Everything Is Connected

Anina Major: in conversation with Folasade Ologundudu

Season 6 Episode 114

Use Left/Right to seek, Home/End to jump to start or end. Hold shift to jump forward or backward.

0:00 | 28:54

On this episode I’m joined by Anina Major. We discuss the themes of identity, migration, and memory present in her work. Discussing her latest works and the context of her practice, we explore the ongoing negotiation between self and place. Drawing from her upbringing in the Bahamas and her life in the United States, Major reflects on craft as a language of memory, the influence of familial knowledge, and the ways displacement can transform both identity and artistic expression. 

Her latest exhibition, Tender Seedlings on view at Larkin Durey, is her first in London and explores how identity is formed through movement and transformation. Using the traditional weaving technique, plaiting, taught to her by her late grandmother, Major translates a fragile, portable craft into ceramic form, allowing inherited knowledge to migrate across materials, geographies and time. 

Anina Major (she/her) is a visual artist from the Bahamas. Her decision to establish a home contrary to the location in which she was born and raised motivates her to investigate the relationship between self and place as a site of negotiation. By utilizing the vernacular of craft to reclaim experiences and relocate displaced objects, her practice exists at the intersection of nostalgia, and identity.

---------------------------------

Follow & Subscribe 

Subscribe on Substack

Follow Light Work on Instagram

Follow Folasade Ologundudu on Instagram

YouTube - Subscribe to the Light Work YouTube Channel