Cx1DJs We Do Things Different Podcast "Untold Stories of Rob Base DJ EZ Rock" host by DJButterrock

Cx1DJs We Do Things Different Podcast "Untold Stories of Rob Base & DJ EZ Rock" hosted by DJButterrock  Rob Base & DJ E-Z Rock were an American hip-hop duo from Harlem, New York City. Rob Base was the stage name of Robert Ginyard (May 18, 1967 – May 22, 2026) and DJ E-Z Rock was the stage name of Rodney "Skip" Bryce (May 8, 1967 – April 27, 2014).[1] They are best known for the 1988 single "It Takes Two", a "hip-hop staple"[2] that was a top 40 hit and has been certified platinum by the RIAA. That song was a part of the duo's album of the same name, which also has been certified platinum. They are known for being pioneers of the crossover success that rap music would have in the popular music mainstream.[3]

Career

Rob Base performing as a solo artist in October 2023
The duo's first U.S. single and release was "DJ Interview", appearing on World to World, which later got them a recording contract with Profile Records in 1987. The duo was assisted by a long-time friend from New Jersey, producer David Wynn. David Wynn produced three songs on their debut album and five on their sophomore album.[citation needed]

The first Profile release was "It Takes Two".[4] It used multiple samples from the James Brown and Lyn Collins 1972 song "Think (About It)".[4] The track first became a regional hit and then slowly climbed the Billboard Hot 100, picking up a multi-platinum single certification. The song also peaked at No. 3 on the Hot Dance Music/Club Play chart.[citation needed]

Their album It Takes Two was quickly[quantify] assembled. It produced a notable follow-up hit, "Joy and Pain", which sampled a song of the same name by Maze featuring Frankie Beverly, as well as "Put the Music Where Your Mouth Is" by the Olympic Runners.[4] It reached the top 10 on the dance chart and climbed to No. 58 on the Hot 100. "Get On the Dance Floor", which sampled "Shake Your Body (Down To The Ground)" by The Jacksons, produced by David Wynn, was a track released to clubs in between the two singles. It hit No. 1 on the Hot Dance Music/Club Play chart in 1989. Boosted by those singles, the It Takes Two album went platinum seven times over.[citation needed]

Base responded in 1989 with The Incredible Base, his debut solo album.[4] It did not sell as well as It Takes Two.[4] One song from the album hit the dance chart in late 1989: "Turn It Out (Go Base)", credited only to Rob Base.

In 2008, their song "It Takes Two" was ranked number 37 on VH1's 100 greatest songs of hip hop.[5]

Personal lives
Rob Base was born Robert Ginyard on May 18, 1967.[1] In the fourth grade, he relocated in New York City from the Bronx to Harlem in Manhattan, where he became a classmate of DJ E-Z Rock.[6] He attended Harlem public schools and loved music. Influenced by rap, he performed in talent shows and at as many open mic or hip-hop events as possible. His first child was born in 1989 to his then-girlfriend Rhonda Dunbar, with whom he was in a relationship from 1986 to 1991. In 1991, Base met April, and in 1992, they had a son. They subsequently took guardianship of April's cousin. Base and April married and remained together until her death in September 2013.[7] Rob Base died from cancer on May 22, 2026, at the age of 59.[8]

DJ E-Z Rock was born Rodney "Skip" Bryce in 1967 and raised in Harlem.[9] He died on April 27, 2014, at the age of 46, after complications from diabetes.[2]

Transcript

SPEAKER_05 0:00

We do things different podcasts. We here, ladies and gentlemen. We here. Let me check all my notes. Yeah, I'm here. Shout out to Skeletor. Skeletor say, Butter Rock, you won't be shouting me out. Shout out to Skeletor. Shout out to DJ for real. Everybody's here today. All my team is here today. We we went to the shit yesterday. Got a lot of announcements to make. We got a lot of big announcements. Shout out to Chad from IH Media running the board. Shout out to Julia Simmons checking in. The PR, CX1 DJs, the vice president, DJ DJ for real 800, Houston, Texas. And I'm gonna uh listen to Chad because he's running the shit. He said, Butterrock, you gotta keep looking at camera one. Because I be looking aside and shit, looking at the monitors. He said, Butterc, being I'm the producer now, just the Chad told me. He said, I need you to look at keep continuing to look at camera one. All right, I'm gonna try to do that. Um, shout out to everybody that's checking in. Um and I appreciate everybody. Shout out to Julia Simmons, shout out to everybody. Make sure um when you come in, you like the video as you come in. And um we got a good show tonight, man. And shout out to all the new viewers that's checking out to CX1 DJs. We do things different podcasts. I want to I want to thank all you people, and I want to thank all my real supporters. And um, and uh we still have an issue with certain Gmails. So shout out to Lawandia Wilson. I don't know if you're on here or not. My phone died, but um, if you hear, I I appreciate you. I can't see if you say anything, because I know we've been having issues with the Gmails, and uh they got to do with YouTube. So if you are here, Lawania, it usually shows that you hear on the board, it don't show you that you here, but if you hear, I appreciate it. Um and um if if you if I don't if I don't I'm gonna tell you if I see your messages because I I you know last last week Lawandi was wondering, did we see her messages? So anybody, if I don't see your message, just text me later on when I turn on my phone and I'll call you later and let you know. But I'm gonna tell you right now, if I don't see it, I don't see I don't see Lawandy on here. Usually she's on here. Um, and uh a couple of other people that's that's text me on my um other phone. That that phone is on a charger, so I can't see. But um we're gonna um we're gonna uh start this show by telling everybody we giving all praise to God today. All right. We're gonna we're gonna thank God for us being here another day. And thank God that we uh woke up and we breathing. We don't got you know, a lot of people got you know they got a lot of complaining and shit to do. I said, shit, long as you as long as God gave you breath, then you you don't gotta really complain too much, you know what I'm saying? Because he he let you raise up and breathe, because a lot of us is not here. RP, I gotta, I'm gonna say R.R.P to both of these brothers. I'm uh uh, you know, raw base, of course, and DJ Easy Rock. Easy Rock passed away in 2014, raw base passed away this year in May. So I'm gonna say RP to the two legends, and we're gonna talk about the two legends tonight. And I'm gonna definitely say this. As you grow older in this music industry, you go wide wiser. One thing I say about raw bass, shout out to T Cap, checking in. Raw Bass, uh, I met Raw Bass a bunch of times. Actually, I did a show at Raw Bass in Winter Salem, North Carolina. We're gonna talk about tonight. So I met Raw Bass a couple of times, but I'll say about three times. And Raw Bass was a good dude. We're gonna talk about it. I I perform, I performed, he he he allowed me and my homie Flip from um Harlem uh to uh touch the stage. He was booked. Uh I was doing my promotional run with Neon Records and Columbia Records, and I was in Worcester South, North Carolina. Uh, you know, I was already there anyway, and um uh my homie Flip, like, yo, we're gonna go to you know, go downtown and do it. Shout out to Lawandia. I see you now. I see you, gotcha. She said, he like, we're gonna go downtown and uh do do the event with raw bass. So we got on stage, we performed with raw bass. I'm gonna tell you what, yeah, it was like 90, 98, 1998. And raw bass gave us nothing but love. And um his people knew Flip. And uh shout out to Flip, Harlem World's Flip from Harlem, New York. I'm gonna shout you out. Um, yeah, so Flip Flip got us on stage and um because I didn't know Raw Bass. Flip people knew Raw Bass from Harlem, and we got up there and we we tore that shit up. And uh DJ Easy Rock was there, DJ and man, we had a good time with Raw Bass and DJ Easy Rock. So I wanna I wanna definitely cap you know talk about that that experience with Raw Bass. Then I met Raw Bass in in 2004, and I was in Charlotte, and he he was doing a show at um what club was that on? Uh I'm gonna talk about I can't forget the name of the club. Club H H H H2O. And he was definitely good brother. Now DG Easy Rock wasn't with him in 2004. It was just Raw Bass and Um Uh US at H2O on Independence Boulevard in Charlotte, North Carolina. That that that show was real dope. Raw Bass gave me love then. I was on some, I was on uh another kind of tip then. I wasn't I didn't rap that day, but raw bass remember me from um Winston Sutherland, North Carolina and showed me love. And I met I met Raw Bass, Dragon Edge, and who else was in there? It was Raw Bass, Dragon Edge, and um uh Jermaine and Prix was there, but I didn't meet Jim Jermaine at that event. But they that that dude, like the 80s and 90s kind of event, shot that Adolf Al Sharber, he was the promoter for that event in Charlotte in 2004. But back to Raw Bass, he was a good dude, always had a good spirit, and he wasn't chasing the fame of money, he was doing it for the love of hip hop. So let's talk about it. You know, we we we we we a lot of must do this for the money and the fame and all that, but raw bass, he did it for the love of music. And I met the brother, like I said, three, no, I said three times. And the third time I met Raw Bass was in um New York. And that was in um Washington Square Park. And uh he was pretty much um, I'm gonna tell you what that was eight, that was 9099. Actually, that was the first time. That's before we I ever saw him in North Carolina, and he was promoting another single he had going out. He was uh with another label, another independent label. He was, you know, of course he was no longer with the label who he was with. We're gonna get into that that the the the the tragedy of signing records and not getting certain shit cleared, and we're gonna get into it tonight and uh how the record companies took advantage of these beautiful artists. I don't matter if it was a men or female. Back in the 80s and 90s, the record labels was taking advantage of a lot of these artists. So we're gonna get into it. The CX1 DJ's untold stories of raw base and DJ Easy Rock. All right, so I want everybody to come in and check in and um let me know you're in the building. And um we go we're gonna have a good show tonight. So let me uh let me shout up everybody. Shout out to everybody, shout out to Lani. I'll see you. That's good that you finally checked in. And uh I'm I'm gonna give I'm gonna give us let me give some um instructions tonight. Don't put nothing in the chat unless it got something to do with the show. Period. I'm I'm I wanna I want and I want us to be professional. And uh, you know, when you like like how Lawania checked in, everybody check in like you do that. I'm gonna I'm gonna acknowledge you. I'm I'm gonna I was told to read everything on the board. So if I don't see it, give me a minute, I will see if you're in here or not. So we see Lawania, we see uh TCAP. I don't see DJ Money yet. I see DJ Pharil. DJ Money, are you here, sir? I don't think DJ Money's here. That's cool. Uh we're gonna leave that like that. CX1 DJ's untold stories are raw based in DJ's rock. What I noticed, a lot of people watch the shows on other browsers and they watch the shows. But I want my vice president and president to be in here. But uh, you know, we can't uh we can't uh you know, we're gonna leave that like that. Let's get into the music part of this program. Um, so before we get into that, I got a lot going on. We have uh shout to Punkerfoot. Punkerfoot and chance came and visited me today. Well, that was a today, that was yesterday. And uh that that was some dope shit out that you know they came to the you know on 4th of July to visit me and just at the studio and at the warehouse. That was dope. And while while she was here, we got some work done with Punkerfoot. Uh Punkerfoot got her new single coming out. We could tell a story. And that's the you know, it's not sweetheart. Everybody calling it sweetheart, it's we could tell a story. And I went ahead and looked out for DJ Money. I made sure his version was on that single right now. His version's on the single we we gotta check with the the people. They're like, everybody gotta be supporting 110% before we support any goddamn thing. Right now, yeah, DJ, I'm I'm only bullshit. DJ Money version will be on that on that uh thing. Executive producer me, DJ Butter Rock. So we got a lot of work though. Shout out to Punk of Foot and shout out to my grandson chance for checking me out. And um shout out to my sister. Um and uh shout out to um and Ferrar Loania, Ferrar is still in Raleigh. He said he's gonna see you, see y'all this week. All right. So I want to publicly say that to Loania. You know, you don't gotta comment on that. I'm just letting you know why you if you can hear me. Ferrar is still in Raleigh. He ain't he didn't he's still out there. That's why you didn't see him. All right. He will call me when he gets to your house, Loania. You don't gotta put that in the chat. We I'm just letting you know that. Um, so let's get let's go into some promotion before we start the show tonight. Um see what we got, what we got, what we're gonna play. We're gonna get into this right here. CX1 DJs.

SPEAKER_32 10:01

DJ Butter Rock, butter rock, butter rock. Okay, okay.

SPEAKER_05 10:13

Okay, as y'all see, my new album, it drops. It drops, and almost won it. I'm not gonna play the whole thing. And almost won it drops. Listen to me, pay attention. My new album, Ann Armost Won It, the album drops Friday, September 25th on all digital platforms. Major, major, major, major, major, major, major distribution. All right. I'm gonna leave it like that. So if you didn't um you didn't get on that album, that's your that's I'm gonna get that out of here. That's your loss. That's all I'm gonna say. Major, major, major, major, major, major, major distribution. I want y'all to understand that that's that is major. Fucking major. We're doing everything major. We not we're not gonna half ass nothing. So I'm gonna I'm gonna need everybody to understand to be clear. When I say hey, get on something, you need to get on the shit. All right, what we got here? Let's let's play the punkin for promotion. Let's go. Yeah. Punkin for the panty girl. Young uh chocolate. Hold on, what the hell? What the hell is that? Hold on. Let me start over, y'all. I'll I'm illiterate today. This is punkin for new album. The people that you don't, if you want iHeart Media and Apple music, I'm gonna I'm gonna do the talking because there's no music with this. Sorry, the the people that ain't put no music with this. Shout out to Bill and uh Chad from iHeart Media. So punkin for the panty girl. Okay, new album. Uh, you know, Young, Chocolate, and Gifted. All right. It's a this is a dope ass project. I want I want y'all to know this is a dope ass project. Um that's why I'm gonna start a promotion earlier, y'all. Young, chocolate and gifted. This album drops. When is when is the date? We got dropping Friday. January. Well, hold on, hold on. It's going too goddamn fast. I can't say January 22nd of next year. It's on a Friday. That promotion was. Oh, hold on, hold on. Let's let's let's start that over. So, Punk with the Panting Girl, Young Chocolate and Gifted. New album drops. January 2027, January 22nd. What's about me?

SPEAKER_21 12:24

I want y'all to be on the lookout for my new album coming. It's called Young Chocolate and Game.

SPEAKER_16 12:31

So I want everybody to show me all your support. And just like, you know, I show y'all support. I just got to keep putting up music to keep doing the thing. You know, it's never enough music out here. It's enough for all of us. So I got it coming out. I'm excited. And I just want y'all to show me your love and support, and I will keep supporting you guys as well. So be on the lookout for it.

SPEAKER_05 12:59

Punkin for the panic girl, young, chocolate and gifted, new album coming soon on all digital platforms. And um that's next year, man. Y'all get ready. CX1 DJ, we're gonna take over this goddamn music shit, alright? Let's punk it for a new album, all right? We're gonna, you know. Shout out to DJ Money, president of CX1 DJs. Uh yeah. So we're gonna get it to uh the next promotion project we got coming out. Um see what's the next one? Let's click on it.

SPEAKER_32 13:28

DJ Butter Rot, Butter Rot, Butter Rot.

SPEAKER_18 13:34

Okay, okay, okay.

SPEAKER_09 13:45

Sorry, but some killers, 35 kills, but the killers are boy drama, aka B boyfriend, and it's a DJ Boy. Hey, seventy five killers, seventy five killers, I'm a ball, hey, hey, yeah, that shit dropped this month, god damn it.

SPEAKER_05 15:55

Uh see, July 24th, my new single, certified killers. Let me get in the mic. Y'all look at that fucking cover, cover crazy. Y'all dig it, y'all listen, listen to me. My song is on my Airn Almost Won It. Y'all think DJ Butter, I ain't retired shit. I'm gonna come with I got the heat. I ain't gonna take all the shine from all the under underground artists, but we my my single Certified Killers is one of the songs on the Airmost Won It album, the album. Of course, we dropping a single first off the fucking album, and why wouldn't that be mine? Certified DJ Butter. CX1 DJ's presents certified killer. DJ Butter feature my nigga, my wet side, my west side, ATL, real ATL in it, west side gangster nigga, just gutter. And y'all know who Jess Gutta is, and y'all fell off a fucking mountain or some shit. Jess Gutter, that's Rocco. You don't even know that's Rocco first cousin, nigga. Come on now. You don't even know you don't even know to my nigga Jess Gutter. Eight shit clip. And Jess Gutter um did a song with Punkerfoot too back in the day. Shout out to everybody checking in. Shout out to T Cap, shout out to everybody. We got some more promotion. What else we got? Uh yeah, we got another some more, but more promotion shit. Keep on about the promotion. We gotta start our promotion. Anybody need any of that shit promoted on here on a uh, you know, in the beginning of the show, it's $250. We will promote, we don't give a fuck if you promoting the goddamn lost puppy, nigga. We'll promote that shit. Let's go.

SPEAKER_03 17:37

Uh-huh. Yo, this is DJ Butter Drack. I'm gonna take you back to the old school, old school. My homegirl pumpkin foot, pumpkin foot. Nothing better. Get in the mixtape, mixtape, DJ butter whack.

SPEAKER_10 19:56

Yo, this is a good one. Bring in the baby. Stop playing around. Bring in the base.

SPEAKER_05 20:03

Yeah, CX1 DJs. That's Punk and Foot. We can tell the story. The name of that song ain't Sweetheart either. Alright. That was on a mixtape. And uh Skeletor fucked up because he supposed to pick the DJ Money. DJ Money, don't worry. I do I did want to play that version to let people know that's the original version before we send it to DJ Money. So that version is out there. That without the DJ shit. But don't worry. We're gonna have both versions. You know, I'm an industry nigga. So we're gonna have the regular version, we're gonna have the DJ Money version on the single. So we're gonna still, and we're gonna have the a cappello and the instrumental. So we breaking down the whole DJ service packet. That shit come out the same date my shit come out. July 24th, 2026, on all digital platforms. We can tell a story. That's the name of that shit. It's not sweetheart. I have I want to correct. But it's sweetheart on certain like on the mixtape. Is we just said fuck it, call it with the what call it sweetheart. But then we got with the major niggas, the major niggas like, nah, nigga, this we can tell a story. And plug it pull up the cover looks great. Shout out to T Caps. So we still gonna show money to DJ. Show love to DJ Money. His version will be on there. Right along with all we got we got five versions of it. We got Al Cappello. I'm gonna hold up. Let me count one. Y'all count one in shit. We got Al Cappello. We got DJ Money version. D the DJ version. We're gonna call that the DJ Money version. We got the original version. We got the instrumental. And we got uh yeah, that's we got four versions. We just can't pin out one version, nigga. Yeah. And I'm an executive producer. Yeah. So that was uh shit. I think that's all the promotions we gotta do. Let me see. Anything else we gotta promote? Did you we wanna get back into the raw bash? The raw base shit gonna get kinda kinda is gonna get ill, y'all, y'all. I want y'all to sit back, get some popcorn, and I'm and we are everybody in a good mood and good spirit. And I'm uh I want everybody to sit back and relax and enjoy the fucking ride tonight. And I'm gonna I'll repeat if anybody got something to say in the in the chat, just make sure it got something to do with the uh the thing. Uh what we doing. If it don't have nothing to do with it, then don't put nothing in the chat. That's how we got. But uh but but but you two will kick you out. If you're not putting nothing in there, like how you see how TCAP responds and stuff, if you're not constantly doing it, he would they would block your ass. That's YouTube. They ain't Chad, they ain't me, they ain't skeletor, they ain't nobody. That's YouTube. They want y'all to be busy now. Get busy, y'all. Alrighty, I'm gonna play something else. What else about? Yeah, we uh I ain't gonna play too much music today because we gotta we got a big show today. We here to we hear the 10, though. You know what we could just start at 10. But I gotta get into some uh some other shit, some video. If anybody wants a video played on here, it's $250. We don't do no one thing we don't do on Untold Stories, we don't do no interviews. We will play your song, we'll play your promotion, we'll play your video. No fucking interviews or untold stories. None. But we will play your music. Let's get into T Cap Go Hard. Let's go. CX1 DJs.

SPEAKER_24 23:27

Fucking foot. CX1 DJs. Yeah, hey DJ's make the store, yo start, yeah.

unknown 23:39

Me and my squad know what we don't go on, go on, break up hard and kick up it.

SPEAKER_17 23:58

No more I'm up now I got it, go on, go on, go on, squad.

SPEAKER_07 26:51

I said we go, so hard, I said we go, go, so hard.

SPEAKER_24 26:58

Go, go, so hard. I said we go, go, so hard. Yeah, me and my squad said we go so hard.

SPEAKER_05 27:09

I love the ending. That's why every time, yeah, if y'all watch y'all ever go back and watch the repeat of this shit, yeah. I see me singing that part ending that part. I love that. You did a good job on that core. So we got the remix of that going coming soon. CX1 DJ's unto story. CX1 DJs, we do things different podcasts. I gotta get I'm gonna get ahead of the horse. I gotta do a roll call real quick. DJ Money, where are you? Are you on here? I gotta do a roll call, see if my president is on here. DJ Money, I'm now I know it's a delay. I'm gonna give you a minute. Chad told me to do a roll call, so we looking for DJ Money. If anybody see DJ Money, it's like we looking for him. DJ Money, where are you, nigga?

unknown 27:48

Birthdays was the worst days now we sip champagne when we thirst stays. Birthdays was the worst days now we sip champagne when we thirst. Huh. Birthdays was the worst days. Now we sip champagne when we thirst stays.

SPEAKER_17 28:05

Now we sip champagne when we thirst days. I remember I used to write all day. I had to hustle cause I wasn't getting favors. I stole my album out the box, and now I'm checking money on my watch. Now my songs are downloaded and screaming. And when I leave the bank, bet I'm beamin'. I party in a tower that scrapes the sky. So I can look the birds in the eye. First comes the money, and then comes the hate. And I can deal with hate, but don't fuck with snakes. I got that a lizard lip, reptilian, nigga. A shit talkin' chameleon, nigga. He be hatin' Macavillion, nigga. Watch we keep on packing millions, my nigga.

unknown 28:48

Right. Birthdays was the worst days. Now we sip stamping when we thirst days. Birthdays was the worst days. Now we sip stamp pain when we thirst days. Huh. Birthdays was the worst days. Now we sip stampaign when we thirst days.

SPEAKER_05 29:04

Yeah, when I got a bottle, when I got that bottle with the crap, I got a thirst days.

unknown 29:10

I raise from the slums, better yet a fucking bum. Same ass crazy nigga. Stinny here really, yo, the black. I ain't fight for nothing. But if you fuck with my stack, in fuckin' holes in your neck. Yeah. But a rocket and pumpkin flood. All this money, nigga. Nigga fuckin' look. Give a fuck a bunch of hate nets, nigga. Every day got my finger on the trigger. Any nigga fucking run up on me, nigga get shot in the face. We out here poppin' fucking bottles out. Yeah, nigga, yeah, we fuckin' fuckin' models out. We fuckin' run it. CX1D J's E and E, we fuckin' running. Birthdays was the worst days. Now we sip champagne when we thirst days. Birthdays was the worst days. Now we sip champagne when we thirst days. Huh. Birthdays was the worst days. Now we're gonna Thursdays.

SPEAKER_05 30:21

Shadow. So that's what I'm gonna tell uh DJ Money. So um Skeletor fucked up. I don't know what the hell. You're you're he's fixing that promotion. So your when we play that um uh uh we could tell a story video tomorrow, your version will be in there. So I don't know how the hell Skeletor fucked that up, but uh your version is actually the top version on the thing. So that you know your version is on on the single when we drop it this month. Your version um is gonna be the top version, and then we have all the other versions. So let's get a DJ Money! We can tell a story, sweetheart! However, you want to pin it. But it's we I'm on everybody's hashtag we can tell a story. That's the name of the song. Sweetheart. She's singing sweetheart, but we can tell a story is the name of the single. I be fucking up to. It's sweetheart. We can tell a story about the grow man, pause. Let's get into DJ Money version.

SPEAKER_11 31:24

DJ Money, money, money, money, money, money, money.

SPEAKER_19 31:32

To your customer, baby, you love good. That's why I'm so in love with you.

SPEAKER_25 31:39

Come on, come on.

SPEAKER_19 31:40

You the sweetest thing that I have ever seen. And I will do the same. It's right in the world. Hoping that we never part. We can tell a story about our We can tell a story about other screaming.

SPEAKER_10 33:35

Go ahead. Yo, this is the way it's bringing the base. Stop playing around. Bringing the base.

SPEAKER_11 33:46

Alright. We gotta get used to them. We gotta use to get used to the title. DJ money. Money, money, money, money, money, money, money, money, money, money, money, money, money.

SPEAKER_05 33:58

The name of the song.

SPEAKER_10 34:01

Yo, bitch.

SPEAKER_05 34:02

Money, you still put the wrong name, man. It's we can tell a story. That's the name of the song. Sweetheart ain't the title no more. It's sweetheart. We can tell the story. We can tell the story in the name of the single money. Don't fuck it up. If you try to go download it, you're gonna look for sweetheart. It ain't the name. That ain't the name of the shit. We can tell a story. I don't know. Money. What you want here earlier when I showed you the cover? I ain't about to get no money. I love you, money. I ain't about to I don't want to piss off nobody. I love you, money. You use a sweetheart. I'm using sweetheart too. I gotta tell myself that ain't the name of the song no more. Hashtag we can tell a story. Can somebody do that? DJ for real 800. What the fuck are you? Excuse me, damn personality. Pause. DJ for real. I want him to be quit on my head. DJ real on fucking money. I'm joking. DJ for real 800. I know damn well money in the door. DJ for real 800. You want to hear her? I told DJ for real I'll be bullshit. I'll be playing around, so I don't want nobody getting offended and shit around. Fuck me on this motherfucker. DJ For real 800, wherever you at. I need you to respond. Actually, DJ Pharrell was on a new album. He got a couple of songs on there. Yeah. Yah, yeah, yeah. I don't know what the hell DJ for Real. I don't know what the hell. I ain't gonna call nobody out. Shout out to DJ Forel 800, Houston, Texas, the vice president of CX1Ds. I don't want no smoke today on the Ray Show. Hell no, no smoke. I'm positive. I'm I'm I'm I'm straight and arrow, nigga. I'm straight and arrow. I don't want nobody in mad at me, nigga. Just I want y'all to understand. The new song Punk and Foot, I'ma used to saying sweetheart. I said it. Y'all can say Butter Right, shut the fuck up because you own them all the songs on all the videos you said, sweetheart. That ain't the name of it. Bill Watson, we, we, we, we, we, we did it, we copyrighted, we all trademarked it, we did everything. It's we can tell a story. Alright, y'all get used to that shit. Money, I'm gonna send you that cover. I'm gonna personally text it to you, money, and so you can have a cover. Yes, sir. The new cover up on the we can tell a shit. I can't cover it. You know what? Let me show the cover. We got a 10. 10 wins. Shout out to T Cow, that's my nigga. What nobody say about me or him. That's still my nigga. Here we go.

SPEAKER_03 36:43

I'm gonna take you back to the old school.

SPEAKER_05 36:46

Alright, y'all read that title. We can tell the story. New single. We can tell the story. Alright. Let me pause that shit. Alright, so y'all can y'all can see it. We can tell a story. Executive producer did it. Hold on, hold on, hold on. Let me pause it. It says, hosted by CX1D. You know how I bit? We don't just pit DJ money. We can't do that. Because that ain't how it is over here at this organization. It's hosted by CX1 DJs. DJ Money. C Money and we're giving you props. Ebock all the smoke. All the misunderstandings. We still forget your ass, nigga. Just want to make sure your ass is on there. Look at that. Look at that. Look at how we do all of it. We don't forget niggas. Niggas forget us. We don't forget niggas. And and that's the name of the shit. Look at that. We can tell a story. And I'm gonna say this one, because I don't think y'all caught me last on last Thursday. My investments, let me correct it, is in a bag. So I say push the button on some shit. They're gonna push the button. You just gotta be ready for the ride. And follow all corporate instructions. I just follow the lead. I'm like the nigga that's on a boat. So while we on the boat. That's the new title. I want y'all to get I don't understand. It's new to me, too. I got people over me. I'm a I'm I'm the boss, but I got people. I gotta answer. Yeah. So fuck up with the pan and girl, we can tell look at that nigga reading a book.

SPEAKER_33 38:29

We can't tell the story about them, girl.

SPEAKER_05 38:59

We got the ground. Shut the nigga with the shot. I didn't think I said that. Let's get into the robbers. I don't know what you're doing. Loany will I I gotta do I every now and then I'm gonna get quiet in the chat. I gotta do a goddamn road. Loinia, where are you at? Where are you at? Yo, you posted it. Hey, why do I gotta see your poster? Why are you Loania? We don't want to check. I don't know who the fuck is in here. I'm gonna do it respectfully. Lawani Wilson's gonna want to. Loinia, uh, you know, what did tell me? There's a delay on this shit. So we're gonna play a song and see if Lamani Wilson check in. Cause I'm I got a song that she wants me to play for her. But I, you know, I like playing when they in here. So Lamani, this song is dedicated to you, nigga. Late tonight. DJ, DJ, DJ, DJ, Badawa, Drop it loads for 'em.

SPEAKER_15 40:25

Ladies, gonna do your thing. Not gonna bend it back, but see that belly rang. Right, bring it forward, snipe. Gonna show that G strain. Show 'em making money in this club, just ain't a thing. Make them throw them till, show 'em it ain't free to night. Show it, cause it's all on him because it's late at night. Make them throw them till, show 'em it ain't free tonight. Shall it cause it's all on him because it's late at night. Stress through the club with the sit and chill zone. The nigga starin', cause me and my girls, we in the zone. VIP, yeah, we do that shit every day. Yeah We never stand up alive in hell. Nah, we never pay. Nah. French every night. And my girls, we do we dig. Never throwin' what they throwin' Benjamin. When we leave that club, that sign is saying fabulous. Yo cheering me, make it she wanna do it like this. So Drop it low for them, they just gonna do your thing. Not gonna be the battle, fellas. See that belly rang. Right, bring it full of side. Gonna show that Gang. Show 'em making money in this club, just ain't a tank. Make them sold them till, show 'em it ain't free tonight. Show me colours follow him, because it's late at night. Make 'em sold them till, show them it ain't free tonight. Nah.

SPEAKER_14 41:40

I dipped it lower, then I brought it back up. I'm wiggin' lead, just a little baby baby ball. Everything else I do is gonna come. Cause you fluffin' in this club like you. So get some rolls and start throwin' money out. Then I can show you what this girl is all about. It's late's night, we gonna turn it place out. You got that paper too rowing by the bar.

SPEAKER_15 42:10

Gonna bend it, battle. See that belly rang. Right. Bring it forward, side. Gonna show that G strain. Show 'em making money in this cut that's pain's. Make them sold them till, show 'em it ain't free tonight. Nah. Shall it cause it's all on him because it's late at night. Make 'em show them till, show 'em it ain't free tonight. Nah. Shall it cause all on him because it's late at night. And drop it low or nine, and gon' do a dwig. Now bring it back up, ladies grind, don't they just be. And show em why you in the club, that you the bad bitch. And tell 'em he gon' throw these dollars if you turn these trick. And drop it low or nine, and gon' do a bit. Now bring it back up, ladies grind, don't they just dick. And show em why you in the club that you the bad bitch. And tell 'em he gon' throw these dollars if you turn these trick. Drop it low for him, ladies, gonna do your thing. Now gonna be the battle, bellin'. See that belly rang. Right, bring it for a side. Gonna show that G shame. Show 'em makin' money in this club, just ain't a case. Make 'em throw them till, show 'em it ain't free to night. Nah. Make them throw them till, show 'em it ain't free tonight. Nah.

SPEAKER_17 43:23

It's late as night. Pumpkin footers at the club. We lookin' so tight, and we gettin' all the love. Soon as we step in the door, we headed to the floor. We see the ball is the law, and we hit to it floor. Money goes up. When we get in town, we work that brown, round, we got the spell bound. We get that short of cash, dancing in the spotlight. I thought I told you before, it's lady's night. Not hello.

SPEAKER_15 43:50

Um Lady's gonna do your thing. Only feather battle, belly. See that belly rang. Right, bring it forward, snipe. Only show that Gang. Show me making money. Make them fold them till midnight free to nine.

SPEAKER_05 44:17

CX one DJ's untold stories are raw base. You know we gotta play the underground music. Shout out to DJ Money, the president of CX1 DJs. Um DJ for real for 800. I'm about to say 400. He texted me. He said he's DJ'd in a club. But he checked in. He like, nigga, you know I'm DJing for 4th of July, nigga. But I still checked in because I'm a real nigga. Oh no, I'm a real nigga. He's in Houston, Texas in a club. He said, nigga, I'm on here, but I'm DJing, nigga. You gotta relax. So shout out to DJ for real 800 out there holding down for CX1 DJs in Houston, Texas. And that motherfucker texted me. He said, You gotta relax. He said it in all caps. So I'm gonna shut the fuck up. That nigga said, What you think I'm doing? This 4th of July weekend, I'm DJing, nigga. But shout out to the CX1 DJs. He said, Butter Rock, don't I post all your shit? I said, Yeah. All right then, shut the fuck up. Well, he didn't say shut the fuck up, but he pretty much, you know, somebody could tell you to shut the fuck up. Like money do the DJ money to do that. He like, nigga, shut the fuck up. Without saying shut the fuck up. TCap is a smooth nigga. He like, nigga, listen here. We gotta win together. Lawani said, fuck all these niggas. Look at Lawani.

SPEAKER_33 45:29

You said, fuck these niggas.

SPEAKER_05 45:34

I'll fuck with that. I'm just joking. I'm in the I'm in that mood. Happy Fourth of July to all you niggas. So like I said, Puckinfoot the panty girl came down here with my sister and um chance, and it was a whole bunch of them motherfuckers. I'm like, god damn, all right, yeah, yeah, yeah. You know, you know, I appreciate that. I said, well, why you here, Puckin'foot? Let's get some drops done for the album. And then she got the hell out of Dodge. Shout to everybody that's fucking with CX1D. I'm gonna let y'all know something. I'm gonna say this real quick. We got a lot of shit behind the scenes going on that we ain't talking about. We y'all just gonna see it. We're just gonna release it on the podcast and on Patreon. Oh shit. We have a lot of uncut videos and uncut information on Patreon. So I'm gonna need every fucking body tonight to scan that barcode and be a member is $20 a month. Or you can send a gift of $20. I'm gonna need all you motherfuckers to go ahead and do that. Now I'm not I'm not when I say motherfuckers, I'm gonna say that's that when I say motherfucker, I mean you really ain't a motherfucker. I'm not saying niggas urgency to do that, or and nothing's gonna happen. I'm just gonna think you don't support me. You might say, What's gonna happen? Not a damn thing. Nothing. I ain't gonna disown you. I ain't gonna lie, you just don't fuck with me. I'm gonna say, I'm gonna take it as niggas just don't fuck with a nigga. Because I got all these strangers signing up for the shit that I don't even know. Yo, man, I saw your podcast on Apple Music, I saw your podcast on iTunes, I saw it on Spotify. I just want to support. I don't even know these motherfuckers. But I'm gonna say thank you for all the people I don't know that showing love to the CX1 DJ podcast. And for the people that I do know, yeah, the niggas, you better join. You're making me look, you're making you look crazy. Because I uh I'm hey the plug. Your money don't go to me, it goes to the platform. It goes to promoting underground music. But guess what? We got a lot of people tomorrow. Like some I got so many people that um that chat from our hard media turned me on to. A lot of major major indie that I'm fucking with. And we're gonna promote them tomorrow because we got a big show tomorrow. Get ready for your fucking popcorn. If I'm mad at you, listen, I'm gonna tell you something. The show tomorrow is so big. If I'm mad at you, I'm not even gonna curse your ass out tomorrow. Because everybody's gonna watch that show. I'm gonna tell you something. Shout out to Lil Kim. Lil Kim people was promoting that shit at the show we did on her on the on the low low. Shout out to Lil Kim. That's why you know I decided going forward. If I'm gonna curse a motherfucker out, it's gonna be in code. That's why I ain't, you know, I ain't say nobody's names on Thursday. Cause Lil Kim show got a lot of people behind. Like the people be sleeping on for the we I live stream, no. This is what I'm gonna say. I'm gonna everybody listen to me. I watch veteran niggas that's not paying for views have three people on their live. I mean, motherfuckers, you think will have a million people. I I said, let me go sneak over there and see what they got going on. These motherfuckers had three motherfuckers. Ten minutes later had five million. I said, man, get the fuck out of you paying for that shit. We ain't doing, I don't give a fuck if it's two motherfuckers on here. The get back is what you would niggas come back and watch it later. YouTube already email me, they their views is fucked up. Like it's only saying we got an X amount of people. I know goddamn well this. That's when I asked where money was at. Money was on here. But it showed that money wasn't on here, but money's on here. It showed that TCAP wasn't on here, but TCAP's so we ain't gonna buy none of this shit that's showing up on the on the board. So we're gonna have a good time. Let's get into the raw base shit. Y'all ready for the story? We ready? We just go. Let's get into it. Raw base to DJ Easy Rock. Now, I'm about to get in my back. Yeah, I want y'all to if y'all gotta hold up. I'm gonna play one more song. I want everybody, if you gotta go take a shit, you gotta go get some water, smoke some weed, do some crack, whatever the fuck you gotta do, I'm gonna play one more song, and we're gonna come back to the show. I want everybody get a chance to go do what the fuck you gotta do. Because I gotta take a piss my damn self. So I'm gonna play the song and we're gonna be right back with the story. Y'all get ready. This story is gonna be crazy.

SPEAKER_17 51:24

Google the money, mate, mate, mate.

SPEAKER_05 51:32

Okay. She said, I'm pugging for the penny. Girl, let's Google the goddamn name. Like I said, anybody with their music played over here, just make sure it's $250. You can cash up to CX1 DJ's coalition LLC. Money sign CX1 DJ's collection LLC. We play your shit. Well, it'll be the next day. You gotta do it before the next show. All right. We always play all our sponsor music in the beginning. So you don't gotta before we was gonna play at the end. I said, hell no. Now we got the two hours popping. We're gonna put all that in all our sponsors go first. We want you niggas to get the shit out the way. Some in case you niggas got something to do. Oh, I just want to hear more shit and leave. Okay. You pay $250. You don't gotta stay all night. Pay, you paid your money, your sponsor, your advertisement. It's advertisement. Sponsor, advertisement, what the fuck you want to call it. I don't give a fuck. You could be a commercial, it could be an MP4 commercial. I'm gonna say this to you, everybody. Let me slow down because I want people that's gonna watch this later. If you want to advertise your live video, music video, or your commercial of your business, or whatever you got going on, it could be three minutes. It's $250 for three minutes. Anything over three minutes is another $250. Three minutes max. That's cheaper than the fucking commercial radio. And we get we we are distributed worldwide anywhere you can find podcasts. Anywhere. Apple Podcasts, Apple, Apple Music, Amazon Music, Amazon Podcast. Nigga, I'll be here all day. We're on 900 plus platforms. Anywhere you can find podcasts. Chad from R Hard Media said, just tell these motherfuckers, anywhere you can find podcasts, we are there. So your commercial be here around the world to millions. You might say, Well, I know they're gonna listen to your nigga, they're gonna listen to the podcast, bitch. You tell them your commercial is on the CX1 DJs. We do things different podcasts, or CX1DJs, and also your commercial will be on our website as well, CX1DJspodcast.com, on whatever show that you sponsored, whatever underground, whatever untold stories that you sponsored, it'd be on that show. And it stays forever.

unknown 53:42

And ever, and ever, ever, and ever, ever.

SPEAKER_05 53:46

Unless you be on some bullshit. Damn, I can't hear myself. I think I screamed too loud. And then we'll take your shit out of there. So let's get into the raw base. Let's get into the raw base and DJ Easy Rock. Untold stories. Now we're gonna say RP to both gentlemen. Raw base passed away. DJ Easy Rock passed away in 2014. So what we're gonna say tonight is the hip-hop legends is going too fast. They're going too fast. And um and my my homegirl, and I met Sparky D many a times in New Jersey. My homegirl, Sparky D, legendary Sparky D, passed away yesterday. We will be doing an untold story on Sparky D. Because I met Sparky D with through DJ Ritter Lurking. She's a real queen. She was a real MC. We'll talk about Sparky D later, but we we we're gonna do we we already got that shit finalized with her people, and we're gonna be doing untold stories of Sparky D in a couple of weeks. Um, you know, you know, when we're gonna let the funeral go and, you know, the memorial and all, you know, get all the stuff out of the way. But I'm I'm quite sure um hip-hop is gonna come through for Sparky D. R.P. the RP to hip hop legend, the queen, the one that bit. I was telling everybody about how little Kim pit all the people that was the the the the she put the dress code in force for the sexy back in the 90s. Sparky D brung the battle rap when she was battling Roxhan Sarte, she was battling MC Light, she was battling all the she got in all the asses back in the 80s. So RP to the legend queen, Sparky D. Let's get back to the other hip hop legends, raw bass and DJ Easy Rocks. So let's get let's take y'all back a little bit. See, everybody thinks raw bass is from Harlem. Raw Bass is born in the Bronx. South Bronx, South South Bronx, South Bronx, then moved to Harlem. So untold story. You know, we got all this shit over here. Everybody saying he was from Harlem. Like, no, nigga. And I'm and I'm and like I said, I met Raw Ace three times, but he was born in the Bronx. We don't Wikipedia shit. We got the shit. We got the juice. We OJ over here, motherfucker. So Raw Bass born in the Bronx. He's 59, he just turned 59. 60. One of them. I I get it, I get it together. But I I I do know this. He was hip hop hop royalty. I met Raw Bass in New York, like I said, in Washington Square Park in the late 90s, and then I met him again out here in the South. Well, I met him in Wissersellum with my boy Flip. And um, we performed with Raw Bass. And I'm gonna tell you something, Raw Bass was good energy. Raw Bass showed us love. He could have said, nah, niggas, you can't get on my side. Actually, it was Raw Bass show. I was signing neon records, Columbia Records. I had an album, Gang Activity, out at the time. Rob Bass was doing, it takes two to make a dingo, Jordan. I was like, I got my rack. I'm gonna tell you what I said on stage. And I'm gonna I gotta say it, man, because if we talk, this is raw base, and if Flip was on here, Flip will tell you, I ain't lying. So Flip, my nigga from Harlem, he got Harlem World Auto Cells. But the Harlem nigga. Anybody know me, they know Flip was my nigga. It don't matter what we go do, that's my nigga. And shout out to Flip if you hear that shit. Anyway, so Flip got us in there because Flip knew the nigga. So he like, yeah, man, my nigga's from Harlem. So, you know, DJ Easy Rock, you know, now DJ Easy Rock is from Harlem. So we was in there, and Flip's from Harlem. So Flip got us on stage. I'm not gonna say I got no. I ain't know them niggas. That nigga, the New York nigga knew that, new you knew the New York niggas. So we got on stage. Rob A's doing it takes two, all this shit he got. Rob, I'm gonna we're gonna get into all his catalog tip. So he like, yo, yo, my and flip, like, yo, my boy rap, he got an album out. Flip looked out for me. I ain't gonna lie, I can't not do this show without shouting Flip out from Holland War. You know what I'm saying? And um, he like, all right. So I they gave me the mic. Of course they performed. It was about 200 white people in there. I said, God damn, these niggas came up. You know, white rock bass had the white people. So I did gave me the mic. I remember the rap. I'm gonna listen, listen. I said, my life is bad. Niggas don't laugh. The beat was rolling. DJ Easy Rock put on a break beat. Damn, damn. I forgot, I forgot what the beat was. I said, my life was bad. I roll around with the wrong tags. You got some beef, I lock it down with my blue rag. Your life no better. Same as dirty sweater. You wear the plethora punk, I wear the leather chump. What we do? We hustle all day, smoking on the hay in your motherfucking face. I never said that I wanted to be a gangbanger. The cops know me. My fucking pops diss on me. When them once a child I used to scream, child, please. Now I'm at the party, bitches screaming. Oh, we watch out for the OG. Fucking gangster, real life prankster, motherfucking gangster. Always dream up, go real far, drive a fat car. Bitches know who we are. I don't got shit. Not a pot of pill. Oh man, I was going in. Raw base said, Oh, shit, nigga, go, you young nigga. And I was young back then. I was like 20. The fuck, 24. I was young as a fuck. Raw base, like, yo, go ahead, young nigga, go ahead, nigga. It takes two, nigga. Go ahead. All that it takes two shit went out the window. That nigga, yeah. That nigga doing that gangster shit. Yeah, it was like nine. I was like 24, nigga. I'ma see, hold up. I'ma tell you. I'ma tell you what year it was. Because I was 21 in 95. 22, 25. I was 20 fucking three. Cause it was like 90. 96, some shit like that. When he came with no same 20. Hold on, hold on, hold on, niggas. No, no, no. Fuck it up. 20. I was 98. Something 97 and 98. I forgot what year. But I was rapping that shit. Raw bass and DJ Easy Rock fucking. And of course my nigga Flip was rapping. Man, we had that shit. All the white people was just, eh, eh. Man, shout out to Raw Bass. RP the Raw Base and DJ Easy Rock. Because they didn't have to give me the stage. I was promoting my project. And my energy. One thing I like about white people, they was fucked up and they were like, yo, go, go, go, go. That was hype, man, flip up. Shout out to Flip. I love that nigga. No matter what me and that nigga went through. I'm talking about Flip. That nigga, he did get me on that stage. That was that wasn't done by me. That was done by that nigga Flip from Harlem. We was down south getting that money. So that was my raw base story. I had to get into that story before I start his the other story. So let's get into the raw base story when he first started. So Rob Bass was like young. He like, nigga, you know, I you know, I he was getting into the industry, like, man, I'm gonna let me just go here and uh start. Listen, look, look, you know, looking for some break beats and shit. So he he went and got went to a record store. That's how I started. And got some break beats. He brought me back to the to the crib. DJ Easy Rock was working on some shit. And then they they came up with It Takes Two. He went to a record store, they was getting jacket for beats, and then he got the beat, and then they made It Takes Two. And then they started promoting it. And um they started promoting it, but DJ Ritter Lurk was that was that nigga, man. You know what I'm saying? Reddler, you know, Harlem and shit. So, you know, from the Bronx, but Harlem, same shit. You know, them niggas back in the day, Harlem and the Bronx wasn't beeping, it was more like, you know, who was fresh and who was, you know, who was hip hop. So Reddalurk pretty much took on as the as the AR of the project. And uh uh Profile Records pretty much eventually signed Raw Base and DJ Easy Rock to the to the record deal. But before they got to Profile Records, it was a couple other independent labels they was fucking with. Red Alurk pretty much was the co-signed. You can't see, I can't never get into any old school shit without mentioning, and I met Redalurk a thousand times, more than a thousand times. Once his birthday parties, all that shit in Jersey in New York. You can't not say anything about the old school hip-hop without mentioning DJ Reddalurk. I don't give a fuck what platform. I'm from New Jersey. So that era of hot 97, Kiss FM, WBLS, it was no fucking hot 97 back in the 80s. It was WBLS and 98.7 Kiss FM. DJ Ritter Lurk was on 98.7 Kiss FM for my real up north niggas from Jersey and New York. You know that. So Red Alurk, when I first, me being a hip hop head, I when I first heard It Takes Two was on DJ Ritter Lurk Mick Show. And I'm like, ah, that's all right. When I first heard that, that's dope. That's dope. But as I you know, I'll getting prepared to do this show. I did my history on raw bass, even though I performed with him and I knew the music, raw bass had a uh the upbringing that he had in the music industry was not really about fucking money. All raw bass wanted to do is make people party. So unfortunately, when people see that you're not about the money, you about you so unfortunately, if you're about, and I love raw bass, but we're gonna get into it. I can't do an untold story and give you niggas education on his music industry shit without fucking getting into it. So we're gonna get into it. For me to acknowledge you and what the hell Robes did wrong, what DJ Easy Rock did wrong, and all the people that they trusted in the music industry, this show will clarify his death, did him dying, you know, his legacy would never go in vain. Cause people like me, DJ Butter Rock, and I was a rapper in the DJ when I met him, but I was performing, I was more promoting my music, rapping shit. Now I'm performing I'm performing and promoting my I'm still doing the same shit, rapping in DJing, like I was doing then. Yeah, I'm I ain't thinking really nothing changed about me. You know how you know I'll tell you every show I gotta wrap my career with another nigga career. So shameless plug. I'm still doing the same shit I was doing then, now damn, nothing changed but the address. All right, so back to raw bass. So he didn't give a fuck about the money. Easy rock, like, yo, man, we got you know, we got these bills to pay. He like, nah, man, fuck that money gonna come. Raw bass, like, yo, it's about the love of the music and the hip hop and the bitches, they was more about fucking bitches and making, you know, being famous back in the 80s. CX1 DJ's untold stories of raw bass and DJ Easy Rock. So when you get around voters, you ever say, hey man, I ain't doing, I'm just doing this for the love of hip-hop. You know niggas is listening to that, right? You know the the people that is doing it for the paycheck is hearing that you really don't want no money. And and and everybody knows I'm a I'm a hood journalist, so we got people, we got PRs, we got a team. It took me, hey, he passed away in May, we doing it now, so you know I it took me a good month to get this together. So I want to say this. I love Raw Bass. He inspired me to be a better DJ. I love DJ Easy Rock because I saw DJ Easy Rock DJ when it was thousands of people in the club. I watch him on MTV, uh Rap City, all this shit, man. Um, um, um all the all the award shows that they they they that the God blessed them to be on. But when you think about it, they traveled the world overseas. They did all the major award shows. They won all the awards. They songs went multi platinum. It takes two is still one of the hottest parts. Songs in the world. You can't not start an old school or new school party and you put on it's two. I know people that's two years old, three years old dancing to that record. So as I do this untold stories, we cannot take the legacy from Raw Bass or DJ Easy Rock. DJ Easy Rock produced a record. Raw Bass went and found the sample. So he's an executive producer on that track. But so what I'm not gonna do tonight, I'm not gonna not gonna talk about the elephant in the room. So Raw Bass met the people from Profile Records. And uh he got he got his deal. But Profile knew the danger into sampling without clearing the record. You think Profile, any any of them record execs and ARs told DJ Easy Rock or Rob Bass about using samples? So the Frankly Billy May song, Jordan and Pain. That song, they Frank Franklin Franklin Belly and Mays, shit, you know I got speaking problems. They sued them for three million dollars when that that song came out. So that song was their high gross record right along with it takes two. That was their backup record. Joy and Pain. That was their backup record. The one that they sample, frankly, Belly and Mays, without their fucking permission. Profile records had to pay the three million dollar lawsuit. Actually, it was more than three million dollars. They gave them three million dollars and also three points on each record sale. So they had to pay him three million. Actually, let me let me I have the notes here. Let me let me really tell you what happened because you can't Google this shit. Shout out to Julius Simpson, chair for RI Media. They actually have 50% ownership of the record and also three points of the ending after after the 50%, and also they had to pay out a $3 million lawsuit for copyright infringement for that Frankly Beverly and Mays sample when the young man was singing his singing the part of the song that they did not clear. So understand this. This is the first album, because that song is on that first album. So they made millions of dollars, but at the end of the day, they got in debt when they got sued for the samples they didn't clear. The Profile Records knew the set wasn't clear when they released it. So when they they don't just sue Profile Records, they're gonna sue the artists. They're gonna sue, this is how I work in the industry. I'm gonna let you niggas know that because you niggas don't know nothing. When they sue the artists, the artists don't have two or three million dollars to pay the estate of the other artists or the other record company that's suing them. Nine out of ten, frankly, Belly and Mays did not own that song. So it was the other record label suing the other record label. And all these record labels, come with me, motherfuckers. Come here, come here, work together. So you think none of the record owner record companies back in that day, they all together, motherfucker. Now you like they together now. So hi, yeah, yeah, yeah, yeah, yeah. We're gonna sue for that, but they gonna still get their back end. Because guess what? Guess who recruited that? Guess who bill that going? That go on raw base and DJ Easy Rock Bill. So that's they gotta recruit, they gotta pay back three million on top of the advance they gave them. So then guess what? They was in fucking debt. And then we all don't know. I don't got the contract, I could get the contract that raw base signed because we big, we big time over here now. I got one of the biggest PRs, and I'm I'm I'm affiliate with another PR firm that deal with nothing but this kind of shit. So I could get the contract, that visual contract that he's that he signed with Profile Records. That be on part two. Who ain't on here for two hours? But I will tell you, I will tell y'all this on CX1D's Untold Stories of Raw Based DJ Easy Rock. They was in debt after the lawsuit. So likes Karen Action, you know, you have to work harder when you owe the record company almost $4 million, and then you got to pay out 50% of your royalties to a whole nother artist that you don't you was paying homage to. But reality, when you go out and you you record somebody's record that you uh uh a chorus, or you take the melody, or you take the hook of some shit you don't own and you blow the fuck up. Unfortunately, ladies and gentlemen, raw bass and DJ Easy Rock, both of these gentlemen is passed away, but they will tell you that's the wrong thing to do. And raw bass and DJ Easy Rock said, Hey, we would just we're just we're just doing it for the love of the music. Let the shit go. No, Franklin Belly and May Snow said, no, hell no, give me my goddamn money.

SPEAKER_33 1:11:09

You said Jordan and Pain, Sunshine and Rain.

SPEAKER_05 1:11:18

They said, give me my goddamn money. Fuck all that love shit. Franklin Belly and May, Franklin Belly and Belly of I don't know what the fuck. Billy and Mays took all the money. Y'all know who the fuck I'm talking about. Franklin Belly and Maze, baby and maze. I don't know fucking know shit. I never could say that name. Even when I was little. Franklin Belly, my mother said, turn on Franklin Belly and Mays. Frankly Belly and Lay's chips. RP to that nigga. I think one of them niggas died too. Shit. Y'all gonna steal money from our nigga Rob Bass and DJ Easy Rap? They were just trying to do music at young people. And them old, you know, Franklin Belly and Mays is old Judy, old G's and shit. They know the game. Yeah, them new rap, them rapper snappers stole my shit. I'm gonna sue these motherfuckers. Soon as the niggas made big, they got their ass. Give me my money. RP the raw base and DJ to rock. And I'm not trying to be funny. I'm just just I want y'all to I want y'all, I want all my young people to pay attention when you out here trying to write write a hit. That's why we are we are we are we are we'll change names, titles, we get clearances. We don't be playing that shit over here at CX1 DJs, nigga. You crazy as that, you crazy as a motherfucker, nigga. We sample some shit, we're gonna get it clear. I ain't about to pay nobody shit. And I damn sure ain't doing it for the love of music. I'm doing this for the love of music, money, shit, every damn day. So let's get back to let's get back to the elephant in the room. So, so if y'all, I want y'all to do me a favor. Go, you you don't gotta go. I'm gonna play the videos tonight. You look at raw bass, you can see the energy in his face back then in the 80s when he was being when he was going through that shit with the record companies. When he you gotta understand, they waited for the record to blow up. They didn't go after the fucking raw bass and DJ Easy Rock when uh the the the the the the the the two the two records. I think that now they ain't get super, it takes two. They got but that was a sample too. I gotta look into that one. I ain't hear nothing. That more there was more on that Franklin Belly and Mage because that guy was actually singing that fucking hook. I'm like, nigga, you can make up something that sounds like it. You're gonna you sing the same goddamn hook, nigga. I said, y'all niggas gotta be more educated. Who the fuck was y'all lawyers? And I love Rob Basad D, but I'll be I'm doing untold stories. I'm gonna celebrate him, but uh when I celebrate a person dead or alive, I still go for my audience to get it gotta understand what not to fucking do. Because don't, you know, no one told them earlier, but you know, I'm gonna, and they try to bury the industry try to bury that on the rug like these young men and get sued for them samples. I mean sued a lot. I'm gonna talk about early in their goddamn career. They ain't wait till the 2009-9 to 2000. They sued their ass six months after the shit was booming on the radio. And the the the the the went number one and fucking number two on billboard and platinum plaques, that's that's usually when the motherfucker is gonna try to sue you, they're gonna wait for you to bubble, then they're gonna come after you. So and and then when you have a young raw bass and a young DJ Easy Rock at the time, they're like, man, this was this what this music shit is. And then the quality of the music goes down. When you could tell when a motherfucker don't got it no more. When I mean I don't got it, don't got the don't got the uh the drive to do it. Like, goddamn, nobody can tell me. Now, I I'm kind of offended and kind of pissed off with DJ Red Alurk. What the hell DJ Riddleurk do to you, nigga? That nigga know the business ain't nigga. You sample, Red Alurk was sampling, goddamn uh Molly Maul was sampling all these niggas, DJ Molly Maul, you know, the juice screw nigga, all these niggas was cool with raw base. How the fuck y'all can say nigga? You need to get that Franklin Bellin and Maze, Franklin Bellin, whatever the fuck them niggas name, you gotta get that sample cleared. So we're gonna talk about friends. What time niggas have them friends? The one we can't depend on, friends. Because if you're my friend and you in the industry and you don't tell me, hey man, you need to get this entertainment lawyer, you need y'all need to go, you know, contact the Harry Fox agency, y'all need to clear this shit before y'all blow up. Nah, nigga. I'm gonna tell you what Raw Base said. An RP to my brother. He said, I ain't think that shit was gonna go nowhere. Did y'all hear what I said? DJ Easy Rock and Raw Base ain't think the shit was gonna go nowhere besides the kitchen table, nigga. Man, we just doing this shit with the hood. No, nigga. You don't know what God's gonna bless you. So you need to cover your track in the ass and everything because you don't know when you're gonna take off. When I have a court music, I don't give a fuck where I'm at. I could be in a warehouse, I could be in my car, I could be on my iPhone, I could be whatever. I'm always gonna think this shit's gonna blow up. Ladies and gentlemen, and what I'm gonna say this to all you artists what's old to you is new to the next motherfucker. And cover your ass, cover your titties, and be with niggas that's educated. Like I'm around a bunch of entertainment lawyers, a bunch of lawyers, a bunch of business people. You don't gotta be into hip hop to be business. You just gotta be business-minded and no business to make it in this business, motherfucker. And raw bass and DJ Easy Rock was around a bunch of business people, and I just don't understand how the fuck that nigga said it don't hurt to listen to Reddalurk, take up your shirt, and then just get it down. I let the girls, the guys, the girls on your fuck is the raw bass world. That nigga told you it don't hurt to listen to Reddalurk. DJ Reddalurk, nigga, on the radio. That's what he was saying. Some from New Jersey. So you down something like, what the fuck are you talking about? It don't hurt to listen to DJ Reddalurk on the radio. Because they was at that time, they was beefing with DJ Molly Maul. Kiss F Fam was beefing with WBLS. So people was listening to Molly Maul and Mr. Magic, and he was telling y'all nigga, it don't hurt to listen to Red Alert, nigga. That's some up north shit. You can't downsop nigga to understand that. It's a history. A nigga from New Jersey and New York gotta tell you the history of that shit. Like the two radio stations was like blood and grip. And they was really on that shit. So red alert, it don't hurt to tell Rob Base and Easy Rock they need to get the Samuel Clare, nigga. And you still live in DJ, Red Alert. Damn, I know. Red Alert probably died. Damn, I should have told them niggas. $4 million. They sued them. It started $3 million. I'm quite sure now they paid them way over, way over $10 million now from that damn Jordan Payne record. Shit. I don't know how. Ladies and gentlemen, get your shit cleared and make sure it's cleared. So Raw Base with the with the first album, you know, profile records blew up. They was performing uh, you know, after that shit when they went triple platinum. We talk about the 80s, we we talk about like 80, 80s, the the the It Takes Two came out in 80 in 1986. The album came out in '87. The whole 80s, raw bass was on fire. But then you have the hip-hop critics. That nigga can't rap. Raw bass said, I might can't, I might not sound like y'all niggas, but I was rocking parties. Everywhere he went, he was rocking a party. Raw Bass, he he laid the foundation down for Big Daddy King and everybody else that came after him. Rob Bass was on the scene. Big Daddy King was writing for niggas, but far as majorly, Big Daddy King was not on the scene yet. I gotta bring up Kang because King came in right after Raw Bass. Kane came came first album, Long Live the King, dropped 1988. Raw Bass's first album, first single came, It Take Two was 96. I'm not 86. The uh album dropped in 87. Then Big Daddy King came out in 1988. So if you notice, if you go watch Kane, Scoop and Scrap, Lover and all of them, they was copying Rob Bass and his dances. If you don't know no better, you're like, hold on, is Raw Bass copying Scoop and Scrap? No, nigga. They was copying Raw Bass had dances first. And if you look at Big Daddy King, go back and look at it. Raw Bass is dancing with his dances. Then you go back and see Big Daddy King dancing with his dancers. Everybody, most of them old school niggas copy raw bass at DJ Easy Rock flavor. Which I we call that biting. But we back in them days, it's okay if you could come and you Warner Brothers, because he they were signed to uh one label and the other nigga was signed to the other. So you have Warner Brothers say, Hey man, you need to copy what Rob's doing. That's what the labels was doing. They're doing that shit now. They still doing it now, but it's it was it was it was back then you could get punched in the fucking face if we see you biting off us back in the 80s. That could start, that could start, you could get your ass whooped in the tunnel or Latin quarters or Union Square if they had caught up with like nigga, you a biter. It was not cool to be a buyer back in the 80s. But what we're not gonna do tonight is not give Raw Bass and DJ Easy Rock their flowers. It wasn't for them, hip-hop would not be where it's at right now. I watch commercials with It Takes Two. I watch a lot of uh um reality shows, a lot of uh Martin had them on there. You could your movies had it, Bernie Mac had it. A lot of people use that it takes two shit. Because honestly, it dude, and that was a sample too. But I don't I didn't hear nothing about them getting sued for that. I think they cleared that. I don't know what the fuck, but or the people that made it didn't give a fuck. But frankly, Bailey and Mays, Bailey, uh Bailey, or what the fuck, they made sure they um they uh got their bread. And they should. When you wait in work and you done you didn't you didn't combine and you didn't call me, you and say, hey man, can I use your shit? And you just come out like somebody using my crew. We soon now ain't gonna lie, nobody try to steal in our music shit. We coming out your answers. Please steal a song, please, nigga. I can't wait. Some shit that we got already. Oh no, nigga, I don't give a fuck if it's not released. Please steal it, nigga. That's the most easiest lawsuit ever, nigga. Best believe when my shit is together. Please steal a song, please, motherfucker. I'll be listening every day on the radio. Like, is that something like my shit? Punk and foot shit. Damn it. It sounds a little bit close to it, but it ain't it. I'll be waiting, I'll be waiting to hear somebody still my. So I'm not mad of the other entity that sue them. I'm just I'm just mad about the friends around them that didn't tell them that this shit is someone else's shit, and you gotta go and get it approved. So let's get into another part of the untold stories. So as as you come up the ranks, I'm gonna give you guys some education. As you come up the ranks as friends, everybody don't agree on everything. Like Raw Base didn't agree with everything. DJ Easy Rock did. You're like, hey man, we need to present this shit this way, that way. You need to scratch like this, scratch like this. And a lot of shit went wrong with DJ Easy Rock and Raw Bass. CX1 DJ's unto stories of raw base and DJ Easy Rock. Like a lot of the production raw base wasn't liking. And um, unfortunately, we're gonna talk about tonight. Like, you you could disagree that you could agree to disagree. Like Raw Base didn't like the liked some of the production that Easy Rock was coming in. And Raw Base blamed Easy Rock for being sued. CX1 DJ's untold stories of raw base and DJ Easy Rock. I'm gonna tell you some shit that you can't Google, motherfucker. Only only you want to hear it here first. DJ Easy Rock told Raw Bass, you're not a producer. And RP to both of these brothers, but we here to tell a story. It's an untold story. You can't get this shit nowhere but here. Because we the shit. He told him, listen, raw base, he's a you're not a producer, let me do my thing. And um, you know, we was all young. This is this is after they got sued. Uh, two, three years afterwards, according to my uh sources. It's no allegedly either. You know, you know, let me do my thing. You a rapper, focus on the lyrics, focus on getting. He told DJ Easy Rock told Rob Bass, focus on getting your lyrics tight. Don't worry about what I do to beat. And I'm not gonna say they fell out, but we when you you have two grown men like you disagreeing on some shit, and you know, you know, it ain't fall out, but then you start seeing interviews, and then you see Rob Bass taking, he was more further center, and easy rock was playing the back. And you have some of the people that was interviewing them, like uh Rob A said, Yeah, I'm the best out here. I'm doing my thing, it's about me. I'm only worried about me. And is uh, you know, you know, we you know, I ain't worried about what the other people do. I'm just worried about what I'm doing. And you know, because I'm nice at what I do. He's like, well, the other purpose that was interviewing Rob's like, well, yeah, easy rock nice too. He's like, Yeah, yeah, he I guess he's nice. Like, what the fuck? We're talking about the 80s nigga. Like you could tell niggas had tension because that nigga, like, yeah, he yeah, he's cool too, yeah. Hey, that's how the shit went. Like everybody ain't cool. Like, it's always some smoke behind the door. Like when that money comes and uh something goes wrong, you gotta have somebody to blame. And unfortunately, Raw base did look at Easerock like, yo, motherfucker, you ain't know we had to do this. But I'm not gonna say he blamed them for the lawsuit thing. But you know, if you're the producer in the DJ, it's your job to make sure either you make original, original shit, or you better be with somebody that's that know how to do it and get it cleared. But see, back in them days, niggas was rapping on break beats, but you did have super producers like uh shit. Q Tip was a producer, you had law professor, you had a lot of producers. Molly Maul was one of the best producers, but Molly Maul sampled a lot of shit. But Molly Maul got all the samples cleared with Warner Brothers. So I it's no excuse why DJ Easy Rock didn't get none of that shit cleared. CX1 DJ's untold stories of Raw Base and DJ Easy Rock. Yo, butter, right, you too hard on two dead niggas. No, I'm not. Fuck you niggas that say that. I'm giving flowers, but I'm telling a story because I got people around the world that watch me. I'm not here to kiss ass. I'm here to talk shit and give class to the legends of hip hop. And legends of hip hop, dead or alive, still make fucking mistakes. And it's you to listen to this story. I don't give a fuck if there's two motherfuckers on here. If I reach one motherfucker and they listen to me, they won't make the mistakes that other people in the past in this music industry, old or new, made. Make sure my mic is on. Take that, take that. So I went here. Nobody say, Oh, you you you going after you going after the dead. Nigga, RP the raw bass, I love them. I met that brother, RP the DJ's a rock. I love that brother. They showed me number love on stage when I was a young DJ Butter Rock Pomo my gangster shit. They was on it takes two. I was on something. My life is bad. I'm rolling around with the wrong tags. You got some beef, I lock it down with my blue rag. Your life no better. Same ass dirty sweater. You wear the pleather punk, nigga. I wear the leather punk. I was on some gangster shit. Them niggas was on it takes two to make a thing go right. So I'm not gonna say nothing bad about raw base. Because they're gonna say, man, get your little young bitch ass off my stage, nigga. They gave me the stage to represent in front of all them 3,000 or 300. It was a lot of white people in there. I know it's more than 200. And that's a real true story. We don't lie out here, untold stories. And that nigga flip, wherever he at, he'll tell you that shit real. Flip was doing his New York shit. All that shit he was doing. I was on, I was on some gangster rap shit. You can tell me shit. I was young, sexy, young and sexy. And all the white bitches like that night we took raw bass crowd. I ain't gonna lie. We like you know about it. I can't ever, I will never forget that moment. I said, yo, flip, we got these motherfucking white people screaming. One white bitch like I was rapping some gays. I said, damn. Yeah, it was 1997. I remember. Shout to Flip from Harlem World. That nigga from Harlem, my nigga. He the one that got me in there. Like I said, that's a story I gotta keep remembering because that's the best story I had with Raw Bass and DJ Easy Rock. They gave us the floor. He had to give me, he said, young nigga, you rap. He didn't even say nigga. He said, I yo, young bro. I forgot what the fuck he said. It was 90s. Shit, that was like 30 years ago. I know he gave me the mic. Raw base gave me the mic and DJ Rock, DJ Easy Rock played a beat. He was scratching that shit, man. Flip. I won't ever forget it. RP the Raw Bass of DJ Easy Rock. But I tell you what, I don't forget. I remember all them bitches screaming. I won't never forget that. You will never forget, you will never forget when the crowd screamed. It was like high-end white people. Downtown Winston Salem, North Carolina. I will never forget it. I said, who the fuck? What the fuck Raw Base doing in Winston? I was like, what the fuck? Who booked him out here? Because it's like a lot of white people downtown Winston Salem. I'm like, who the fuck booked Raw Base to come down this way? We're talking 1997. We're not talking about now. We're talking about 97. They booked this ass. We was in some like uh it was some white people shit. That's all y'all need to know. And then we we had that shit jumping. CX1 DJ's untold story at Raw Base and DJ's E Rock, easy rock. All I'm gonna say, all right. So after this, let's get back to the story. Because I'm telling stories over here. This is a story. We not gonna tell you shit you know. That's if I do that, I'll I will stop untold stories. So, like I said, back in the 80s, you know, we talking about 80s, we ain't even the 90s yet. You know, they had that little furious, like, all right, I they went on tour, they went on the Jack the Rapport tour. Um, easy that was tearing down the shows. It's like, all right, man, shit, man, we when we gonna get paid. And um that's when they uh told them that the other label were Franklin Belly and Franklin Belly and Mays. I'm fucking that name up, y'all know who I'm talking about. They uh they they had to pay the money for them. They had to pay out the the money, they had to recruit the money from the lawsuit and all the other shit. And they was left with whatever they was left with. I don't know that. Oh, I do know the number, I ain't gonna say that with it. Put like this, all that hard work is still you when you're getting sued, you gotta eventually, you can't say you don't got it if you on tour making it. And then that makes it shit not fun no more. If you gotta go to work to pay how who what motherfucker on here wanna go to work and have to pay all their money out? How fun is that shit? Niggas fall back one day. If you gotta go to work every day and you gotta pay your money out on a lawsuit, like every day, every every time you get paid, a percentage of that gotta go to another motherfucker that all they did was write a song. But then you think about it. I can't call Franklin Billy and Maze a motherfucker because they did their job right. When they were when they was home smoking that shit or doing cocaine, whatever. Remember, shut up. Allegedly. Remember doing allegedly, and we were gonna sue them motherfuckers down. They said we was doing cocaine when he wrote that jordan and paint. I said allegedly, I don't know what the fuck you niggas was doing back then. Ain't suing me, nigga. You ain't gonna get shit. I don't got it. I'm on Satasha K shit. I don't got it. The niggas about, yeah, we sue Rob Base and DG, right? They're gonna go out to CX one. They know you ain't nothing. You ain't gonna get shit. We ain't even monetized, motherfucker. You gonna get your heart, you're gonna get your feelings hurt, frankly, belly, and goddamn ace. So let me shut up. I don't know what the fuck they was doing when they wrote that song. But they wrote it, they got it published, they was at it, you know, they got it, you know, the label pitted out, they made money, and then he got some young ripper snappers start hip hopping and popping, and then they remix that shit and make another fucking almost a billion dollars of the shit. Hold on, nigga. How the fuck they go take my hip record and make another hip record and try to keep all the goddamn money. We suing. And that's what Franklin Bell made. Frankly Belly, Beverly, and Mays did to Raw Bass and DJ Z Rock. So if I don't if y'all don't learn nothing from this story, don't let your legacy end in fucking court. And then when you pass away, you still gotta have money, shit for your kiss. Like, they still got money, but some of their biggest hits ended in lawsuits. I just got a text from my PR. They did sue, but it takes two, too. Because that was a sample and it takes two. So they sued for two records. Two of the biggest records, they had a lawsuit on it. It takes two and join pain. God damn it, raw based on these. Two of their biggest records had lawsuits tied to them. My PR just texts me, yeah, don't forget. It takes two, they sue for that sample in that record, too. It takes two to make a ding God, right? That's a you know, nigga, that's an old school record. It takes two to make an out of sign. It takes two to make a ding. Nigga, that's a sample, nigga. God damn raw ace. God damn it. RP the raw pace, DJ He's a rock. Shit. What else I could say? Nigga, we gonna we give him flowers. All I'm gonna tell y'all right now is don't steal nobody's shit. And if you're gonna take it, and don't give a fuck if you goddamn Michael Jackson, he's dead too. And Michael steals some shit, they're gonna sue Michael. I don't give a fuck how great, how nice of a guy you are. I ain't holding, stop it, nigga. Stop it. They ain't still shit. These young brothers they know the game. They didn't know, they didn't have people around them that say, hey, you gotta get that shit cleared. I told you my raw base story. I have another story to tell. CX1 DJ's untold stories of raw base. Are you ready for it? Let me get a sip of my water. I got stories out to ask. How can we give me five hours? The water tastes so good. Okay, so keep in mind it was tension with raw base and DJ Easy Rock. Like I said, Raw Base told me, hey man, you make some on beats. And Easy Rock said, Hey, make some on raps. Like, nigga, what the nigga, how you gonna get on my beach? Get your rap shit tight. Nigga, we got rock him coming in. You got beat daddy cane, nigga. You what the hell? I don't want to rock right now. No, nigga, get your raps tight. You know, that's what Easy Rock said to this nigga. I got, you know, I got people that was with these niggas on tour in the studio. I got, no, we got the plug, we the shit over here. That's CX1 DJs. Yeah, you know, it was said, you know, it was no, it was no, it was said. Niggas was in the studio with them, and we got to, we got to, we got the 411. No, allegedly. And he like, yo, I well, most people, I said to my artist, punk and get your shit together. You got this new bitch on scene. She, you know, I'll be you know how we talk as managers and DJs. I'm a DJ manager and a rapper and a songwriter. So we we we in the studio with our artists now, motherfucker, get your shit tight. We got all these other motherfuckers tight into you. And here they go, you get your shit tight by the rap nigga, man. When the motherfucker talking to you, they talking to you. Why begging like we talking to you? You know what I'm saying? But anyway, Rob uh uh Rob Ace said that to easy, and easy said back to that nigga, get your raps right. So right it was told to me. Rob Ace didn't like that. Like, nigga, what the fuck? I'm Rob me, nigga. I'm Rob, last man bass, yes. And that nigga, you know, he feels some kind of way. He like, all right, nigga. So he kind of fell back from easy. Now they were still brothers. Now get it, keep keep, don't get it twisted. I ain't saying they fell out like they ain't talking. No, they they they you know, you know, a nigga, you know, you know, back then nigga, you know, get punched in the face and they feel like you know, they're young. So um they fell back just a just a little bit. And with some shows booked, and easy rock wasn't with raw base, CX1 DJs, untold stories of raw base and DJ. Like, well, hold on, nigga, how the fuck are you out here and Rob and Easy Rock ain't with you? Either, I don't know though, I don't I ain't gonna make up no shit because we don't make up nothing over here. I don't know if Easy wanted to go or Easy had other other shit going on, but I know Easy was a lot of at a lot of his shows. Like the Jack the Rapper, Easy Rock was not on all of them shows. He was on some of them. The Budweiser Superfests, easy was on some of them, and he wasn't on some of them. Shout out to Bill Watson with that information. So, you know, you you you I mean, you I I I I feel uh, you know, when you come in this game, you gotta be ready for anything that comes with this shit. You just can't come in the game and not understand that you might get sued, a motherfucker might make a lie on you, or somebody might come in fresher than you, or doper than you, or your time ran out, or you don't have no more raps, or you don't know how you don't got no more scratches. I hit a nigga that DJ as a corny nigga that got the same scratch. Nigga, you said that shit eight weeks ago. Change your scratch it up, nigga. Like I vent with the times, nigga. I like I ain't gonna do the same shit. I'm gonna blend, I'm gonna do, I like damn butter, you got the same shit. All right, nigga, we're gonna change it up. Don't worry. So pretty much um more, more you, you know, in this music industry, even now, you got more artists coming through. So you know, raw base came on the scene '96, '97, you had more people like Rock Him coming, you had Big Daddy King coming, you had a Coogee Rap coming, you had all this shit, and then you had the 90s coming. Then you had the Wu-Tane, you had the goddamn Biggies, you had all the other motherfuckers right on your ass, son. So if you don't change with the time, guess what happened? The charm, the time will change with you. And then you just have to perform all your old hits, like some of these old school niggas is doing. One thing I'm gonna give Dougie Fresh, Dougie Fresh changed with the times, but he still performs his timeless music. One thing I say about LOQJ is another one. But but a lot of these, like Beat Daddy King and Slick, a lot of these old school niggas don't change it, but it's a look I tell a person, you don't sometimes you don't gotta change it the time. You just gotta stay in your time and just capitalize on the era that you was in. And so always somebody in that era don't want to listen to that shit from that era. But we talk about the era they was in. They was beeping about the shit they was in. We're not talking about in the 90s or the 2000s, raw basic DG EZ Rock was having disagreement on the shit in the 80s. So let's talk about it. So 1988, they came out on another album, and it didn't do shit. It ain't I don't even think it went gold. And that's when um profile dropped them. And then there was ON. A couple of features here, a couple of features there. Then you had the tours, and you had the greatest hits, and you had where my friends at? Where's Red Alurk? Where's this nigga? Where's that nigga that was in my video? Where's Bizmarkey? And one thing I give about Bizmarkey, when they dropped him off uh when profile dropped raw base and DJ Easy Rock, Biz always looked out for raw base and DJ Easy Rock. And Biz had a constant Bizmarkey bringing them on. Shout out to Bizmarkey, RP to him too. I ain't hear nothing bad about Bizmarkey. We still getting that approved from the untold story of Bizmarkey. I don't know what his people are waiting on over there. We trying to, we trying to do the story on Biz. So at least I know that shit is we what we do is legit. We ain't get the clearance on Biz yet. It's because I've been with a dead Bizmark. I had so much good shit about Biz. But so Biz Markey looked out for Raw Bass. There's a couple other niggas looked out for raw bass. Um uh Redalurk did um, but one thing about it, when you lose a I hate to say this. When you lose a rec a major record deal, no other label wanna fuck with you. Or you flop. I don't want to say lose. If your album don't sell, they'll phase you the fuck out. What I mean by that, you if you say you signed for five years or ten years, back then in them days like 10 years. They don't I wanna say they got rid of them, they just put them on the shelf. You're not the parody no more. So I won't say profile dropped them, but if you you're not the priority, you're not the one they're gonna put their money and effort and what you call that. Nigga, you drop really. If you're not, if you don't, you're not pitting up the numbers on a board, you pretty much ain't the catch me out, nigga. You're not. That's any business. That's the t-shirt business, that's the market and promotion business, that's the uh sales business. Like we hello, we on sales over here. If you're not putting no money on the board, you're not making any money, you're not going no fucking wear with that business. So why the fuck should we focus on you? It's all about the dollars and cents at the end of the day. So raw base and DJ Easy Rock career was put on the shelf to burn out the rest of the years they had in their contract. CX1 DJs, untold stories of raw base and DJ Easy Rock. You gotta constantly put numbers on the fucking board. And I don't want Raw Bass, RP the Raw Bass. I love you, brother, and I love you, DJ. You had two pioneers blaming each other, blaming each, blaming themselves why they don't have numbers on the board. You have these two talented brothers, DJ Easy Rock, Raw Bass blaming themselves, like, yo, it's because of you. No, niggas, yo, it's just cause of you.

SPEAKER_32 1:41:51

And it's really life.

SPEAKER_05 1:41:56

Like back in them days, a lot of MCs like Raw Bass did not want to get writers. And a lot of DJs damn sure they want another DJ to come and take their shit. It's more like it is now niggas get writers, niggas get another deal. Like, I get another DJ like this, nigga. Hey, uh, what you need, nigga? All right, well, it's like cocaine, nigga. We get back then when you loyal to a motherfucker, like it's a sound they was looking for. But you this will I tell you, you ever heard that one hit one there? Raw base had one album that was the shit, that first album. I got the album. And one thing, if you notice this shit, you could a lot of you niggas like to Google anytime we do untold story. You they only promote Joy and Payne, and it takes two. This nigga had a whole album that was dope. They ain't promote none of that shit off the album. Profile, they promote, they ain't promote nothing off the shit. They labeled and promote nothing but two records off that album. Maybe three. Because I saw another song that was, but then the third one was just a video that dropped that. That's that actually that's third song that I see that that was promoting back in the 80s and the 90s, that was off their second album. And that ain't do that, they ain't do too good. So I want I want you young people that's out here trying to do music, need to understand uh the this story, this untold story of raw base and DJ Easy Rock is not only we give them paying homage and to these brothers that passed away, DJ Easy Rock died from a heart attack, raw base died from cancer. They didn't get shot, they didn't get stumped, they ain't the cops didn't kill them, they ain't getting no car accident, they ain't OD on no drugs. It was natural. I won't call it natural causes, but I guess that is natural causes when you die from a health deck. All right. DJ Easy Rock died from a heart attack, raw base died from cancer. Period. No drug overdose, none of that crazy shit that niggas are trying to put out there. So let's clarify that now. Raw base died from cancer, DJ Easy Rock died from a heart attack. All right, so all y'all niggas pitting that fake shit out there. If you want CX1 DJ's untold stories, you got the real story. Raw Base died in this year 2026. DJ Easy Rock died in 2014. Years ago. And I definitely want to give my condolence and my respect to the families, the record companies, the managers, all the DJs that love raw base and love DJ Easy Rock. But one thing I don't like that I see out here, people be forgetting about DJ Easy Rock. Being I'm a fucking DJ and a rapper, I do both. But I'm really a DJ that raps just to, you know, because I like doing it. And I think I'm better than a lot of these other motherfuckers. That's why I be rapping. Like, nigga, I nigga. I could do that same shit you doing. But anyway, I'm I'm a DJ and a dancer. I do that rap and shit just to fucking do it. Why not? What the fuck? But I see a lot of people forgetting that DJ Easy Rock was a part of that duel. And I'm not gonna, I'm not gonna never, I'm never gonna leave out DJ Easy Rock. And I understand, I don't know. I my people, my team, Chad from RH Media, my PRs and my my producers telling me it was deeper than we could talk about tonight with the with the two the two gentlemen. The money part goes into the education of the managers, the so-called friends, the record company, and uh the people that ran the deal. And also, um before we get into the video part of this, I want to I want to get this education in. You can't be too, and I'm I'm I'm I gotta blame Raw Base and DC easy rock. You can't be too happy to get in the game and not have a lawyer look over the contract or a really regular Zec look over the record of Zec that they had, the AR they had, what their record company should have told them about the samples and all that. But farther than that, the record we could get farther than that, because some contracts have some contracts got in it. If we get sued, this don't come out of my advance. This don't affect me as an artist. It's the record company's job to make sure all samples is cleared. Did y'all hear me? So you gotta read your contract. If you have a good entertainment lawyer, they'll make sure y'all produce music. It's the record company, the one that put out the music job is make sure all clearances, all samples, everybody that all percentages is cleared before that record even comes out to the world. So while we want to blame Rob Ace and DJ Easy Rock, can y'all hear me? We we we can't blame, we gotta really blame the record company. So I want to end it by saying when you think about it, you got young people that don't know nothing legally about the music industry, they just doing it shit for the love of music. You have to provide on the record company or their attorney. And nine out of ten back of them days, the attorney works for the record company. So you're not really gonna have the good outlook you think you're gonna get back then and shit even now. So you come in this game, come in this business with your own shit. Period. Morning of the story is don't trust nobody, don't be in this shit just for fame and bitches and gold chains and all that. Because, you know, and we not gonna get into the sus abuse of, you know, people saying Rob was on this and that and easy rock was on that. But back in them days, it was really more about being known and famous and who was fresh. It was really not about making all the dollars. The ones that got in this business to make money, like Ice Cube and and um uh Jay-Z and a lot of other uh young people from the 80s and 90s, you could tell the ones that got in this business for the love of hip hop and got in this business for the money. You could tell CX1 DJ's untold stories of raw base of DJ Easy Rock. Let's get into the video part of this. I like my chair. I like them, yeah. Let's get into the video part of this, man. And um, I love everybody that if you came tonight and you watched watch the show, even if you missed it, you can watch the repeat. And um I I appreciate everybody that that that that's showing love to the CX1 DJ podcast. Make sure you like it, like, and subscribe. If you're not subscribed to the channel, make sure you like the videos and um let's get into it, y'all. Hold on, I gotta find the shit. Hold on, hold on, hold on, hold on. Hold on. And uh shout out to everybody that's um showing me love. I pre I appreciate everybody.

SPEAKER_09 1:50:07

I wanna watch my nap. I want this to make it down. I'm not instantly. But I don't want to make the call because that's free. And I mean I wanted to stay away from me. Don't lose the VMC. Now, don't quit. Correct, and I created For those of you who waited. It's just so it's a rock to get full. So freedom, let the racket fit. Yeah, I wanna move you. Like the beat, that's move you. Don't trust. Cause this is what you wanna get on the list for. Okay, display. The record that I say. He crazy. Soft your feet.

SPEAKER_13 1:51:21

Ain't nothing like the Rob Basic, just for fun saying nothing like me. There'll never be nobody like me. Just like it'll never be nobody like you.

SPEAKER_02 1:51:29

That's right, man. It never be somebody like easy rock.

SPEAKER_13 1:51:32

Yeah, they're saying.

SPEAKER_02 1:51:33

So do you how how do you and other rappers get along, I believe?

SPEAKER_13 1:51:37

Uh well, I get along with everybody, you know. I'm a cool guy, you know.

SPEAKER_02 1:51:42

So when you say when you were talking about little wars, uh rappers' DJs, they don't have like little wars of about who's uh making it and who's not.

SPEAKER_13 1:51:51

There's a lot of rappers out here, you know, they try to diss each other, you know, who's the best, who's the worst. You know, everybody like competing against each other, but I don't think it should be that way, you know. I think we all should just make music, you know, entertain, you know, make our music live forever. And that's the only way it's gonna work.

SPEAKER_09 1:52:08

I sing the most need anyway. Face to know it's about things. Just hear me. I mean not to face this, stay away from me.

SPEAKER_27 1:52:52

Yo, can I hear this work about Rob Face and DJ Easy Rock? Hey man, you sure you wanna hear this man? You sure about that man? All right.

SPEAKER_01 1:53:05

You about to get this about the stones on the T Ball, this is I wanna rap right now.

SPEAKER_09 1:53:44

I'm not based on the face to get down. I'm not disgonnax to know, but I'm low so I can make the phone because I fixed it.

SPEAKER_00 1:53:52

Do you know the rapper who made the whole world dance with just one song? That was Rob Bass. Born in New York in 1967, Rob Bass started his hip-hop journey with his childhood friend DJES Rock. From the streets of Harlem to the big stage, their dream was about to change music history. In 1988, they released It Takes Two, and everything changed. The beat, the energy, the voice. It became a party anthem across clubs, movies, and generations. With songs like Joy and Pain and Get on the Dance Floor. Rob Bass proved he was more than a one-hit name. His sound became part of hip-hop history. Rob Bass's story teaches us one thing: one beat, one voice, and one chance can change your life forever. Rob Bass may be gone, but his music will never stop moving.

SPEAKER_07 1:54:53

Hey, what's up? This is Rob Bass. And I want to say happy 45th year as a DJ to my homies. Cool DJ Red Alert. That's right, because everybody knows it won't hurt to listen to Red Alert. That's right. And that's coming from me, Mr. Fitzk2. Rob Base. Cool DJ Red Alert, you the man. Do your thing, bro.

SPEAKER_09 1:55:15

Wanna love the coming up? A lot of us think that I can come up. Well on the tall, it's coming out, it's fit, they get back, they get back this.

SPEAKER_28 1:55:52

Started in a record store. A young kid flipping through crates, discovering the sound that would change everything. Harlem, 1985. Two kids with a drum machine and a dream with DJ Easy Rock on the turntable. They crafted something nobody had heard before. It takes two. A song that made the whole world bounce. They took it to the Apollo, Harlem's Cathedral of Stoul. It sold over two million copies and became the blueprint for party round. It proved that one record could echo through generations. But Rob Bates never chased fate. He left the music. Rob Bates, the man who made Fit Dance.

SPEAKER_09 1:56:40

I wanna wrap Fat Damn, I want this to the face to get down. I'm not this to the best to do no, but I don't like the meat.

SPEAKER_05 1:57:22

CX one DJs. RP the raw base, man. RP the raw bass. RP the raw base and DJ Rock.

SPEAKER_09 1:57:31

I wanna rock.

SPEAKER_32 1:57:32

Real DJ shit.

unknown 1:57:34

I wanna rock.

SPEAKER_07 1:57:38

I wanna rock right now. Yo, we out here in Tampa Bay right now. We're gonna be performing live. I love the 90s tour. We got the homies in the house. We got uh my homie Montel Jordan right here. We got my man Tom Lope right here. And the rest of the coolers over here, they all walking around. So, yo, after the game, we gonna be putting it down. I love the 90s tour. One love, we come on, come on, bum it up, bum it up, bum it up now.

SPEAKER_09 1:58:10

Come on, baby, sing it up, bum it up, bum it up now. Keep it going, keep it going. Yeah, baby, plumb it up, bum it up, face. Keep smoking hot like fire. You have to turn now it's fire. Don't talk back, I'm not a new jack, cause I'm fresh than you and you're a whack. What are you gonna say? Come on, come on, he's a baby. Well I'm leaking, what this coming up. A lot of people think that I can't tear it up. Well, I'm a store, it ain't gone. Who really think I need? I mean take them out, I keep moving. I sleep face on the keep the beat moving. They can't take it, they just stick it. They wanna wrong place, make it. I get ill, you know the deal. Cause this is cow, the wrong place pill. Come on, come on, baby.

SPEAKER_05 2:01:00

And um this this was a very educational show. We we laughed and joked a little bit, but I'm hoping everybody got the the formula of what I was saying. And these two brothers, Raw Bass and DJ Easy Rock, is legends, hip-hop legends, and we would never, never let their legacy go down and uh, you know, and never be forgotten. As long as I'm a DJ, as long as I got this podcast, it would never be forgotten. All right. CX1DJ, let's get into the promotion part of this. Uh the CX1 DJs presents my new single. I want y'all to look at that cover real quick. Certified Killers. Now you might say, what do you mean by killers? Are you killing somebody? I mean, uh, you know, killer could be a bunch of things. It could be a girl that's bad, it could be a crew that's killers, it could be if somebody come run up in you and you gotta defend yourself, you will kill them. Everybody's certified over here. Yeah. Hosted by me. No, this is no, excuse me. I ain't host it. CX1D just presents certified killer, the single, this is my single, featuring just gotta. Yes. This drops uh July 20th. July July 24th, I think, something like that. Yeah, one of them days. July 20th. Just cover what we're going on all social media as well. Full promotion, 100% promotion. Also, we got major distribution with this. So I need everybody. If you support me when this shit drops, go ahead and download it. Uh yeah, major distribution. We're gonna do a lot of promotion on this. This is my new single, off the album, and almost won it. So this is a single off the album, Certified Killers. You know, it's DJ Barter Rocket featuring Just Gutter. It's my single, and it's off the album and almost won it. That comes uh that drops in September. But uh, we're gonna be dropping this single this month to the 20, uh, either the 24th or 24th. I think it's the 24th. You know, I gotta I don't know. I gotta I gotta talk to my manager. Bill Watson is my manager. I gotta talk to him. I forgot what day to keep it. But I think it's the 24th. It's on a video. But CX1 DJ Certified Killer. DJ Butter Rock, that's me. That's my single featuring uh just gotta West Side owned. Shout out to the whole West Side Atlanta ATL, baby. This this this song is dope as fuck, and it'd be if you out here hating it and shit, it ain't for you. We are we are we are we are we are we we we're gonna sell about a hundred dollars? We gonna do it, we're gonna do it. Shout out to Rocco and shout out to Drummer Boy for producing the beat. Y'all heard that dropping drummer boy exactly. My new album drops in September 2026. It drops this year in September. We ain't gonna have y'all waiting that long. Yeah, September. It comes out in September, and uh, you know, y'all didn't get on an album, you're a you're a slow poke. Too bad. Don't worry. The next uh next album, and almost won it, volume two, my mixtape album, it drops in January of 2020. No, the the the slots gonna sell January. Punk a foot. We can tell the story. It's not sweetheart. So you know if y'all put sweetheart in there, I want y'all to understand Bill Watson and chat is watching it. So don't put sweetheart in the chat. No matter if they're gonna think y'all being disrespectful and it could go another way, and I don't want that. And uh, we're gonna do uh five versions. We're gonna have DJ Money, DJ version on there. So money is is we can tell a story. So when we play that song, you gotta say that. We can tell a story, please, DJ Money. Uh yeah, because I don't want them to try to pull your version off the shit because these niggas is petty. Niggas is petty out here in these streets. They will try to pull that version off the damn thing. Because guess what? It's gonna go out with all versions. And they're like, oh, yeah, hey, they don't even know the name of that motherfucker. Pull, pull that damn version. Anyway, we can tell a story. We got four versions. We got uh original version with no DJ drops, none of that, none of that on it, the actual version. We have the a cappella, we got the instrumental, and then we got the DJ version. This is DJ by DJ, hosted by DJ Money, and I'm an executive producer, all right? Shout out to Chat R Media, and this is what we've been the major distribution as well. And uh shout out to everybody. You support the plug and put you when it's going on all digital platforms, you go ahead and pick up that single. We can tell a story. It's known, it's not sweetheart, even though she says she's singing. It's we can tell a story, all right? Yeah, I get familiar with that. So when we play that, if you if you put the wrong title in there and you you're a part of the song, they might just take you off the goddamn song. And I don't want that to happen. I don't. And I and I love everybody. I love everybody. CX1DG presents the punk-up with the panty girl, we can tell we can tell a story, and that shit drops on the same day my shit drops. We got two singles dropping in the same month, July 24th. Yeah, that's punk-up with the panty girl. We can tell a story. You see her read a book, right? She's reading a goddamn book. Yeah, chocolate on chocolate. God damn, punk-up got albums after albums coming. This shit drops in January, January 22nd, 2026, 2027. Young Chocolate and Gifted. And uh we can tell the story, it's not on that album. So I buy that ain't on that album. So sorry, it's not it didn't make the album. But uh, don't worry, it's a single coming out. So you can buy that single because that will not be on that album. This young young chocolate and gifted have nothing but all brand new songs. No remakes, none of that shit will be on here. No, none of that shit. This is a fresh new look for Puglifoot and a fresh album. Chocolate, Young Chocolate. Let me read it. You gotta you gotta slow down. Young Chocolate and Gifted. A new album from Puglifoot, the Panther Girl drops January 22nd, 2027. All right, put that on your calendar. That's something you might hear. But we're gonna have a couple of singles from that album dropping, but uh, we can tell your story is not on the album. Unfortunately, they pulled that from the album. I don't know why the fuck they did that, but they they pulled it. I know this can't be on the album. This is a single, all right. It won't be on the album, but we can point uh we're gonna promote the album, Young Chocolate and Gifted. Why not? All new songs on this, all new Punkabood, all branded new Punk. We know we rebrand Punkabt. So that's this is a project that you're gonna want to hear, you wanna listen to. All right, oh shit. All right, everybody get your goddamn phones out right goddamn now. Not later right now. Don't try to log, don't try to log up now. Get that ass, ass the bell, belt ass. I'm just joking. If you're not on YouTube, I want everybody to take that ass on YouTube and stroll down to the end of the video and do you see the young chocolate and gifted album covering, then you're gonna see join the CX1 DJ's Patreon page. Scan that, scan, scan that barcode, join right now for $20. And if you don't want to join and want to be a member for the whole month, you could just send a gift for $20. If you are a member of mine, a friend, a foe, enemy, I'm asking you. Just scan that damn barcode now. If you know I was about to say if you know what's better for you, but I don't I don't know what's better for you. I know what's better for me. Scan the barcode, come be a member. Support the CX1 DJs by supporting your $20. Let me get my goddamn uh, like you know, the hungry children commercial. Let me get my hungry children commercial, boys. By scanning this barcode, you are promoting, you are helping the most unfortunate or the people that deserve the right to be played on the CX1 DJ podcast. By donating $20 a month, you are helping us help underground artists and helping the people and the members of iDJ crew and helping DJs and helping artists around the world get their music and voice heard on CX1 DJ Podcast. Be be a member at our Patreon. All money is donated to the CX1 DJs. We support our artists and DJs fun. All right? This does not go in none by pocket, it goes to the company CX1 DJ's coalition LLC, along with CX1 DJs. We do these different podcasts, LLC. You are supporting the platform that supports you. So we ever played your music, and we ever so you're shot at you out. If you a member or you just like coming to the podcast, or you just you know just stumbled on this podcast and you don't know who we are. By you scanning this barcode, be a member at our Patreon, the CX1 DJ's Patreon, CX1 DJ's Patreon pay or podcast Patreon, you are supporting DJs and you're supporting independent artists that's trying to get their voice heard, man. All right. This is this I'm asking you. Only $20 a month, where uh that's only like a dollar twenty-five a day. And please, if you have that in your in your heart, you have it in your spirit, you have it in your soul, if you are part of CX1, if you're a member and you are you are you holding position and you're not a member, it's something wrong. It's something wrong with you, me or you, all right? I know it's nothing wrong with me. I'm just here just throwing the voice over, alright? Scan that barcode could become a member, right? And may God bless you, you and your family and everybody that's got anything to do with you. CX1 DJs, we do things different podcasts. We we we appreciate, we appreciate all donations. And uh, don't worry if you don't want to be a member, you don't have to be a member. Just send a gift. When you scan that when you scan that barcode right there, it takes you to our Patreon page. You could just be a member. Please, please, we back of you.

SPEAKER_03 2:10:07

We back of you.

SPEAKER_05 2:10:08

All donations go to the all some of the hungriest DJs that are trying to get in the game, and some of these rappers that that that we play music, we're gonna be supporting and sponsoring music all the time on our YouTube channel, i Spotify, Apple Music, I uh iHeart Media. We're gonna be supporting all but a bunch of underground artists that body keep that probably can't afford it. You will help another struggling artist, another struggling DJ that get their voice heard, man. All you gotta do is scan that barcode and become a member at the CX1 DJ's Patreon page, the CX1 DJ's podcast Patreon. Be a Patreon, be a member at the CX1 DJ's podcast Patreon. Please, please, I beg of you, I beg of you, I beg of you. I want to help another artist because I'm sick of paying my own money and my own sponsoring dollars to help someone else when there's a bunch of you motherfuckers that can help us. Shut! I'm sick of it. No, I'm being nice too long. Being scared I shouldn't come a member today!

SPEAKER_04 2:11:04

Okay, I'll fuck with you. I'll fuck with you. Scared a cold coming member. CX1 DJ's. We do things different by uh damn, I gotta get my damn CX1 DJ Music Conference.

SPEAKER_05 2:11:24

I'm I'm fucking giving it up. CX1 DJ's 2026 music conference, August 12 to the 15th. Uh CX1 DJ's 2026 music conference, August 12th to the Nigga, calm down. CX1 DJ's 2026 music conference, August 12th to the 15th. Register down and perform and get your entry tickets. And yeah, the entry tickets went up, but don't worry, come with dirty passes, alright? Go to the website. It is right there, JonesGraphics44.com. It's JonesGraphics44.com. Or you can order by phone and by by texting 44552-8731. Or you can email our PR, the PR, the publicist that's over this event, Julia Simmons at her email address. It's Julia Simmons. Julia Simmons 646 at gmail.com. We've been on here two hours. I'm done. Shit, we want two hours and 16 minutes. God damn it. I'm almost out of here. I got more announcements, alright? So make sure you register this all you know to be at the CX1 DJ Music Conference. Ain't nobody fucking music conference fucking with us. I know there's a lot of DJs out there doing music conference. Kuno to them. Go see to their shit too. Go support them. Support any anybody got a name, DJ behind them, and they got a conference coming up. You tell them DJ Butter Rock say go to their shit too. Even though they might don't send nobody to my shit, but who gives a fuck? Why? Enough of that. I gotta get my video on. Let me get my let me get my sexy voice on. Alright. Everybody, take a moment and look at this flyer. Join the new Punkinfoot OnlyFan page. Scan that barcode too. While you being a Patreon or a Patreon, you might want to see some booty. Let me stop acting crazy. Join the Punkinfoot the Panny Girl on new OnlyFans page. You'll see exclusive pictures. You can talk to Punk and Foot directly over there. You can see live shows. You can do a VIP over there on virtual VIP. You can see in live another live format, alright? And that shit is all live over there. L-I-B-E. Ain't no pre-recorded over there either. Alright? Be a member of Punkerfoot. It's only $19.99 a month, too. God damn it. Yes, nigga. That's like a dollar ten gay. Alright? Go join Punkerfoot the Penny Girl and OnyFans page. Why be a why stand in this? Why stand on the stand when you can come in a fan? Peace and love. And I hope everybody understands. This is promotional use only. And uh see you tomorrow. We got a big show tomorrow. Everybody make sure you copy the fly off of Bill. Oh no, Bill Watson, goddamn it. Troy Wallace page, right? That's only how you're gonna get who we got. We're not posting on flies on nobody's page. You guys gotta go to Troy Wallace page and he'll be posting it shortly. God bless you and good night. I'm out of here. Shit. OnlyPan. Let's go to a punk of OnlyPan page. Only Pan page.