opened him up to a wider audience. Beginning in 1998, he began collaborating with mainstream rappers outside the San Francisco Bay Area. He rose to higher mainstream popularity in 2006 with his single "Tell Me When to Go", which was produced by Lil Jon.

Early life
Stevens was born in Vallejo, California.[2][1] He grew up with his siblings raised by a divorced mother who worked three jobs, and he became interested in hip hop after hearing "Rapper's Delight" by the Sugarhill Gang.[3][4] Beginning in fourth grade, Stevens played the snare and bass drum.[3] He graduated from Hogan High School in Vallejo in 1985.[5][6] Stevens played baseball in high school, recorded music with his siblings, and sold their recordings from the back of a car.[7] After high school, Stevens enrolled at Grambling State University in 1986 with his cousin Brandt Jones and attended the school for one year.[8][9][10][3]

Music career
1986–1999
Stevens made his rap debut as E-40 in 1986 with his cousin B-Legit, sister Suga-T, and brother D-Shot in the group Most Valuable Players. After impressing fellow students with a rap remix of the school song and a Grambling State talent show, Most Valuable Players released a single, "The King's Men".[11][3] The group later became the Click and released the EP Let's Side in 1990.[2] The EP was co-produced by Mike Mosley and Al Eaton and was released on Sick Wid It Records, an independent label founded by E-40. In 1992 they released a second album, Down and Dirty, and in 1992 E-40 made his solo album debut. Federal, a nine-track LP/14-track CD produced by Studio Ton and released by Sick Wid It Records in association with SMG (Solar Music Group), a regional distributor.

In 1993, the Click had mainstream hit, "Captain Save a Hoe" (radio edit "Captain Save Them Thoe"). They moved back to Vallejo and teamed up with D-Shot, E-40's brother, to form the group MVP or Most Valuable Players. E-40's gospel singing uncle (Saint Charles) helped them put out the record.[12] Suga-T was then added to the group to form the Click.[13]

Although having a large following on the West Coast, E-40 did not have a large mainstream audience, so only two of his songs released under Jive Records, "1-Luv" featuring Levitti and "Things'll Never Change" featuring Bo-Roc, charted on the Billboard Hot 100.[2] He had been working nearly exclusively with rappers from the Bay Area until 1997, when he released the double disc compilation Southwest Riders featuring exclusively rap acts from the Bay Area and the south. His collaboration with southern rappers continued in 1998, when he was given guest appearances on albums by Southern rappers, including Lost by Eightball, and MP da Last Don by Master P.[2]

Transcript

SPEAKER_03 0:00

Gotta blow Joe. You gotta let a lot of let them know, Joe. We here. Shit. CX1 DJs. Shout out to my team. Check it in. DJ for real. Is that DJ for real? I don't know who the hell that is. DJ for real. 800. Houston, Texas. Vice Vice President of CX1 DJs. Lawante Wilson, check it in. Make sure my shit is working. We got Fat Joe unstole on untold stories of Fat Joe tonight. We with the shits tonight. We with the shits. Shout out to Skeletor and my producer. For getting the sound right. My mic sound right. Miss, I gotta get this shit right. Shout out T Caps. Caroline, everything in the building. CX1 DJ member. I was just talking to DJ Money. Money's coming. You know, shout to DJ Money. And there he goes, the president of CX1 DJs. The man in charge. He's like the Bodge, the man in charge. DJ Money Dabodge. You heard of Chico DeBodge? DJ Money is the one of the debog, one of the Debodges, because he's in charge. And I mean my green apple. Shout out to Lawandia Wilson. How you doing? Peace and love, Lawondia. Yeah, Jones Graphics CX1 DJ's representative, Lawandia Wilson. She's the other nigga in charge. Why I gotta be a nigga? Well, she's a black female queen. And shout out to Punkerfoot wherever she at. She's somewhere out there. She says she said, Butter wrack, I watch you on Roku. Don't got time to watch you on a goddamn phone. We're gonna watch you on Roku, motherfucker. Me and my man. My man. Shout out to Punkerfoot, huh? Watching us on Roku. We got Fat Joe tonight. Drew me crack! We're gonna get into it. I'm gonna tell y'all something. I met Fat Joe back in back in the 90s. A lot of the shit they a lot of shit Fat Joe said about himself was so true. I met him through actually, my boy Tito. They call him Screw. He's a Latin King brother from Jersey City. And he also managed Akon. And Tito died. He got shot out there in Ringside, Jersey City, New Jersey. We're gonna talk about that tonight. We're gonna talk about that. Tito's my guy. I went to school with Tito. They call him Screw because he had a screw loss. He was crazy. Tito will fuck you up. But one thing about Tito, either he was Latin King, he was cool with niggas like me. He was cool with people from Dunkin' Projects. Even though Duncan, Duncan and the Heights, they call that Jersey City Heights. Used to always be beefing. Well, make a long story short, I met Fat Joe through Tito. My Latin King brother. The fuck you know about meeting Fat Joe back in the 90s? Fat Joe was about that shit. He was about that. He's not the same Fat Joe now he was back in the 90s. He will slap your ass. He will rob you. He will rob the whole gym. That nigga ain't lying. Shout out to Terror Squad, allowing us to do this tonight. I cannot not shout out the producer that had man in charge. Chad from iHeartMedia. Shout out to Chad. Getting all these fly shows approved. And I'm eating my apple, a green apple. Um shout out the punk of running Jones Graphics, making sure Jones Graphics run right when I'm on the road doing my ding for Watson Britain and everybody else I work for. Or I think I'm I think I'm a Mexican. Shout the ice, lock your niggas up in South Carolina. They written rating all kinds of shit at Abbeyville and um uh Greenwood. They're out there locking them Puerto Ricans and Mexicans up. Shout the ice. Why you shot not ice? Because if they lock all them niggas up, niggas got jobs now. They go into niggas' jobs and locking them up. I'm like, why the fuck you don't lock the niggas up that's out there slinging cracking shit? You go into Wong Home Depot, you go into some of the warehouses locking all these hardworking Mexican and Latinos up. But you know one thing about it? When you lock them niggas up, we got jobs now. Niggas can go get a job. Because Mexicans is no longer there. Ice came and got their ass. So anybody live in Abbeville and um in that area of Greenwood, it's jobs available. I'm not laughing, but some niggas don't have jobs because the Mexicans got them. Your homeside, you're gonna go down the hill and Greenwood and take all the fucking jobs and them niggas is lazy. Where the fuck is Greenwood at? That's Greenwood, South Carolina, nigga. Look at them, look at the map, nigga. You say, why are you shoting that ice? Cuz now niggas can get a job. Yo, homes, niggas don't want a job when they have a job, homes. That's the Mexican talking. I said, hold on. Jose. It's Jose. Let me tell you something, Holmes. Niggas is lazy. We came and we picked up and came to the United States on my boat. We went over to Taputa and we came to work. Niggas don't want to do shit. Now you lock it all. You you you you try to take all the Mexicans away. Like my house, I got Master Kano. I love him. He cuts my grass. That nigga come, you know. I see him on the cameras and my my camera system when I'm when I'm at work out of town. He said, Your homes are cutting his grass, homes. I want to ask him, say, nigga, you you he said, no, don't worry, man. No, don't worry. I'm gonna stay. Don't worry. I'm I'm I'm illegal. Shout out to Fat Joe. He's Puerto Rican, he's not Mexican. Somebody just text me. Is they gonna uh the report deport Fat Joe? No, he's born in the Bronx, New York. He ain't going nowhere. He's Puerto Rican, he's not Mexican. All right, don't get it twisted. But shout out to Ice for locking them niggas up now. Niggas can have jobs. Tell them Lawandia. So, fat Joe, I've been I've been listening I've been I'm gonna get into one the untold story when I met Fat Joe do Tito. We'll not do Akon. It had nothing to do with Akon. Me and Tito was cool. It was me, Tito, Akon, everybody went to school together. Dickinson High School, Jersey City, New Jersey. So if you niggas don't know, what Dickinson High School at is more is on the heights. Okay? It's downtown Jersey City. Like, you know, you got it's it's on the heights. My mother used to live right next to the motherfucking shit. And I used to have an apartment right on Waldo Avenue, right by right down the street from Dickinson High School. I had a nice ass apartment back in the 90s down there. You was balling. If you live anywhere near Journal Square, you had money in your pocket. You know, nigga like Butter Rock was I was out there on his streets making that street money and I was doing the dancing and the music shit, and I had money in my pocket, and I was living on Waldo, going to Dickinson High School. After I moved out of Dunkin', after I moved out of Dunkin' Projects. I was like, hold on, this project shit ain't working. I gotta get the hell out of here. So I was I was on I was off the porch into another porch like in 93. I had my first apartment in 93. I think I was 19, 18. I was I was young as some motherfucker. Let me tell you how I met Fat Joe. I don't do this shit no more. I was selling weed, okay? And Tito said, yo, man, we said coca. We don't sell weed. So I was the person they come get the weed from. And that nigga, like, yo, at the time, you get, I'm gonna tell you the year. It was 93. Flow Joe came out in 93. Fat Joe came out in 93. I met Fat Joe in the beginning of Fat Joe. True fucking story. So when I'm gonna give you an untold story, I'm gonna give you some shit that is legit. MC Hammer motherfuckers. So we're in Jersey City, downtown Jersey City, in the Latin King area. That's why I have no problem with Latin Kings. Cause this is how it works. If you this is what we was talking about yesterday with the New York shit, the bloods, the crips, and all that shit up north shit. If you live in the area where certain gangs live at, or certain sets live at, and you in that area, they'll accept you as hey nigga, that's that nigga from that block over there, DJ Butterfott from Dunkin' Projects, but he don't live in Duncan no more. Because, like I said earlier in the conversation, Duncan was beefing with the heights, Jersey City Heights. You had Duncan Projects out of North Jersey, like going towards uh Kennedy Boulevard, that area. If you from Duncan, that's where over there with Alba Yao, that's that area where Alba Yow lives at. You got Duncan, you got Marion Gardens. And I'm gonna tell y'all something. You know anybody really from Jersey City, they'd tell you you got Duncan Projects with this shit. We had seven fucking buildings, 13, 12, 12 stories. I lived on the 11th floor. I'm gonna give y'all some hint, hint uh uh some history. Marion Gardens, the place that Albi Al from is right down on the goddamn street, down from the graveyard. You got the Duncan projects, you have the graveyard, and it goes all the way to Marion Gardens to that other section of Jersey City. But it's it's walking distance. You go walk from my projects to where Albe Al from, right? They tore down my goddamn projects because we was getting too active. It was seven buildings, it was seven fucking buildings, 13 fucking uh stories. It was like uh shit, 14 apartments on each floor. It was crazy. It was niggas all over the place. Gangbanging at his best, crews. You had, I'm gonna tell you how it was in Ducky Projects when we're gonna get back to Fat Joe. We had buildings they like the same. I lived in five buildings. We didn't get along with two buildings. Nigga, we all in the same fucking area though. And you had one section of the projects that didn't get along with the other section. Niggas is shooting at each other. But I tell you one thing about Ducky Projects, if you bring your ass down there from another area, from another project, niggas would get fucked up. We all come together then. And no, I didn't like living there. And Georgia, because it was an upbringing, but who the fuck wanna live in that shit? Back to Fat Joe. Because I was I'm from the project, so I moved to uh downtown Jersey City, and he was he was with the Latin King. So the fuck? What you think he's gonna be with the niggas? So I met him through Tito's, aka Screw. And uh Fat Joe, like, yo, you got some weed? Uh and uh, you know, I didn't even sell that nigga that shit. I knew who he was, so I just gave him, I gave him the goddamn weed. True story. You learn something, you learn a little, you learn a lot today. I gave him this shit because he had Flojo out. And he was with Tito. And Tito was my guy. Tito, man, I was Tito is I'm gonna tell you something about Tito. He had my fucking back. Anywhere I went to New York, all them Latin King niggas was dating. Yo, that's Butter Rock, that's my man right there. Well, yeah, I go to school. He they always thought I was crazy because I had the Gumby and shit. Everywhere I went in the city, Tito was respected in New York because he was Latin King. And he made sure he knows I wasn't fucking Latin King. He knows the shit I repped. But he made, he made sure that nothing happened to me. And y'all look up all the stories of Akon. Tito, the one that made sure that that nigga got his record deal. It was Tito managing Akon, niggas. And Fat Joe, listen to me, I'm gonna let you know something. Y'all didn't hear this untold story because nobody got the fucking story. Only one know the story is me, RP to Tito, because he's dead. Fat Joe, Akon, and a couple other niggas that know the story I'm about to tell you guys. And shout out to Fat Joe. And fat Joe, when I, if he when he watched this untold story, he gotta know everything I'm fucking saying about screw. Tito is so fucking real. So, we in New York. Some shit kick off. Tito had everybody fucking back. Some of them Lat King brothers don't like niggas. Yo, man. Yo, that's my people right there. Don't fuck with him. Don't fuck with him. He made sure Acon was good. He made sure I was good. Yeah, you know back in the early 90s, me and ACORM ACON grew. I went to school with Akon. We did a DJ for that nigga. We did this and this and that. So I met a lot of people do Tito. Acon made all the people do Tito. Tito was the one that introduced. Now I'm gonna bring y'all the history you want and say, what the fuck this got to do with Fat Joe? Shut the fuck up. I'm gonna tell y'all niggas. Because niggas on the back end, what the fuck this got to do with fat Joe? Lean back. I'm gonna tell you, motherfuckers. So 93, we was cool. Akon moved his ass down south to goddamn Stone Mountain. I was still on the block doing crazy shit and making money. Tito was doing his shit making money. Acon gets locked up. Locked up, you don't let me out. Okay, he comes back home. He working at Kroger. I'm talking about Acon. Yeah, I need listen to me. Follow me. Tito is hanging out with Terror Squad. Fat Joe, everybody. So you understand? I met Fat Joe in '93. Tito and fucking Fat Joe is still cool. It's a motherfucker. So once you one thing I say about Puerto Ricans and Mexicans, they stick together. Niggas don't stick together. You don't have to worry about motherfucking Fat Joe and Tito falling out. Them niggas stick together. So Akon uh. Akon went to jail for his robbery, car, whatever the fuck he was doing, stealing cars and top shop shit, whatever the hell he was doing. So he went to jail. And um he came home. He connected back to Tito with Tito. And Tito put him in contact with uh SRC. SRC Steve Riffins. Before he did that, he put him in contact with Fat Joe. Fat Joe, the one that walked the deal in with Tito and Akon. So lean back, Terasquar was signed to SRC Universal. Akon got signed to SRC Universal. Do your fucking research. So you know I ain't fucking lying. It wasn't for Tito, Acon would be nowhere he at now. Alright? So we're gonna fast forward it. Akon gets signed. They did the lockup song. It wasn't doing nothing. Fat Joe said, yo, man, I got some untold stories of Fat Joe. CX1 DJ's untold stories of Fat Joe. You niggas ain't getting this. This is a true story. And it's an underground Jersey City story. So you niggas never gonna hear this. So fat Joe told Tito, hey man, in the in the you know, Akon shit. I like the lockup shit, but we need to put Styles P on that. Fat Joe told Tito that. Fat Joe told Tito he need to pit Styles P on it. He like he wanted he wanted Fat Joe on the remix of lock. Nah man, I don't want to, I don't want to do that. This pit you know, styles on it. Styles fit better for the song. That's what Fat Joe told Tito, my nigga Screw. How I know this because Screw told me I was on the road with these niggas in Charlotte. When I bumped into the nigga, he told me the whole goddamn story in Charlotte. God damn, Charlotte was the shit. And this was in 2004. So Tito told me that shit in 2004. I won't never forget it. And I hugged a nigga that had me backstage with Acorn, all that. We told him about 2004 when lockup just came out. Styles P got on a song a month after we was in Charlotte in 2004. They remixed it, it blew up. Everybody thought it was the Locks record. All they hear, they hear Styles P rapping first. And Fat Joe said, yo, see what I said? See what I said, Tito? I told you that was gonna wrap. He called him Screw. See what I said, Screw? They didn't, I'm calling Tito Tito, because that's his real name, but they they calling that nigga screw, the Puerto Rican nigga screw. He like, yeah. See what I say, screw? I told you I should have used Styles P. Everybody blurred the record because they thought it was Styles P. Styles P and Locke's mixtapes, Jaciss, all them niggas was on fire in the 90s. We talked, you know, and so so in 2004, everybody thought it was some locks shit. They was on fire in 2001, from 90s all the way up to the goddamn 2004 when then lock up when Acorn came out. Either I, you know, I knew about the shit, so I knew it wasn't a locks record. But most of the most of these millions of people that brought the record thought it was a Styles P Locks joint. I used to DJ, yo, put that new Styles P lock up on like, nah, that's Acorn. Akon, who the fuck is Acorn? That's in the beginning. So Fat Joe threw the Aliyu and he helped his brother, his fellow brother Altito. So that's that's fast forward. So Fat Joe had a show in ringside, New Jersey. Ringside is a bar in Jersey City, New Jersey. It's in Jersey City Heights. So Fat Joe was there, and um it was ACORN doing something for, he was doing a something for the guy from Ringside. I want y'all to walk with me with the story. This is the deep story. So, okay, they're in there. They're partying is live and shit. All right, the niggas from Norfolk came down there to rob niggas. Nork, New Jersey. These niggas, niggas from Nor, New, Brick City came to Ringside to rob the Jersey City niggas. This is something, this is some Jersey shit. Like I'm I'm gonna explain to you niggas. Nork, New Jersey, Brick City, whatever the fuck you want to call it, they was they was known for they having the best fucking stick-up kids in New Jersey. Ain't nobody, nobody could stick you up better in quality like Nork, New Jersey. Them niggas know how to stick you up and they do it quietly. I got robbed by them niggas many a times. They do it broad daylight at night, club hours, disco hours, goddamn uh work hours, school hours. They don't give a fuck what time of the day. They're gonna rob you and get away. Them niggas rob me, it was goddamn 11 a.m. I'm like, what the fuck, nigga? You ain't gonna wait till that night. Nigga, give me your chain watching. I said, Hey, nigga, fuck that. That nigga said, turn around, don't look back. Like, nigga, you can have all this shit. Nigga ain't tough. You can have my jewelry, my role it. I had all I had a bunch of jewelry too back in the night. They're like, nigga, give me your shit. A bitch, a bitch from Penn Street Projects set me up. So I, you know, yeah, I know, and I do stories, I gotta get real in depth in it. So I took my shit up, gave it to nigga from North. Yeah, nigga, you can have it. I said, You want the watch? Yeah, nigga, give me the watch. Take all that shit. I can get it again. I should have died that day, too. Them niggas had the burnout. And like, nigga, I said, nigga, you ain't worried about nobody coming out here and seeing you, nigga. It was crazy. It's crazy. I get chills thinking about it. I could have died that day. I tell you, God got a purpose for my black ass. So back to it. So ringside, in case you lost, in case you niggas don't catch on to the story, because I tell good stories, but it's real stories. Back to ringside. Because I was talking about the New Jersey niggas robbing me. I ain't getting sidetracked. These niggas is known for robbing niggas. So they came there to rob the club. You know how Fat Joe said, I robbed a whole gym. No nigga. These niggas came to rob the whole ringside. True story. So Fat Joe was the leaning back. You know, that's he had to lean back out. Acorn had locked up. They was partying on some celebrating shit. Acorn came back to Jersey City to fucking um pay homage to the niggas that the person that owned ringside because they always supported him. So they try to rob Fat Joe. Tito, screwed, was not having that. He jumped up. Fat Joe was fighting the niggas. One of the other niggas pulled out the burner. Bow! Bow! Bow. Niggas start running. Where Akon at? I don't know what the hell Akon. Akon was there, but he wasn't there when they were shooting. Alright? He was there though. Screw got hit with two bullets and died. Fat Joe helped him pick them up, bring him inside ringside. Fat Joe, my man, right there. Screw died. Tito, my nigga, my Latin King brother. The brother always had my fucking back. The brother made sure I was good in Charlotte and made sure I was took care of at the A con tour and shit. He died protecting Fat Joe. True motherfucking story. I don't see nobody ever talking about that story. I don't see Fat Joe talking, but Fat Joe, I think Fat Joe mentioned him back in the day, but you know, this shit was under. Investigation or some shit. You know. I mean, some niggas got got for that shit, but the niggas that robbed that killed Tito eventually got locked up 10 years later. And they do a murder. They didn't catch the sticker kids that killed Tito. Akon manager. Some people say, huh, that's a coincidence. That's a coincidence that Akon manager on something got killed at ringside. I said, that's some nigga. I goin' too deep. They already caught the niggas that killed the nigga. So if they figure Akon has something to do with it, I know them niggas that's locked up would already snitched on Akon. So Akon had nothing to do with that shit. People don't hear that. Because I ain't gonna lie, after Tito died, then that nigga went up. Got a new manager, all kind of shit. But Akon had nothing to do with that. Because I know them niggas from North New Jersey would have snitched on everything that was moving. The niggas got a life. It was four of them niggas. Niggas got life. The shooter got double life in attempted murder. Because they almost hit goddamn fat Joe. True fucking story. Woo! RP RP to my nigga screw. AKT though. Block Royal Entertainment. Black Royal Entertainment. Jersey City owned screw. Block Royal Entertainment. That was my guy. And I could not not give him homage on this show tonight. Being I met him and that I met Fat Joe do with him. RP to my Spanish brother, my Latino brother. Screw. AKA Tito. Black Block Block Royal Entertainment. That was his company, y'all. I got stories. I got real stories for your ass that make your ass chill. And that bullet was made for Fat Joe, they was trying to rob Fat Joe. They wasn't trying to rob, they was not trying to rob Tito. They were trying to rob Fat Joe. They wasn't even trying to rob Akon. They were trying to rob Fat Joe. That's why I know Akon had nothing to do with it. Because they wasn't not trying to rob Tito or Akon. They went after Fat Joe because he had all the jury. He had lean back. And some black niggas. And them niggas detective, them Puerto Rican niggas. Latin King niggas. They can't never parade. They would have shooting like hell in that fucking outside of ringside. Go look up ringside, New Jersey. The club is still fucking open. Like how Mike Tyson invested money. That shit was a in Jersey City. In 2026. Everybody go to ringside. Nigga, get it together. I be out. Everybody go to nigga. I used to go to ringside back then back in the days. Ringside is still after after all that shit happened. After Tito lost his life there, ringside is still popping. That's a deep story. True story, too. Fat Joe. Before I met him. He did a lot of shit in the streets. We ain't gonna talk about that. He emerged from the bebop music, the hip hop old school, you know, that battle rap shit from the Bronx to where he had now global superstar now. The beef he had with 50 Cent and everybody else, and the love he showed to certain artists like Jaru, Ashante, and Murder Inc. and a lot of other, you know, uh brands like uh Rick Ross. A lot of people that was beefing with Fat Joe wasn't Fat Joe beef, but he stayed loyal to a lot of people. Tony Sunshine, you know, allegedly he was mad because Fat Joe Puss had had his people fuck his bitch or Rice reverser. Fat Joe said it was his bitch first. I like, nigga, I don't know who bitch is. All I know them niggas fell out for pussy. Nigga, we niggas so much pussy out here, we're not falling out for pussy. Fat Joe was loyal. He like, man, how the fuck can Tony Sunshine shit on me after I did everything I did for him? But you know, we don't really know the story. I'm paying flowers and giving homots and take it, giving respect to Fat Joe tonight. But I'm gonna play both sides because that's I won't be DJ Butter Rock like that. Tony Sunshine, listen to me. I love you. I love your music, and I love what you stand for, and I love everything you bring to Terror Squad. But if you call this man your brother, you own private jets, you spending the money. Fat Joe, like when I was going through the shit with the RS and all that, all these niggas stopped coming around when there was no money around. So Tony, answer that question if you see this interview. Well, y'all shitting on Fat Joe saying he did this, he did that, but when the money, when I when he got locked up with the IRS shit and he he owed the IRS and went to jail for that shit, he said nobody was there to help him out. He came home and only one person helped him. That was Scott Storch, super producer Scott Storch. He put Fatcho back on the map. On those stories of Fat Joe. How you have all these millionaire friends, and as soon as the feds come, everybody runs like roaches. And he expect you expect him to come once he gets back on the map to really look out for you when you have all these so-called friends that turn their back on him when the boys came. That's when you know who your friends are. When the cops come and the feds come and you owe some money, the money ain't there no more, ain't how it used to be. We ain't private jets, we ain't got the luxury shit, we ain't eating at the fancy restaurants. That's when you're gonna see who the fuck really your friend. See, I study Fat Joe because I met him and I I study his career as a DJ. So I, you know, of course I don't agree with everything Fat Joe did and or say, but you know, as an artist, I think he's a well-grounded artist and he's kept his self development. He kept himself in private planes, he kept himself as a multimillionaire. A lot of people don't know, and people don't know, and if you do know, Fat Joe is the one that pit DJ Cali on. And Fat Joe tells you himself, DJ Cali got more money than me now. He co-signed for DJ Cali. Cali was a part of terror squad. You guys know that. Butter Rock, there ain't no untold shit. Yes, it is. Listen to me, I'm gonna get to the shit you niggas don't know. Fat Joe asked Cali for something. And Cali turned him down. I'm gonna eat my apple. I need some water. I'm just gonna get deep. Don't start making up shit, but no, I ain't making up shit. I got my I got my sauce this nigga. He asked him for some shit at a time in his life that he needed Cali. And Cali didn't have it at the time. Well, he said he didn't have it. I'm not watching Cali Pockets. I don't know what the fuck this man got. But at that time, he didn't have it for Fat Joe. I know Fat Joe like, how the fuck Butter Rock knew that? Nigga, we gonna I'm a nigga, listen to me, I'm gonna fix my mic. I I am an independent journalist, I know every fucking thing. I got people in high places that fuck with me and that want to see this podcast win. So we're gonna have exclusive and legitimate shit. You know, I ain't say allegedly. You never gonna hardly hear me say allegedly unless it's some shit I don't know. So, I don't know how much money he asked Callie for, but Callie like, I don't have it right now. But we the best. And if you noticed, I'm just gonna pit some, I'm gonna do, I'm gonna do some shit out there so y'all can catch it for my real hip hop niggas. You notice Callie and Fat Joe fuck with each other, but they don't fuck with each other. Did y'all pay attention to that? Or y'all think I'm just lying making up shit for the podcast? Nigga, do your history. Do your this is open your eyes, nigga. Open your eyes and look. I don't think Cali was even on a JDN, the Joe and Jaden podcast yet. Even if he was, it was the way after the shit builds up and popping. It wasn't in the beginning, I tell you that shit. I think he's I think he probably just got on because he promoting that album he got out there. That um Drake pretty much shitted on that new Cali album. And I'm gonna I like Cali. Don't get it twisted. I'm just gonna I'm just reporting the news, niggas. You gotta probably I love DJ Cali. We the fucking best. But I don't like the fact that a motherfucker helped you walk you in the door, and then you all of a sudden you got more money, and you and I mean a man isn't neat, and he asks you, and you like you don't have it right now. But see, you gotta say, it's two parts of that. How the fuck we know what the Cali had. But according to Joe, this nigga had like 10 top 100 songs on the radio at the time. When he asked him for some money. Well, he asked for a favor. I don't know what the fuck he had. You could ask for a car. I don't fucking know. I don't know it was a dollar amount, it was a car cosign. I don't know what the fuck it was. I know Cali said he didn't have it at the time. And Joe never got it from him. Joe got it from Stot Scorch, Storch, the super producer. And Joe, Fat Joe been up. Joey Crack, as they call him, been up every since. So you're only gonna keep God is gonna lie, and that's why Fat Joe always picked God first. You only gonna keep me down for so long as long as I got God. And no matter what Fat Joe did in his life, he lost weight, he's he's slim Joe now. You know? And one time I was skinnier than Fat Joe. Now I think I'm fatter than Fat Joe. Shit, I'm butter Joe. I'm fucking with you niggas. I love Fat Joe. So you gotta watch your friends, man. Everybody say they love you, but when you need a nigga, if I say, hey nigga, I need $8,000 now. Nigga, hey, I don't nigga, I don't got it. I don't got it either. Nigga, get the fuck out of here. One of you niggas got it. Let me let me shout out the real queens that always help me out when I need them. Number one, punkin' foot the panty girl. Number two, Lawandia Wilson. Number three, Julia Simmons. Who else? It gotta be somebody else. That's it! Are the females? We talking about females. That's all the fuck out. Nigga, that's it. Damn, that's fucked up. Everybody else is all business. I got Punkinfoot in the number one spot because I know it's longer. I got Lawania Wilson. And I got Julia Simmons. After that, I don't know nothing. Everybody else is just on some business shit. I'm talking about the female part. I can count on one hand how many females hold me down at this motherfucker. I don't know what the fuck I'm gonna do with myself. Shout out to Puckin' Foot, the Panty Girl. Shout out to Lawandi Wilson. Shout out to Julia Simmons, the queen, the three queens. I don't give a fuck what I need. I can say I need a bottle of water. One of them niggas will give me. If I don't get it for one, the mother niggas got the water. Hey nigga, I need a piece of gum. One of them niggas will give me some gum. My breath is saking, nigga. I need some food. I'm starving. Well, somebody, one of them niggas will feed me. One of them niggas. Out of the three, one will come through. Fat Joe had only had three motherfuckers. Fat Joe had a million motherfuckers with him. And only one out of all the millions helped him. So I'm gonna shut the fuck up with my three. I know a lot of more females in the industry, and I won't even say their name. I'm just gonna say the three that count, nigga. You got Punkinfoot number one, Lawani Wilson number two, and Julia Simmons number three. Everybody else is just strictly, oh, it's just business. We just on payroll. We just we just investors. We ain't we don't gotta make sure you straight, nigga. So I ain't gonna complain when Fat Joe had everybody on his part, private jet. He had all these motherfuckers he was feeding, and when he needed help, they wasn't there for him. So who the fuck am I to complain about? Nobody being there for me but three people. I ain't saying shit about nothing. Shout out to all the new niggas that's fucking with me now. You never see a man cry till you see a man die. That's a real shit there, Scarface made. That's some real shit. And do it hurts when you have a person that you helped out and you put on to make up millions of dollars. I wanted to have Fat Joe. You know, these tough guys ain't gonna cry, ain't gonna tell you they real felons. But I know that had to bother Fat Joe. And then you pick niggas on from the terror squad, and then some of them niggas turn on you. Yo, Joe, my album ain't do shit. Oh, you ain't promote my album. You put my album, like him and Remy Ma. Let's get to Rimmy. Let's talk about it. Let's talk about Remy Ma and Fat Joe. This is untold stories. This ain't bullshit stories, this is untold niggas. Let's talk about Rimi Ma, Terror Squad, Remy Ma. And yes, we got approved to do Remy Ma as well. I don't know what fucking month we're gonna do it, but Remy Ma people approved us to do the untold stories. I guess they see we was doing Fat Joe. Oh, you doing Joey Craig? Oh yeah, let's do Remy Ma. We ain't doing that shit right now, though. I like Remy Ma. I love her. I want her to get it just a little, little hot. What you mean, nigga? I ain't hot. No, you hot, Remy. I love you, Remy. Your body looking your body looking snatch. But we get we the way uh uh Chad from our meeting, he said, no, no, no. Joey is hot. We only doing this is why we hot. This is why we hot now. Well, nigga, you only got three people, nigga. No, no, no, no, no. Fuck YouTube numbers. We got other numbers that's bigger than YouTube. That's why I report the way I report now. I change my whole strategy. You ain't see how I change my strategy of reporting. I still get to I get to it with all the bullshit now. We're gonna get right into it. We're gonna like, you know, you have foreplay. Now I'm jumping into the pussy. Nigga, stop all that bullshit and fuck me, nigga. That's how I'm doing the podcast now. In the beginning, I was all that for play, oh, getting it wet and shit. Now we said, fuck it, fuck me dry, nigga, fuck me dry. That's how we is now with the podcast. Because before I was just with the fall play in the beginning, cursing niggas out and and pissing off the team. And well, I wasn't trying to curse nobody. I just had my telling people how my day went. And then I think I went too far. I was battle, I was asking some DJs to battle me, then niggas didn't take the challenge. Cause them niggas had the money. They ain't wanna battle. Just the fuck. I you know, I took 30 down, 30 years, 30 minutes, 30 hours doing that. Then I talk about the meow nigga. I like we're done with that shit. Straight to the story. I love everybody. All of you DJs, I hope you do good in life and be healthy and blasphemous. Because I'm not gonna waste no time talking about you niggas. Ain't got nothing to do with this. Shout out to chat from iHeartMedia too for fucking with me. Shout out to Bill Watson, Troy Watson, definitely Troy Wallace. So let's get back to this. So you look at yourself like I want to be a millionaire, I want to be, I want to be a global superstar. A lot of shit come with that. Heartaches come with it. Backstabbing niggas. Shit, I'm saying that now. I'm gonna tell you something. Since I started this podcast, I lost so many goddamn people. Everybody, so many people turned, so many people I thought was my friends turned their back on me. I know people for years that turned their back on me. I don't like nigga, I ain't made it yet. Nigga, I ain't rich, nigga. God damn you. They gave me the ass to kiss to, you know, it's overcasting over my ass. So many niggas turned, so many people turned their back on me when I started this podcast. The people I thought that was gonna have me and like support this shit. And uh, you know, so the fat Joe shit. I I like talking about shit like this because it makes me feel like yo, shit ain't that bad. You know, if it can happen to Fat Joe, who the fuck am I? You know, let's talk about Remy Ma. So when Remy first came out, she was popping. You know, he uh they did the lean back shit that she came on album, and uh, and unfortunately for her, it was the wrong timing. You know, when you you you this shit is about timing because you think you hot. This shit is about I'm gonna put my water here. This is this water right there. Put it right there. So this is not about you know, you had a hot you had a hot feature. You uh you got a nice body of good titties or whatever. This is about timing, bro. When you when it's not your time, you're not gonna pop. When they did lean back, it was the time for that shit. You can't rush timing. So if it ain't your time, it don't matter how much money you put in it, how much shit you put in it, if the you know, it wasn't even no social media back then. But I will say this if it ain't your time to blow, it's not your time to blow. Everybody got their time to shine, man. I want to share that tonight. If it is if it ain't your time, you can't rush your fucking time. Your time will come. You will know when it's your time. Everything's gonna be. This is what I'm gonna tell you, artists. Something. Remy Ma got mad at Fat Joe because she thinks she he wasn't putting the money into the label. I mean, to the project. It wasn't Fat Joe's fault. It was the record label. The record label did not want to push the button on Remy. But fat Joe had to get the blame for that shit. You know why? Because she looked at Fat Joe like a big brother. So when a shit fell down, she blamed Fat Joe. And being fat Joe and being the hood nigga, slash Puerto Rican, he's like, man, fuck you, bitch. You can believe what the fuck you want to do, Remy. All right, but when she got locked up, fat Joe was holding her ass down while she was in there for them years. Untold story of Fat Joe. A lot of people don't say everybody's be saying how much that Pat Pooose did. Fat Joe holded Remy down even after she shitted on him. Untold stories of Fat Joe. CX1 DJ's untold stories of fat Joe. A lot of people, I don't ever hear Remy talk about how much Fat Joe holded her down. How much fat Joe gave money to Pat Poose so her kids could be straight. Made sure any of her publishing came in, made sure that Pat Poose had the money. He was he was cool with Pat Poose because of Remy. Fat Joe didn't want to make sure Remy people was good when she was locked up. Loyalty at his best. But you know, Remy was talking shit about Fat Joe before she went, before she smoked the nigga, before she got the jail time, before she got sentenced, her and fat Joe was not talking untold stories. CX1 DJs. Because it's another motherfucker doing untold stories. So let me make my shit public. Like my nigga Rick James said, make it publicly clear, nigga. This is a CX1 DJ's untold stories. Bitch. I want y'all to get my shit mixed up with them other niggas doing that bullshit. It's trademarking copyrighted, nigga. That's why it says CX1 DJs untold stories. I'm gonna have to have my producer make sure they put the CX1 DJs until they only got untold. They need to be CX1 DJs there. I'm gonna talk to my producers what the fuck y'all doing, Bonds, dude. I think some of my producers are smoking some shit. So we're gonna have to change that until because this is a untold story. And then it's a CX1 DJ's untold stories of whoever we got. That will be changed tomorrow. No, uh, yeah, tomorrow. I need glasses. Nigga can't niggas getting blind. What time is all right? It's time to play something. So we're gonna um shout to Fat Joe, man. We uh we definitely uh love Fat Joe. And um, and I was I hope y'all enjoyed some of the shit I was saying tonight, and um, and I hope y'all followed what the hell I was saying and that y'all learned something. We're gonna play one of the sponsor songs tonight.

unknown 44:00

I could corner out from the crowd that I'm with the wall back. So you know I'm on the proud.

SPEAKER_02 44:08

But I feel it nice night. I'ma lay that bike down. I'm filling my stuff right now. My flow type, my dough right. I'ma put on the stone like the yellow feet. Yeah, that I hold the mic, that's the one and only only no doubt.

unknown 44:26

I'ma take the back and go on. I'll make the two spot and go off. So we go, stop.

SPEAKER_02 44:51

Now I got any cup. I'm mixed to me. I'm a bit of what we dump, kill it.

SPEAKER_04 46:09

It's the we want. We just enough to play this because they all get embarked. We got the boost in the heart. And we have time, cause we just get this party. And do that what they want from the phone to the cardinal. And do that with the cucks we do the party. And that look so sweet that I get nothing. We don't look to the top because we top target. That's right.

unknown 46:49

I'm gonna say the babies in the spot to go on. I'm gonna make the booths in the spot to go hard. Say we go. So hard. I said we go. Go so hard. I said we go.

SPEAKER_01 47:04

Go so hard. I said we go. Go.

SPEAKER_03 47:09

So that's my shit. Go hard. That's a J Cap reaching plugin play. You know, we're working on a project with plugin playing. I can't believe I can't play that one. We gotta play the next one. Let's go. Yeah, punk your foot. We back. We hit him.

SPEAKER_01 47:58

We hit him.

SPEAKER_03 47:59

Chocolate princess. Princess.

SPEAKER_01 48:05

What the fuck we about to do? Hell no. Hell no. Punk your foot, you ready, baby? Come on, girl.

unknown 48:10

Come on, girl.

SPEAKER_01 48:11

Chocolate princess.

SPEAKER_04 48:14

Chocolate princess. I'm the chocolate princess. I'm the chocolate princess. I'm the chocolate press. I'm the chocolate press. I'm the chocolate press. Chocolate princess. I'm the chocolate press. I'm the chocolate press. I'm the chocolate princess. I'm the chocolate princess. I'm pumpkin foot. I'm the chocolate press. I'm fucking foot. I gotta take on me. I give peace to the duke boys with that D. I'm the chocolate princess. Royal tea, that's right. Hard with my MU and my B. All about my hustle cuts, I do me. Uh-huh. I'm clutchy and I'm nasty with popin'. Oh, you know you like it, chocolate cover cherry. That's fine. Don't like the pits, try the strawberry. I don't do it cause I'm too. I do it cause I wanna wanna gotta keep a mixture fit. Looking at my poster poster. With the lyrics, pop it out like a toaster eye. My poopa make them look a little closer. Yeah, the chocolate press, I'm the chocolate press. I'm the chocolate press. I'm the chocolate press. I'm the chocolate press.

SPEAKER_03 49:27

I'm the chocolate press.

SPEAKER_04 49:31

I'm the chocolate press.

SPEAKER_07 49:40

Chocolate press.

SPEAKER_01 49:45

I'm out of that truck, man. I'm la fuckin' foot. Young butterfly, DJ butterfly. Yo, I'm la on the block. I used to be well in the princess, that means we won't be motherfuckin' y'all can't see me. We out of here, yeah. We sweatin' on these hoes. Got all the jury, yeah. We sweatin' on these hoes. I don't give a really a full. But a rock I'll g jump and not the truck. I don't give a f I get mad, I get buck.

SPEAKER_04 50:16

Punk your buck and get beat down, the chocolate princess, I'm the chocolate princess, I'm punking foot, I'm the chocolate princess, the chocolate princess, I'm the chocolate princess, I'm punkin' foot, I'm the chocolate prin Nigga.

SPEAKER_03 50:33

I'm rapping in DJin and host of the goddamn podcast. You niggas, I'm a triple trap dance threat. Now I'll be singing. I'ma I'ma play my singing charm. I don't need no cars on a diamond room ring. All I need is happiness. I don't need no cars on no diamond room rings. All I need is happiness. I know I'ma stop. If I pray I'ma let's get it. Come on. Uh-huh. Punk and fullness. We out here getting, baby. We don't need no cars or no diamond rings to be who we are. We still get money. Oh, we tryna be happy, man. Come on. Tell me up in the hairs. Tell me up in the hairphones.

unknown 51:20

Tell me up in the hairphones.

SPEAKER_03 51:22

I don't need no cars on the diamond rings. All I need is happiness. I don't need no cars on the diamond brains. All I need is happiness. Oh my god, I'm patient. All I need is happiness. I don't need no boss on the diamond brains. All I need is happiness.

SPEAKER_04 51:46

If I pre I'ma go far. Let's go. I like a challenge, I usually take them happily. Whether you're up or down or looking raggedy, you can have success stacking rapidly. Make sure the ones with you are just glad to be. Money don't buy happiness, but it sure makes life a lot less stress. Be with me, be ready for more or less. Or just be ready for our conquest. Pull speed ahead. Now I'm on the incline. You better get out my way or get in line. I want someone that knows how to spend time. And when times get tough, he's on his own grind.

SPEAKER_03 52:24

All I need is happy. I don't need no cause on a diamond breaks. All I need is happy. All I need is happiness. I don't need no cars. On a diamond breaks. All I need is happiness. I know I'ma stop. If I pray, I'ma go far. I like the part when I say, Hey nigga, check this out. If you don't think you'll start, you gotta say. I know. I'm gonna start that like this. I know. You gotta do it like that. You gotta do it like that. CX one DJ. The panty girl. Let them know about your crew.

SPEAKER_04 54:28

My crew is full with shooters and gangsters. Yo crew, it's full with snitches and wangsters in a shootout. I bet you can't spank us when it's gunfire stop. You niggas gon' thank us. My crew is full with shooters and gangsters. Yo crew, it's full with snitches and wangsters in a shootout. I bet you can't spank us. When the gunfire stop, you niggas gon' bank us. I got a mean team, so don't sleep for a minute. Right. Fucking up your speed, we go over the limit. We like wearing platinum, but we carry the steel. And you can dress the party, but we dress the kill. Full of food best, they be rockin' with pleasure. Attire for tonight is guns under the leather. And yes, I'm with my crew, cause they treat me like treasure. You ready to get you if you think you're rough on my feathers? My crew is pretty clever, we make each other better. We be spoilin haters because we keep it pressure. So if you wanna step, hope you can handle pressure. Don't be an easy dish with my crew as a tester. They shoot a pest, don't let dictators bug me. We handle business and then be sittin' lovely. And we be chill until you give a reason. And we can go from chill to clappin' season. It's full with shooters and gangsters. Yo crew, it's full with snitches and wangsters in a shootout. I bet you can't spank us when the gunfire stop. You niggas gon' thank us, my crew. That's my shit. No crew, it's full with snitches and wangsters in a shootout. I bet you can't spank us when the gunfire stops. You niggas gonna bank us.

SPEAKER_03 56:05

That's that punk my crew, that's the sh that's the shit, niggas. Pretty much. Let's get back into Fat Joe. So one thing I like about Fat Joe, he he loved the underground music. He loved that before the shit. He loves the real hip hop. He's a real hip hop. Let's get into the video. I want to take the terror media to make it sure everything's clear. Allow us to do this in Fadio. I love you, brother, and all your success. You and your wife, your kids, and uh you keeping keeping up the good work with you doing. Let's get into terror squad. Let's get into Pad Joe. Let's go.

SPEAKER_00 57:33

You never catch me, stutter. Everybody knows that I'm butter. I'm not the man with sensitivity. The name is Fat Joe. The label's relativity survived. I'm chopper lapping like a meat cleaver. I'm burning hot, people think I have a fever. Check it. It's one of fun, they come with it. Yeah, yo, yo, I'm standing home in this cold world. Could you believe that? I see some good men get blown over cheap packs. In the roofs, we're a story.

unknown 58:06

Shit, my life's legendary. If I wrote that door down in the book, it would be very scary.

SPEAKER_00 58:11

But you know, 16 bears of message. Broke seeds down on my dick, the beats look tremendous. Seeing my niggas pick holes in bitches, come back in when I went even falls. Of bitches, say yo, you can act up a dead. With the bear back in ADA, every other week trick, dirty grand. Even my bitches walk through T in the way.

unknown 58:31

My bitch already in the ground. Look at the groupies, screw me. Exit the club, bump the cruise up the black now. With the top, stay fucking with the side down.

SPEAKER_00 58:40

See me in a new game with my fiancee. Ass so fat, making you say Mutra's Grande, don't blame me. Black down the white folk for giving me temp for possessing the sight so I wanna live my lifestyle. Never seen the break, never seen the drag house. On the wall with the door and have your backs now. Bring it on the door and show you case up. On the wall with the door, have your backstab. Yeah, we're on the door. Slow half your head off, leave you with brain damage. Bricks that take Tomorrow Lot of 36 room mistake. Follow me, I'ma fill it with eight C states. In the red belly call a bit, C A. Yeah, it's your dream for real. They even want the kids to school and go kill. And that's the self safe. You should know how the shit gon' go. Follow me, come on. I know you came the body. So get up on your feet. Come on, yeah, baby, just trap the body. Yeah, sing along with me. Come on. Let me let you know why y'all make this song. Brothers can't deal with the real word is born. I think you're tired of these things. That's niggas saying that they catch your bodies when they never pull a trigger. I know your style, I've seen it before. You wearing army shoot, now you think you're hardcore. Drinking on your 40s, smoking on your butts. Can't afford a change, so you wear go first. Yeah, you fucking the fuck, kid, and you'll be getting it up the ass. If you ever did a fucking bit, it's time to separate the real from the fully. The name is facto, all act like you know me. I come equipped with the rush shit. Nowadays I can't believe the poor rappers come up with and all your bitch ass niggas know for deal. Check it out. The fucking shit is real. Hey yo, it's real. Down on the moon, down on the moon, down on the real. Hey yo, it's real. Down on the moon, on the moon, no moon, don't go, no real real. The fucking shit is real. Down on the moon, down on the moon. From New York to put Skydaway, suck his best friend. Now in ninety three, it's all about the fat man. And if you mess around, then you'll catch a beat down. See the name is Flat Joe. And I'm here to represent, you know what I'm talking about. Everybody knows Fat Joe's in town. Enough respect for the boogie down. I'm living in the rocks on an opportunity. My name rings bells within the vicinity. People always tell me, yo, you Jojo, but I'm on a car, so I don't get gas like Damako. I'm your idol, your highest idol, numero uno. Yes, I'm Puerto Rican and I speak it so that you know. Storm, yeah, that's the idea. Be that nigga leaking from ear to ear. Listen here, young rhyme, and your end is near the crap. Find your body at the end of the beer. Niggas must be crazy till mistaking me for folklore. I put the 80 to your baby, man. I told y'all. Fucking with cracks, like fucking with crap. One, pull on the pipe or push your way back. Look, you hate that. Look, we stay strapped with grill from way back. They took the game back. Your shit remained fat, top of the world. Stop knocking the girl, she in the drive with a ready rock, locking the burl. Fish out the hell, flip well from here on. Half a mill in your grill. Of course, we're on. Niggas thinking that this rap is just worth. Pull up and they turn, pull a desert burn. They clear the block in no time. Get off my kick, stop, talk your shit, get your own shine off. Take a look in my life, and you can see that. I'm from the bronze, where it's known to hit the heat clap. Y'all need a nigga like me to put your fingers at. So stop hating on the dawn. You know you need crap. Take a look in my life, and you can see that. I'm from the bronze, where it's known to hear the heat clap. Y'all need a nigga like me to put your fingers at. So stop hating on the dawn, you know you need crap. First, we were stuck in. Then what's love? Shit, really had the street parkin'. Oh no, we ain't come back like that. Not crap with a black, no black, yo. It's the 13th down spinner. Niggas used to dab out. We even made great calories look like a winner. Me and Diddy skippin' automobiles. Just got the house on the hill now. How that feel? Fuck a lot of y'all niggas. You been shittin' since the first song. Now we rippin' down screen break with no shirt on. Ass so loud, just moonin' the crowd. Say damn me, bitches wanna move in my house. You see us back to back in them snow white trucks. J hangin' on the rim, you not giving a fuck. You must not be reading it right. Ice so bright, we don't need headlights at night. Yo, crack niggas, axe niggas. Up I smack niggas with the mat glass. Cause I am what I rap, nigga. TS throw in your hands, make a pack, nigga. To never let enough prove who is back, nigga. Take a look in my life, and you can see that. I'm from the bronze, where it's known to hear the heat clap. Y'all need a nigga like me to put your fingers at. So stop hating on the dawn, you know you need crack. Take a look in my life, and you can see that. I'm from the bronze, we're gonna still hear the heat clap. Y'all need a nigga like me to put your fingers at. So stop hating on the dawn, you know you need crap. Hey yo, I'll be the showstopper. As I sound like gold, I'm a rapper's door, like dropper, the certified fake nigga dropper. Which barrel hit the thorough? I know, do you know? Let me know I'm seeing though. The go-connectors putin' left with reflectors. Don't get caught up in my sector, or I'ma have to inject ya. Rip a slab of a spherical dope. Shit, bake and season on the bees, that's the quote. Fag dope, but two and ever will prevail. Get a pen like sunny up and cross. Will I fail? I doubt it. Over nigga catch a body, while other niggas fantasize about it. But there's no need to talk about it. Keep it over hot. What's the rules of a cruise that I cross? Hutcha. What up, Japan's magnificent? What up, two pop? We know you're innocent.

unknown 1:05:01

Like too short, so we gotta live fast. Gotta keep it real. Get the door and asset.

SPEAKER_00 1:05:06

Before we go out, you know we gotta live fast. Call for ambulance. This man's wet. Bullets cut him down from the root up just like a toilet. Brazer, which I keep hitting in my oral. Ready to spat out an idiot out that was the quarrel. These men for some deservas. Matter of the fact that somebody's getting new chick that's not okay. But let's replace it. Do these streets filled with butter? Joey crap, aka case of salt.

SPEAKER_06 1:05:30

Some niggas get a nickname. So now we sit drink, rock and make a lacerate thing. Doing my thing, fly, nigga. You a soft kid. Bitch, grab it set up. Get them niggas for the shut up. Fuck it. Sweaters on a money cover. Cheek some flex and a raw dog without protection. Disease infection. I get down fucking with brown flops. Extra keys to the drop. Flu I'm jingling, baby. I got crazy Dominicans who pay me. The lay low, I play slow, roll with the phone. My fiosa, crop, kick pin.

SPEAKER_01 1:06:12

It all real, nigga. What the deal? I shot. What the fuck? I thought I conquered the world. Crush Mo D, Hammer and Iced Cheese curls. But still, niggas wanna instigate shit. I battle any nigga in the rap game. Quake, name the spot. I make it hot for you, bitches. Female rappers too. I don't give a fuck, boo. Word, I'm here to crush all my peers. Rhymes of the month in the source for 20 years. Call for ambulance.

SPEAKER_00 1:06:38

This man's wet. Bullets coming down from the root up just like a toilet. Brazer, which I keep hitting in my oral. Ready to spat out and idiot out. Then what's the coral? These fan's must be for some tax evasion. Matter of the fact that somebody's getting looged, this I could paint it. Bullets be blazing, through these streets filled with torture. Joey crap, aka Kaiser, sorcerer.

SPEAKER_06 1:06:58

Some niggas getting mixed to change. So that we sip drinks, rockin' mix, flash the rings and things. Work it hard for deep inside the Jeep neck. You in my thing, fly, nigga. You a soft as kid. Bitch, grab your death dog. Get them niggas floating, shut up. Fuck it. Lucci sweaters on no money level. Draw the rocks like the soft before knocks. Four carrots, the ice rocks. Pussy bangin' like Versace low flop. On the cleat, open like raw ass cheeks. Some flexin' raw dog without protection. Disease infested, uh, Italiano, got the Luciano. I get down fucking with brown flops. Extra keys to the drop. Two or jingle it, baby. I got crazy Dominicans who pay me. Delay low, I play slow, roll with the phone. My fiosa, crime, king, pin.

SPEAKER_01 1:07:40

It all real, nigga. What the deal? I shot. What the fuck? I thought I conquered the world. Crush Mo D, hammer and iced these curls. But still, niggas wanna instigate shit. I'm battling the nigga in the rap game. Quake, name the spot. I make it hot for you, bitches. Female rappers, too. I don't give a fuck, boo. Word, I'm here to crush all my beers. Rhymes of the most been the source for twenty years. Nigga. Who can fix it?

SPEAKER_00 1:08:07

Opposition is pop of fiction. I start the pictures, shit green from all these things with a lot of dicks and spot and listen. I've been doing this for the kids. And looking real thing, not the last of the dead yeah. Yeah, so don't consider the beefin'. I can read the feet in the line squat, follow the squat. Keep in the streets, we can close. We put the floor, stop we're gonna stop, stop me, drop. Yo, stick, mother chicks, gotta blow them out. Put it in the level, sister A. Put on your baby face, listen in the baby face. Five more bitches, never fly on the shit. Five you, my nigga, let it fly off the hip. This is every summer, mother nigga, don't trip. This is it, one of them. Joey put on that drip another pick.

SPEAKER_03 1:09:01

Human CX1 DJs, we do these different podcasts. Uh, shout out to everybody that stayed the whole show. I think Lawania said good night. Good night. We ain't even over. Anyway, good night to Lawandia. Good night. But shout out to everybody that's checking on and checking in. Appreciate everybody staying to the show. It's over. You know, when you're over 55, I guess you gotta go to sleep. Shout out to Lawandia. Good night. Um I was looking at that. I said, what? Good night. We just shouted you out saying you was a ride and die, bitch, and you went to bed earlier. Okay. But shout out to Lawandia. She had to go to sleep. But shout out to everybody that's actually stayed to the whole night. I appreciate y'all. And um uh shout to the whole CX1 DJ, shout out to Punkerfoot, shout out to uh and Punkerfoot text me. She said, I'm on Roku watching you. I watch every day. You know, Roku TV, you can't leave no comment in there. You can't leave no comment in there at Roku and Roku. So Punkafoot always watching. And then she texts me, let me know she's on here. Shout out to Julia Simmons watching a roll. Let me shout out to everybody I know watching. Shout to Julia Simmons, Chad IH Media, uh, Bill Watson, Troy Wallace. Everybody watch the big big dogs watch on the TV because they they they see it. August 12th to the 15th, CX1 DG 2026 Music Conference. August 12th to the uh to the 15. I said 26th. August 12th to the 15th, um, CX1DG Music Conference, make sure you register now. Go to the website, JonesGraphics44.com. It's JonesGraphics404.com. JonesGraphics404.com or call the hotline number 404-552-8731. Visit and join the all new Punkinfoot OnlyFans page by going to onlyfants.com and uh search for punkinfoot name. If you listen when you go to OnlyFans, all you gotta do is search for Punkinfoot and she'll come up. It's Punkinfoot404. It's punkinfoot4 on OnlyFans, right? And I, you know, we had a good day. We be back on Sunday. Today's Thursday. We ain't back into we ain't back to Sunday. Troy Wallace will be posting who we're gonna have Sunday on everybody on everybody's Instagram tonight. When you see it on his inst Instagram, make sure you uh take it and start promoting it. I'm gonna need everybody to do me a favor, promote that shit more than just one day. It's Sunday. So you got Friday and Saturday to promote it, y'all. Come on. Post the shit more than once. I I just I was told from Chad from our High Media, he said if he's looking out for everybody, he wants everybody to look out for the CX1 DJ podcast. Also, have more people uh still still get people subscribed and like and share and turn on your notifications. If you're a part of CX1 DJs, you're a member, you got a position. I need everybody to still get their friends and family to subscribe to the podcast, to YouTube, or listen to the podcasts anywhere you can find podcasts. We on every major platform that you can find, any podcasters, alright? Every platform, all right? Apple Music, Apple Podcasts, Amazon, uh, iHeartMedia, anywhere you can find your major podcasts, CX1, or you gotta type in CX1 DJs, we do things different podcasts, we'll show up. If you want to see the video version, you gotta come to YouTube. We have other platforms as uh the video platforms that we about to launch. So I I I appreciate everybody. And um all donations, send it to CX1 DJs Coalition LLC Cash App. Money Sign CX1 DJ's Coalition LLC. Uh yeah. We not bes we are not monetized yet. So if you like what you see, you like the program, you like the real hip-hop uh information, and we also promote the only fan models rapper. Punkinfoot is a rapper, model, and dancer. So, you know, when you go to the OnlyFans, you see promote our music and modeling, and make sure you join that is OnlyFans Punk and Foot 404. OnlyFans, Punkinfoot of OnlyFans, make sure you join that. And uh, I want to say goodnight. See everybody Sunday. We back on Sunday with Untold Stories is Sunday through Thursday, every Sunday through Thursday, 8 p.m. until we done. Usually we done at 9, but we go over we go over it a little bit. We show love to the independent artists and any sponsored artists tonight. Shout out to T Cap, shout out to my vice president DJ Peril, 800, Houston, Texas. Shout out to my uh my president, DJ Money, out there with the tall cannons. Um to Julia Simmons and shout out to Chat RH Media, uh shout out to Bill Watson, Troy Wallace, and uh I think I shot everybody. And if I ain't shot it, shout out to Punk and put the Panty Girl, of course. Shout out to Law and Dia Wilson that went to bed early. You know, she getting old, she up age, she's like, I'm going to bed never. We don't got time to watch no videos and punk and put ass hanging out at the end of the night. I'm going to bed. Good on my shout out to Lawandia for going this way. But anyway, peace and love, everybody. Peace and love. Peace. See you on Sunday.