PodSwap | Did Korey David Really Throw Candy Canes at Kids' Faces?

Did That Really Happen? From Seven Million Bikes Podcasts. Book your tickets to see Korey David.

Ever heard a joke and asked, “Did That Really Happen?” 

My name’s Niall Mackay from Seven Million Bikes Podcasts and a comedian... long before I ever started comedy, when I heard comedians tell the craziest, funniest stories I would always wonder just that. And if I got a chance to meet them after the show I would always ask “Did That Really Happen?” 
… and 9 times out of 10 the answer was “Yes!” 

But the difference between sharing a story with friends and telling it on stage is a comedian’s ability to take those moments and craft them into a well worked joke. 

In each episode of this podcast I talk to comedians from around the world, play you one of their jokes, then ask them, “Did That Really Happen?”

Today I am with a special guest who is performing at Seven Million Bikes Comedy Show, One Night In Saigon this Saturday, Feb 11th at Eddie’s Diner in District 1.. If you haven’t already make sure you go book your tickets for the show, the link is in the show notes.

This psychedelic loving ex-Mormon Is a stand up comedian and actor based in Denver, CO who works out his angst on stage from growing up as the black sheep in an ultraconservative household. 

He has performed at High Plains Comedy Festival, Alaska b4 u die Fest, Vail Comedy Festival, is a regular at the world famous Comedy Works in Denver, and appeared on Netflix and Adult Swim.

My guest today is Korey David.

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Transcript

Niall Mackay: 2:17

I ever heard the joke and asked, did that really happen? My name's Niall Mackay from Seven Million Bikes podcasts, and a comedian long before I ever started comedy. When I heard comedians tell the craziest funny stories, I would always wonder just that I never got a chance to meet them. After the show, I would always ask them, did that really happen? And nine times out of 10, the answer was, But the difference between sharing a story with friends and telling it on stage is a comedian's ability to take those moments and craft them into a well worked joke. In every episode of this podcast, I talk to a comedian from Around the World, play you one of the jokes, and then ask them, did that really happen? I'm with a very special guest who's gonna be performing at a Seven Million Bikes comedy show One Night in Saigon this Saturday, February 11th at Eddie's Diner in District one. If you haven't already got your tickets, make sure you go book them now. The link will be in the show notes and it's limited seating to just 25 people, so this is gonna sell out, so make sure you get your tickets. Now this psychedelic loving ex Mormon is a standup comedian and actor based in Denver, Colorado, who works out his angst on stage from growing up as a black sheep in an ultra-conservative household. He's performed at High Plains Comedy Festival, Alaska Before You Die Fest. Veil Comedy Festival is a regular of the world, is a regular of the world. Famous comedy works in Denver, and appeared on Netflix and Adult Swim. My guest today is Corey. David, thanks for joining me.

Korey David: 4:02

Yeah, man, I'm happy to be here. I love talking shop about jokes and.

Niall Mackay: 4:06

Perfect. It's my two biggest passions podcast and come.

Korey David: 4:12

Yeah, I, uh, I have a podcast myself, and I took a bit of a hiatus from doing one. I used to have like a craft beer and comedy podcast that I did, uh, a couple years ago. And, um, after I stopped doing that, I, uh, I knew I wanted to start something else myself, and I just got interrogation, true crime stories, uh, kind of up and running a few months ago. But I just, I really missed, uh, talking about. Just, just kind of being funny without worrying about whether or not it's like a set up punchline kind of thing. I just love talking to people and I love saying dumb stuff all the time. Like my, I just ask my girlfriend, I just say the stupidest thing sometimes just for fun, and I feel like podcasts are a great opportunity to do that. You know, you just kind of free flow conversation, kind of trying to be funny, but mostly just having some kind of organic conversation that I think is really fun and enter.

Niall Mackay: 5:01

Tell me a bit more about your podcast that you just mentioned there.

Korey David: 5:04

Oh, so, um, I run a true crime storytelling show back in the States, uh, called Interrogation True Crime Stories. Uh, the idea behind it kind of came from a friend of mine and I wanted to start a show together, like a storytelling show because he and I both. We both wind up telling a lot of stories on stage. We just have a very similar um, kind of approach that way. And, uh, we wanted to do a storytelling show, but we didn't wanna just do something like a generic storytelling show. Cause I feel like a lot of the times, um, if it doesn't have a theme or a niche, then. You know, there's just really not as much to work with. Uh, you don't have that kind of baked in, like appeal or, uh, interest or even the comedy parts of it. Um, storytelling's really hard, uh, as you're aware of. And, um, to craft like a five to 10 minute story. It takes a lot of work and it takes a lot of time. And the reason that we decided to go like the true crime route was because crimes are inherently. And even if it's, even if when the story that somebody's telling when they're on stage at the show, isn't that funny? People are intrigued because it's somebody admitting something stupid that they did or something stupid that they were a part of. And it's one of the reasons like true crime stuff is just um, I think so popular, uh, everywhere right now cuz people are so, there's so much appeal that revolves around people wanting to know about, like things they would've never done themselves, or people maybe acting like, uh, outta line and being like, oh my gosh, I can't believe they did that. You know? So I did. Um, I started doing the podcast in conjunction with the storytelling show to kind of help cross promote the two. And I've just done so many dumb things in my life that I have plenty of my own stories to tell, and I think it's fun and candid. Talk to somebody else about them. The whole idea of it is to, I think, hopefully to shine a light on the fact that everybody's done something stupid in their life. You know? Or it's even somebody, you know, I always tell people like, it doesn't even have to be a crime you committed. It could be something that you witnessed or maybe something you were a part of. The police were involved and everybody has, most people have some kind of ridiculous story. Um, so with. The podcast is a little different than the live show. It's one guest as, as opposed to three on the live show. And, uh, we spend about 10 minutes, uh, recapping and, uh, goofing about dumb crimes that I find on the internet. and then the, um, the guest shares a story for about 10 to 15 minutes, and we just kind of go back and forth. I'll ask some questions about it and, uh, and that's the show. So, um, yeah, again, just kinda like learning more about the guests and, uh, having a laugh about, uh, just being stupid and, uh, maybe, maybe just admitting to things that we weren't always necessarily proud of. You know, whether it's like shoplifting or underage drinking or getting caught doing drugs in a park or, um, vandalism or something like that. You.

Niall Mackay: 8:02

Yeah, everyone's got a story for that, for Abso, for sure, for sure. Well, I'm excited to perform with you this week, and actually, I'll, I'll make sure to tell one of my stories, which has become one of my, one of my favorite jokes to tell anyways. When I was, my phone was robbed by a lady, boy. Right around the corner from where I, from where I met you today. Um, and that's, that's, uh, turned out to be a pretty good joke. So I'll make sure to share that on stage this weekend. You get, you can heal that one.

Korey David: 8:30

I would love to. And you know, one of the reasons that I like doing the, the live show is, you know, every comic that's on the show, um, they, they get 10 minutes and I always tell them that they can, um, do a mix of standup and story just to fill the time, but the majority of the set should be about the. And the reason I think it's cool is because there isn't really a lot of pressure on the story to be funny because after they're done telling their story, myself and the co-hosts, we get back on stage and all three of us, all three com like the, myself, my co-host, and the the comic, we all get a mic. And then the, um, we, the hosts and the audience get to ask the comic questions about what happened. So that's the interrogation part of the show. And a lot of the questions that people ask will either kind of be funny or will find, will find a question or a response from the comic that we can make jokes about. And we know that that's gonna be funny. Like we can make that. and, and then we have, uh, the audience also text in their own crimes during the show, and we read those and then we all three again, we're all still on stage and we make jokes about that. So the reason I brought that up was mostly because, you know, there's not a lot of opportunities that people get to tell a story for 10 minutes and without the pressure of it being like a punchline. 30 seconds there. There's a big, um, you know, a big, uh, drop like in a rollercoaster every minute or something like that. Uh, and people, a lot of people have found that it's been, they have really great, they've gotten some really great material outta doing the show because they got a chance to do it in front of a live audience, like actual crowd. And they found out where the beats were, where instead of they, they, they might not have had that opportunity if they were trying to run it at an open mic. Or even, I mean, if you have only have 10 minutes on a paid show, they're doing someplace. Usually not gonna dedicate that to doing a 10 minute story. You've never said.

Niall Mackay: 10:28

Yeah, I love the concept. I, I love the, uh, the crowdwork aspect of it as well, cuz like you're saying, you're getting the, the crowd to ask questions and the comedian can respond. For me, that's probably my favorite part of performing is when. Is doing crowdwork, interacting with the audience, and just sometimes you just get the funniest moments that can't be replicated, can't be scripted, will never happen again, and you have the whole audience just loving it, buying into it. And it's, that for me is always like the, the, the best part of being on stage.

Korey David: 11:00

Yeah. Well, it makes it very, uh, apparent that the things, it's happening here and it's happening in this room. It's not like a movie or you're not watching a band perform for you. It makes the experience very. Um, symbiotic in that way where it's like, no, we need you guys as a crowd to feel like you're a part of this without interjecting. You know, like, don't heckle, like don't shout stuff out or whatever. But making, I do that a lot of times if it's like a smaller crowd, like if it's really small, like maybe like, you know, if it's like 10 or 12 people in the room, you can literally see everybody that's there. Whatever. I'll take, I'll usually take more time to just like, Pick on people and make some jokes about them or kind of just say more things that are on my mind and talk things out a little bit more. Cuz it seems more organic that way instead of, you know, there's, it's not as much fun to go up in front of a small crowd and just do the written material the way that you wrote that, the way you wrote them, uh, the way you always present it as if you're in front of like a full club or something along those lines. Uh, it just makes this, yeah, it just makes the experience a little bit more special.

Niall Mackay: 12:05

Yeah, a hundred percent. I couldn't agree more. And you know, we, we talked about this today, so Saigon's quite a small comedy scene. I've, I've done some big shows, but mostly the shows here you are doing it to about 10 to 12 people or maybe 2030. So they're generally quite small shows, which does lend itself to doing a lot of really fun crowdwork And I've s. Quite good because I've gotten the opportunity, I think, to get a lot better at it and I'll, and quite good at it because I don't really do many of these kind of big club type shows. I did one just in the States last week or a few weeks ago now. Um, And the comedy strip in El Paso, and you know, it's one of these stages, you can't really see the crowd at all. Nobody sat in the front row, which you would've been able to see the front row, but nobody sat there. Um, and so those kinda audiences, I was like, how would I ever do crowdwork in a, in a crowd like this? But then when you're here in Saigon, the audiences are quite small in the amount of times that I've gone up on stage to host, and I've got something in my head that I'm gonna start with. I've got some jokes lined up that I'm going to start the show with, and. Just start talking to the crowd immediately and it just goes off in a different direction. I tell a different joke. I wasn't gonna plan, or it ends up going in into a conversation or you know, it is much more, I find that so much more fun than, like you said, coming up and then just reading off the scripted jokes.

Korey David: 13:22

Yeah, well, don't get me wrong there, there's a time and a place for both. I mean, when you're performing in front of a large crowd and they came for Comedy Night and uh, that's the reason they're there. They're comedy fans and they're there to have fun. Like the way you wrote the Joke is the best version of that joke. You know, it's polished and it's quick, and it's got the beats to it and the pauses, and you're saying the words the way you want to, and inflecting in the right ways that make it. That, um, you know, it's this perfect packaged piece that is kind of designed and optimized for that crowd. Um, and those are easier bec and that, yeah, I mean, they can be like way easier, right? Cause you can just literally go up there and do it the way you want to, and then you move on to the next joke and you just keep that pace and it's just punch, punch, punch, punch, punch. You know, there's not a lot of breathing room. And then when you have people stacked on top of each other like that in a big. The laughter's just contagious and uh, people can't help themselves but laugh. And then as soon as they think you're done, you boom, you hit'em again with something else, you know? And then, yeah, so that, in that way it's fun, you know, smaller crowds suit usually like slower pace, kind of feeling things out a little bit, maybe going off on some tangents or whatever. But yeah, I think there's time and place for both.

Niall Mackay: 14:34

Well, now you're here in Saigon. You kinda see what I mean. Cause we're just used to smaller crowds here. We don't have big club rooms and things like that. So it's got its positives and it's uh, it's negatives. But I love what you just said there. You'd listed off without even thinking about five different things that go into making a joke. You said things like inflection, pauses, the words that you use. So what we're gonna do now, I'm gonna play your joke. Uh, we're gonna listen to it and we'll find out. Alright, so let's hear the joke from Cory. So, Corey, did that really happen?

Korey David: 17:35

Yeah, that, that absolutely happened. Uh, so. When I go, I used to go back home for Thanksgiving every year cuz I lived about two hours away from where I grew up, where my parents are at. And uh, we would run the Turkey trot every year as a family. And if you're not familiar with the Turkey trot, it's basically just this dumb Americanized thing. I'm sure. Do. Do they do that over? No, of course they don't do that over here. There's not Thanksgiving over here. Uh, it's a dumb question. You mean everybody doesn't celebrate Thanksgiving? What a bunch of losers. Uh, who doesn't wanna celebrate the pilgrims coming to America in Saigon? So

Niall Mackay: 18:09

There, there is a lot of actually Thanksgiving celebrations here, but it's all expats celebrating it, so, but I, I actually don't know what a Turkey trot is, so you can, you can explain it to anyone who doesn't know.

Korey David: 18:19

Okay. Okay, great. So somebody came up with this great idea that on the day of Thanksgiving, they're gonna run a five, they're gonna host a 5k. Uh, which is always ridiculous to me because in the States the night before, Thanksgiving is actually the biggest drinking holiday of the entire year. Like more alcohol is consumed the night before Thanksgiving than on any other night in the country. And. That. Yeah. Everybody knows the, the best thing to do after a night of heavy drinking is to go for a run. So one of the, uh, other traditions that kind of goes hand in hand with the Turkey tro is half, like a lot of people wind up running it in some kind of a costume. You know what, just for fun, for Goose, right? And my family has a Santa costume because we do a family Christmas party every year and somebody dresses up as Santa for like the kids, whatever. So is. So I just decided, cause I'm a silly goose that I was gonna, I'm gonna run it in a santa suit, right? And Santa suit is uh, not ideal for running in any temperature, but especially the fall. Like it's not incredibly cold yet, so you work up quite a sweat. And again, just for, for the sake of trying to be fun, I was like, oh, I'll bring some candy canes with me so that I can toss'em out into the crowd. And just one of the things that you don't think about until it's actually happening is, you know, some of these kids are not coordinated. They're theater kids already. You know, even at from a very young age, they're not playing sports. You can tell. And even if I'm not hucking candy canes at their face, you know, you throw'em at a decent speed and some of'em are just banging kids right in the. And, uh, there's nothing, there's nothing anybody can really do about it, you know? And I remember having that thought. I feel like at one point somebody said to me, yeah, I remember somebody yelling out, just kind of like, Hey man, watch it. And I was like, I'm gone. You know, I'm fast. I'm a pretty fit guy, you know, like, so you can catch me if you want to, but I'm onto the next kid. So I get done running this 5k. I'm hot and sweaty and for real. As you would expect, but I did not think about this ahead of time. Kids see Santa Claus and they wanna tell Santa, they don't know they're stupid. They have, they haven't even gone to college yet. You know, they haven't even been told what they wanna do with the rest of their lives. Right. Uh, they have formed their brains at all. So they're like, Santa's here, he's wearing Asics and he's a lot skinnier than any other version that I've ever seen. But that doesn't. So they wanted to tell me what they got want for Christmas. Right? And at first I was a little reluctant, but then I, I tried to just generally be like a nice, sweet guy. So I was like, yeah, of course. That sounds nice. Whatever. We can get it outta the way and, and we'll get back home and I'll relax on the couch and yeah. And then the next thing you know, there are literally 20 children lined up, waiting to tell. Some guy who they who they don't know, but their parents are trust. Uh, with, uh, telling'em what they want for Christmas. And it got, it was a little overwhelming, but the, uh, then a cop came over cuz he was running security and we were just making jokes together, whatever. And that's when he said the uniform line to me, which is like, you know, don't put on the uniform if you can't do the job. And at the time, I mean, I, I had a good laugh about it. We both did. And I was like, wow, dude, that's a zinger. Um, maybe you should do comedy, but. But otherwise, yeah, I mean, I, I did it. We got it over with. It was no huge deal. But it's more funny to act like I was stressed about the situation. Now with the, the story itself, um, that's pretty much the version of it that I still tell, but I've tried adding different pieces to it, you know, cuz there's the, the root story, which is the main, um, through line that doesn't really change. And then like my process when I am writing any bit is once I find out what the funny parts of it are, then I write as much as I can about that part, even if it's not about the story. Right? So when I say, um, like if you thought white privilege was good, try mythical holiday character privilege. So I've, I wrote some new stuff about that. That's kind of like, um, you know, this guy like breaks into your house, he eats your food, he sleeps with your wife, like that's priv and you invite him back every year. Like, that's privilege. You know. And then I wrote some, another thing about like, if this guy's name was Shaquille Claus, he would've never made it out of the suburbs. You know, that went like, okay, you know, just some people are just like, that sounds racist. I'm like, it's kind of racist, but it's. You know, uh, cops don't like black people in the country, in the United States. So it's really just mostly me, just kind of ma like seeing how far I can take something without it, like being offensive, right? Like, I'm not trying to be, I'm not that, I'm not that guy. Like I'm not the comic that is gonna say something just blatantly like shitty. For the sake of like, oh, oh man, I can't believe he said that. What an edge, Lord. It's like, no, I'm just trying to make like a fun observation that can sometimes be kind of serious, but it's like it's real, you know? So I kind of went that direction with it. There's a new line that I wrote in there about, um, that's been going pretty well about when I say the cop, there's, so, the way I set it up, it's like, so there's a. Nearby right there. Just running security, either, uh uh, either running security or just out patrolling for PE for pedophiles. You know, it's like usually you, usually you have to work a lot harder than this, but sometimes a fish just jumps right in your boat, you know? And. So that line's been going okay. And, um, and then I've tried to add a couple things to the end of it just to see if I can tag it a little bit more. Nothing's really been fruitful. Um, but that's part of the process, you know, is like, I'm always looking for, um, make it, make it as big as you can at first. So write out every detail. Write out as many jokes as you can. and then listen back to recordings and be aware when you're telling the story or when you're telling the joke, and just be really honest with yourself about what's working and what's not. And then literally just start crossing stuff off that's not working. And then that making it the smallest version of itself. So going from the biggest thing to the smallest thing. And then once it's at its smallest version, how do I incrementally make it bigger from there? So it's literally just making additional jokes about subjects, verbs, the characters involved. Um, you know, so maybe a direction to take would be, you know, I mentioned a cop, you know, write jokes about cops. Uh, there's kids in the story wrote jokes about kids. There's Santa in the story, right? Jokes about Santa. You know, so even though that's, none of that has to. with the story. Now I'm just trying to add punchlines intermittently throughout the whole thing that have to do with the stuff in the story.

Niall Mackay: 25:20

Wow. I absolutely love that. I mean, this is, so we've, I think you're like episode 25. Been doing, not been publishing consistently with this podcast, but everyone's got a different style of me of doing comedy. Um, And some people are definitely more thorough like yourself, and I just love hearing these tips and tricks. So anyone who's listening to past episodes or, or knows anything about me, I don't really write anything down. I come up with like little ideas in my head, then I just do it. But I'm not comedy. For me, it's something that's more of a hobby and I'm, I'm podcasting is my profession. Comedy is my hobby, so I just don't have the time to dedicate. Like what you just described there though is amazing. Like I wish I had the time to sit down. And what I love, I've always loved in my life is like a step-by-step guide like systems. And this is the beauty of comedy, is people think, you know, you've heard this as well. People go, I couldn't do that. I couldn't be funny or you know. And it is like, if you can follow a system, if you can copy that and replicate it and put your own spin on it. That's really why anybody can do comedy if you really want to. I think so anyway.

Korey David: 26:28

Yeah, I try to, I think it's important to build like a foundation and skills and have that system that you're talking about so that I can, um, have a process to try to make this thing better. But I'm also, you know, I'm an advocate for. um, just being a funny person, but I think that comes with, you have the system in place. So when the, the, just being a funny guy or being a funny woman on stage fails, then you have the system, right? It's kind of like, um, when, like if I get, uh, if I'm having like mental trouble or I'm depressed or sad, or I'm going through like a tough period of time in. I have a system in place that I practice every day, so that way when things aren't going well, I have that system to kind of keep me sane and get me through it, you know? So it's like a pr, like a practice of sorts where, you know, you don't have the practice in place for when things are going well, but you have to build those habits and you have to, uh, stick to them so that way when you actually need it, you, you already have those habits in. So, like jokes for me are, um, you know, I'm pretty thorough and thoughtful and meticulous about what I say, what I don't say and how I say it. Um, but I also, um, I really enjoy just trying to be funny in the moment, you know, and making observations about what's happening in the room or just something stupid that I thought of that day and seeing how far I can go with that. And then once you take it, once there's like a dip or a lull, um, you're like, okay, great, let's get into the jokes, you know? Cause I've already. Polished shiny toy that, uh, I haven't shown you guys yet, you know, that, um, that I have to fall back on, that I know works you.

Niall Mackay: 28:13

Yeah. Yeah, for sure. Awesome. I can't wait to see it in practice, so, uh, This has been awesome Corey. Thank you so much. Uh, I love being able to hear from comedians like yourself. We've spoke to so many and shared so many amazing tips. So if you are an aspiring comedian, uh, make sure you've been taking some notes. Go back and listen to old episodes before you go tell people about the show this weekend and why they should come out to see it cuz there's not, this is gonna sell out, I'm absolutely sure.

Korey David: 28:41

Well, I'm just ex Well, first and foremost, I can't thank you enough for, um, setting this up. I mean, considering the fact that, you know, the way we kind of started getting in touch was basically Reddit, you know, uh, just kind of going out on the internet and me planning this trip. And kind of retroactively booking some comedy stuff after that. And I think it's just, uh, it'll be, it's fun because, um, you know, I'm coming in with a completely different perspective than maybe some of the local people that, uh, you've seen before who I'm sure are incredibly funny, but just kind of, uh, just a different take. You know, I'm, uh, I grew up in the States. I grew up in New York. I grew up in, I live in Colorado. Um, I'm ex Mormon, love psychedelics and drugs and stuff, and I just kind of, uh, I try to, um, Just have fun with the room, like whoever's there, like my job, uh, as a comedian. Is to just, is to be funny for the people that are in that room, right? So it's not this like you're watching a Netflix special and it's like a TV screen and you're just watching presented material or anything like that. It's like, no, our obligation as comics is to be, be really funny that night. You know, whatever that takes. You know, sometimes it's polished material, other times it's riffing. Other times it's, you know, it's making observations about what's happening in front of you. And, uh, I dunno, man, I just try to have fun. Like, I think you've kind of noticed that about me, hopefully so far, is that I'm just kind of a big goofball and, uh, I'm just I'm here to just like, have a, have a good time, be silly, and, uh, not take things too seriously. And, uh, I think if anybody, if you come out to the show, I can guarantee that, uh, you'll walk away from it. Um, happy that.

Niall Mackay: 30:21

I can't wait. And I've actually, I make a point with most comedians that, uh, that I'm gonna watch is not to really watch too much of the material online. So if you are listening, don't go run off and start looking on YouTube for Corey, David. Just come out and enjoy the show, cuz I think it's always the best when you just see somebody in person for the first time without actually really knowing too much about their material or anything like that. And I'm the same as you. Like I just wanna make people in the room laugh. That's that's the end of the day. I want, want people to have a good time. So we got a great show. So I'm gonna be hosting, and then we got Tado, who's a finalist in the Vietnam comedy competition and West, who's a musical comedy and just one of my favorite people in the world to watch. Um, In real life, he's an absolute asshole. Like, don't listen to anyone who says he's a good guy. He's, he's a tall dickhead. Wayne, I hope you're listening to this, uh, anyway. I'm kidding. I'm kidding. Wayne's a Australian, so I've gotta call him. I won't even say it, but, you know, see you next Tuesday, if you know what that. ACRONYM stands for, I know, I know that Wayne does. But, um, come out to the show. It's gonna be Eddie's Diner in D one. It's upstairs. Um, tickets are 200,000 dong, which is like$9 or something like that. Um, if you book before Friday, they're gonna be 250,000 dong on Saturday. And if you pay on the dollar, they're gonna be 300,000 dong, but I'm pretty sure they're gonna sell out before then. So make sure you go to the show notes. Um, I go to Seven Million, Bikes Comedy, and. Facebook page or go to the website and you'll be able to buy the tickets there. So, um, I'm looking forward to seeing you on Saturday. You're after full clock now.

Korey David: 31:53

Yeah, man. I'm gonna go hang out on the beach, maybe find some mushrooms, and, uh, drink some, drink some coconut water, and uh, and go for a swim breath.

Niall Mackay: 32:01

Enjoy. Enjoy. All right then, Corey. Thank you so much and I will see you on Saturday.

Korey David: 32:07

Sounds good. Thanks, man.

Niall Mackay: 32:09

Cheers.