We review the history of two of our most outlandish Vice Presidents (other than Dick, obviously), the tonal ambiguity of Vice as a film, the value of a good montage sequence, and our inherent discomfort with Cheney’s legacy.
We review the history of two of our most outlandish Vice Presidents (other than Dick, obviously), the tonal ambiguity of Vice as a film, the value of a good montage sequence, and our inherent discomfort with Cheney’s legacy.