Tape Recording in the Studio: A practical Guide
This is the final of the three parts in this series on recording to magnetic tape. I explain some of the differences in workflow between recording to digital and recording to tape. This is more “hands-on” than the first two installments.
The limitations of the medium affect the way you will record. That’s part of the “tape sound.”
I discuss the battle with tape noise, setting levels, routine calibration tones, punching in, bouncing tracks (which is a different concept than what many DAWs call bouncing), practical aspects of figuring out where you are in a song, variable speed recording, editing and splicing, preparing tape for mastering, manufacturing problems with the tape itself, storing tape, and retrieving music from old tapes.
As always, your comments and suggestions are welcomed. You can send email to dwfearn@dwfearn.com
And for access to all the episodes of My Take on Music Recording, you can go to www.dougfearn.com
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