WEBVTT 00:00:39.759 --> 00:00:44.079 So I'll be beginning the program with a prelude infused by Johann Sebastian Bach in G major. 00:00:44.960 --> 00:00:58.399 And it's from the Well Tempert Clavier, which is a set of pieces that Bach wrote when well temperament was, I guess, invented in Europe, which is the major and minor keys, the 12 major and 12 minor keys that we all know today. 00:00:59.039 --> 00:01:01.759 So it's from the first book from the Well Tempered Clavier. 00:01:03.280 --> 00:01:16.400 A couple years later, in the 19th century, Frederick Chopin was heavily inspired by Johann Sebastian Bach, and he adored uh Bach's works and always kept a copy of the Walthepper Clavier at his piano. 00:01:16.719 --> 00:01:21.439 And whenever he had piano students, he always asked them to play a prelude and fugue before the lesson. 00:01:21.840 --> 00:01:29.680 So the pieces I'll be playing after the prelude and fugue is Frederick Chopin's Atube number one, also uh nicknamed Waterfall. 00:08:50.559 --> 00:08:52.080 My name is Ezra Shimoto. 00:08:52.240 --> 00:08:55.600 I will be playing Prophet and at the number two, the first movement. 00:08:55.759 --> 00:08:57.679 It's allegor man on trouble. 00:08:58.480 --> 00:09:08.879 Uh I discovered recently that this piece was actually uh dedicated for uh a Prokofia friend that have uh committed suicide one year before. 00:09:09.200 --> 00:09:13.120 So it's kind of this mood of this piece, it's not something happy. 00:09:13.279 --> 00:09:16.480 It's much more darker and some bitterness. 00:09:17.200 --> 00:09:17.919 I hope you can get that. 00:16:30.080 --> 00:16:38.399 Uh Beethoven's a piano tonata number four in a flat major, the fourth movement, um poco legretto e gratioso. 00:16:39.120 --> 00:16:41.759 Like uh a little happy and funny, basically. 00:16:43.039 --> 00:16:55.200 And um, yeah, um this tonara is also nicknamed like uh grand tonara, and the written is like for his early period is like the longest in time. 00:16:55.840 --> 00:16:59.440 And also it was the first one that was published by itself. 00:16:59.679 --> 00:17:06.000 Normally it will be published by like, I don't know, like two or three tonaras at a time, this one just by itself. 00:17:06.559 --> 00:17:11.279 And the way that's written, it's very uh orchestral in a way. 00:17:11.519 --> 00:17:25.920 And it's the the key choice that he put, like if major, normally he would put it for music that he considered to be big and grandiose because at that time that was the key that Brad's instruments were able to play better. 00:17:27.039 --> 00:17:28.480 And I hope you'll enjoy. 00:25:49.200 --> 00:25:50.640 My name is Bohan Wong. 00:25:50.799 --> 00:25:59.039 I will be performing JS Ba Front Suite number one in D minor, and movement one is called Alamand. 00:25:59.519 --> 00:26:22.240 And a French tweet, it's like a set of dance pieces, and the dances are uh the basic structure is the first is Alamant, which is a moderate tempo dance, and then it's uh Quran, which is a fast dance, then we have Theraband, which is a slow and um very expressive dance. 00:26:22.480 --> 00:27:17.599 Then the last one is a G, it's a fast uh dance again, and I'll be playing a la mandating, but I don't know. 00:32:11.119 --> 00:32:20.319 Hello, so my name is uh Victor Well, and today I'll be playing uh Nocturne number five by Noah Lieberman. 00:32:21.039 --> 00:32:26.720 So uh Lieberman Lieberman, or I I guess this piece is pretty much different to anything you've heard so far. 00:32:26.880 --> 00:32:30.079 Um it's uh contemporary composer still alive. 00:32:30.640 --> 00:32:40.799 Um and about this piece, though, a nocturne, uh it's uh a kind of pizza relates to the night, you know, like nocturnal nocturne. 00:32:41.359 --> 00:32:49.200 Um and so one way that I would describe this piece is it's almost kind of like uh a dream that gets corrupted and turns into a nightmare. 00:32:49.680 --> 00:33:03.519 Um yeah, so um this piece uh it's part of the texture, it's pretty pretty simple, it kind of floats off. 00:33:04.000 --> 00:33:09.680 But uh the main theme just gets transformed over and over again throughout the the whole piece. 00:33:09.839 --> 00:33:18.640 Um and uh it's uh very layered and quite uh atmosphere, but dark in in in part of the node. 00:33:18.880 --> 00:33:19.759 Yeah, I hope you enjoyed that. 00:40:28.639 --> 00:40:34.159 My name is Tolly Moris, and I have the privilege of amazing group of students. 00:40:34.400 --> 00:40:38.639 I just wanted to thank you all for coming out, uh, which means a lot to us. 00:40:39.280 --> 00:40:49.039 Um to play in front of a real audience because normally we play on campus and the same recital hall, and this this wonderful students they come from. 00:40:49.920 --> 00:40:55.039 As you can probably hear based on their names and accents, they come from all over the world. 00:40:55.119 --> 00:41:05.440 They're they come from Brazil and Colombia, and of course, Texas, always beyond, and Ukraine, and uh China and Ireland is everywhere, literally. 00:41:06.159 --> 00:41:10.960 Um, and the all study count of performance, um, different degrees undergrad you at Braddoor. 00:42:02.480 --> 00:42:04.000 It would put the visual of that control. 00:42:07.280 --> 00:42:27.119 And next thing that we did with the name is to put the name at the end of the pizza so that you would hear you'd play the music, and then you'd see the title, and you'd be uh you'd get the visual, and then you'd see and be like, oh, this is heather, this is brewed. 00:42:27.440 --> 00:42:30.880 Uh, it was just a fun thing that I hope you enjoyed. 00:46:30.480 --> 00:46:31.440 Good afternoon. 00:46:32.079 --> 00:46:42.079 My name is Pauline, and today I'll be playing AD Pianato at Grand Polynes Brilliant by Frederick. 00:46:43.280 --> 00:46:49.679 And this is a combined work at the first part A Dante. 00:46:52.480 --> 00:46:55.760 A pianato means even and command. 00:46:55.920 --> 00:47:00.559 And which made that part low and a pieceful. 00:47:01.199 --> 00:47:07.440 And uh it's it's written actually after the second piece of pollinate, actual pollinate. 00:47:07.920 --> 00:47:10.400 And uh it's for solo piano. 00:47:10.800 --> 00:47:20.400 Um and the second second piece of the pollinate part was originally wrote for uh written for piano and orchestra. 00:47:21.199 --> 00:47:23.599 Um today I'll be playing the piano. 01:03:51.760 --> 01:03:58.480 I will be playing the last movement of Ragnarosa Nata and B flat minor. 01:03:59.039 --> 01:04:07.920 And yesterday was uh Rak Mananosa the 150th anniversary of Ragnanosa birthday, April 1st. 01:04:08.800 --> 01:04:10.800 Um April 4th. 01:04:11.280 --> 01:04:12.639 Oh, okay, that's a lot. 01:04:15.119 --> 01:04:22.559 Uh so um, yeah, so yes, I and uh actually on campus at UVs we had a big celebration. 01:04:22.719 --> 01:04:25.840 I took part in uh and several other students at the school. 01:04:26.719 --> 01:04:31.039 Um some uh interesting things about this piece. 01:04:31.119 --> 01:04:40.400 Uh um the version I will be playing today is the second version, 1931 version that was originally composed in 1913. 01:04:40.960 --> 01:04:43.199 Um it's shorter than the original. 01:04:43.679 --> 01:04:47.119 Um what else? 01:04:47.199 --> 01:04:53.280 But you'll you'll hear a really significant uh motif in the piece are bells. 01:04:53.519 --> 01:05:03.440 So what I understand from life in Russia is that uh we hear bells all over the place and it's uh very much a part of the Russian Orthodox uh uh uh tradition. 01:05:03.679 --> 01:05:10.639 Uh, uh so the this movement culminates in that large bell section, and uh we can listen out for that. 01:05:10.800 --> 01:05:17.360 Uh um finally, before I play, I just would like again to say thank you to Ben for arranging this. 01:05:17.679 --> 01:05:21.199 Thank you to your pastor uh town as a hospital. 01:05:21.519 --> 01:05:25.760 And of course, as we are a fantastic uh teacher Italian regulator. 01:05:26.639 --> 01:05:27.519 Okay, I hope you enjoyed it.