Everything Is Connected

Manyaku Mashilo: in conversation with Folasade Ologundudu

Season 6 Episode 112

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0:00 | 31:29

Manyaku Mashilo began as a drawer—using pencil to mimic texture, memory, and feeling—long before painting became her primary language.

In this episode, visual artist Manyaku Mashilo reflects on her evolution from fashion design into a multidisciplinary practice rooted in painting, mark-making, and storytelling. Her work moves through texture, memory, and color—building intimate, emotional worlds that center Black womanhood, spirituality, and ancestral lineage.

 But this isn’t just a conversation about artistic process.

Instead, Manyaku traces the deeper currents beneath her work: memory as a tool for survival, art as a spiritual practice, and the lifelong search for belonging—both within herself and in the communities she builds through her work.

In this episode Manyaku shares:

  • Her beginnings in fashion design and how drawing became the foundation of her practice
  • The importance of texture as memory, emotion, and cultural marker
  • Her work as a tattoo artist and how mark-making extends onto the body
  • The influence of her grandmothers—one a farmer, the other a spiritual healer—on her practice
  • Art as a form of ancestral remembrance and spiritual grounding
  • Navigating identity, suppression, and belonging growing up between rural and urban South Africa
  • Building new forms of community through art, including queer Black creative networks

At its core, this conversation is about returning—returning to memory, to lineage, to the textures that hold us. Through Manyaku’s reflections, we see how art becomes more than image-making; it becomes a site of healing, a language for the unsaid, and a way to rebuild belonging in a world that often asks us to forget.

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