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<v Daina Bouquin>Imagine it's nineteen ninety-five, and you're sixteen in a bedroom outside Tokyo.

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<v Daina Bouquin>It's very late.

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<v Daina Bouquin>The house is quiet, but you're awake, sprawled on your bed staring at your pager.

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<v Daina Bouquin>It's a little gray plastic thing, small enough to close your fingers around, with a narrow screen to display a line of numbers.

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<v Daina Bouquin>Everyone at school has one.

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<v Daina Bouquin>At lunch break, there's a line at the payphone by the gym.

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<v Daina Bouquin>Kids waiting their turn to press the keypad to send messages across the city.

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<v Daina Bouquin>The one in your hand buzzes.

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<v Daina Bouquin>O. Ya. Su. Mi.

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<v Daina Bouquin>It means good night.

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<v Daina Bouquin>But after the numbers there's something else.

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<v Daina Bouquin>A small pixelated shape.

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<v Daina Bouquin>A heart.

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<v Daina Bouquin>Now, a pager only listens.

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<v Daina Bouquin>You'd need a phone to send anything back, and the phone is in the hallway, and it's after midnight, and you don't want to wake your parents.

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<v Daina Bouquin>So you lie there with the pager in your hand and watch as the tiny screen goes dark.

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<v Daina Bouquin>You press the button again and it lights up.

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<v Daina Bouquin>0833.

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<v Daina Bouquin>A heart.

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<v Daina Bouquin>The screen goes dark.

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<v Daina Bouquin>You press it again.

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<v Daina Bouquin>Good night, with a heart.

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<v Daina Bouquin>I'm Daina Bouquin, and this is Found in the Machine.

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<v Daina Bouquin>In Japan, the pager was known as a pocket bell.

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<v Daina Bouquin>A doorbell you could carry.

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<v Daina Bouquin>Someone dialed your number and it rang wherever you happened to be.

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<v Daina Bouquin>A doctor could be called away from dinner.

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<v Daina Bouquin>A salesman could find out that the office needed him.

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<v Daina Bouquin>It was useful.

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<v Daina Bouquin>The early devices only summoned you, but later they added a display so the caller could leave a phone number for you to call back.

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<v Daina Bouquin>You'd find a phone, dial the number, and ask what they wanted.

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<v Daina Bouquin>But the display didn't know whether or not the numbers were a telephone number.

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<v Daina Bouquin>It would show whatever numbers the caller entered.

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<v Daina Bouquin>And Japanese offers quite a few ways to read a number.

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<v Daina Bouquin>Like eight could supply the sound ha from hachi or ya from yatsu.

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<v Daina Bouquin>By borrowing sounds, shortening them, and allowing a little latitude, you could make a string of digits sound something like a word.

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<v Daina Bouquin>You could make them mean something.

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<v Daina Bouquin>The number 4649 meant "please".

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<v Daina Bouquin>3341 was "Lonely". 39 means "Thank you." 14106 is "I love you." This kind of number wordplay is called goroawase and there's nothing from the manufacturer to tell you how this works.

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<v Daina Bouquin>This wasn't the device's intended purpose.

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<v Daina Bouquin>But you could have a whole conversation this way.

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<v Daina Bouquin>People even had what they called bell friends.

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<v Daina Bouquin>They knew one another by page or number and sometimes without knowing a name or even meeting in person.

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<v Daina Bouquin>You could recognize someone by the messages they sent, by the way a conversation picked up again.

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<v Daina Bouquin>The numbers you sent through a payphone could reach a person you wouldn't recognize if they were waiting just behind you.

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<v Daina Bouquin>Pocket bells got so popular that some high schools banned students from bringing them to school.

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<v Daina Bouquin>Then, in 1995, the company NTT Docomo released a pocket belt that could send a small picture of a heart along with the numbers.

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<v Daina Bouquin>Pagers with the hearts were a hit.

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<v Daina Bouquin>The next year, pager contracts in Japan peaked at over 10 million.

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<v Daina Bouquin>Then Docomo made a new, more advanced pocket bell.

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<v Daina Bouquin>It was intended to be a business device for people who needed to call the office.

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<v Daina Bouquin>And it could display kanji.

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<v Daina Bouquin>It could display the Latin alphabet.

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<v Daina Bouquin>But the heart was gone.

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<v Daina Bouquin>So young users started leaving Docomo for competing services that still had it.

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<v Daina Bouquin>A man named Shigetaka Kurita worked at Docomo.

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<v Daina Bouquin>He had sold pagers and he remembered watching school girls switch to other services when they couldn't send the heart anymore.

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<v Daina Bouquin>Years afterward, he was still describing his surprise at how much difference that one symbol had made.

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<v Daina Bouquin>But Kurita didn't stick to pager sales.

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<v Daina Bouquin>By the late 1990s, he was in his mid-20s and working for Docomo, helping develop something called i-mode, a service that would allow people to check information on the little screen and send a message without having to find a phone first.

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<v Daina Bouquin>With i-mode, there would be more room for words, but not much more room.

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<v Daina Bouquin>An i-mode email could only hold 250 Japanese characters.

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<v Daina Bouquin>So Kurita proposed including things like the heart.

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<v Daina Bouquin>He had already seen what happened when one was taken away and reasoned that more could be useful.

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<v Daina Bouquin>And despite Kurita having no training in graphic design, Docomo agreed, and they gave him five weeks to design the images.

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<v Daina Bouquin>In five weeks, he needed to work out which images would improve communication.

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<v Daina Bouquin>What places, concepts, emotions, and things could prevent arguments.

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<v Daina Bouquin>Which ones could help people understand each other.

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<v Daina Bouquin>And he had to figure out how to draw them in a tiny space.

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<v Daina Bouquin>Each one could be just twelve pixels high and twelve pixels across.

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<v Daina Bouquin>Curves had to become small staircases.

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<v Daina Bouquin>Circles had corners.

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<v Daina Bouquin>And there was a problem with the number 12 that Kurita would remember long afterwards.

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<v Daina Bouquin>There was no middle square.

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<v Daina Bouquin>Count six columns from the left and six from the right, and you meet at a seam.

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<v Daina Bouquin>If you wanted a one-pixel wide line to run down the center of your image, like you would if you were drawing a heart, there is nowhere to put it.

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<v Daina Bouquin>You had to shift the whole design over.

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<v Daina Bouquin>And he needed people to recognize these things at a glance on a screen you could cover with your thumb.

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<v Daina Bouquin>So he drew pictures people already knew.

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<v Daina Bouquin>The symbols on public signs.

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<v Daina Bouquin>The sun and clouds from weather forecasts.

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<v Daina Bouquin>He pulled from Manpu the shorthand of manga, where a drop of sweat could tell you someone was nervous.

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<v Daina Bouquin>He added an umbrella, a train, phases of the moon, a high-heeled shoe, a sailboat, a film projector.

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<v Daina Bouquin>People would later mistake the projector for a pufferfish.

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<v Daina Bouquin>He added an M to mean metro, but some people used it to mean McDonald's.

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<v Daina Bouquin>Kurita assembled 176 images.

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<v Daina Bouquin>He thought they would be given to designers to refine them, but they went out into the world as is.

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<v Daina Bouquin>They were called emoji.

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<v Daina Bouquin>E means picture, and emoji means character.

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<v Daina Bouquin>Kurita's emojis were early, but others soon followed.

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<v Daina Bouquin>Different companies developed their own, but there was a problem.

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<v Daina Bouquin>The machines didn't all speak the same language.

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<v Daina Bouquin>When you send a letter A, you aren't really sending the shape of an A.

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<v Daina Bouquin>You are sending a code.

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<v Daina Bouquin>The receiving machine sees that code and knows this is an A.

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<v Daina Bouquin>It can draw the A in whatever font it uses, but it's still an A.

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<v Daina Bouquin>Emoji could work the same way, except different companies had created different codes.

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<v Daina Bouquin>One phone might know which code meant airplane, and another might have no airplane at all.

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<v Daina Bouquin>So instead of an airplane, you might receive a blank square or nothing.

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<v Daina Bouquin>This was exactly the kind of problem Unicode was built to solve.

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<v Daina Bouquin>The Unicode Consortium assigns characters shared codes so that different machines can agree on what they're looking at.

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<v Daina Bouquin>There was an early proposal to encode Docomo's emoji in Unicode in 2000, but it went nowhere.

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<v Daina Bouquin>Then around 2007, engineers at Google began pushing for a standardized solution.

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<v Daina Bouquin>Apple soon joined the effort.

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<v Daina Bouquin>Their products were arriving in Japan, and users already expected to be able to communicate with these little pictures.

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<v Daina Bouquin>So in 2010, Unicode 6 encoded hundreds of the symbols used as emoji.

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<v Daina Bouquin>But the heart didn't need a new code.

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<v Daina Bouquin>It was already there.

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<v Daina Bouquin>The heart's Unicode assignment is U+ 2764.

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<v Daina Bouquin>It entered Unicode years earlier among the dingbats, a collection of decorative black typography symbols.

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<v Daina Bouquin>And Unicode names don't change.

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<v Daina Bouquin>So the formal name for the red heart at the end of your late night message is HEAVY BLACK HEART.

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<v Daina Bouquin>In 2016, Kurita's 176 images entered the collection of the Museum of Modern Art in New York.

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<v Daina Bouquin>He paid his own airfare to go see them.

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<v Daina Bouquin>The museum exhibited the little designs in its lobby and credited him by name.

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<v Daina Bouquin>Those tiny designs made to fit into a 12 by 12 pixel grid on a screen were now something you could go to an art museum to see.

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<v Daina Bouquin>People look at them the way they look at paintings.

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<v Daina Bouquin>And you can watch them look and wonder what they see.

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<v Daina Bouquin>Because we make them mean something.

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<v Daina Bouquin>When you send a skull emoji, are you one of the people who use it for Halloween?

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<v Daina Bouquin>For danger?

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<v Daina Bouquin>For goth aesthetics?

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<v Daina Bouquin>Or are you laughing?

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<v Daina Bouquin>Is it so funny that you're dying?

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<v Daina Bouquin>Do you see the flame emoji and think the sender is angry?

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<v Daina Bouquin>Or are they giving you a compliment?

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<v Daina Bouquin>Has an emoji ever kept you up late?

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<v Daina Bouquin>You fell asleep with the pager in your hand.

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<v Daina Bouquin>By the time you get to school, there's already a line at the payphone.

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<v Daina Bouquin>You stand in line, rocking a little, onto your toes and back as you wait.

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<v Daina Bouquin>Then it's your turn.

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<v Daina Bouquin>You type 0840.

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<v Daina Bouquin>Your finger hovers for a moment.

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<v Daina Bouquin>And then you hit 88.

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<v Daina Bouquin>You hang up, and somewhere nearby a pocket bell wakes.

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<v Daina Bouquin>0840 with a heart.

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<v Daina Bouquin>Good morning with a heart.

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<v Daina Bouquin>I'm Daina Bouquin and this is Found in the Machine.

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<v Daina Bouquin>If you enjoy my stories, please consider leaving a rating or a review wherever you listen.

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<v Daina Bouquin>They really help others find the show, and I read all of them.

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<v Daina Bouquin>And if you're interested in getting more content from me, you can join the show's Patreon.

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<v Daina Bouquin>Just go to foundinthemachine.com / support to find the link to the Patreon and other ways you can support the show.

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<v Daina Bouquin>Patreon members get access to Found in the Margins, my mini bonus episode series.

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<v Daina Bouquin>Recent episodes have covered things like CRT Sea Glass and Chip Graffiti.

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<v Daina Bouquin>Thanks as always for listening.

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<v Daina Bouquin>I'll see you next time.
