What I Found in the Epstein Files: Episode 4- Inside the Trump-Epstein Memorial Reading Room

In this episode, Debilyn shares her experience visiting the Donald J. Trump and Jeffrey Epstein Memorial Reading Room in Washington, D.C.—an immersive art installation built around the public release of millions of pages of Epstein-related records.

Walking through nearly 3,500 bound volumes of files, a three-story timeline documenting the relationship between Donald Trump and Jeffrey Epstein, artwork created by survivor and whistleblower Maria Farmer, and an exhibit of 1,400 candles representing victims and survivors, Debilyn reflects on grief, accountability, power, and the ongoing search for truth.

She also discusses a surprising lead uncovered while reviewing newly released files: references to modeling scout Tigrane and model scout Daniel Siad, whose name appears in approximately 1,800 Epstein-related files. Following a clue from a video posted by Rep. Pramila Jayapal, Debilyn begins tracing another thread in the vast network of relationships surrounding Jeffrey Epstein's trafficking operation.

This episode is both a personal reflection and a reminder that meaningful change happens when each of us finds our own way to contribute.

Links & Resources

Daniel Siad investigation (The Guardian):
 https://www.theguardian.com/us-news/2026/feb/26/daniel-siad-model-scout-jeffrey-epstein-emails

Related Substack article published:
 https://substack.com/inbox/post/201767179

Rep. Pramila Jayapal's reel referenced in the episode:
 https://www.facebook.com/reel/959602213728586/

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Transcript

SPEAKER_00 0:06

Hi, welcome to What I Found in the Epstein Files. I'm Debbie Lynn Molyneau and I'm your host. This has been a journey that's been easier for me to write about than to do podcasts for, largely because there's so much that goes into doing the podcast version of what I've been writing. And it's it's just easier to write for me personally. But I wanted to share with you a little bit about my visit to the Donald J. Trump and Jeffrey Epstein Memorial Reading Room. This is an art exhibit where they have printed out three and a half million files that were in the public release from the Department of Justice. And they put it in a huge space. And you'll see that on some of the videos. There are images that you can find for this memorial reading room. And I am I'm still kind of processing. It's been two days since I was there, and I am still processing what happened and how I feel about it, and what action, what more action I can take beyond uh this kind of weekly briefing, the daily memes, and an occasional podcast. And the truth is, by myself, this is my capacity, this is what I can do. I'm focusing on the Epstein files. Uh, not because I don't care about accountability, uh, inflation, the war in Iran, Israel, Palestinian hostages, like women's reproductive rights. There's so much to care about. I have been overwhelmed. And when the Epstein files uh were released in late January, this felt like an area where I could focus in on one thing and do my part. And I hope that you have found your one thing to do your part because together that's how we're going to make a difference. So it was about 95 degrees when I took the metro train into DC and I got off at the Chinatown gallery place stop because the reading room was actually almost directly above the train station. I walked over, um, walked the few hundred feet that it took me to get to the reading room. And initially I had to stand outside. It was a very humid, uh, the heat index was over 100. And we're just standing there waiting because the the exhibit itself has a capacity for 200 people that doesn't begin to fill up the space, by the way. But um there was something about the fire code that allowed only 200 people in at a time. So we had to wait a few minutes before me and a group of about, I don't know, a dozen or so of us were let in. And then once we get into the space itself, uh, we had to go through a bag check and then show our registration pass because obviously and our ID, because they want to make sure that the people who have registered are the ones who are showing up. It's it was not a free-for-all to get in. They have a short uh orientation. So there was a woman who talked about what's in the exhibit itself, including the nearly 3,500 bound volumes of a thousand pages each that are the Epstein files as they have been released by the Department of Justice so far. She also noted that there was a big timeline. It's a three-story um timeline of the relationship between uh Trump and Epstein. And it starts from about when they met in 19, I think it's 89, and goes up through current day. And this timeline they are maintaining, and so as new evidence comes out, uh they are updating the timeline in real time. And uh, and there's a legend of how to read the data, if you will, because some of its rumors and media and some of its actual court case evidence. What's really fascinating for me is that I cannot find a picture of this timeline itself that's being um curated in real time on the internet. So it was striking to both see it in person in a live version, and there are so many people studying it constantly. I could not get a clear shot of it. So after I went saw the timeline, I looked at the volumes, I saw the timeline, I walked upstairs, and there's a little kind of landing halfway up the stairs. And on the landing uh is artwork by Maria Farmer. Uh, you may know that name if you've been following the Epstein Files, because she was the first person to report Epstein to the FBI in 1996. She was not the first one uh girl who was abused. She was just the first one who was brave enough to come forward. And so she uh, as part of her healing process, created art that depicts uh some of how she feels about having been a survivor of Jeffrey Epstein and the sexual human trafficking ring. And then proceeding up the stairs from there is is another open area. And this is where there's an exhibit of 1,400 candles. And the candles, each candle represents a victim or survivor of Jeffrey Epstein. So just the scale of seeing 1,400 candles was quite something to see. And I stood there for a long time, um, just looking at the candles and looking at the the breadth, if you will, of abuse that has was caused by not just this man, but by the system that supported him and the people who wanted influence. And uh it really felt like, oh my God, we we tried to throw away 1,400 girls and young women for the sake of power and wealth and influence in the world. And that's just wrong. Uh moving over uh away from that part of the exhibit, there were several tables and seating areas. And those were places where um you were they they encouraged people to sit down and write a postcard and then take a thumbtack and put it on the wall. And the there were, I want to say this is also about three stories tall, and it's these little four-inch by six-inch cards, and they are covered and sometimes uh doubled over with people's um additions, comments, thoughts, etc. And I, of course, I left two myself while I was there um asking where are their protectors, and then praying for healing. Those were my two cards that I left. And here's something that they also did that I thought was fairly clever. And I'm recording this on June 14th, 2026. So today is the is President Trump's 80th birthday. They had postcards where we could make um send a happy birthday postcard to the president with our thoughts. And the thoughts I included on my postcard were release all the Epstein files, of course. It's time for accountability. You should step down. And the only way you will escape accountability is by fleeing the country or dying a natural death. And so I expect that that postcard, along with thousands of others, will be delivered to the president today. Happy birthday. And at that point, as I was finishing up that that last postcard, there were two other people sitting at the table with me, and we started up a conversation. So Deborah and Patrick and I sat there talking about uh what this meant for our lives. Um, Patrick shared with me some of the work he is doing in uh working on how to reach people who are in the MAGA world who still, because they're not exposed to all of the information, still believe in this man, as crazy as it seems to me. And Deborah was sharing with me uh, you know, stories about her her family and some some personal issues she's dealing with with a family member who's um at risk of being deported. And so it's just like crazy to think about how much everything ties back to our system of power and who is protected and who is not. And that is kind of the underlying motivation of why I am so dogged and determined to continue this um fight, to look through the Epstein files and do what I can and get the word out, because we need to reset our social contract, whether that's in the Constitution or deciding that we want a different uh type of government to self-govern. I don't care what it is, but we obviously need to change something. Uh what's happened is not working, and uh it's time to do a reset. So that's and then I took the train, the metro back out uh to the suburbs where I'd parked my car and I drove home, and it's just been kind of sitting with me for two days. And I woke up this morning and I could feel this like it's not just anger, it's grief and disappointment and hurt and disbelief and wanting to run away and avoid, and like there's just like a so many emotions wrapped up in understanding who our society protects and who it doesn't and who it considers uh disposable. And so that kind of is living with me today. And then as I was, you know, getting ready, doing the weekly briefing, because there's a weekly briefing blog where I kind of round up the only the latest, the last seven days of news about the Epstein Files and adding my take to it, I could feel this like simmering rage that is also firm resolve that we will never go back, ever. We must transmute our pain and transform our society. And this is my contribution to do so. And so then I, of course, went on to social media to post the daily brief, the weekly briefing. And because the way algorithms work, I get to see like all the things that other people are saying about the Epstein files. And I ran across this reel that Representative Pramilla Jayapel, and I'm sorry if I messed the name up, was reading from specific files in the reading room because she, as a member of Congress on the House Oversight Committee, she is allowed to read the files. I was not. And so she read like four or five entries, and she mentioned this name. And I thought, huh, that's not one I've heard before. And it's for a modeling scout, a modeling scout named T Grain. And so, of course, that led me back to the Justice Department files, and I typed in T Grain. There are 16 total files, many of which are duplicated, of course. The second file I read had an unredacted name of a model that he was sending to Epstein. And two files later, another model's name popped up. So this Tigrain is being mentioned in context in an email from somebody named Daniel Sayed. And he was also mentioning that Tigrain needed to apologize for something he had said about Epstein, like, can we get any more high school gossipy? So evidently, Tigrain's apology to Jeffrey Epstein, according to Daniel Sayed, is to arrange for 25 Russian models to be at a photo shoot in Ibiza, an island off the coast of Spain. And Daniel is asking when is Epstein going to be in Paris so they can arrange for this photo shoot. It's obvious in reading these emails that Daniel Siad's first language is not English. I haven't done a deep dive on him, but I'm going to drop a link to more about him in the show notes here. But I want to point out the fact that these people's first language is not English is important because it makes reading the files that much harder. So the broken English not only make the story hard to follow, but Daniel Said is listed more than 1800 times. He's listed in 1800 files, excuse me. And then because Epstein regularly misspells his name from Saeed S-I-A-D to said S-A-I-D, there are another 40 files where the name is misspelled. And that is just what happens when you're digging through the Epstein files. There are so many barriers to finding real evidence and real trails of stories. But apparently, back to the Daniel Said side of the story, Epstein, he was a modeling scout for Epstein. And so Epstein would regularly send him thousands of Euros. And these regular payments, he would send instructions to his accountant, Richard Kahn, and say, hey, send Daniel Said uh 5,000 euros or 3,000 euros or 2,000 euros. And Richard Kahn, when he testified before Congress, claimed not to know what these fees were for. And now that we have the whole story, of course, we know that this was part of the sex trafficking operation. What did Kahn think Epstein was paying Saeed for? I mean, obviously, he needs to answer that question. And I hope the House Oversight Committee asked him when he testified there. He has until this point claimed ignorance, of course, right? How could so many people not know? You know, Bill Gates testified that Epstein tried to blackmail him, but he didn't know anything about the sex trafficking. And I just have to say that our ability, our human ability to pretend we don't know when we know is part of what makes this very difficult to find hard evidence and prosecute people. But we need to keep trying because we're not going back. Well, that's a wrap for this episode of what I found in the Epstein Files. I have 1800 files to go now with Daniel Saeed. We'll see how long that takes. I hope you're having a wonderful day. And let me know if you appreciate this podcast and what is your piece of this or some other topic to help us write the ship that is the United States of America. Until next time, I'm Debbie Lynn Molino signing out.