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Welcome to the hair of the dog podcast.

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This is Nicole,

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and this is a special podcast episode,

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brought to you directly out of the hair of the dog

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academy. Inside the academy,

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our members have the opportunity to schedule laser coaching calls.

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And not only are these calls beneficial for them,

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but they get shared inside the community so that all of

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our other members can benefit from them.

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What we've done is we've taken the very best of our

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laser coaching calls.

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The ones that I know you guys have questions for as

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well, and we are bringing them to you here as some

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bonus episodes on the hair of the dog podcast.

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Now I'm not promising them every week,

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but periodically we'll be releasing new laser coaching calls out here

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on the podcast on Thursdays.

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So keep checking your podcast player and get ready for 15

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to 20 minutes of quick laser coaching to get some quick

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wins, get some questions answered and helping our members and you

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move forward in your business.

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If you want to learn more about how you can become

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a hair of the dog academy member to simply go to

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hair of the dog academy.com/academy

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and check it out.

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We'd love to have you inside our pack.

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Now stay tuned for the laser coaching.

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And when I say laser coaching,

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is it just me?

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Or do you picture little cats with laser beams too?

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That would make this even more fun,

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but I'd aggress,

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no cast with laser beams,

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but some incredible business knowledge about to happen.

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Enjoy Welcome to the hair of the dog podcast.

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If you're a pet photographer,

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ready to make more money and start living a life by

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your design,

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you've come to the right place.

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And now your host,

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pet photographer,

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travel addict,

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chocolate martini connoisseur,

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Nicole Begley.

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Welcome to laser coaching.

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Nice to have you here.

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Yeah. What can I help you with about named stuff and

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all that good stuff,

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right? Yes.

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Yes. I'm setting up a website.

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I'm in the process of setting up a website and I

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go to logo before that,

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which I really love.

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I really love my logo,

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but I,

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I just picked this name out because minus Victoria expects,

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which I thought was great.

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And then I suddenly thought,

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oh my gosh,

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should I be using that as a name?

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Or should I be,

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should that be on my logo?

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Do I have to register that as my logo?

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I've decided that I'm going to keep from my website.

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I'm going to keep my name as a domain name,

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like Victoria and right.

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Okay. So that's going to be my Buddhist Sewell.

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So do I need that on my,

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should I have that on my shift?

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That'd be my logo.

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Should my name be my logo?

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Or can I keep my logo as it,

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as, as I've had it designed or the,

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you could go lots of different directions here.

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The main thing is we want to make sure where marketing

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with whatever name you choose.

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Don't worry about what the domain is right now,

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but like,

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if you want to keep the VIX picks for your,

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like your logo and your name and your marketing,

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and like basically everything,

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you can keep your website where it is,

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but then I would still buy that VIX fix donate domain.

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And you can just forward that domain to the one that

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is currently on.

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Okay. You know,

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so you could do that.

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Or if you wanted to,

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you can move your website to that main domain and then

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forward your old domain.

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I would keep both URLs now because some traffic still might

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end up in that old one,

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but just keep one website and just whichever domain,

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the website doesn't live at forward.

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The other domain to that brilliant guess.

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Yeah. So that should be quick and easy.

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Very nice and easy.

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Do I need to register the VIX picks as a kind

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of trademark or,

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or a name in any such way?

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Because I picked it on my Lego or where are you?

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You're in the UK,

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right? Yes.

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Yeah. I'm not as familiar with laws out there.

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So I'm like for here you would need like,

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have you registered your business?

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Either name?

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No, I haven't.

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Okay. So if you haven't registered your business,

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then you could probably just register whichever name you want.

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I would register the VIX,

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picks the one you're going to do business under.

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Yeah. I'm not sure what exactly that looks like in the

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UK, but yeah,

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I'll check it out.

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Yeah. Okay.

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Cute. I'm really in the beginning of setting it all up

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and learning and I was watching all the pricing,

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watching all your pricing stuff today,

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it was fascinating.

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It's really fascinating.

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So I'm not clear on what I need to do to

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get the pricing and to adapt to it.

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We have to remember,

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I don't have to have it all done.

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Like as soon as you launch,

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you can start with just some prints and digital files,

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just digital files,

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just some prints,

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whatever, and add pieces as we go.

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And yeah,

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and try to is as easy as hitting,

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putting a new number on the keyboard.

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So you don't have to,

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like, I see so many people spend like months just agonizing

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on. I don't know if this pricing is right.

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Just, you can change it later.

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Just test it.

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Yeah. Would been a big inspiration there because she was quite

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a lot.

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So I just really good to see you.

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I love to,

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I love to experiment with new pricing.

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That's like one of my most favorite.

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See what works.

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It's brilliant.

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Yeah. The funny thing is what I found is all the

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different pricing that I've had.

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They all work just as well.

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So for the ends really doesn't matter.

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Yeah. As long as you've got some,

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yeah, Yeah.

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You need to have some pricing.

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And it's really about the education and the messaging and the

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marketing to get in front of the right people.

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But the pricing itself,

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as long as you take the art of pricing,

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which is,

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you know,

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looking at what you want people to purchase and setting up

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the pricing.

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So they get rewarded for doing what you want them to

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do. Then you're usually good to go.

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Yeah. That's a lot clearer.

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Since watching your videos today,

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it was really helpful.

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So that's really helpful.

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Can I ask you another couple of questions?

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One is this one is about Topaz adjust.

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I have some,

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several of the pass things on little videos.

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You have,

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you make adjustments using the classic collection.

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I know how's that all my type has,

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like my type class doesn't seem to be as,

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as kind of Guidance still.

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You're running the really old one.

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I don't think I ever updated mine.

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No. The somebody else had this question recently too.

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I might actually reach out to Topaz and ask how we

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do that now.

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Cause I've been scared to update mine.

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I'm like,

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well, I don't want to like,

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not know how to do it again.

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I've been using it for,

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so I may ask them yeah.

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How I can still get that same look in the new,

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with their new update.

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Good. That'd be great because I just,

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I've got,

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I bought it quite recently.

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So it's quite,

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it's quite obviously quite a new one,

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but the,

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you can't,

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it doesn't come out as well as like you was kind

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of nice little adjustments,

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whereas this is kind of a big adjustment,

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some way,

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some other way.

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And it's just a bit too much Mine.

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I always do on a separate layer.

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And I always took it back down.

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Like, cause it,

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it was always too much to Let up from you to

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Almost any adjustment we tend to do.

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I mean,

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we've all been there.

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It's like,

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look, I can adjust the eyes.

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I can adjust the sharpness of the fur.

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Wow. Please live and learn.

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I'm running Photoshop,

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CS six.

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So I'm really behind really had done that.

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So I,

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I won't do another layer.

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It will do another layer,

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but it went for the patch tool.

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If I'm trying to do the patch little content content aware

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fill, then it won't,

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it won't do that.

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It has to be on the original language is a real

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pain. But apart from that,

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it's not too bad.

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Well, once you get around to updating though,

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you'll find all sorts of cause even if the tools aren't

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necessarily new,

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they've gotten so much better from CSX,

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even with the patch and the content aware fill and all

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of those things work just so much better.

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So that's good because I've been wondering whether to upgrade or

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not. Cause I don't have Lightroom because I've got cause I've

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to got the Photoshop CSX.

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I don't,

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I mean,

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for the Photoshop does,

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I think it's still only $10 a month for the photographer

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package, which is Photoshop and Lightroom.

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You can't beat it.

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I mean,

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It's amazing.

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And to make the difference to them,

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to the photos,

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Even with that,

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you can rationalize it as learning to use.

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Lightroom will save you so much time because truly nothing really

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goes into Photoshop until it's ordered.

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Like I do all of my shoot.

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I do my global edits and calling and light room.

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And that's what I show my clients,

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unless there's like a group image that I need to like

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merge images or head swap or do something severe.

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I'll finish that.

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And I do always finish usually one or two images all

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the way through so they can see a final image.

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The images I show are not fully edited and then I'll

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just edit the ones that they purchase because most of my

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clients don't purchase all of my images.

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They usually do a few for a Walmart or,

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you know,

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so that's usually what they do.

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They might buy a handful of extra ones,

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but Okay.

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You can always purchase all of them.

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So. Okay.

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Again, that's interesting.

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That's interesting.

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Thank you.

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Cool. Thank you.

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And just one other question I have,

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I was saying to my sister,

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but it's a fantastic camera.

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00:09:48,950 --> 00:09:50,120
I have a breeze camera.

276
00:09:51,260 --> 00:09:53,240
It's a top of the like top,

277
00:09:53,240 --> 00:09:54,140
top bridge camera.

278
00:09:55,250 --> 00:09:56,180
It's a Sony.

279
00:09:56,600 --> 00:09:57,440
It's a Sony one.

280
00:09:58,160 --> 00:09:59,240
It is absolutely brilliant,

281
00:09:59,240 --> 00:10:00,290
but it is a bridge camera.

282
00:10:00,350 --> 00:10:03,110
Do you think I'll be okay using that for at least

283
00:10:03,110 --> 00:10:04,010
awhile? I mean,

284
00:10:04,010 --> 00:10:07,220
yeah. You can use whatever you need to,

285
00:10:07,430 --> 00:10:08,840
well, what kind of camera is it?

286
00:10:08,840 --> 00:10:10,400
I don't know if I'm what,

287
00:10:11,410 --> 00:10:11,990
what costs,

288
00:10:15,350 --> 00:10:16,840
So I don't know if you can say that.

289
00:10:17,890 --> 00:10:19,360
It's, it's a pretty,

290
00:10:19,970 --> 00:10:20,810
very good one.

291
00:10:21,290 --> 00:10:24,200
Yeah. What's the problem or what are you concerned about with

292
00:10:24,200 --> 00:10:26,060
it? I think,

293
00:10:26,420 --> 00:10:28,700
I think what concerns me most is the ISO I don't,

294
00:10:28,730 --> 00:10:30,590
cause I can't have that up very high.

295
00:10:31,880 --> 00:10:33,410
I think that's probably the biggest cost on this.

296
00:10:33,410 --> 00:10:35,150
This sharpness is where it goes in.

297
00:10:35,150 --> 00:10:36,950
The focus is pretty quick.

298
00:10:37,520 --> 00:10:38,840
Where are you usually shooting?

299
00:10:38,840 --> 00:10:40,280
Do you usually shoot on location?

300
00:10:40,280 --> 00:10:41,810
Outdoors studio?

301
00:10:41,810 --> 00:10:42,860
What's your usual.

302
00:10:43,550 --> 00:10:44,450
It's always outdoors.

303
00:10:44,450 --> 00:10:46,400
Yeah. I Mean you should be good.

304
00:10:46,400 --> 00:10:47,780
You just have to watch low light,

305
00:10:47,810 --> 00:10:48,260
you know,

306
00:10:48,290 --> 00:10:51,830
just have to be careful how long you shoot or if

307
00:10:51,830 --> 00:10:53,210
it's starting to get later in the day,

308
00:10:53,210 --> 00:10:55,010
just stay out of those really deep shadows.

309
00:10:55,820 --> 00:10:56,770
Yeah, yeah,

310
00:10:56,810 --> 00:10:58,340
yeah. But you should be good.

311
00:10:59,870 --> 00:11:00,500
Okay. Good.

312
00:11:00,560 --> 00:11:00,920
Thank you.

313
00:11:00,920 --> 00:11:01,490
Yeah. Yeah.

314
00:11:01,490 --> 00:11:02,030
You're welcome.

315
00:11:02,300 --> 00:11:04,520
Usually when it's time to upgrade,

316
00:11:04,520 --> 00:11:06,440
it's when you start really noticing,

317
00:11:06,620 --> 00:11:07,070
you know,

318
00:11:07,070 --> 00:11:08,180
if it's something like,

319
00:11:08,540 --> 00:11:08,990
Hey man,

320
00:11:08,990 --> 00:11:11,930
it was just this one session because a storm rolled in

321
00:11:11,930 --> 00:11:13,670
and I got way darker than I thought,

322
00:11:14,180 --> 00:11:14,540
you know,

323
00:11:14,540 --> 00:11:15,530
than usual.

324
00:11:15,530 --> 00:11:20,210
Okay. That's a one-off but if your regular shooting strategy,

325
00:11:20,390 --> 00:11:24,500
you're finding that you just don't have enough camera then maybe

326
00:11:24,500 --> 00:11:25,490
it's time to upgrade.

327
00:11:25,610 --> 00:11:29,240
Focus is also a reason like ISO and focus are usually

328
00:11:29,240 --> 00:11:32,720
the two things where people feel limitations and then want to

329
00:11:32,720 --> 00:11:34,880
upgrade. So those are kind of the two things.

330
00:11:36,140 --> 00:11:36,920
Okay. Brilliant.

331
00:11:37,460 --> 00:11:39,580
I think the focus really good on that.

332
00:11:39,620 --> 00:11:45,380
Yeah. I think Sony focus was pretty continuous things to set

333
00:11:45,380 --> 00:11:47,180
my minds at rest and cue.

334
00:11:47,690 --> 00:11:48,560
No, you're go.

335
00:11:48,960 --> 00:11:50,360
And this is like a rapid fire,

336
00:11:50,360 --> 00:11:51,080
laser coaching.

337
00:11:55,630 --> 00:11:56,290
It's all good.

338
00:11:56,290 --> 00:11:56,650
I'm glad.

339
00:12:00,520 --> 00:12:00,790
All right.

340
00:12:00,820 --> 00:12:01,450
Awesome. Well,

341
00:12:01,450 --> 00:12:05,390
you have a great week and see you see you too.

342
00:12:05,650 --> 00:12:06,430
Thank you very much.

343
00:12:06,430 --> 00:12:11,460
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344
00:12:11,460 --> 00:12:14,850
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00:12:18,120 --> 00:12:21,660
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358
00:12:50,310 --> 00:12:52,470
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359
00:12:52,470 --> 00:12:54,330
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360
00:12:54,330 --> 00:12:56,460
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00:12:56,490 --> 00:12:58,800
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363
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364
00:13:05,970 --> 00:13:09,330
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365
00:13:09,330 --> 00:13:10,050
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366
00:13:10,140 --> 00:13:15,030
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367
00:13:15,030 --> 00:13:16,080
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00:13:16,620 --> 00:13:17,880
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375
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376
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