We Got Motion Podcast With P-Dub & CalWood Special Ep. 5: GME Studio Session

We Got Motion Podcast hosted by Calwood and P Dub, where real talk meets real ambition. Two minds, two backgrounds, one mission: growth.

From Detroit to Oakland, we cover music, business, culture, street wisdom, entrepreneurship, relationships, mindset, and what it really takes to win when life keeps trying cheap tricks.

Expect unfiltered conversations, powerful guests, game you can use, laughs you didn’t earn, and stories that move people forward.

New episodes dropping consistently. If you’re about progress, purpose, and staying in motion, you belong here.

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Transcript

SPEAKER_00 0:05

Call me what you won't, you just can't call me broke. Call me what you won't, you just can't call me broke. I don't look. Call me what you won't, you just can't call me broke. Call me what you want, you just can't call me broke. Call me what you won't, you just can't call me broke. I don't know. Forget about my pound when I'm dumb doing president.

SPEAKER_07 0:26

Bitch, hurt my nerve right before I hit that bitch, baby.

SPEAKER_15 0:35

I hate that you played that and I can't even hear you. I hate that you did that boy show.

SPEAKER_02 0:45

I make it home. Make sure you got lingerie on bridge. I think I already know the song. Another tongue little while you scream. I got some bad horse for the class first Friday live.

SPEAKER_15 1:22

Stop playing with the listen, listen. I love it. I love it. Yeah, sometimes right now we lie. Yeah, we lie right now. But it's just that like on the head, my headphone don't work on the live on the phone. And then uh just so we just for full disclosure, because this we do, we got motion, the nigga who got the controls right now don't know what the fuck he's doing. So it's like at the end of the day, listen, listen. Right, exactly. So because this nigga ain't never drove a stick before, you feel me up said pause, right? Listen, let's double pause.

SPEAKER_14 2:26

Listen, listen, this is about a go right now.

SPEAKER_15 2:43

Oh, that's the second one.

SPEAKER_02 2:49

Boom!

unknown 2:50

Shit.

SPEAKER_04 2:50

When I wake up, I take my head off time, plug it in. I'm in the lab doing a hundred songs with bats from twins.

unknown 2:58

I make my own hard work, I record all my shit.

SPEAKER_03 3:00

Shut up, my body selling PC got it all as if maybe all speaking on the nigga bitch on shit.

SPEAKER_15 3:05

Create though.

SPEAKER_03 3:08

I ain't never loud and making cheese, man.

SPEAKER_04 3:10

I don't I ain't never been no gooey.

SPEAKER_03 3:12

I ain't never been a lane, and I ain't never been a type that said play so many games. They don't see me in the city. I'm on T making cake. Wanna play with a short follow you in a lake? No face, no follow Delion in the state or something.

SPEAKER_15 3:23

IG really let me in a way.

SPEAKER_03 3:25

What the fuck you can be staring my cut in these gates. No face, no case.

SPEAKER_15 3:32

You ready though? It's really this really what you do though. It's really what you do. Like really, I ain't gonna lie to you. The person was like, I didn't know me. He showed up like he didn't was commercial. He didn't know what was corporate sponsor. What we need for this slide ball right here, though.

SPEAKER_05 3:46

Oh man.

SPEAKER_15 4:06

Introduce yourself to the line. That's we got motion.

SPEAKER_04 4:09

You all we got motion.

SPEAKER_15 4:10

I gotta get my bounce off.

SPEAKER_04 4:11

Get my roll on. Ain't in the street, but still ain't on a soul that I told on on the real. I'm just me, tear toes on photo. I'm gonna feast I'll every beat because I ain't never rode no. I'm like, uh, how to play with me? And I don't uh it sounded really stable with me, but I ain't trying to go to jail for real. I ain't got no problem with nobody, I ain't staying. Oh, really deep. No, but I'm Dilly. That's really my name, though. It's on my ID. And uh I be singing and rapping and shooting movie scenes and music, music videos and commercials, everything, Hollywood style, and all that sort of stuff. Okay, come on, that's pretty much it. I can't really hear no audio, but nah, you probably can't because that is what it is. That's uh we hear you though. I hear anything. Oh, I hear him, I hear him. Uh uh, we we hear you. I'm Billy G.

unknown 5:11

Okay.

SPEAKER_04 5:14

Okay, hold on. Okay, okay, why should uh bitch make it simple? That's what he's about to say.

SPEAKER_15 5:26

That nigga was about to say something, nigga. He made a nigga want to pay attention though.

SPEAKER_03 5:32

Hey, wait that glass no case.

SPEAKER_02 5:38

I wasn't even in the greach my glass bow. As I grease my glasses.

SPEAKER_04 5:59

No case, I wasn't even in the state.

SPEAKER_02 6:02

And I greeted my glass tree boiling hot. My glass treats got boiling. Gave a fatal shot. Mm-hmm. Mm-hmm.

SPEAKER_15 6:24

Hey, this the game. This the game to the studio. The game to the studio is you work, but you tray you challenge each other. You challenge each other when it comes to listen. You challenge each other when it comes lyrically, especially if a nigga late. My nigga meets was late, but he got a link. He get he he performed the first one, but he already came and a nigga because of Delhi, he's so when he comes, he just gonna lay it. If you lay, so you can't catch it up, but it gotta be dope when you catch up. Get the work done. Let the engineer, let the engineer mix for the last hour. Three hours, three songs. Let that nigga mix for the last hour.

SPEAKER_02 7:02

Give up shots, talk, clean my maximize all marketing strategy.

SPEAKER_15 7:06

Rest in peace, Ricky though.

SPEAKER_02 7:17

Gave a fate of shots, talking, clean my place, break.

SPEAKER_03 7:20

Yeah, what's yeah?

SPEAKER_02 7:22

Talking clean my plate was fake. Like sizzle, as I used my glass, got ball at gave up fate of shots, talking, clean up. Next day, I was gonna say, but that he got shot. Like sizzle as I read my glass, she's got ball at gave up fate of shots, talking clean my place break with next day. I was gonna say about that, he got shot. I'll say playing gimme, that's the reason why he stop playing. I was gave up every day. I was gonna say about that, he got shot.

SPEAKER_15 7:55

I'll say me and follow W and I mean W and I del Se Deli one. Next day I'll spell Deli one. Go follow.

SPEAKER_02 8:05

I said playing gimme, that's the reason why he got shot.

SPEAKER_15 8:07

Coming soon. Deliance, what's my boy name?

SPEAKER_02 8:10

I saw playing gimme.

SPEAKER_15 8:11

That's your rap one.

SPEAKER_02 8:13

Bread.

SPEAKER_15 8:14

Bread. Yeah, the EP coming out soon. I think she's going to the reason why he got shot. That nigga chamber ready right now.

SPEAKER_02 8:21

That's the reason I leave.

SPEAKER_15 8:21

Deliance, follow.

SPEAKER_02 8:25

I said playing gimme, that's the reason why he got shot.

SPEAKER_15 8:42

Why are you pouring that water like it's drink?

SPEAKER_03 8:55

I want to go.

SPEAKER_13 9:04

She pulled one of those shots.

SPEAKER_15 9:09

I'm I'm thinking I'm taking a personal training to college.

SPEAKER_13 9:16

That nigga said I just ran his in almost put him off the couch.

SPEAKER_15 9:30

I ain't fucking working out. I don't know what I'm lifting with.

SPEAKER_03 9:34

I don't know.

SPEAKER_15 9:34

Nigga, the strongest old quarter stone, I'm a beautiful stone. Hey, get that marketing out. Oh, we banging like 15 cents. Fuck with all of them for the global marketing. Fuck with all of them for like for your numbers to be with their own. You can do it, you can sign to the label, you can fuck with the management, you can fuck with the marketing, you get video treatments, but whatever the fuck it is that you need to pull up.

SPEAKER_11 10:12

You got everything, man.

SPEAKER_15 10:17

Work for you don't like. Like allegedly. So you can say that I you know me off like I that nigga martyr. But you gotta say I was unalied. That's why you say even look, even like the sex, you gotta say PDF file. Did you say the other word they're gonna go nah? You can't run us off. This is what we do, nigga. We run the world. We run the world, nigga. Don't don't don't front us off. This software is brought to you by Petaphile. Yes, don't monetize for you, nigga. This is a game, nigga. This is the matrix. Everything's so fake that the same people we're trying to get some money from is the people that's fucking over kids. That's crazy. That's why when you get in a room, they be like, hey, I got all the money for you. Let me put three fingers in your ass.

unknown 11:36

Please.

SPEAKER_02 11:40

I can take this shit or I can leave.

SPEAKER_15 11:42

They're gonna say look, they're gonna say the money right here, nigga. You hold it.

SPEAKER_02 11:46

Look, real quick. Where is that?

SPEAKER_15 11:48

Hell niggas go. Do it hurt. Is it like a five day could have heard about the broad day? That's the point. See, real niggas gonna be like, what's in that room before they even go in? Money up in there. But Delhi, think about your life. If anybody in that life said, But all the riches you want us behind this door, and you go that door right there. What do we do? You ask so many questions, you're gonna fuck off the door. So when I go through, you saying I'ma get it right there. What's after that?

SPEAKER_03 12:35

Show me this is how the door's gonna for real is back there.

SPEAKER_15 12:42

That's how you end up in the sauce. Right. That's that baseline too. Look, that's that baseline. That's when you get that's when you fuck it up. And you fuck it up on that, on that baseline.

SPEAKER_02 13:06

You gotta get low chicken, and I'm always gone.

SPEAKER_15 13:10

Well, not get low, but I'm talking about nothing. Well, nigga, they get low, they do your love.

SPEAKER_02 13:18

Um take the chicken and I'm always the block. That's why I'm leaving with these food knives.

SPEAKER_15 13:28

That's when you fuck it up at. You fuck it up right there. You gotta get that little thing. That's why bum bum chicken, and I'm always gone.

SPEAKER_02 13:35

Help us answer my phone.

SPEAKER_15 13:37

Oh, you're about to talk about answering the phone, or they gonna hate it. Your girlfriend's gonna hate you when you say that. Go ahead. That's the part we want though. You just said something about answering your phone, please put that in the run. Yeah, that's when you fuck it up. That's when that everything breaks down, it's only bass. Look, you hear it? You by yourself when it drops right there.

SPEAKER_02 14:05

Chicken phone.

SPEAKER_15 14:08

He said that in peace of mind, you said that in one of the pieces of mine said something about the about the phone.

SPEAKER_03 14:14

She looks like chicken and I'm always gonna be able to do it.

SPEAKER_15 14:27

Your phone over shit.

SPEAKER_03 14:39

I'm listening.

SPEAKER_15 14:42

But for whatever reason on the app, my uh my Bluetooth don't worry, but you said that you know you know how that beats are breaking down.

SPEAKER_11 14:48

You said a part about the phone, right? Yeah, and I'm always when he said a part about something on the phone, he should have said Dom Calion's shit came from Rosetta Stone and then kept oh that's bars.

SPEAKER_15 15:05

I ain't gonna lie. What you just said was bars, though. That nigga just said something about Rosetta Stone when he heard him rapping.

SPEAKER_11 15:15

That nigga said something something something because that's like Rosetta Stone. That's bar work. So he said, so he said something on the phone, Domus Elliot shit can't fold that a stone, and I'm always gone.

SPEAKER_15 15:30

He just said something about a Jewish nickel, nigga.

SPEAKER_02 15:40

I ain't gonna pick up, I got two phones.

SPEAKER_15 15:42

Uh uh, that nigga said I got anxiety, I ain't gonna pick up, I got two phones. That nigga said that like uh the Pac-Man right there.

SPEAKER_11 16:01

You put too many words in that bar.

SPEAKER_02 16:18

Chicken is not always gone. Beds on my bitch, probably gonna pick up, I got two phones.

SPEAKER_15 16:24

I can't pick up. What do you say? I can't pick up, I got two phones. No, I'm saying that we're trying to change it the way you can fit the words in. That nigga's saying like seven words, you probably say five.

SPEAKER_13 16:47

I think I think that motherfucker sweat.

SPEAKER_02 16:58

So as I reached my glass, tree got bowling out, gave up shots, fucking clean my place. Next day I was gonna say spot that he got shot. I played gimme. That's the reason why he got shot the black. That's why I'm leaving with these food knots. I ain't the quarter stone, I'm gonna beatles here, on the stone fuck a fifth, mission chase chicken, and I'm always gone. Benz on my bitch, probably on pick up. I got two phones.

SPEAKER_15 17:19

Yeah, just redo that last line. Redo that last bar.

unknown 17:22

Fez on my line.

SPEAKER_15 17:23

That's why I got two. What you say about Rachel's? Oh, he can't see it. I'm Ray Charles to my phone. Let's go. Let's go. Yeah, let's go.

SPEAKER_02 17:55

I'm Ray Charles to my phone.

SPEAKER_11 17:58

Oh, they tell him he gotta say Domus Eliante. This is Rosetta Stone. Bitch call on Ray Charles to my phone. Right, right after that. Dominic Eliante came from Rosetta Stone.

SPEAKER_02 18:14

How many boards is that called Rachel to my phone?

SPEAKER_11 18:18

How many boards is that?

SPEAKER_10 18:19

That's just that's a half a bar. It's gonna go, it's gonna go with his multi right now. I'm gonna talk about uh Diego. How many boards do you got? Okay, and I'm always gone.

SPEAKER_02 18:32

Like I'm being down. Uh like I'm zoomed out. Don't be to my bitch, call on Rachel's to my phone. Rush it to that paper. That's me. Rush shower, dreamed out.

SPEAKER_15 18:54

I'm looking at process. This first time I'm in the studio with him. I'm looking at what the process is.

SPEAKER_02 18:58

Call on Rachel's to my phone.

unknown 19:06

It was out rush. I was in none of the traffic like I was in the back.

SPEAKER_02 19:11

Mission makes a chicken and I'm always gone. Deads in my bitch, call on Rachels to my phone. Take some papers.

unknown 19:18

Where's your pull at paper?

SPEAKER_15 19:24

I think you're about to say something about June tail. You about to say something about June tail.

SPEAKER_02 19:37

Watch your mouth. Beds in my bitch, call on Rachel's to my phone. Rush shout out to the paper. Something like I'm June down. I'm a bad mother. Watch your mouth. Shout out to the paper, something like I'm dreamed out. I'm a bad music. Watch your mouth. I'm a bad music.

unknown 20:04

Watch your mouth.

SPEAKER_02 20:13

I'm a bad music.

unknown 20:15

Watch your mouth. Well, this is the last two bars.

SPEAKER_02 20:27

Okay, okay. I'm a bad husband. Come on. I'm a bad cousin. Put your mouth and on a head house and I don't know about no drug routine. Put your mouth and on a hit house and I don't know about no drug routes. I'm a bad husband. Put your mouth and on a head house and I don't know about no drug rout.

unknown 21:14

Hitting house.

SPEAKER_15 21:22

Shout out to my thugs that rock the studio, right? And when they rock in the studio, they just be in the studio for like an hour doing that.

SPEAKER_13 21:33

You know, if you be in the studio, shout out to the people that just be in the stoop.

SPEAKER_15 21:37

Like you know, like in the stoop, you could be in the studio and it could just be people there just listening to a nigga do this for like an hour.

SPEAKER_11 21:48

No, shout out to them though.

SPEAKER_15 21:53

Listen, bro. That's why whenever I come to the lab, I'm always everything always ready. Right.

SPEAKER_02 22:00

Drugs route, wake my girl up with this today.

SPEAKER_15 22:04

You better off having shit written that don't even got nothing to do with today, but you got so much of it written that you could just apply it at any time. Look at Mr.

SPEAKER_11 22:17

Most Lepton in the game.

SPEAKER_15 22:20

You gotta write that shit. I ain't gonna lie to you, the nigga right there though. He honestly do be for real, like hearing the beat and go, he sounds stupid as fuck when he's doing it. He'll be like, but then the nigga go in the booth after that and say words, and it'd be like his freestyle be like nine bars. Then he'll double back on the nine in order to remember the nine. He'll remember the nine. He remembered the freestyle nine. He'll do the straws and the ad libs on the freestyle. Especially if you could do like a real light bars, like like 12, 13, 14 bars straight, and then probably cut like just everything after bar eight and really have to really keep it. I think a large look I just made a deal with Lars too on some beach, right? Shout out to that nigga. Look, these beats I just I had these motherfuckers archived. I had them archived, bro. This is my first time hearing them and it went through him and slid him. I'm good, I'm good.

unknown 23:38

Next day I was on a safe must that he got shot.

SPEAKER_02 23:40

I said playing me, that's the reason why he got shot. The black ass might be with these food night. The corner stones, I'm a beatle to your old stone, local mission chase chicken, and I'm always gone. Rachel's call my phone. Rush shower to the bank, something like I'm dreamed out. I'm a backbuster.

SPEAKER_15 24:04

How many is that? Eleven. That's twelve. So there's a look. You hear me? I don't is we doing the hook or or or is we doing some over it?

SPEAKER_09 24:16

Or you can do four more, it's up to you. But I'm saying, look, just just smash sixteen.

SPEAKER_15 24:20

So if you want to do that, I'm saying yeah, just smash with some ad lives if we want to just well look if Jelly did sixteen, right? Can we change? Can we put you on put his four at the end? That no face, no case. You're gonna put his four after his at his twelve.

SPEAKER_09 24:34

Yeah, we can do that.

SPEAKER_15 24:34

Yeah, let's see what that sounds like real quick. Yeah, hey, ad libs are strong. What you say? Go ahead. You talking about you wanna do it, you wanna do it over, or you wanna you wanna do last bar over, or you want to do another bar?

SPEAKER_09 24:53

Oh read the last bar?

SPEAKER_02 24:55

I'm gonna back my mouth on the eight house. I don't know about no drugs route, practicing and watch the cookout. I don't know about no drugs route, practice safety.

SPEAKER_15 25:11

Shout out to the cookout. Shout out to the cookout. I know what that reference means, you feel me? Shout out, mate. Shout out to the cookout. Shout out to the cookout, man.

unknown 25:29

I said playing gimme, that's the reason why he got shot. I'm a beetle team on the stone.

SPEAKER_02 25:38

And I'm on his phone. Heads of my bitch call, I'm Ray Charles with my phone. Something like I'm a drunken out, I'm a fat husband. No case, no case, I wasn't even in the state.

SPEAKER_03 25:58

No face, no case, I wasn't even in the state.

SPEAKER_15 26:02

Either either either his bar was unheaven or something, because it like the way it came in wasn't it wasn't even case, I wasn't even in the state.

SPEAKER_02 26:20

Like sizzle, as I breathe my glass streets on bowling, I gave up shots. Next day I was gonna say when I come to these gates. No fake, no case, I wasn't even in a state. Next day I was gonna say, but I got shot after playing gimme. That's the reason why he got shot. The black ass while I'm leaving with these food high the corner stones, I'm gonna beat us here. Shot with the paint, something like I'm a dream hot. I'm a bad business. Watch him out. I don't practice safe when we talk to that.

SPEAKER_04 27:26

No case, I wanna leave it in the state.

SPEAKER_02 27:34

I was on the safe, but I think I shot outside playing gimme. That's the reason why he got shot. The black ass while I'm leaving with these food minds. I ain't the corner stones, I'm a beautiful tea roll of stone. Fuck a fit, bitch, chicken chicken, and I'm always high. I'm a back up on the hit house. I don't know if I'm like drunk, I'll crack the same. We talked to package low pace.

SPEAKER_04 27:58

I wasn't even in the state. I'll see too many niggas round me.

SPEAKER_15 28:02

Hey, look, look, it's a part when a beat when a beat drop, right? And it's only the baseline. Imagine, like just on the how we is in the bay. Like when you do your like when you do your two-step, they can do that. It's a part with your ad libs, right? It gotta be strong or something right there, right? We're gonna try to have them differentiate it, but even a part leading to the hood, but it's a part where the whole shit drop out, and it's only the baseline. But it's like that part, that time for you to be the slime ball. You feel me? So add libs or whatever, like that's the part. If you go to like could you play Dilly verse? And we we're gonna start from the top so you can hear it. You hear it. Play play Dilly over.

SPEAKER_04 28:40

Yeah, when I wake up, I take my hair off that and plug it in. I'm in a lab going to songs with bats my twins. I make my own hard work and I record my shit. Shut up, my brother, selling these, got it all as it be always speaking on the nigga business.

SPEAKER_15 28:55

Bounce right there. I ain't gotta prove shit. When that bass when that when that shit cut off, and it just boom, boom. That's your that's your time to slide. That's the slide. Just imagine a video in your head. It's in your head already. Hey, what the fuck niggas be staring when I come to niggas gates.

SPEAKER_04 29:13

No space, no case. How I leaving in the state.

SPEAKER_02 29:21

Next day I was gonna say about that. The block, that's why I'm leaving with these food corner stones. I'm gonna beat us to your old stone fucking fit. Like I'm juice out.

SPEAKER_15 29:40

Yeah. Right when it goes right there. When it that's just you, that's when you slide. You back first Friday right there. But you the nigga, you fucking off first Friday. That yes, we slide ball.

SPEAKER_02 30:02

Take the corner stones on the beetles to your oldest ones a fit. Mission chicken chicken, and I'm always gone. Beds in my bitch, call I'm Rachel's to my phone. Shout out to the pink, something like I'm dreamed out of a pet. The black that's why I'm leaving with these who we have. Fuck the feds, mission chicken chicken, and I'm always taking that bitch. Call I'm Rachel's to my phone, but shout out to the pig, something like I'm dreamed out, I'm a pet.

SPEAKER_01 30:29

That's that shit.

SPEAKER_02 30:32

The black that's why I'm leaving with these who we got. Call I'm Rachel's to my phone. Shout out to the pate. The black that's why I'm leaving with these who we got. Shower. Take the corner stones, I'm a beetle to your rubber stones. Shower to the pate, something like I'm June. I'm a back husband. I don't know about my drug. They swim some chicken and I'm always taking that bitch on Rachel to my phone, I should paint something like I I I have no time with the black mass while I'm leaving with these who's stones on the beetles to your roll of stones on the fence. They swim some chicken and I'm always done. I'm Rachel to my phone, I should paint something like I'm June out. I'm a back from the hit house. I don't know about drugs out.

SPEAKER_09 31:59

Uh I think let me see. I might take out one of those that we added.

SPEAKER_02 32:04

Don't want to pay this chicken, and I'm always dying, and my bitch call I'm Rachel to my phone. Oh, that works.

SPEAKER_15 32:11

Yeah. Good. Yeah, yeah. And just like that, whatever that is leading into the hood. But the other comes on, I don't know what it is. It's like somebody gonna say like it's like jumble. Or like it's clear or something. Uh which part? When I write right when you stop rapping and go into the hood.

SPEAKER_02 32:31

Crack the safety we talk to pack my face, no case. I wasn't even in the same way.

SPEAKER_15 32:34

Whatever that is, the way it just don't sound like it's natural.

SPEAKER_09 32:37

They overlap a lot. They overlap like more than usual, like it's a whole bar of overlap.

SPEAKER_15 32:56

We want a slime ball, but not so slime ball, and it don't make sense. Like some with that right there, somebody somebody gotta breathe the legal at work or something.

SPEAKER_04 33:03

Oh about my drug crack the safety. We got the pick on that cooked out. No face, no case. I wasn't even in the state.

SPEAKER_03 33:15

I went even in the state.

SPEAKER_11 33:22

That sounded better when he did that. That sounded better when he stopped it and brought it in. I was like with his face.

SPEAKER_04 33:31

I'm in a lab doing a hundred songs with red as we drop another song. I start making itch. I made my own hard work, I record all my shit. Shot on my big seven pieces, he got it all as it always speaking on the nigga, bitches don't shit.

unknown 33:45

Cause I'm grown, fine in the lab or make it cheese, bitch. I'm at home. I ain't never been a couple. I've been a lane. I ain't never been a type to sit. Play too many games.

SPEAKER_04 33:53

You gonna see me in the city? I'm on T, make a cake. Wanna play with a short, they gonna find you in a lake. No face, no case. How about leaving in the state? Too many niggas round me, really like me in the way.

SPEAKER_03 34:02

What the fuck niggas be stirring when I come through these gates. No face, no case, I wanna leave it in the state.

SPEAKER_02 34:10

I didn't feel no shot, they don't shit. I played the next day, I was gonna say I shot once I played gimme. That's the reason why he got shot. I'm Rachel Shout the Paper. Like I'm a kid, I'm a bad club. I don't know about my drug practice safety.

SPEAKER_04 34:38

No face, no case. I wasn't even in the state.

unknown 34:45

No face, no case. I wasn't even in the state.

SPEAKER_15 34:50

It's something we it's something I gotta just do it right there. That's like you just got a freezer of work on it. So it just seems like it's just I don't let the space in between.

SPEAKER_08 35:04

But I'm not gonna say step on it. Like like right before you finish, I'm supposed to step on it. So no face, no case.

SPEAKER_15 35:15

So on his last word, you're supposed to be on top of it.

SPEAKER_04 35:21

No face, no case. I wasn't even in the state. I put too many niggas. Oh no face, no case.

SPEAKER_08 35:26

I'm already stepping my seat when I come back in.

SPEAKER_04 35:28

So no face, no case, I wasn't even in the state. I put too many niggas round me. Really let me in the way.

SPEAKER_15 35:38

No case, I wasn't even in the case.

SPEAKER_13 35:45

Make that nigga criminal.

SPEAKER_04 35:52

No face, no case. I wasn't even in a state. I think too many niggas round me, but he let me get away.

SPEAKER_03 36:05

No face, no case. Like, what are you talking about?

SPEAKER_15 36:11

Right. I was in Jamaica.

SPEAKER_03 36:14

Like I even gotta explain that now. And I like the little little outro to the beat, too.

SPEAKER_15 36:18

Like you give us a little outro on the beach where the beat gotta last a little while. The niggas that want to freestyle at the end. You don't remember when he used to be in the car, they used to freestyle rest of the beat, nigga.

SPEAKER_11 36:35

All you listen, all you used to need was like a 22nd of the other thing. Used to make the whole instrument on you too. Right. Remember, remember sycamore? Yeah.

SPEAKER_15 36:46

Oh wait, oh, he was wrong. We good.

SPEAKER_08 36:51

Can I let it fade out?

SPEAKER_15 36:56

If you feel like it's a mix on everything, Diego, let me know. That's two, like on both of them. Yeah, we just want to be able to walk out the door. I'm trying to put them up immediately.

SPEAKER_04 37:03

We got time for another one.

SPEAKER_15 37:05

I mean, you ready? Let's go. No, we got we got really got the 1030s. You ain't really ready like that.

SPEAKER_12 37:22

I mean I ain't gonna lie to you, is ready though.

SPEAKER_03 37:33

I mean definitely niggas real.

SPEAKER_15 37:40

Really, we got emotion is bigger than just whatever bullshit is going to other niggas' life, it's more than all that shit. This nigga really like a real artist though. Should already been signed. Like when it comes to art to artistry. You know, you know I got a you know I got a beat that's like a a different kind of beat. I know you ain't really you don't really be on a different shit like that though. But it's a little different.

SPEAKER_04 38:12

No face, no case.

SPEAKER_15 38:17

Nah, because I know you don't really do the different shit like that. You like to stay the same.

SPEAKER_03 38:22

You wanna get challenged?

SPEAKER_15 38:24

No, it's like different, like in the sense that I get dope different, but I don't know what your mentality like right now because you're you feel on the next music?

SPEAKER_03 38:36

I've been on my club.

SPEAKER_11 38:39

Bro, on the in the next studio section, you gotta let them hear the rapture. That was a dope record, though. Put that together. I'm a holly uh W I mean. Fire.

SPEAKER_15 39:37

You can you can you can um you can hear no audio that whole time? Nah, not at all. We know that look when I back out, ain't no audio, even though I can hear you.

SPEAKER_11 39:46

Okay, okay.

SPEAKER_15 39:51

I ain't gonna lie, is a nigga who already hairline already gone. When I look at your shit a lot, I ain't gonna lie, I'm like, bro, you might as well join us. I just want to say this is a sideboard. We ain't gonna clip this list. We don't gotta play up nothing. I'm just saying, but I don't want to front you off, even I know we on live. We don't gotta share this with nobody or clip it or nothing. Your hairline's like, let me just show a couple of people so you don't think I'm just saying.

SPEAKER_11 40:09

My hairline is fine.

SPEAKER_15 40:11

No, what I'm saying is, bro, once upon a time, I thought my hairline was fine. No, listen, can I can I say something? I just want to say I'll be trying to talk to you as a professional. Nobody likes to talk more no more. Nobody that that be that just it, yeah. Nobody likes to talk professional, bro. As as the as the presidente, I know hairlines, that's why I specialize in them. Do you right when I look at your shine? I notice that you hold your head to the left tilted and a little kind of like your china.

SPEAKER_13 40:42

Shut up, shut up.

SPEAKER_15 40:48

Listen, nigga trying to be real in this shit. Look at what I noticed, brother. When you try to be real, let me let you get the floor. When nigga trying to be real in this shit, niggas don't respect it.

SPEAKER_11 40:57

I'm looking at your right now. Dub you is the gas line.

SPEAKER_15 41:00

Shout out to my nigga wrestling. Shout out to Reckless. Listen, shout out to my nigga Reckless. My nigga wear Koofy, a bandana, a bonnet, and a motherfucking um mask. You don't even know he got dressed because the front line is like you feel me. Listen, if I was in the military, can I can I finish real quick? If I was in the military like this, I'd be like this, sir. Yes, sir. It's some different shit, bro.

SPEAKER_13 41:30

It's different.

SPEAKER_15 41:32

I ain't gonna lie, too. This different nigga hey hey, me's this is vacation nigga. Dr. The vacation, nigga. You probably gotta extend that shit like five times. I gotta buy it.

SPEAKER_05 41:43

I'm gonna tasty further.

SPEAKER_16 41:46

Uh what you need? How long does that be? I got two. You need a charger?

SPEAKER_15 42:09

Yeah. Can you extend it? Because I gotta buy it. It ain't no tags on there though, right? If you can extend it, I'm gonna buy it afterwards. I didn't know we was gonna use it because I don't know niggas gonna do three songs. Hey y'all meet me.

SPEAKER_02 42:31

What's up, Joe? What's up, bro? What's up, Cal bro?

SPEAKER_11 42:44

What up, bro? What up, though? Shit, shit, shit. Here, you got a man. I see you with the boot book crazy. Huh?

SPEAKER_15 42:57

Appreciate it. No, this is all you. I'm just just solo. When you start making those stupid ass noises, you'd be like, this nigga can't rap.

unknown 43:12

Listen.

SPEAKER_05 43:13

I'm trying to find you. I'm trying to find you. I'm sorry. My baby's sorry. I just put up on a black shirt. Maybe I got my life on. Maybe I'm gonna come in. I'm not working for spot.

SPEAKER_17 43:44

I just made it hurt.

SPEAKER_05 43:45

Tryna take the bottom half off in a spot. Tryna put the teeth all up in my face. What you trying to do some nasty class.

SPEAKER_15 43:54

That's all I'm trying to do. You're gonna find her.

SPEAKER_02 44:00

What you know that you got the cross be deep show weak in the meat.

SPEAKER_13 44:14

Ah, nigga, let's go, nigga. Don't let that shit. Listen. Don't let that shit. I'm trying to tell you, listen. Make it happen, baby. Let me try to let me find you.

SPEAKER_03 44:41

Let me find you.

SPEAKER_15 44:53

Nigga, what's that cadence? Nigga, make me feel like I can sing. Bro, you don't know that's my shit. Look my shit like that.

SPEAKER_03 45:02

I just grab one stack real quick.

SPEAKER_15 45:05

Look, my nigga, look. That's a nigga look. A nigga locked up. Look, free but not free. They got listen. They got binders.

SPEAKER_16 45:14

This nigga right here, just a Rolex right here.

SPEAKER_17 45:16

We get another paper. You got that one. Huh?

SPEAKER_15 45:22

For what? You better hurry up, nigga. We got it's 9 56. Let me find you. I mean, I rap when I feel like it, ride you.

SPEAKER_08 45:50

I'm trying to see what these new bars got real quick.

SPEAKER_15 45:52

I'm just saying, bruh. Yeah, I'm saying nigga always got something I'm trying to. I said nothing lame going on right now, bro. Listen, bro, I I know the waves right now. You want it. You see, look, beats beats and vibes, courtesy of dub. You feel me? I'm a part of the music no matter what. I'm in a matrix.

SPEAKER_11 46:14

Some songs from that baby girl's five too. I got you, maybe.

SPEAKER_15 46:20

He makes everybody feel like you can sing. You feel me?

SPEAKER_02 47:42

I like my short time.

SPEAKER_17 47:49

You can hoop you can hoop it.

SPEAKER_05 48:11

I do. I like my shore of time.

SPEAKER_17 48:41

Say what you at 42. I'll baby on one of the cars. I like my strong fly.

SPEAKER_05 48:53

I shot a free too. I'll baby on one of the time.

SPEAKER_17 49:03

Say we have. I was asking.

SPEAKER_15 49:14

We want you to go second. Let him go, then you go second.

SPEAKER_02 49:18

I try to find you.

SPEAKER_15 49:26

That way this song gonna be this song gonna be a minute, 30 minutes, 45. That's what we want. You feel me?

SPEAKER_17 49:35

Say we a I try to find you. I'll be on one of the colours.

SPEAKER_16 49:44

Meet your wife.

SPEAKER_17 49:47

I try to find you. I'll be on my hand. I love my ass. I don't mind short buttons.

SPEAKER_01 50:00

This nigga got his pen in his hand like he's ready.

SPEAKER_04 50:06

Just a quick conversator.

SPEAKER_01 50:10

Listen, bro, listen, listen. Listen, listen, listen, listen.

SPEAKER_17 50:17

I try to find you, a baby, I want to look find you to the air, but fight you. I like my shrimp, you find you. I try to find you, I'll be on the card.

SPEAKER_02 50:30

I'm gonna find you to the air, so I'll find you, I like my shrunk, fight you. I'm fine, ladies.

SPEAKER_15 51:00

Like, what you like, four six? You out of pocket, Diego, listen. Yeah, come on, bro.

SPEAKER_13 51:14

Nigga, listen. You heard the nigga just saying the person, nigga, buy to my just the mic my niggas my nigga find you, please.

SPEAKER_02 51:34

Time is peace, so it's time for you and me. Hold on. Fight two inner five is five.

SPEAKER_13 51:40

Hold on, nigga. Like you about to tell me.

SPEAKER_02 51:54

Time is peace, so it's time for you and me. Five two handle, baby, got that peach. Time scientists, but I know chemistry. I'm called up to five rise if you ask me. Okay, let me hit so it's time for you and me. Five two hand Tom is peace, so it's time for you and me. Five two handle, baby, got that peach. Not a scientist, but I know chemistry. I'm calling up to buy the rides if you ask me. Mm-hmm.

SPEAKER_15 52:22

Yeah, yeah, nigga, yeah. Hit that shit, nigga.

SPEAKER_02 52:28

I call it up to buy the rods if you ask me. Got each other's batch, got my eyes across the keys. Me deep stroke breaks a weak in the news. Swipe driver crazy for the car gets the keys. Only time she rides me.

SPEAKER_15 52:42

Don't talk to the bitch then, nigga. Talk to the bitch, nigga.

SPEAKER_02 52:47

Swap drive crazy for the car. Ride me only time she in the driver's seat. Daddy to Patrick with the keys in the tea, she can beat. Yeah, nigga. Be that nigga means, nigga.

SPEAKER_06 53:06

Okay, drive crazy for the car.

SPEAKER_02 53:17

We're gonna Olivia's shit, right? We're gonna Olivia's shit. By the meat, the only time that she patrick can see, and it's key she can be asking too much to be courted. By the meeting the only time she in the drive seat, then it's Patrick in that seat, but it's key she can be. Can you be courted? If I knock some new key.

SPEAKER_15 53:49

Is you streaming to all the destinations? You click all the destinations. How many in the corner is live? Like seven, bro. Just make sure at the end, bro, that you let it that you let it download, like let it like process sort of all go so they all download to every station. Listen, bro, you fumble this, man. But we're gonna talk about this tomorrow. If you fumble this, bro, listen, bro. I ain't gonna lie to you because look, my I got a real big hit. Your head is pro dynamic and you lose it. If I knock some new, you gotta be able to store the process to do niggas like Billy got a premature head, telling you it's more like a seven month. That's why he's able to score all that shit in this shit. He got database, even though he got that bring with his head, his head hella smart. That nigga don't fit no beanies. Every beanie he put on somebody just loose. That nigga need a button. He the only nigga with snap back beanies.

SPEAKER_03 55:04

Can you be a little bit that shit?

SPEAKER_02 55:13

I gotta find you.

SPEAKER_15 55:22

Yeah, we need them last boards, bro. Yeah, we need them last two boards.

SPEAKER_16 55:36

Oh my god. How many boards is that?

SPEAKER_05 55:43

What is that? That's that's two or eight cards.

SPEAKER_17 55:46

I like my short five. I shall find two, that's one of the covers find you.

SPEAKER_15 56:01

You gotta eat one up. What's his last two? We can't bounce him. It ain't no double.

SPEAKER_02 56:06

Can you blow a little bit? I bet you beat.

SPEAKER_15 56:16

Can we save it?

SPEAKER_03 56:17

Can you beat me?

SPEAKER_15 56:18

We ain't got no time for that. I'm only paying for three hours. You ain't really that fast, bro.

SPEAKER_02 56:29

But we still want Diego to mix. Say mix us on my pocket. You're gonna use that for the most important.

SPEAKER_15 56:36

No, I'm saying, but we like I like Diego to get like a good mix to where you feel comfortable. When he finished mixing, I feel like I'm good.

SPEAKER_02 56:41

You know, like this. I'm saying, but Rose just said you're about to find her. I'm trying to find you. Well, I know.

SPEAKER_15 56:54

But is she about to find her in this verse?

SPEAKER_02 56:58

Can you beat me?

SPEAKER_13 57:03

Okay, yeah, yeah. You remember the Donnell Joe?

SPEAKER_15 57:06

Tell me which way to she go.

SPEAKER_03 57:11

It was like, what do you say?

SPEAKER_14 57:25

Tell me, have you seen it?

SPEAKER_02 57:37

I know it's I'm called. Oh, we gotta do ask my eyes across the tea.

SPEAKER_15 57:43

His process ain't the same as yours, but I respect what he put out when he done it. That's all my because you know you're gonna special like just understand that because we can sit back and talk about it.

SPEAKER_02 57:54

If I still special in that round, different things maybe don't look.

SPEAKER_03 58:02

I just gotta find you. Then then you know what I'm saying? I try to find you.

SPEAKER_02 58:19

Five two and old baby, got that feature. I'm calling up to buy the rides if you have each other's backs on my eyes across the feet. Mean deep strokes, like so weak into this. Ride me only time she in a driver's seat, that it's a patrick in the seat for the key she can be. Can you be corporable? If I like some loopy, chip off a different place, baby. I'll be weak. Don't look too far because it'll be fine, you don't see it. So anyway, oh I shot a fighty dude, or baby, I wanna look up.

SPEAKER_05 58:51

I slap me find you to the add to my phone. I shot a funny dude, or baby, I wanna look up. I saw me find you.

SPEAKER_17 59:03

I like my side.

SPEAKER_07 59:05

I should take it.

SPEAKER_15 59:17

That's how we make the summer shit.

SPEAKER_17 59:21

That's why you do everything.

SPEAKER_15 59:23

That's why everything, bro. Everything you own, yeah. You steal the good shit, but on the other shit, like when I fuck with my niggas, we on it. That's for the that's for the EP with my niggas. But on the on the shit we're trying to get the money off of. Let's talk about these right. Let's talk about these bitches of money us. Like that we don't play shit. We ain't even we don't want no beef. And I love you. Come on, we already know. I like my shit. We really want to package it up. We would like to go and get a million dollars to go get I don't curse. That's what we want. Trying to shape it up. We want all the sponsorships. I like my sponsors.

SPEAKER_17 1:00:04

You feel me?

SPEAKER_15 1:00:18

Not only that, he got another nigga he be fucking with you. Like, don't shoot the niggas be doing too to be the rap element of that. If you remember the roots, they do what they do with the black edge, but black dog coming with the rap, it hit you with a whole nut, you feel me? Like you know what I'm saying. I smoke jail joints. I smoke like I'm still in prison. If it's too bad, I wouldn't be on the function. Ricky, Ricky, rest in peace, Ricky. One thing about Ricky, y'all never gave Ricky his real respect. One thing he was supposed to act on he should have dipped. He was a running back. He should have dipped, he was a running back. He shouldn't have ran straight. I don't know who told this nigga to run straight. Yeah, he's a running back, and he was wrong. On the highlights, Ricky was the niggas.

SPEAKER_13 1:01:22

That nigga put that foot right.

SPEAKER_15 1:01:26

My nigga Ricky put that foot in the ground. Oh, hold on. You done asked somebody, uh uh uh somebody from the school we were talking about.

SPEAKER_17 1:01:37

Oh baby.

SPEAKER_15 1:01:42

No, no, no, it was called no. It was somebody we was thinking we when he was gonna come in, when he was getting on the bug to fuck with us. So ask him about somebody. I think we just on the phone with Philly, too. That's why we yeah, but we need you need to do a skip with Philly. Yeah, you need to put them on what we do with this other shit up too.

SPEAKER_02 1:02:11

I think we're looking at the skin.

SPEAKER_15 1:02:13

Right. Just know that the jailhouse lawyers just know that the jail house lawyers, right? Right, I'll just say that's cool. I'm just saying though. I just know that's right. I'm gonna say something to you real quick. Whatever you've been doing up until then, the motion ain't counted towards them. You already know what you've been doing. It's how the W and I niggas you already already got a movie. Ain't got nothing to do with Doug. But when it comes to like other people knowing about what that movement is, like I'm just saying and I work, it's the manual and I work, right? And I work, though.

SPEAKER_13 1:02:51

Right. So like I ain't been doing four days video shooting in studio, three tracks out.

SPEAKER_15 1:03:08

We got motion, man. Like you're saying.

SPEAKER_13 1:03:14

And where you at? I'm trying to find you. Hey but you're still gonna do it.

SPEAKER_15 1:03:36

I'm trying to find you. See, even if you don't know the song, that part you would have said. Especially if she tripping, if she tripping, I'm trying to find you. I can't wait to drop it on rose. Listen, I can't wait to drop it. So she on some. I'm trying to fight. Right, exactly. I can't wait.

SPEAKER_17 1:04:05

Oh, baby, I mean I'm gonna school us in the same class. I don't see all these bullying messages like how you do it for my message to like how you let me have fucking up, take it.

SPEAKER_16 1:04:37

Right, exactly.

SPEAKER_13 1:04:44

I'm trying to find you.

SPEAKER_17 1:04:49

I see you on Facebook.

SPEAKER_15 1:04:55

You didn't you the type of nigga? I don't even gotta know what you're talking about. I'll be like, I don't even know, I just want the sound. You could be talking about nothing.

SPEAKER_17 1:05:17

I like my show. I can commentary, baby, I'll be shine. I was waiting for baby, I've been the same class that I had on see all Facebook. How you been doing for my if you can find one of me's ad libs, don't want to meet's add lips up in that little that little I shot you, don't pay.

SPEAKER_15 1:05:55

Let them show that little space of handlips.

SPEAKER_17 1:05:57

I try to find

SPEAKER_15 1:06:04

That means throw some shit up in their head. That's hard shit, yeah. That's how you got it. He did add because he got a whole board. It got like three three rows. He did like three letters of uh uh added.

SPEAKER_17 1:06:34

I like my short commentary, baby, I've been in the job. I was raised up.

SPEAKER_05 1:07:00

I'm showing up and over pay and I'm trying to find you.

SPEAKER_13 1:07:19

I'm trying to find you.

SPEAKER_15 1:07:22

I didn't even want to leave so I go slap this. I just wanna go get in the wheel so I can slap this on the twelve.

SPEAKER_03 1:07:29

You gotta get on a mic like DJ Kelly.

SPEAKER_15 1:07:32

What you mean? Don't forget that global mob tag. Don't forget that global mob tag. That's your phone though. How much you supposed to go?

SPEAKER_03 1:07:53

Same way.

SPEAKER_01 1:07:58

Go down right here. Listen, man, my shit got a case on the top.

SPEAKER_15 1:08:09

You got an iPhone? I ain't gonna have two iPhones trained. Look, you got it. Oh, let me do this. I'm from East Stockholm. There we go. What y'all wrapping in doing this? Listen, listen, nigga. Listen, I'm trying to find you. Pause.

SPEAKER_13 1:08:29

Listen. I'm trying to find you. If you know we shouldn't never listen, Jelly, you already know. Really? We was trying towards something, you already know.

SPEAKER_02 1:08:49

Tiny as chicks, I was time for you a minute. Five two and a road, baby. Got that feature. Not a scientist, but I know chemistry. I'm called up to buy the rods. If you ask me, got each other's backs, and my eyes have a seat. Me deep structure, so weak in the knees. So I try crazy for the car. I need to keep riding me. Only time she in the driver's seat, that it could patrick in the seat. But the key she can be. Can you beat Cordy Woo? If I knock some loopy, shit fuck a different list, baby. I'm unique. Don't look too hard. Just go lay it.

SPEAKER_15 1:09:31

You see at the end, it's kind of like you gotta go space. Just go lay that. Yeah, you got a bar. Just let Diego write the bar. He got a bar. Yeah, get a bar. Because it's like a little at the end, it's like a little run on something.

SPEAKER_04 1:09:48

Like can you beat someone looking for you, baby? Tell me where you at?

SPEAKER_15 1:09:55

I'm saying it real life, bro. We really just made three commercials.

SPEAKER_04 1:09:58

Can you beat Corp?

SPEAKER_15 1:10:01

If everybody worked together right now, bro, you need it. And we got a machine. If everybody worked together right now, you was talking about 300 or 400 people on YouTube. Listen, listen to me, bro. Listen. Say we do it. You damn there make loose. You damn there make a nigga bacon and eggs or something. Listen, bro, all you gotta do is work.

SPEAKER_02 1:10:26

Say we a ship off the different clips, baby. Say we're the day if we got the deep. Ship off a different clip, baby. I'm unique. Rules in the creed losers.

SPEAKER_12 1:10:49

Yeah, then do that one.

SPEAKER_02 1:10:52

Rule's in the creed, finished, keep the losers.

SPEAKER_15 1:11:01

Yeah, yeah, yeah, yeah. Yeah. She bought the different unique. Rules in the creed, losers. Some do that one more time.

SPEAKER_02 1:11:12

Ship off the different cliffs, baby. I'm unique. Rules and the creed losers weeping by the UN. I'm trying to find you. Somebody that's gonna find it to the court. Ship bump a different cliff, baby. I'm unique. Rules and the creed losers, weeping find this.

SPEAKER_17 1:11:29

I'm trying to find you.

SPEAKER_15 1:11:34

Yeah, yeah. Yeah, creed losers, we can find this. And just give us the ayala the last eight minutes. Baby, I'm you need you. Hey, look, some artists developing shit. I'm the game. You you hearing it and knowing that you should have done better on your own without your peers having to say that's broke that you don't know. That's the difference between look, that's the between a 25-year-old artist and a 35-year-old artist. You know you could have done better. Got a bar insert in now, that's what making a regular cheese.

SPEAKER_02 1:12:14

So it's time for you and me. Five, two, and a little baby. Got that peach. Not a scientist, but I know chemistry. I'm called up to buy the rides, if you ask me, got each other's backs on my eyes on the key. Me deep struck with so weak in the knees. So I drive crazy for the car. I keep the teeth. Ride me only time she in the driver's seat. Daddy to Patrick and see how many teeth she can pick. Can you be corporable? Ship off the different flips, baby. I'm unique. Rules and the creed, losers, we find the speech. I go to like bar six. But I know chemistry. I'm calling up to buy the rides. If you ask me, got each other's backs on my eye across the key. Mean strong makes a weak in the knees. Ride a minute, only time she in the drive seat. So the tea she can see woman, I like some loop. She buffed a different baby. Rules and the creed loss we can find.

SPEAKER_17 1:13:17

I find you, baby, I want you to come to the air.

SPEAKER_05 1:13:23

I like my five. I find you.

SPEAKER_02 1:13:45

I'm calling up to ride the rides if you ask me. I tell the backs on my eyes off the kids. Mean this truck with some weakness and knees. So I drive crazy for the car in the key. Ride me only time she in the driver's data in the seat.

SPEAKER_15 1:14:02

Reward him with a drop. Let's find a drop one. Reward him with a drop. I slightly lose in the creek. He got some lines in here. Reward him with a drop.

SPEAKER_02 1:14:18

I'm calling up to ride the rides, if you ask me. Got a cutter back, and my eyes across the keys. Me gives truck breaks on weep in the knees. White drives crazy for the car. Ride me only time she in the drive seat down the patrick in the seat for the tea. Rules on the creed, you lose weeping by the key.

SPEAKER_00 1:14:57

Call me what you want, you just can't call me broke. Call me what you want, you just can't call me broke. I don't know. Call me what you want, you just can't call me broke. Call me what you won't, you just can't call me broke. Call me what you want, you just can't call me broke. I don't know. But hit about my power when I'm dumb to the president.