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<v Daina Bouquin>It is nineteen eighteen, and Mary Jameson is reading.

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<v Daina Bouquin>She was born blind, and she usually reads braille.

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<v Daina Bouquin>But the page in front of her is an ordinary printed page.

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<v Daina Bouquin>Black ink on white paper.

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<v Daina Bouquin>There is a machine between her and the page.

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<v Daina Bouquin>A delicate arrangement of lenses and wires, a spinning disc and a small piece of an element called Selenium.

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<v Daina Bouquin>As the mechanism moves slowly across the print, the machine sends a collection of musical notes into a pair of telephone receivers.

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<v Daina Bouquin>And Mary listens.

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<v Daina Bouquin>She hears in the sounds one letter, then another.

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<v Daina Bouquin>Eventually, a word.

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<v Daina Bouquin>It is slow work.

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<v Daina Bouquin>And the machine is temperamental.

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<v Daina Bouquin>Its focusing mechanism is so delicate that someone walking heavily across the room can knock it out of alignment.

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<v Daina Bouquin>But Mary has been practicing.

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<v Daina Bouquin>By the summer of 1918, she can read about one word per minute.

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<v Daina Bouquin>And that is enough to prove that it is possible.

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<v Daina Bouquin>I'm Daina Bouquin and this is Found in the Machine.

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<v Daina Bouquin>In June 1912, a physicist named Edmund Edward Fournier d'Albe arrives at an optical convention in London with an invention.

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<v Daina Bouquin>Fournier d'Albe is an unusual man.

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<v Daina Bouquin>A scientist and writer with interests ranging from electricity to spiritualism.

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<v Daina Bouquin>He knows some of the most prominent thinkers of the age.

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<v Daina Bouquin>He has befriended Harry Houdini.

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<v Daina Bouquin>And he has spent years studying the properties of a chemical element called selenium.

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<v Daina Bouquin>Selenium does something peculiar.

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<v Daina Bouquin>In darkness, it resists the passage of electricity.

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<v Daina Bouquin>But if you shine a light on it, that resistance changes.

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<v Daina Bouquin>Alexander Graham Bell had used it in an instrument that transmitted sound on a beam of light.

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<v Daina Bouquin>And in Poland, an ophthalmologist named Kazimierz Noiszewski had used it as an artificial eye to help blind people tell light from darkness.

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<v Daina Bouquin>And Fournier d'Albe is working on a very similar idea.

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<v Daina Bouquin>His instrument is housed in a slender wooden box.

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<v Daina Bouquin>Inside is a selenium cell that responds to light, producing changes in an electrical signal that a person can hear through telephone receivers.

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<v Daina Bouquin>Point it toward a window and the sound changes.

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<v Daina Bouquin>Move it toward a corner and it changes again.

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<v Daina Bouquin>He calls it the exploring optophone, and he imagines it helping blind people navigate the world.

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<v Daina Bouquin>The newspapers are delighted.

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<v Daina Bouquin>But among the people who learn about the invention is a blind solicitor named Washington Ranger.

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<v Daina Bouquin>Ranger writes to Fournier d'Albe.

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<v Daina Bouquin>What concerns him is how a blind person might earn a living.

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<v Daina Bouquin>A person who can detect a window has learned something about a room.

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<v Daina Bouquin>But a person who can read an ordinary printed page has access to an enormous part of the working world.

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<v Daina Bouquin>Letters, newspapers, documents, books.

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<v Daina Bouquin>So Fournier d'Albe begins working on another machine.

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<v Daina Bouquin>By 1913, he has an experimental reading optophone.

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<v Daina Bouquin>The First World War interrupts his work, but he returns to it, building an instrument that turns the shapes of printed letters into sounds.

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<v Daina Bouquin>To understand how this machine works, imagine a capital T.

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<v Daina Bouquin>One upright line topped with a horizontal stroke.

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<v Daina Bouquin>Now imagine a tiny vertical row of lights moving slowly across that letter from left to right.

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<v Daina Bouquin>Each of the little lights flickers at a different rate, corresponding to a different musical note.

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<v Daina Bouquin>The flickering comes from a spinning disc pierced with holes laid out in concentric rings passing in front of a lamp.

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<v Daina Bouquin>When the light falls on white paper, it reflects back toward a selenium cell.

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<v Daina Bouquin>And the listener hears a chord.

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<v Daina Bouquin>All of the notes are on.

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<v Daina Bouquin>But black ink reflects much less light.

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<v Daina Bouquin>So when the light passes over the ink, some notes disappear.

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<v Daina Bouquin>So as the row of lights moves across the T, the beginning of the top stroke interrupts a note.

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<v Daina Bouquin>Then the vertical line interrupts the whole chord.

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<v Daina Bouquin>The light continues past the vertical line with only the top stroke continuing to interrupt one note.

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<v Daina Bouquin>A person listening through the device has to recognize the letter T by the notes that disappear.

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<v Daina Bouquin>It's reading by absence.

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<v Daina Bouquin>In the spring of 1917, Fournier d'Albe demonstrates the instrument to representatives of the National Institute for the Blind.

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<v Daina Bouquin>He manages to read an unfamiliar newspaper passage, but the demonstration does little to convince them.

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<v Daina Bouquin>This machine is slow.

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<v Daina Bouquin>It takes extensive training, and its practical usefulness remains uncertain.

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<v Daina Bouquin>And these are reasonable objections.

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<v Daina Bouquin>But Fournier d'Albe keeps looking for people willing to learn.

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<v Daina Bouquin>That year he meets 18-year-old Mary Jameson and her twin sister Margaret.

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<v Daina Bouquin>The sisters already know Braille, and now they begin learning the strange new system of sounds.

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<v Daina Bouquin>And Mary takes to it.

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<v Daina Bouquin>Not immediately.

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<v Daina Bouquin>There is nothing immediate about learning the optophone.

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<v Daina Bouquin>She must memorize the musical patterns of printed letters.

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<v Daina Bouquin>She must distinguish sounds that can be maddeningly similar.

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<v Daina Bouquin>And she has to manage the machine itself.

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<v Daina Bouquin>Page must be positioned correctly, and the mechanism must be focused.

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<v Daina Bouquin>The scanner must be moving at the right speed.

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<v Daina Bouquin>Too quickly and the letters become an unintelligible stream.

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<v Daina Bouquin>But too slowly and she loses track of what came before.

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<v Daina Bouquin>But she practices.

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<v Daina Bouquin>And by August 1918, she gives a demonstration at King's College in London.

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<v Daina Bouquin>Someone in the audience has connections to Barr and Stroud, a Scottish company known for precision optical instruments.

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<v Daina Bouquin>And the company agrees to build a more practical optophone.

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<v Daina Bouquin>The machine is sturdier with a curved glass surface on which a book can rest.

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<v Daina Bouquin>Its scanning mechanism moves more reliably across the page.

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<v Daina Bouquin>And its designers add a second Selenium cell so the machine can sound the black ink itself.

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<v Daina Bouquin>Now, instead of listening for the notes that disappear, Mary can listen for the notes that are there.

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<v Daina Bouquin>But the signals are faint.

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<v Daina Bouquin>And after an hour or two, the selenium cells begin crackling.

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<v Daina Bouquin>In June 1920, Fournier d'Albe announces in the journal Nature that the problem of opening the world's literature to blind readers has been solved.

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<v Daina Bouquin>It is a remarkable claim and entirely premature.

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<v Daina Bouquin>The Optophone is expensive.

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<v Daina Bouquin>It remains difficult to operate, and it demands an enormous investment of time.

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<v Daina Bouquin>Mary knows this better than anyone.

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<v Daina Bouquin>By now she is its most accomplished reader.

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<v Daina Bouquin>She travels to demonstrations and exhibitions, showing audiences what the machine can do.

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<v Daina Bouquin>And she is also helping to design it.

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<v Daina Bouquin>At Bar and Stroud's London branch, she works with an engineer named A.

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<v Daina Bouquin>M.

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<v Daina Bouquin>Lundie.

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<v Daina Bouquin>She suggests changes to the musical notes so that certain letters are easier to tell apart.

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<v Daina Bouquin>She asks for stronger signals to hear over the noise of the mechanism itself.

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<v Daina Bouquin>She works with Lundie on a device that moves between lines and on a feature for reading italic type.

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<v Daina Bouquin>She teaches other blind people how to use it.

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<v Daina Bouquin>And her speed keeps climbing.

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<v Daina Bouquin>From one word per minute to 25, then 40, then 60.

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<v Daina Bouquin>She is doing the labor of a developer and a public ambassador, but she is doing it informally.

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<v Daina Bouquin>So her father, Thomas Jameson, writes to Barr and Stroud.

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<v Daina Bouquin>He wants the company to recognize her vital work with proper compensation and a formal place.

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<v Daina Bouquin>Barr and Stroud pays Mary for individual demonstrations, but never gives her regular employment.

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<v Daina Bouquin>Still, she keeps working.

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<v Daina Bouquin>And in 1921, Mary sits down to read a novel.

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<v Daina Bouquin>It is The Warden by Anthony Trollope.

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<v Daina Bouquin>Published in 1855, it tells the story of a kindly clergyman caught in a dispute over money at a charitable institution.

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<v Daina Bouquin>Mary places the book on the Optophone.

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<v Daina Bouquin>She finds the first line and she begins to read.

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<v Daina Bouquin>She no longer labors over individual sounds.

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<v Daina Bouquin>Familiar patterns begin to come together.

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<v Daina Bouquin>And she starts to notice something.

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<v Daina Bouquin>The more she reads a particular author, the easier it becomes to anticipate what comes next.

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<v Daina Bouquin>A writer has habits, certain turns of phrase.

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<v Daina Bouquin>But when she begins a book by someone new, the work becomes harder again.

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<v Daina Bouquin>So she deliberately decides to read writers who differ widely in style.

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<v Daina Bouquin>She reads Nathaniel Hawthorne's The Scarlet Letter, an autobiography by Herman Charles Merivale, and others.

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<v Daina Bouquin>And she finishes The Warden.

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<v Daina Bouquin>But even as Mary becomes more proficient, the future of the Optophone is becoming less certain.

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<v Daina Bouquin>Most people who try it never approach her speed, and few schools can afford one.

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<v Daina Bouquin>Braille is already established, reliable, and widely taught.

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<v Daina Bouquin>By 1922, Barr and Stroud is doubting whether there will ever be enough customers.

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<v Daina Bouquin>By 1928, the company has stopped pushing the machines.

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<v Daina Bouquin>Fournier d'Albe dies in 1933.

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<v Daina Bouquin>Only a small number of Optophones have been sold.

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<v Daina Bouquin>But Mary Jameson keeps reading.

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<v Daina Bouquin>In 1944, the organization St. Dunstan's takes up the British Optophone and replaces the old selenium cells with photoelectric cells that are much louder. In the 1950s, a man named W. K. Hill improves the focusing, making it easier to tell similar letters apart. Mary tests the changes. Meanwhile, across the Atlantic, engineers at RCA are building a machine that tries to identify the printed characters itself. The effort is led in part by Vladimir Zworykin, a man who had examined Fournier d'Albe's Optophones decades earlier. RCA's work is an early step toward what we now call optical character recognition.

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<v Daina Bouquin>The task of deciphering the page is beginning to move from the person into the machine.

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<v Daina Bouquin>It is 1966.

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<v Daina Bouquin>Nearly 50 years have passed since Mary first sat down with the Optophone.

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<v Daina Bouquin>She records a presentation for a conference on reading machines in the United States.

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<v Daina Bouquin>She remembers the delicate early machine.

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<v Daina Bouquin>But most of her talk concerns the machines being built now.

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<v Daina Bouquin>She's still asking questions to improve listening devices.

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<v Daina Bouquin>She wonders which notes are easier to distinguish and which letters are harder to recognize.

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<v Daina Bouquin>In the years that follow Mary's presentation, she exchanges letters and tape recordings with blind Americans working on newer machines.

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<v Daina Bouquin>One of them, Harvey Lauer of the United States Veterans Administration, sends her a device called a visotoner.

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<v Daina Bouquin>It's smaller and more portable than her old Optophone, but it is hard to keep aligned with the text and it struggles with certain colors of ink.

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<v Daina Bouquin>She weighs the two machines.

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<v Daina Bouquin>She knows what she likes about her old one and she knows what she wishes it could do.

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<v Daina Bouquin>She knows what it already does.

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<v Mary Jameson (archival audio)>The Optophone is as much a part of my everyday life as the typewriter or telephone.

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<v Mary Jameson (archival audio)>Sometimes the print is too big for the Optophone array.

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<v Mary Jameson (archival audio)>At others, italics are too sloping.

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<v Mary Jameson (archival audio)>While noting the shortcomings of the Optophone, I can use the valuable facilities it already gives.

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<v Mary Jameson (archival audio)>I hope this situation makes me of use in solving vital print reading problems which remain.

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<v Daina Bouquin>Mary Jameson passes away in 1980.

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<v Daina Bouquin>By then the Optophone belongs to an earlier age.

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<v Daina Bouquin>Computers will soon recognize printed letters on their own and read them out loud.

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<v Daina Bouquin>But there is a photograph of Mary, taken decades earlier.

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<v Daina Bouquin>She is seated at an Optophone reading The Warden.

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<v Daina Bouquin>She wears a pair of telephone receivers over her ears.

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<v Daina Bouquin>The book rests on the machine in front of her.

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<v Daina Bouquin>Somewhere inside a disc is spinning and light is falling across the printed page.

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<v Daina Bouquin>And the machine is making its little collection of sounds.

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<v Daina Bouquin>Mary knows what they say.

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<v Daina Bouquin>I'm Daina Bouquin and this is Found in the Machine.

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<v Daina Bouquin>If you enjoy my stories, consider passing them along or leaving a rating or a review wherever you listen.

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<v Daina Bouquin>And if you'd like to support the show, you can go to found in the machine.com/ support, and you can find our Patreon and other ways to support the show.

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<v Daina Bouquin>The most recent bonus episode received by Patreon members was about the twenty thirty-eight problem.

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<v Daina Bouquin>Thanks for listening, guys.
